用紙

学生作品ガイド

Midday

氏名 クラス 日付

Felice Casorati, Midday (1923), Revoltella Museum. 参考用として複製。著作権は権利者に帰属します。 動きのある光の下で、このキャンバスをご覧ください。描線、ニス越しに透ける真の色、そして剥き出しの顔料を。

事実関係

作家
Felice Casorati topimpressionists.com/ja/artists/felice-casorati/
制作年
1883 – 1963
彩色済み
1923
様式
Magic Realism
開催地
Revoltella Museum topimpressionists.com/ja/museums/revoltella-museum-trieste/

文脈において

Midday — Felice Casorati

制作時期はいつですか?

  1. 1880
  2. 1890
  3. 1900
  4. 1910
  5. 1920
  6. 1930
  7. 1940
  8. 1950
  9. 1960

上の行:年。下の行:各期間の開始時と終了時の年齢 — 出生時は0、没時は 80。

作家が 40 歳の時に制作。 そのアーティストは80まで生きました。 9 of the 16 dated works by this artist in our catalogue came earlier.

背景色:Felice Casoratiの生涯 (1883–1963) ▲ 本作品、1923 年代ごとに並ぶ、すべての制作年入り作品

初期作品:1920年まで 主な活動期間:1920–1925 晩年の作品:1925年以降

これら3つの区分により、本カタログに日付が記されている作品群は、第1四半期、中間期、そして第4四半期へと分けられます。これらはアーティストの全作品を網羅したものではありません。記録の空白期間が、単なる活動休止期間として現れている場合もあります。 アーティストの歩みとともに刻まれた、その年月

似ている作品

上記の作品から一つ選んでください。その作品と共通する点を2つ、異なる点を1つ挙げてください。

こちらの作品とあわせてご覧いただける他の作品:topimpressionists.com/ja/art/similar/felice-casorati-midday-D2KHNC-en/

カラーパレット

画像から抽出したカラーパレット

    メインカラー

    Espresso #342d2e

    保存済みパレット

    • #342D2E
    • #ADB0B9
    • #91856D
    • #615648

    アーティストのパレット全体を構成するこれらの色彩 色から他の絵画を探す

    配色
    Earthy 作品の中で主要な色調。
    主な色名
    Espresso
    彩度
    Monochromatic 単一の落ち着いた色調から、多彩で鮮やかな色彩まで、色の彩度やバリエーションの豊かさ。
    コントラスト
    Bold 作品全体における、色の明度と彩度の差異の度合い。
    調和
    Softly Mixed Palette 対照的な色合いから完全に調和したものまで、色彩がいかに美しく響き合っているか。
    明るさ
    Shadow 深い影から明るいハイライトまで、作品全体の明暗の度合い。
    彩度
    Subtle Color 限りなくグレーに近い色合いから、鮮やかな色彩まで、その純度と強さが際立ちます。

    この絵画が世界中のどこで鑑賞されているか

    • 1%未満
    • 1–3%
    • 3–8%
    • 8–20%
    • 20% 以上
    この作品単体では地図化できるほどの来場者数が記録されていないため、このプレートには過去12か月間における Felice Casorati の全作品を記載しています。合計で 3 か国にわたります。 これらの数値の出典について

    主要な10カ国

    1. 1 中国 66.7%
    2. 2 スペイン 16.7%
    3. 3 日本 16.7%

    地図上で最も色が濃い3つの国を見つけてください。この絵画を収蔵している美術館は、そのいずれかの国にありますか?遠く離れた場所にいる人々が、この作品に目を向ける理由を一つ書き出してください。

    Felice Casorati の注目作品 10点

    1. 1 Portrait of Carlo Sacco e Carolina Cerutti, 1928 27.3%
    2. 2 The Little Girls, 1909 9.1%
    3. 3 Concert, 1924 9.1%
    4. 4 Marilena, 1936 9.1%
    5. 5 Untitled (740) 9.1%
    6. 6 The gypsy woman, 1909 9.1%
    7. 7 Girl with linoleum, 1921 9.1%
    8. 8 The Two Sisters (Open and Closed Book), 1921 9.1%
    9. 9 Untitled (382) 9.1%
    10. — Midday, 1923 こちらの作品 0.0%

