用紙サイズ

学生作品ガイド

Time to Go

氏名 学年 日付

Herbert Rollett, Time to Go (1920), Ferens Art Gallery. パブリックドメイン 動きのある光の下で、このキャンバスをご覧ください。描線、ニス越しに透ける真の色、そして剥き出しの顔料を。

詳細情報

作家
Herbert Rollett topimpressionists.com/ja/artists/herbert-rollett/
制作年
1872 – 1932
彩色済み
1920
原寸大
64 x 77 cm
開催場所
Ferens Art Gallery topimpressionists.com/ja/museums/ferens-art-gallery-hull_ja/

文脈に合わせて

Time to Go — Herbert Rollett

サイズ感について

原寸は 64 × 77 cm (高さ × 幅) で、ここでは平均的な身長の成人と並べて表示しています。

制作時期

  1. 1870
  2. 1880
  3. 1890
  4. 1900
  5. 1910
  6. 1920
  7. 1930

上の行:年。下の行:各期間の開始時と終了時の年齢 — 出生時は0、没時は 60。

作家が 48 歳の時に制作。 そのアーティストは60歳で亡くなりました。 0 の当カタログにおけるこの作家の制作年が判明している 3 点の作品のうち、これよりも以前に制作されたものがあります。

背景色:Herbert Rollettの生涯 (1872–1932) ▲ 本作品、1920 年代ごとに記された、すべての絵画作品

類似の作品と比較

  • Louth, Lincolnshire topimpressionists.com/ja/art/herbert-rollett-louth-lincolnshire-ARC7KT-en/
  • Blue Sky topimpressionists.com/ja/art/herbert-rollett-blue-sky-ARC7L3-en/
  • Woodland Scene topimpressionists.com/ja/art/herbert-rollett-woodland-scene-ARC7KX-en/

上記の作品を一つ選んでください。この作品と共通する点を2つ、そして異なる点を1つ挙げてください。

こちらの作品とあわせてご覧いただける他の作品:topimpressionists.com/ja/art/similar/herbert-rollett-time-to-go-ARC7KM-en/

カラー

画像から抽出したパレット

    主要色

    Celadon #b9bbb8

    カタログ済みパレット

    • #B9BBB8
    • #484A40
    • #606768
    • #A6A7A8

    アーティストのパレット全体に含まれるこれらの色彩 色から他の絵画を探す

    カラーパレット
    Neutrals 作品の中で主要な色調。
    主要色
    Celadon
    彩度
    Monochromatic 単一の落ち着いた色調から、多彩で鮮やかな色彩まで、色の彩度やバリエーションの豊かさ。
    コントラスト
    Balanced 作品全体における、色の明度と彩度の差異の度合い。
    調和
    Discordant Palette 対照的な色合いから完全に調和したものまで、色彩がいかに美しく響き合っているか。
    輝度
    Brilliant 深い影から明るいハイライトまで、作品全体の明暗の度合い。
    彩度
    Muted 限りなくグレーに近い色合いから、鮮やかな色彩まで、その純度と強さが際立ちます。

    この絵画は世界のどこで鑑賞されていますか?

    • 1%未満
    • 1–3%
    • 3–8%
    • 8–20%
    • 20% 以上
    この絵画単体では、地図化できるほどの来場者数が記録されていないため、このプレートには過去12か月間における Herbert Rollett の全作品を記載しています。合計で 1 か国にわたります。 これらの数値の出典について

    主要な10カ国

    1. 1 中国 100.0%

    地図上で最も色が濃い3つの国を見つけてください。この絵画を収蔵している美術館は、そのいずれかの国にありますか?遠く離れた場所にいる人々が、この作品に目を向ける理由を一つ書き出してください。

    Herbert Rollett による注目の作品 7点

    1. 1 Time to Go, 1920 この絵画 25.0%
    2. 2 Woodland Scene 16.7%
    3. 3 June Morning 16.7%
    4. 4 Landscape (verso) 16.7%
    5. 5 Louth, Lincolnshire 8.3%
    6. 6 Landscape (verso) 8.3%
    7. 7 Seascape 8.3%

