Műterem — Ingyenes világszerte történő szállítás — Szállítás: 2–6 hét
      Benjamin West, 1738 – 1820

      A 100 leghíresebb Benjamin West festmény, rangsorolva

      Benjamin West legkedveltebb festménye a A Héjőászló öldülése (1770), amely a Art Gallery of Ontario múzeumában található, Toronto városában. The Last Supper (1786) és The Bard (1778) követik őket a vászlakok közül a legismertebbeket. Katalógusunkban 360 mű található Benjamin West alkotótól: íme a 100 leghíresebb, mindegyiknél megadva a készítés évszámát, a kiállító múzeumt és azt, ami különlegessé teszi őket.

      A rangsorolásunkat a népszerűségi pontszám határozza meg, amely az egyes művek kereséseit, látogatottságát és megrendeléseit ötvözi. Frissítve: október 2026. Az oldalon található festmények bármelyike vászonra vászatra festett olajfestmény-másolatként, vagy az Ön által választott méretben készült minőségi giclée nyomatként rendelhető meg.

      Benjamin West portréja
      Benjamin West · 1738 – 1820
      Született · meghalt
      1738 – 1820, Springfield
      Mozgalom
      Neoclassical painting
      A katalógusban szereplő művek
      360
      Legnépszerűbb
      A Héjőászló öldülése (1770)
      A legtöbb művel a
      Yale Center for British Art

      A Benjamin West legjobb 10 festménye: a vásznalak, amelyeket mindenki ismer

      A Héjőászló öldülése (1770) szerzője Benjamin West
      1

      A Héjőászló öldülése

      1770 · Olajfestmény vászonon · Art Gallery of Ontario, Toronto

      Wolfe tábornok halála: A történelmi festészet remekműve Történelmi kontextus és jelentőség Benjamin West „Wolfe tábornok halála” című festménye egy ikonikus alkotás, amely a történelem egyik döntő pillanatát örökíti meg: az 1759. szeptember 13-án zajló quebeci csatát. A Hétévháború részeként ez a harc North America francia kolóniáinak sorsát döntötte el. James Wolfe tábornok, aki a brit erők győzelméhez vezetett, halálosan megsérült a konfliktus során. West festménye megörökíti ezt a pillanatot, átalakítva…

      The Last Supper (1786) szerzője Benjamin West
      2

      The Last Supper

      1786 · Oil · Detroit Institute of Arts, Detroit

      Benjamin West's "The Last Supper," painted in 1786, isn’t merely a depiction of a biblical event; it’s a profound exploration of human emotion and the genesis of faith. This monumental oil on canvas, currently residing at the Detroit Institute of Arts, transcends its historical subject matter to become a timeless meditation on betrayal, disbelief, and the quiet dignity of sacrifice. West, a pivotal figure bridging the worlds of Neoclassicism and…

      The Bard (1778) szerzője Benjamin West
      3

      The Bard

      1778 · Oil On Canvas · Tate Britain, London

      Benjamin West's "The Bard," painted in 1778, is more than just a portrait; it’s a carefully constructed meditation on the role of the poet, the weight of classical learning, and perhaps, a subtle reflection of the burgeoning revolutionary spirit taking hold across the Atlantic. Measuring a modest 22 x 29 cm, this oak panel painting currently resides within the hallowed halls of Tate Britain in London, yet its impact resonates…

      Alexander III of Scotland Rescued from the Fury of a Stag by the Intrepidity of Colin Fitzgerald ( (1786) szerzője Benjamin West
      4

      Alexander III of Scotland Rescued from the Fury of a Stag by the Intrepidity of Colin Fitzgerald (

      1786 · Oil On Canvas · Scottish National Gallery, Edinburgh

      Benjamin West's "Alexander III of Scotland Rescued from the Fury of a Stag by the Intrepidity of Colin Fitzgerald" – often referred to as “The Death of the Stag” – is more than just a historical painting; it’s a visceral tableau of courage, loyalty, and the very essence of Highland legend. Completed in 1786, this monumental work, now residing within the Scottish National Gallery, transports us directly into a pivotal…

      St. George and the Dragon (1786) szerzője Benjamin West
      5

      St. George and the Dragon

      1786 · Oil · Reading Public Museum, Reading

      In St. George and the Dragon, Benjamin West orchestrates a scene of intense movement through a precise diagonal arrangement. The knight, mounted upon a rearing white horse, descends from the upper left toward the dragon positioned in the lower right. This structural choice directs the eye through the center of the struggle, emphasizing the momentum of the descent. The composition is tight and immersive, utilizing a close-up perspective that creates…