    これらの作品は、このアーティストの絵画が過去12か月間に受けた注目全体の 100.0% を占めています。カタログにはこのアーティストによる 24 点の作品が収められており、そのうち 9 点は少なくとも一度は閲覧されました。 この作品は現時点ではまだ閲覧されていないため、順位なしとしてリストの最後に表示されています。 月ごとの集計結果は同一です

    バーは注目度を示すものであり、品質を示すものではありません。リストの最上部にある作品と、こちらの作品を選んでください:絵画がその技術的な巧拙を超えて有名になる要因として、考えられることを一つ挙げてください。

    アーティストと美術館

    作家

    Felice Casorati

    Early Life and Artistic Awakening

    Felice Casorati, born in Novara, Italy, in 1883, embarked on a path initially dictated by familial expectation rather than fervent artistic desire. His early years were steeped in the pursuit of legal studies at the University of Padua, a decision made to appease his mother’s wishes. However, fate – and perhaps an inherent calling – intervened. A serious illness forced a reassessment of priorities, and with it came a burgeoning passion for art that would ultimately eclipse all other ambitions. The pivotal moment arrived in 1907 when one of his paintings was accepted into the prestigious Venice Biennale, a validation that irrevocably steered him toward a life dedicated to creative expression. This wasn’t merely a change of course; it was an awakening, a recognition of a deeply held talent yearning for release. Initially, his work reflected a naturalistic style, grounded in observation and meticulous detail, but this foundation would soon be transformed by the currents of artistic innovation swirling around him.

    The Influence of Symbolism and the Path to a Unique Vision

    The early 20th century was a period of profound artistic upheaval, and Casorati found himself drawn into the orbit of the Symbolist movement. The ethereal quality, psychological depth, and emphasis on subjective experience resonated deeply with his evolving sensibilities. Crucially, it was the work of Gustav Klimt that exerted a particularly strong influence, inspiring him to move beyond mere representation toward a more visionary approach. This wasn’t simply imitation; Casorati absorbed Klimt's decorative richness and symbolic language, filtering them through his own unique lens. He began experimenting with unusual perspective effects, creating compositions that felt both familiar and unsettlingly dreamlike. This period marked a crucial shift in his artistic trajectory – a move away from the literal toward an exploration of inner states and emotional resonance. His military service during World War I, though disruptive, also contributed to this evolution, providing a stark contrast to the pre-war world and fueling a desire for order and clarity in his art.

    Turin and the “Return to Order”

    The year 1918 witnessed Casorati’s relocation to Turin, a city he found captivatingly "decadent" with its "sinister views." This move proved pivotal, coinciding with a broader artistic trend known as the “Return to Order.” Following the chaos and abstraction of the war years, artists across Europe sought a renewed emphasis on form, structure, and classical principles. Casorati became a leading figure in this movement, his work embodying its core tenets. He embraced geometry, formal clarity, and meticulous technique, creating paintings that were often characterized by a sense of stillness and emotional restraint. He worked primarily in tempera, a medium that allowed for precise control and luminous color, drawing inspiration from Renaissance masters – particularly Piero della Francesca. This wasn’t a rejection of modernity but rather a deliberate attempt to synthesize classical ideals with contemporary sensibilities.

    Major Achievements and Defining Characteristics

    Casorati's oeuvre encompasses figure compositions, portraits, and still lifes, each imbued with his distinctive style. His sculptures in varnished terracotta, first exhibited at the Rome Secession III in 1915, demonstrated a similar preoccupation with form and volume. However, it is perhaps his paintings that remain most iconic. Silvana Cenni, painted in 1922, stands as a prime example of his mature style – a symmetrical composition featuring a seated woman in a white dress. The careful rendering of volumes creates an almost unsettling sense of unreality, paradoxically highlighting the painting’s inherent artificiality. His compositions often feature figures placed within architectural settings, creating a sense of isolation and psychological tension. He frequently employed unusual perspectives, distorting spatial relationships to heighten emotional impact. The deliberate use of muted colors and precise brushwork further contributes to the overall atmosphere of stillness and contemplation.

