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Untitled (122)

氏名 学年 日付

Guy Rose, Untitled (122). パブリックドメイン

詳細情報

作家
Guy Rose topimpressionists.com/ja/artists/guy-rose/
制作年
1867 – 1925

文脈に合わせて

Untitled (122) — Guy Rose

制作時期の推定

  1. 1860
  2. 1870
  3. 1880
  4. 1890
  5. 1900
  6. 1910
  7. 1920

Row above: the year. Row below: the artist's age in that year.

背景色:Guy Roseの生涯 (1867–1925)

このレコードには正確な制作年が記録されていません。アーティストの生涯と作品のスタイルから、何年代のものだと推測されますか?

類似の作品と比較

上記の作品を一つ選んでください。この作品と共通する点を2つ、そして異なる点を1つ挙げてください。

こちらの作品とあわせてご覧いただける他の作品:topimpressionists.com/ja/art/similar/guy-rose-untitled-122-A25T69-en/

カラー

画像から抽出したパレット

    主要色

    Plum #b4b7d1

    カタログ済みパレット

    • #B4B7D1
    • #837880
    • #E2E2EA
    • #4C4235
    カラーパレット
    Neutrals 作品の中で主要な色調。
    主要色
    Plum
    彩度
    Balanced 単一の落ち着いた色調から、多彩で鮮やかな色彩まで、色の彩度やバリエーションの豊かさ。
    コントラスト
    Bold 作品全体における、色の明度と彩度の差異の度合い。
    調和
    Softly Mixed Palette 対照的な色合いから完全に調和したものまで、色彩がいかに美しく響き合っているか。
    輝度
    Brilliant 深い影から明るいハイライトまで、作品全体の明暗の度合い。
    彩度
    Muted 限りなくグレーに近い色合いから、鮮やかな色彩まで、その純度と強さが際立ちます。

    Where in the world is this painting looked at?

    • under 1%
    • 1–3%
    • 3–8%
    • 8–20%
    • 20% and over
    This painting alone has too few recorded visitors to map, so the plate reads every work by Guy Rose over the last twelve months — 6 countries in all.

    The ten leading countries

    1. 1 中国 72.0%
    2. 2 アルジェリア 8.0%
    3. 3 シンガポール 8.0%
    4. 4 スペイン 4.0%
    5. 5 イギリス 4.0%
    6. 6 チュニジア 4.0%

    Find the three darkest countries on the map. Is the museum that keeps this painting in any of them? Write down one reason people far away might look at it.

    The 19 most looked-at works by Guy Rose

    1. 1 The model, (1919) 11.5%
    2. 2 Portrait of an Algerian, (1900) 11.5%
    3. 3 Tamarisk Trees in Early Sunlight 7.7%
    4. 4 Giverny willows, (1891) 7.7%
    5. 5 Monterey cypress 7.7%
    6. 6 Low tide honfleur 3.8%
    7. 7 Carmel seascape 3.8%
    8. 8 Point lobos trees, (1919) 3.8%
    9. 9 Point lobos, oak tree 3.8%
    10. 10 Giverny hillside, (1891) 3.8%
    11. 11 The oak 3.8%
    12. 12 La jolla cove 3.8%
    13. 13 The cabbage patch, (1891) 3.8%
    14. 14 My sister maud 3.8%
    15. 15 17 mile drive, (1918) 3.8%
    16. 16 Carmel hills, (1920) 3.8%
    17. 17 The Blue Pool near Mt. Whitney 3.8%
    18. 18 The gondolier, venice, (1894) 3.8%
    19. 19 Untitled (122) this painting 3.8%

    Together these works take 99.3% of all the attention this artist's paintings received over the last twelve months. The catalogue holds 125 works by this artist, of which 19 were looked at at least once. This painting ranks 19 of them, with 3.8% of that attention.

    Bars measure attention, not quality. Pick the work at the top and this one: name one thing that might make a painting famous beyond how well it is painted.

    アーティストと美術館

    作家

    Guy Rose

    Guy Orlando Rose: A Life in Impressionism

    Early Life and Education

    Birth & Family: Guy Orlando Rose was born on March 3, 1867, in San Gabriel, California, the seventh child of Leonard John Rose, a prominent California senator, and Amanda Jones Rose. The family resided on an expansive ranch and vineyard in the San Gabriel Valley – the town of Rosemead bears their name.

    Early Trauma & Artistic Beginnings: At age nine, Guy was accidentally shot in the face during a hunting trip. During his convalescence, he began to sketch with watercolors and oils, discovering an early passion for art.

    Formal Training: He graduated from Los Angeles High School in 1884 before moving to San Francisco to study at the California School of Design (San Francisco Art Association) from 1885-1888. His instructors included Virgil Williams, Warren E. Rollins, and Emil Carlsen. He received accolades for his work during this period, including the Avery Gold Medal in oil painting.