      Death on a Pale Horse (1796) szerzője Benjamin West
      6

      Death on a Pale Horse

      1796 · Oil On Canvas · Detroit Institute of Arts, Detroit

      Benjamin West's "Death on a Pale Horse," painted in 1796, isn't merely a depiction of a biblical scene; it’s an immersive plunge into the heart of human anxiety and the sublime terror of impending doom. Born amidst the burgeoning intellectual currents of colonial America, West was a painter who defied easy categorization, seamlessly blending Neoclassical restraint with Romantic fervor. This particular work, one of three versions created around the same…

      The Death of Hyacinth (1771) szerzője Benjamin West
      7

      The Death of Hyacinth

      1771 · Acrylic On Canvas · Philadelphia Művészeti Múzeum, Philadelphia

      Benjamin West’s “The Death of Hyacinth,” completed in 1771, stands as a cornerstone of British Romanticism's nascent influence on the American artistic landscape. Currently residing within the Philadelphia Museum of Art, this monumental oil painting transcends mere depiction; it embodies an emotional resonance that continues to captivate viewers centuries later.

      Portrait of George, Prince of Wales, and Prince Frederick, later Duke of York (1778) szerzője Benjamin West
      8

      Portrait of George, Prince of Wales, and Prince Frederick, later Duke of York

      1778 · Oil On Canvas · Hermitaeus-múzeum, Szentpétervár

      Benjamin West’s “Portrait of George, Prince of Wales, and Prince Frederick, later Duke of York” (1778) is more than just a likeness; it's a meticulously crafted tableau vivant offering a rare glimpse into the social dynamics and burgeoning political currents of 18th-century Britain. Housed within the walls of The Hermitage in St. Petersburg, this oil on canvas masterpiece transcends mere portraiture, becoming a study in power, familial connection, and the…

      The Death of Procris (1770) szerzője Benjamin West
      9

      The Death of Procris

      1770 · Oil On Panel · Art Institute of Chicago, Chicago

      The forest air hangs heavy and still, thick with the scent of damp earth and ancient leaves. Within this dark, atmospheric woodland, a profound tragedy unfolds in a single, frozen moment of grief. A woman lies motionless across the lower half of the canvas, her pale skin catching a sharp, theatrical light that seems to pierce through the murky canopy above. She is draped in deep, ultramarine blue fabric, her…

      További Benjamin West vászonfestmények, 11től 100ig

      Joseph Banks (1773) szerzője Benjamin West
      #11

      Joseph Banks

      1773 · Usher Art Gallery

      Joseph Banks és Benjamin West: Egy Elegáns Botanikus Szellem Megörökítése A francia botanikus Joseph Banks és az angol festő Benjamin West műve, melyet 1773-ban készítettek el, egy igazán…

      Készíttesse kézzel festve →
      Paetus and Arria (1766) szerzője Benjamin West
      #12

      Paetus and Arria

      1766 · Yale Center for British Art

      The air in the room feels heavy, thick with the scent of old stone and impending finality. A man leans forward, his hand pressed against his forehead in…

      Készíttesse kézzel festve →
      King Lear (1788) szerzője Benjamin West
      #14

      King Lear

      1788

      The heavy weight of tragedy hangs over King Lear, a work by the artist Benjamin West. Executed in 1788, this oil on canvas captures a moment of profound…

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      The Death of Chatham (1778) szerzője Benjamin West
      #15

      The Death of Chatham

      1778 · Yale Center for British Art

      The composition anchors itself upon a slumped figure, the center of a collapsing world. This man, likely William Pitt the Elder, rests amidst a crowd of mourning dignitaries.…

      Készíttesse kézzel festve →
      The Cave of Despair (1772) szerzője Benjamin West
      #18

      The Cave of Despair

      1772 · Yale Center for British Art

      In 1772, Benjamin West painted The Cave of Despair, a scene drawn from the verses of Edmund Spenser’s Faerie Queen. The narrative centers on St. George, known as…

      Készíttesse kézzel festve →
      King Lear (1788) szerzője Benjamin West
      #21

