Johan Per (Per) Sodermark összes festményei közül a Karl Jakob Johannes Lindhagen (1817-1857), chief physician at Pro Patria, battalion physician, medical doctor, Ph.D. in surgery (1848) a leghíresebb; a Nationalmuseum múzeumában található, Stockholm városában. A közvetlen követőket Portrait of Werner Holmberg (1853) és Christoffer Eichhorn (1837-1889), librarian, art historian (1889) alkotja. A Johan Per (Per) Sodermark katalógusában található 3 mű közül ezek a 3 a legelismertebbek, amelyeket dátummal, múzeummal és történetükkel mutatunk be.
A rangsorolást a népszerűségi pontszámunk határozza meg, amely az egyes művek kereséseit, látogatottságát és megrendeléseit ötvözi. Frissítve: november 2026. Az oldalon található festmények bármelyike vászonra vászatra festett olajfestmény-másolatként, vagy az Ön által választott méretben készült minőségi giclée nyomatként rendelhető meg.
A 2 olyan múzeum, amely a legtöbb ezen az oldalon szereplő festményet őrzi.
| Múzeum | Város | Johan Per (Per) Sodermark művei | Ebből a listából származó festmények |
|---|---|---|---|
 Nationalmuseum |
Stockholm | 2 | Karl Jakob Johannes Lindhagen (1817-1857), chief physician at Pro Patria, battalion physician, medical doctor, Ph.D. in surgery, Christoffer Eichhorn (1837-1889), librarian, art historian |
 Finnish National Gallery |
Helsinki | 1 | Portrait of Werner Holmberg |
Karl Jakob Johannes Lindhagen (1817-1857), chief physician at Pro Patria, battalion physician, medical doctor, Ph.D. in surgery (1848), Nationalmuseum, Stockholm. Utánuk Portrait of Werner Holmberg (1853) és Christoffer Eichhorn (1837-1889), librarian, art historian (1889) következik.
Johan Per (Per) Sodermark, aki 1822 évfolyamán született, 26 éves volt: Karl Jakob Johannes Lindhagen (1817-1857), chief physician at Pro Patria, battalion physician, medical doctor, Ph.D. in surgery 1848 származik.
3 műve Johan Per (Per) Sodermark alkotása a katalógusunkban, 1848 és 1889 között.
Leginkább Nationalmuseum (Stockholm) és Finnish National Gallery (Helsinki) helyszíneken; a fenti lista tartalmazza az egyes múzeumokat és a hozzájuk tartozó vászonműveket.
A legkorábbi vászon itt: Karl Jakob Johannes Lindhagen (1817-1857), chief physician at Pro Patria, battalion physician, medical doctor, Ph.D. in surgery (1848); a legutóbb pedig: Christoffer Eichhorn (1837-1889), librarian, art historian (1889).
A Nationalmuseum, Stockholm 2 műve közül rendelkezik ezen az oldalon, köztük ezekkel: Karl Jakob Johannes Lindhagen (1817-1857), chief physician at Pro Patria, battalion physician, medical doctor, Ph.D. in surgery és Christoffer Eichhorn (1837-1889), librarian, art historian.
Igen. Az oldalon található minden festmény megrendelhető a saját oldalán, kézzel festett olajfestmény-másolatként vagy minőségi giclée nyomtatásként, a választott méretben.
Johan Per Södermark stands at a crossroads between military duty and the fine arts. Born in Mossebro, Karlsborg Municipality, on 5 June 1822, his early life follows the disciplined path of his father, Olof Johan Södermark. He enters the military as an Underlöjtnant in 1843, a role that demands precision and observation. The rigidity of service defines his youth, yet the brush remains present. His training begins under his father's guidance before moving to the Royal Swedish Academy of Fine Arts, where he achieves the status of agré in 1848.
The year 1848 brings a sudden shift. He resigns from active military service. The death of his father leaves him with more than just a memory; he inherits a studio. At first, Södermark sustains himself through the labor of copying his father's existing works. This period of imitation acts as a bridge, transitioning him from a man of arms to a man of lithography and paint.
Movement defines his artistic development. He moves through the cultural landscapes of Europe, seeking new light and form. His path takes him to France and Italy, followed by stays in Düsseldorf between 1852 and 1854. In Paris, from 1855 to 1856, he studies under Thomas Couture. These travels expand his repertoire beyond the portraits of his early years.
His work begins to diversify into new territories:
By 1874, Södermark reaches a professional peak as a full member of the Swedish Academy. His presence is felt in major exhibitions, from Copenhagen's Charlottenborg Palace in 1851 to various Nordic Art exhibitions held between 1872 and 1888. He leaves behind a tangible contribution to Swedish collections, having donated his original lithographs to the Nationalmuseum in 1868.
His life concludes in Stockholm on 16 November 1889. While he did not pursue the same level of realistic clarity as his father, his ability to navigate between the roles of officer and artist remains a distinct chapter in Swedish art history. His works remain accessible today through institutions such as the Academy's art gallery, Waldemarsudde, and the Nordic Museum.