    Parisian Studies: In September 1888, Rose enrolled at the Académie Julian in Paris, studying under Benjamin-Constant, Jules Lefebvre, Lucien Doucet, and Jean-Paul Laurens. He also attended the Académie Delacluse on scholarship, exhibiting work at the Paris Salons in 1890, 1891, 1894, 1900, and 1909.

    Artistic Development & Influences

    Early Style: Rose’s early work demonstrated a strong foundation in academic painting techniques honed during his training.

    Impressionist Turn: His move to Giverny, France, in 1899 marked a turning point. Living near Claude Monet, he became deeply influenced by Impressionism, adopting its emphasis on light, color, and plein air painting.

    Monet’s Mentorship: Rose developed a close friendship with Monet, who served as a mentor, further solidifying his commitment to the Impressionist style. His works from this period clearly reflect Monet's influence in their luminous quality and focus on atmospheric effects.

    Other Influences: He also maintained lifelong friendships with fellow artists Frank Vincent DuMond and Frederick Melville, exchanging ideas and artistic approaches.

    Career & Major Achievements

    Early Career (1890s): Rose worked as an illustrator for publications like Harper's, Scribner’s, and Century in New York City.

    Giverny Period (1904-1912): This was a highly productive period, with Rose creating many of his most celebrated Impressionist landscapes.

    California Return & Teaching: Due to health issues (lead poisoning), Rose and his wife returned to Los Angeles in 1914. He became Director of the Stickney Memorial School of Art in Pasadena, sharing his knowledge with aspiring artists.

    Carmel-by-the-Sea (1918-1920): Rose was an active member of the Carmel art colony, exhibiting his work and contributing to the local artistic community.

    Notable Works: Some of his most recognized paintings include “Point Lobos,” “The Saine Valley, Giverny”, "Oak Grove, Carmel", and numerous landscapes capturing the beauty of California and France.

    Historical Significance & Legacy

    American Impressionism: Guy Rose is considered a significant figure in American Impressionism, bridging European techniques with Californian landscapes.

    California Art Scene: He played an important role in developing the California art scene, both as an artist and educator.

    Lasting Influence: His paintings continue to be admired for their delicate handling of light, vibrant colors, and evocative depictions of nature.

    Posthumous Recognition: A memorial exhibition was held at the Stendahl Gallery in 1926 following his death on November 17, 1925, in Pasadena, California.

    さらに詳しく読む

    オンラインで詳細を見る

    Untitled (122)のダウンロードページへつながるQRコード

    topimpressionists.com/ja/art/download/guy-rose-untitled-122-A25T69-en/

    この作品の引用元

    MLA
    Rose, Guy. Untitled (122). n.d., https://topimpressionists.com/ja/art/guy-rose-untitled-122-A25T69-en/
    APA
    Rose, Guy (n.d.). Untitled (122) [Painting]. https://topimpressionists.com/ja/art/guy-rose-untitled-122-A25T69-en/
    Chicago
    Guy Rose. Untitled (122). n.d. https://topimpressionists.com/ja/art/guy-rose-untitled-122-A25T69-en/
    Harvard
    Rose, Guy (n.d.) Untitled (122). Available at: https://topimpressionists.com/ja/art/guy-rose-untitled-122-A25T69-en/

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    Untitled (122) — Guy Rose

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    ご自身の言葉で回答してください。正解はありません。大切なのは、その答えを説明できるかどうかです。

    1. まず最初に目に飛び込んでくるのはどこですか?また、それはなぜでしょうか?
    2. どのような色や形がその情緒を作り出しているでしょうか。そして、それはどのような情緒なのでしょうか。
    3. このガイドの前述にある Point lobos, oak tree を改めて見返してみてください。この作品と共通する点を2つ、そして異なる点を1つ挙げてください。
    4. アーティストは、あなたにどのような感情を抱いてほしかったのでしょうか。
    5. もしこの作品についてアーティストに一つだけ質問できるとしたら、何を聞いてみたいですか?

    回答内容

    この作品について短い文章を書いてください。本ガイドの前半部分に記載されている事実と、上記での回答内容を活用してください。

    よくあるご質問

    Guy Rose作「Untitled (122)」に似た作品はどこで見つけることができますか?

    Guy Rose作「Untitled (122)」の似ている作品ページでは、関連する作品をご紹介しています。

    「Untitled (122)」は、全体的に明るい印象ですか、それとも暗い印象ですか?

    「Untitled (122)」の全体的な明るさはbrilliantで、輝度はBright Balanceです。

    Guy Rose作「Untitled (122)」の構図を主導している色は何ですか?

    Guy Rose作「Untitled (122)」の主色(メインカラー)はPlum (#b4b7d1)です。

    Guy Rose作「Untitled (122)」 のプリントはどこで購入できますか?

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