      King Lear

      1788 · Detroit Institute of Arts

      The oil on canvas titled King Lear was executed by the artist Benjamin West in 1788. This work was originally commissioned for the Shakespeare Gallery in London, a…

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      Self-Portrait (1818) szerzője Benjamin West
      #22

      Self-Portrait

      1818 · Harvard Art Museums

      Benjamin West, an American artist born in Springfield, PA, produced this Self-Portrait during his later years. Created in the United States/North America, the work dates to about 1818.…

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      Portrait of a Man (1794) szerzője Benjamin West
      #26

      Portrait of a Man

      1794 · Art Institute of Chicago

      An elderly man sits within a wooden chair, positioned slightly off-center in a three-quarter length pose. He wears a dark, heavy coat featuring visible buttons and a crisp…

      Rendelje meg ezt a vászonat →
      Cymon and Iphigenia (1766) szerzője Benjamin West
      #29

      Cymon and Iphigenia

      1766 · Yale Center for British Art

      The scene unfolds in a quiet moment of repose within Cymon and Iphigenia, an oil on panel work by Benjamin West. Created about 1766, the painting captures a…

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      Queen Charlotte (1777) szerzője Benjamin West
      #34

      Queen Charlotte

      1777 · Yale Center for British Art

      The gaze of Queen Charlotte meets the viewer through this oil on canvas portrait painting, a work that captures the regal presence of the German-born British queen consort.…

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      Benjamin West vászonai, korszakonként

      Amit Benjamin West a legtöbbször festett

      A négy leggyakoribb motívum ezen a vásznon, mindegyik a legkedvesebb példájával.

      Hol kirakott Benjamin West vászonai

      A 8 olyan múzeum, amely a legtöbb ezen az oldalon szereplő festményet őrzi.

      Múzeumok Város Benjamin West művei Ebből a listából származó festmények
      Yale Center for British Art, New HavenYale Center for British Art New Haven 16 Paetus and Arria, Elizabeth West (née Shewell), and Her son Raphael, The Death of Chatham
      Royal Collection, LondonRoyal Collection London 27 Edward III (1312 1377) with the Black Prince (1330 1376) after the Battle of Crecy (1346), St. Peter Denying Christ, Queen Charlotte (1744-1818) with Charlotte, Princess Royal (1766-1828)
      Art Institute of Chicago, ChicagoArt Institute of Chicago Chicago 4 The Death of Procris, Queen Philippa at the Battle of Neville's Cross, Portrait of a Man
      National Gallery of Art, WashingtonNational Gallery of Art Washington 10 The Expulsion of Adam and Eve from Paradise, Portrait of Colonel Guy Johnson and Karonghyontye, Cupid, Stung by a Bee, Is Cherished by his Mother
      Detroit Institute of Arts, DetroitDetroit Institute of Arts Detroit 7 The Last Supper, Death on a Pale Horse, King Lear
      New York Historical Society, New YorkNew York Historical Society New York 4 Charles Willson Peale (1741–1827), Thetis Bringing the Armor to Achilles
      Fine Arts Museums of San Francisco, San FranciscoFine Arts Museums of San Francisco San Francisco 3 George Harry Grey, Lord Grey (later the Fifth Earl of Stamford), Cupid Stung by a Bee
      Cleveland Museum of Art, ClevelandCleveland Museum of Art Cleveland 3 Elizabeth Shewell West and Her Son, Raphael, British Manufactory; A Sketch

      Benjamin West legkedvelte vászonműve évtizedenként

      1. 1750s
        Portrait of Dr. Enoch Edwards (1750) szerzője Benjamin West
        16 / 100 vászon

        Portrait of Dr. Enoch Edwards

        Kor: 12 – 21 év · Brooklyn Múzeum

        A single, steady gaze meets the viewer from the shadows of the late eighteenth century. Dr. Enoch Edwards sits in a three-quarter view, his presence defined by the…

      2. 1760s
        Paetus and Arria (1766) szerzője Benjamin West
        12 / 100 vászon

        Paetus and Arria

        Kor: 22 – 31 év · Yale Center for British Art

        The air in the room feels heavy, thick with the scent of old stone and impending finality. A man leans forward, his hand pressed against his forehead in…

      3. 1770s
        A Héjőászló öldülése (1770) szerzője Benjamin West
        1 / 100 vászon