    Historical Significance and Lasting Legacy

    Raffaello Giolli’s summary in 1925 aptly captured the disconcerting aspects of Casorati's art, acknowledging its "cold," "cerebral," and seemingly "academic" qualities. Yet, these very characteristics are what set him apart. He achieved international recognition as a leading figure in the “Return to Order” movement, influencing generations of artists with his emphasis on form, structure, and psychological depth. Casorati’s work bridged the gap between realism and abstraction, offering a unique vision that continues to resonate today. He wasn't interested in simply depicting reality; he sought to create paintings that were both intellectually stimulating and emotionally evocative. His legacy lies not only in his technical mastery but also in his ability to imbue seemingly simple compositions with profound meaning and enduring mystery.

    Key Influences: Gustav Klimt, Piero della Francesca, Renaissance painting.

    Major Themes: Isolation, psychological tension, the relationship between form and space.

    Signature Style: Precise technique, muted colors, unusual perspective effects, symmetrical compositions.

    美術館・博物館

    Revoltella Museum

    展示場所: Trieste, Italy

    A Window into Trieste’s Soul: The Revoltella Museum

    Nestled within a complex of buildings that whisper tales of aristocratic ambition and artistic patronage, the Revoltella Museum in Trieste offers far more than just a collection of paintings; it presents a vibrant chronicle of Italian art from the 19th century to the present day. Founded by Baron Pasquale Revoltella – a man whose life was as richly layered as his museum’s holdings – this institution stands as a testament to his vision: a space dedicated to beauty, accessible to all and deeply rooted in the cultural heritage of Friuli Venezia Giulia.

    The museum's story begins with Baron Revoltella himself, a shrewd businessman and influential figure in Trieste’s burgeoning commercial landscape. He bequeathed his opulent home, complete with its art treasures, furniture, and literary collections, to the city in 1872 – an extraordinary act of generosity that laid the foundation for this remarkable cultural landmark. The initial structure, designed by the esteemed architect Friedrich Hitzig in 1858, served as a grand residence reflecting the Baron’s status and taste. However, the museum's ambition quickly outgrew its original footprint. In 1907, the city acquired the adjacent Brunner Palace, a magnificent example of late 19th-century architecture, and embarked on a significant reconstruction spearheaded by Carlo Scarpa in 1963. This expansion not only doubled the exhibition space but also introduced a distinctly modern aesthetic, creating a fascinating dialogue between historical grandeur and contemporary design – a visual metaphor for the museum’s own evolution.

    A Tapestry of Regional and National Art

    The Revoltella Museum's collection is characterized by its remarkable breadth and depth. While firmly rooted in the artistic traditions of Friuli Venezia Giulia, it also boasts an impressive array of works from across Italy and beyond. A significant strength lies in its dedication to showcasing regional artists – a deliberate effort to elevate local talent and preserve the region’s unique artistic identity. Visitors will discover masterpieces by Giuseppe Tominz, a pivotal figure in Italian art history known for his evocative portraits and dramatic compositions; Fattori, whose vibrant landscapes capture the essence of the Friulian countryside; and Fontana, whose groundbreaking sculptures challenged conventional notions of form and space.

    The Brunner Palace houses a particularly compelling collection of 19th-century Italian masters – names like Fattori, Tominz, and others who defined the era’s artistic sensibilities. The second floor is dedicated to works from the early 20th century, offering glimpses into the burgeoning avant-garde movements that were reshaping the art world. The museum's commitment extends to showcasing international artists of the latter half of the century, adding a global perspective to its narrative.

