Műterem — Ingyenes világszerte történő szállítás — Szállítás: 2–6 hét
      John Dee, 1527 – 1608

      A 4 leghíresebb John Dee festmény, rangsorolva

      John Dee legkedveltebb festménye a Obsidian Mirror (1400). Four Castles Gold Disk (1560) és Sigillum Dei, Wax Disks (1582) követik őket a vászlakok közül a legismertebbeket. Katalógusunkban 4 mű található John Dee alkotótól: íme a 4 leghíresebb, mindegyiknél megadva a készítés évszámát, a kiállító múzeumt és azt, ami különlegessé teszi őket.

      A rangsorolást a népszerűségi pontszámunk határozza meg, amely az egyes művek kereséseit, látogatottságát és megrendeléseit ötvözi. Frissítve: november 2026. Az oldalon található festmények bármelyike vászonra vászatra festett olajfestmény-másolatként, vagy az Ön által választott méretben készült minőségi giclée nyomatként rendelhető meg.

      John Dee portréja
      John Dee · 1527 – 1608
      Született · meghalt
      1527 – 1608
      A katalógusban szereplő művek
      4
      Legismertebbebb
      Obsidian Mirror (1400)

      A John Dee legjobb 10 festménye: a vásznalak, amelyeket mindenki ismer

      John Dee legkedvesebb vászmai, év év után

      John Dee az easel előtt 23 évig, 1560től 1582ig: az év legkedvesebb vásznalmai, sorrendben.

      1. 1560
      2. 1582
      3. 1582

      John Dee vászonairól: válaszok a kérdéseire

      Mi a leghíresebb műve John Dee alkotóműve közül?Olvassda el a választ

      Obsidian Mirror (1400), amelyet Four Castles Gold Disk (1560) és Sigillum Dei, Wax Disks (1582) követ.

      Hány műve lett összesen John Dee alkotása?Olvassda el a választ

      4 műve John Dee alkotása a katalógusunkban, 1560 és 1582 között.

      Mikor festette John Dee legkedvelte vászait?Olvassda el a választ

      1582 időszakban, amely ezen az oldalon található 4 mű közül 2 alkotással szerepel, Sigillum Dei, Wax Disks a válogatásban.

      Melyek John Dee legkorábbi és legutóbbi híres vászonművei?Olvassda el a választ

      A legkorábbi vászon itt: Four Castles Gold Disk (1560); a legutóbb pedig: Sigillum Dei, Wax Disks (1582).

      Vásárolhatok egy John Dee vászonmásolatot?Olvassda el a választ

      Igen. Az oldalon található minden festmény megrendelhető a saját oldalán, kézzel festett olajfestmény-másolatként vagy minőségi giclée nyomtatásként, a választott méretben.

      John Dee: egy élet a festmények világában

      The Life and Family of John Dee

      John Dee was an English polymath and occultist, a man whose intellectual reach extended far beyond the boundaries of traditional scholarship. Born on 13 July 1527, he occupied a space between rigorous science and the esoteric. His lineage began with his father, Rowland Dee, providing the foundation for a life defined by the pursuit of hidden knowledge. He was not a painter or a visual creator, but a thinker whose influence was felt through his vast intellectual inquiries and his involvement in the occult sciences of the sixteenth century.

      Family life for Dee was marked by specific, documented connections that anchored his complex existence. His son, Arthur Dee, was born on 13 July 1579. This lineage continued through a life spent largely in Mortlake, London, where he maintained his residence and his extensive collections. The weight of his intellectual pursuits often intersected with his personal associations, creating a life that was as much about human relationships as it was about the study of the unknown.

      The end of his life remains a matter of slight historical debate, with records suggesting he died in 1608 or 1609. Regardless of the exact year, the impact of his work remains a concrete part of the history of English intellectualism. He left behind a legacy of manuscripts and tracts, including the Cotton Vitellius C. VII, which serves as a primary record of his own life and thoughts. His existence was defined by this tension between the documented word and the unseen forces he sought to understand.

      Travels and Connections in Europe

      John Dee was an English polymath and occultist whose influence relied heavily on his ability to navigate the complex social and intellectual circles of the European continent. His movements were not mere sightseeing; they were strategic engagements with the power structures of the era. He was a visitor to the court of Rudolf II, a connection that placed him at the center of significant intellectual exchange. This relationship was solidified during his time in Prague, where he visited the court of Rudolf II between 1584 and 1585. These interactions demonstrate a man deeply embedded in the high-stakes political and esoteric currents of the late sixteenth century.

      His social network was as diverse as it was specialized. He maintained a close friendship with Edward Kelley, a relationship that likely defined much of his later intellectual pursuits. Beyond these personal ties, Dee moved through a web of associates and acquaintances that spanned various social strata. He was connected to William of Rosenberg and Nicholas Starkie, figures who represent the breadth of his professional and social reach. These were not casual acquaintances but part of a structured existence defined by proximity to power and the exchange of specialized knowledge. His presence in Prague and his ties to the court of Rudolf II confirm that his work was never isolated to a single locale, but was instead part of a broader, continental dialogue.