        A Héjőászló öldülése

        Kor: 32 – 41 év · Art Gallery of Ontario

        Wolfe tábornok halála: A történelmi festészet remekműve Történelmi kontextus és jelentőség Benjamin West „Wolfe tábornok halála” című festménye egy ikonikus alkotás, amely a történelem egyik döntő pillanatát örökíti…

      4. 1780s
        The Last Supper (1786) szerzője Benjamin West
        2 / 100

        The Last Supper

        Kor: 42 – 51 év · Detroit Institute of Arts

        Benjamin West's "The Last Supper," painted in 1786, isn’t merely a depiction of a biblical event; it’s a profound exploration of human emotion and the genesis of faith.…

      5. 1790s
        Death on a Pale Horse (1796) szerzője Benjamin West
        6. hely 100 közül

        Death on a Pale Horse

        Kor: 52 – 61 év · Detroit Institute of Arts

        Benjamin West's "Death on a Pale Horse," painted in 1796, isn't merely a depiction of a biblical scene; it’s an immersive plunge into the heart of human anxiety…

      6. 1800s
      7. 1810s
        Self-Portrait (1818) szerzője Benjamin West
        22. hely 100 közül

        Self-Portrait

        Kor: 72 – 81 év · Harvard Art Museums

        Benjamin West, an American artist born in Springfield, PA, produced this Self-Portrait during his later years. Created in the United States/North America, the work dates to about 1818.…

      Benjamin West vászonairól: válaszok a kérdéseire

      Mi a leghíresebb műve Benjamin West alkotóműve közül?Olvassda el a választ

      A Héjőászló öldülése (1770), Art Gallery of Ontario, Toronto. Utánuk The Last Supper (1786) és The Bard (1778) következik.

      Hány éves volt Benjamin West, amikor a A Héjőászló öldülése készült?Olvassda el a választ

      Benjamin West, aki 1738 évfolyamán született, 32 éves volt: A Héjőászló öldülése 1770 származik.

      Melyek Benjamin West 10 leghíresebb festménye?Olvassda el a választ

      A Héjőászló öldülése, The Last Supper, The Bard, Alexander III of Scotland Rescued from the Fury of a Stag by the Intrepidity of Colin Fitzgerald (, St. George and the Dragon, Death on a Pale Horse, The Death of Hyacinth, Portrait of George, Prince of Wales, and Prince Frederick, later Duke of York, The Death of Procris és The Expulsion of Adam and Eve from Paradise. A rangsorban szereplő vászlakok mindegyike tartalmazza a festvény évszámát és a kiállító múzeumát is.

      Hány műve lett összesen Benjamin West alkotása?Olvassda el a választ

      360 műve Benjamin West alkotása a katalógusunkban, 1750 és 1818 között.

      Hol láthatom Benjamin West leghíresebb vászonműveit?Olvassda el a választ

      Leginkább Yale Center for British Art (New Haven), Royal Collection (London) és Art Institute of Chicago (Chicago) helyszíneken; a fenti lista tartalmazza az egyes múzeumokat és a hozzájuk tartozó vászonműveket.

      Mikor festette Benjamin West legkedvelte vászait?Olvassda el a választ

      1770s időszakban, amely ezen az oldalon található 100 mű közül 30 alkotással szerepel, A Héjőászló öldülése a válogatásban.

      Melyek Benjamin West legkorábbi és legutóbbi híres vászonművei?Olvassda el a választ

      A legkorábbi vászon itt: Portrait of Dr. Enoch Edwards (1750); a legutóbb pedig: Self-Portrait (1818).

      Mit festett leggyakrabban Benjamin West?Olvassda el a választ

      Man (21), Woman (17) és Horse (7), a jelen oldalon található 100 műművészeti alkotás között.

      Melyik technikával festett leggyakrabban Benjamin West?Olvassda el a választ

      Oil On Canvas, amely 33 darabban szerepel a ?>"> 100 műből ezen az oldalon.

      Mely művészeti irányhoz tartozik Benjamin West festménye?Olvassda el a választ

      Neoclassical painting, ahogy azt ezen az oldalon látható vásznemek is mutatják.

      Mely Benjamin West vászonok láthatóak a Yale Center for British Art falán?Olvassda el a választ

      A Yale Center for British Art, New Haven 13 műve közül rendelkezik ezen az oldalon, köztük ezekkel: Paetus and Arria, Elizabeth West (née Shewell), and Her son Raphael és The Death of Chatham.