    Architectural Harmony and Historical Context

    Beyond its artistic treasures, the Revoltella Museum is an architectural gem in its own right. The juxtaposition of the original Hitzig building with the Scarpa-designed expansion creates a captivating visual experience. Scarpa’s intervention skillfully integrated the Brunner Palace into the existing complex, preserving the historical fabric while introducing a sense of lightness and dynamism. The museum's location overlooking Piazza Venezia offers stunning panoramic views of Trieste – a constant reminder of the city’s strategic importance as a crossroads between Central Europe and the Mediterranean.

    The building itself is a fascinating blend of styles, reflecting the evolving tastes and architectural trends of its time. The original structure embodies the grandeur of 19th-century Neoclassicism, while Scarpa's additions incorporate elements of modernism, creating a harmonious yet strikingly unique ensemble.

    A Legacy of Vision and Accessibility

    What truly distinguishes the Revoltella Museum is its enduring commitment to accessibility. Baron Revoltella’s original vision – to make art available to all – remains at the heart of the institution's mission. The museum offers a rich, immersive experience that transcends mere display; it invites visitors to engage with art on a deeply personal level. The museum’s evolution, from private residence to public gallery, reflects a broader cultural shift—a recognition of art’s power to enrich and inspire lives.

    Today, the Revoltella Museum continues to evolve, hosting temporary exhibitions that showcase both established and emerging artists. It remains a vital center for artistic expression and a cherished landmark in Trieste – a place where history, art, and architecture converge to create an unforgettable experience.

    詳細はこちら

    オンラインで探す

    MiddayのダウンロードページへつながるQRコード

    topimpressionists.com/ja/art/download/felice-casorati-midday-D2KHNC-en/

    この作品を引用する

    MLA
    Casorati, Felice. Midday. 1923, Revoltella Museum. https://topimpressionists.com/ja/art/felice-casorati-midday-D2KHNC-en/
    APA
    Casorati, Felice (1923). Midday [Painting]. Revoltella Museum. https://topimpressionists.com/ja/art/felice-casorati-midday-D2KHNC-en/
    Chicago
    Felice Casorati. Midday. 1923. Revoltella Museum. https://topimpressionists.com/ja/art/felice-casorati-midday-D2KHNC-en/
    Harvard
    Casorati, Felice (1923) Midday. Revoltella Museum. Available at: https://topimpressionists.com/ja/art/felice-casorati-midday-D2KHNC-en/

    細部まで見る

    Midday — Felice Casorati

    細部を詳しく見る

    ご自身の言葉で回答してください。正解はありません。大切なのは、その答えを説明できるかどうかです。

    1. まず最初に目に飛び込んでくるのはどこですか?また、それはなぜでしょうか?
    2. どのような色や形がその情緒を作り出しているでしょうか。そして、それはどのような情緒なのでしょうか。
    3. いくつの顔を見つけることができますか? ____ (当カタログでは 2 と数えています —— あなたもそう思いますか?)
    4. このガイドの前述にある Portrait of Antonio Veronesi (1922) を改めて振り返ってみましょう。この作品と共通する点を2つ、そして異なる点を1つ挙げてください。
    5. Felice Casorati は、この作品の制作当時 40 歳でした。作品のどのような点に、その時期のアーティストらしい特徴が見て取れるでしょうか。

    回答内容

    この作品について短い文章を書いてください。本ガイドの前半部分に記載されている事実と、上記での回答内容を活用してください。

    Q&A

    「Midday」の作者と、その画風について教えてください。

    「Midday」は、Felice Casoratiの手によるMagic Realism様式の作品です。作者と様式は、その作品が受け継ぐ伝統を定義するものです。

    Felice Casorati作「Midday」 の画像はどのようにダウンロードすればよいですか?

    「Midday」のダウンロードが可能です。作品のデジタルイメージをダウンロードページにて高解像度デジタル画像のダウンロードいただけます。

    Felice Casorati作「Midday」のデジタルデータを入手するには、どうすればよいですか?

    Felice Casorati作「Midday」のデジタルファイルをご希望の場合は、高解像度デジタル画像ページより高解像度デジタル画像のダウンロードをご注文ください。