Portrait of A Girl (1940)はCharles Alstonの代表作として知られる作品であり、Los AngelesにあるThe Kinsey African American Art - History Collectionに収蔵されています。 Young Boy (1938)とUntitled (Seven Figures) (1949)が加わり、最も愛されている3枚のキャンバスが揃いました。 Charles Alstonによる作品は、当カタログに9点収められています。ここでは、制作年、所蔵美術館、そして各作品の背景とともに、最も有名な9点をご紹介します。
各作品の検索数、閲覧数、および注文数を組み合わせた当サイトの人気スコアに基づきランキングを作成しています。最終更新：10月 2026
Portrait of A Girl is an oil painting on canvas created in 1940. The work is a portrait of a woman with short hair, depicted wearing a white shirt. She is shown sitting down, looking directly at the viewer with an expression that appears somewhat stern or serious. The background of the composition features a chair that is partially visible on the left side of the frame.
このページに掲載されている絵画を最も多く所蔵している 3 の美術館
| 美術館 | 都市 | Charles Alstonの作品 | このリストの絵画 |
|---|---|---|---|
 The Kinsey African American Art - History Collection |
Los Angeles | 1 | Portrait of A Girl |
 スミソニアン・アメリカン・アート・ミュージアム |
Washington, D.C. | 1 | Young Boy |
 ホイットニー美術館 |
ニューヨーク | 1 | The Family |
Portrait of A Girl is an oil painting on canvas created in 1940. The work is a portrait of a woman with short hair, depicted wearing a white…
Portrait of A Girl (1940)（The Kinsey African American Art - History Collection, Los Angeles）。続いてYoung Boy (1938)、Untitled (Seven Figures) (1949)が続きます。
1907年に生まれたCharles Alstonは33歳でした：Portrait of A Girlは1940年の作品です。
Charles Alstonによる作品が9点、1938年から1963年にかけてのものがカタログに掲載されています。
主にThe Kinsey African American Art - History Collection (Los Angeles), スミソニアン・アメリカン・アート・ミュージアム (Washington, D.C.) と ホイットニー美術館 (ニューヨーク)に所蔵されています。上記のリストには、各美術館とその所蔵作品が記載されています。
このページに掲載されている全9作品のうち、3作品が1940sの作品であり、その中にはPortrait of A Girlが含まれます。
ここにある最も古いキャンバスはYoung Boy (1938)、最も新しいものはSeated Woman (1963)です。
Charles Henry Alston (1907-1977) was a pivotal American artist – painter, sculptor, illustrator, muralist, and educator – deeply embedded within the vibrant cultural landscape of the Harlem Renaissance. His work served as both an artistic expression and a powerful statement about Black identity and community.
Born in Charlotte, North Carolina, Alston’s family moved to New York City during his childhood. He received a solid education, graduating from DeWitt Clinton High School in 1925. His artistic talent was evident early on, leading him to study at the Harlem Art Workshop and later at Yale University School of Fine Arts, where he earned both a B.A. (1929) and an M.F.A. (1931). This formal training provided a foundation for his evolving style.
Alston’s artistic journey was shaped by a diverse range of influences. He admired the work of modernist masters like Pablo Picasso and Amedeo Modigliani, drawn to their simplified forms and expressive qualities. Simultaneously, he found profound inspiration in African art, recognizing its powerful symbolism and aesthetic strength. These combined influences led him to develop a unique style characterized by flattened perspectives, bold colors, and a focus on capturing the essence of his subjects.
The 1930s proved crucial for Alston’s career. He became the first African American supervisor for the Federal Art Project (FAP) of the Works Progress Administration (WPA). This role was groundbreaking, allowing him to provide opportunities for numerous Black artists during a time of economic hardship and racial discrimination. He also actively created murals as part of the WPA’s efforts to beautify public spaces, notably at Harlem Hospital – these murals remain significant examples of his commitment to community art.
Charles Henry Alston’s significance extends beyond his artistic achievements. He was a dedicated educator, teaching at various institutions including Yale University and the High School of Art and Design in New York City. He believed strongly in empowering African Americans through cultural enrichment and artistic advancement. His work challenged racial stereotypes and contributed to a more inclusive representation of Black life in American art history.
Throughout his career, Alston continued to exhibit his work and receive recognition for his contributions. He remained committed to social justice and used his art as a platform for advocacy. His legacy continues to inspire generations of artists and activists, solidifying his place as a vital figure in American art history.
His works can be found in numerous collections including the Syracuse University Art Collection and other museums across the United States.