      Vásárolhatok egy Benjamin West vászonmásolatot?Olvassda el a választ

      Igen. Az oldalon található minden festmény megrendelhető a saját oldalán, kézzel festett olajfestmény-másolatként vagy minőségi giclée nyomtatásként, a választott méretben.

      Benjamin West: egy élet a festmények világában

      A Pioneer Bridging Worlds: The Life and Legacy of Benjamin West

      Born in 1738 amidst the burgeoning landscape of colonial Pennsylvania, Benjamin West emerged as a pivotal figure in the transatlantic art world, a painter who skillfully navigated the currents of Neoclassicism and Romanticism while forging a uniquely American artistic identity. His story is one of remarkable self-education, unwavering ambition, and an extraordinary ability to connect with both aristocratic patrons and revolutionary ideals. From humble beginnings—his father an innkeeper in Springfield—West’s innate talent was nurtured by early exposure to the arts, reportedly learning rudimentary techniques from Native Americans before receiving any formal training. This unconventional start instilled within him a spirit of innovation that would characterize his entire career. He quickly established himself as a sought-after portraitist in Philadelphia and New York, but a thirst for deeper artistic knowledge propelled him towards Europe in 1760, embarking on a journey that would irrevocably alter the course of American art.

      From Italy to London: Forging a Path to Recognition

      West’s arrival in Italy marked a turning point. Immersing himself in the artistic heartland of Europe, he studied the masters—Titian, Raphael—and engaged with contemporary Neoclassical thinkers like Anton Rafael Mengs and Angelica Kauffman. This period was crucial in shaping his aesthetic sensibilities, instilling within him an appreciation for classical form and historical narrative. He meticulously copied works by these giants, absorbing their techniques and understanding of composition. However, it was London that ultimately became his adopted home and artistic center. Arriving in 1763, West swiftly ascended the ranks of the British art scene, captivating audiences with his ambitious canvases and securing the patronage of King George III. This royal endorsement not only provided financial stability but also cemented his position as a leading figure within the establishment. A defining moment came with his election to the Royal Academy in 1769, an institution he would later preside over as President from 1792 until his death. His influence extended beyond his own artistic production; West became a champion for American artists seeking training abroad, offering guidance and support to generations of aspiring painters like Allston, Copley, and Morse. He established a studio that served as a hub for artistic exchange, fostering a sense of community among artists from diverse backgrounds.

      Revolutionizing Historical Painting: Technique and Controversy

      West’s impact on the art world wasn't merely about achieving technical mastery; it was about challenging conventions. He dared to reimagine historical painting, moving away from rigid adherence to classical precedent and embracing a more contemporary sensibility. The Death of General Wolfe (1770), arguably his most famous work, exemplifies this revolutionary approach. By depicting the fallen general surrounded by figures in *contemporary* military attire rather than traditional Roman garb, West sparked considerable debate. Critics questioned the historical accuracy, but audiences were captivated by the immediacy and emotional resonance of the scene. This bold move signaled a shift towards greater realism and narrative power in history painting, influencing countless artists who followed. His style evolved over time, incorporating elements of Romanticism into his later works, yet always retaining a commitment to ambitious composition and detailed execution. Other notable pieces like Thetis Bringing the Armor to Achilles, The Three Sisters, The Fright of Astyanax, and The Cave of Despair demonstrate his versatility and mastery across a range of mythological and historical themes. He was known for his meticulous preparatory sketches and his ability to capture subtle expressions and gestures in his subjects.

      A Lasting Legacy: Shaping Artistic Identity

      Benjamin West’s legacy extends far beyond the canvases he created. He fundamentally altered the landscape of American art, establishing history painting as a viable genre for American artists and fostering a sense of national artistic identity. His presidency of the Royal Academy solidified his influence on British art, promoting innovation and supporting emerging talent.
      • He championed a more accessible and emotionally engaging style of historical representation.
      • His studio became a haven for American artists seeking training in Europe.
      • He bridged the gap between Neoclassical ideals and the burgeoning Romantic movement.
      West’s innovative spirit, coupled with his diplomatic skills and unwavering dedication to his craft, earned him lasting recognition as “the American Raphael.” He died in London in 1820, leaving behind a body of work that continues to inspire awe and admiration. His story serves as a testament to the power of artistic vision, the importance of cultural exchange, and the enduring legacy of an artist who dared to challenge conventions and forge his own path.

      Minden 360 műmű Benjamin West alkotása →