    これらの作品は、このアーティストの絵画が過去12か月間に受けた注目全体の 100.0% を占めています。カタログにはこのアーティストによる 16 点の作品が収められており、そのうち 7 点は少なくとも一度は閲覧されました。 この絵画は、その中での注目度が 1 位で、その注目の 25.0% を占めています。 月ごとの集計結果は同一です

    バーは注目度を示すものであり、品質を示すものではありません。リストの最上部にある作品と、こちらの作品を選んでください:絵画がその技術的な巧拙を超えて有名になる要因として、考えられることを一つ挙げてください。

    アーティストと美術館

    作家

    Herbert Rollett

    Herbert Rollett: The Lincolnshire Grocer Who Painted the Sky

    The story of Herbert Rollett is a remarkable one, a testament to the unexpected paths life can take and the enduring power of passion. Born in Gainsborough, Lincolnshire, in 1872, Rollett’s early life seemed destined for a predictable trajectory – a career in business, much like his father, a farmer. However, fate intervened, leading him down an extraordinary route: from running a successful grocery shop to becoming one of the most celebrated landscape artists of his era, all while maintaining his livelihood as a grocer.

    Rollett’s artistic journey began almost accidentally. Initially, he sought refuge in music and photography, hobbies that provided a welcome escape from the demands of his trade. It wasn't until his late thirties, around 1920, that he truly embraced painting, driven by an innate desire to capture the beauty of the Lincolnshire countryside – a region he deeply loved and knew intimately. He taught himself, dedicating hours each morning before opening his shop to sketching and experimenting with watercolors. This early dedication was fueled by a profound connection to his surroundings; as he famously stated, “I have painted in Scotland and the Lake District but have always returned with a feeling of relief to the scene of my old labour,” recognizing that Lincolnshire offered unique atmospheric qualities – expansive skies and a lack of dramatic hills that allowed for a heightened appreciation of light and color.

    A Unique Artistic Style

    Rollett’s style was distinctly post-impressionist, characterized by bold brushstrokes, vibrant colors, and an emphasis on capturing the fleeting effects of light. He wasn't interested in photographic realism; instead, he sought to convey a sense of mood and atmosphere, translating his subjective experience of the landscape onto canvas. His paintings are often described as “luministic,” reflecting the way he skillfully rendered the interplay of sunlight and shadow, creating an almost ethereal quality. He frequently depicted familiar Lincolnshire scenes – rolling fields, quaint villages, and dramatic skies – but always with a distinctive artistic flair.

    Influences on Rollett’s work are complex and somewhat debated. While he largely worked in isolation, his paintings bear traces of the Impressionists, particularly Monet and Pissarro, evident in their focus on capturing light and color. However, there's also a strong connection to the British Romantic tradition, with its emphasis on the sublime beauty of nature and the emotional response it evokes. The Kentish Yeomanry, a military unit that Rollett served in during World War I, undoubtedly shaped his perspective, instilling a deep appreciation for the ruggedness and resilience of the Lincolnshire landscape.

    Recognition and Legacy

    Despite his initial self-taught status, Rollett’s talent quickly gained recognition. His paintings were exhibited at prestigious venues throughout Britain, including the Royal Academy in London and the Royal Scottish Academy. In 1924, a pivotal moment arrived when ‘Killingholme Creek’ was accepted into the Paris Salon – a remarkable achievement for a largely unknown British artist. This success opened doors to further exhibitions and established Rollett as a significant figure in the British art scene.

    His work continued to be exhibited throughout the 1920s and 30s, earning him both critical acclaim and commercial success. He was particularly celebrated for his depictions of Lincolnshire’s skies – vast, dramatic canvases filled with swirling clouds and shifting light. Sadly, Rollett's career was cut short by illness in 1932, but his legacy endures. His paintings are now housed in several prominent museums, including the Owletts Greenwch Herbert Art Gallery and Museum in Coventry, where they continue to captivate viewers with their beauty and evocative power.

    The Grocer’s Studio

    It's important to remember that Rollett’s artistic pursuits were undertaken alongside his demanding business life. He ran three grocery shops throughout Grimsby, a town known for its bustling fishing industry. Balancing the responsibilities of shopkeeping with the dedication required for painting was an extraordinary feat – a testament to his discipline and unwavering passion. The image of “the grocer-artist” is a powerful one, challenging conventional notions of artistic identity and demonstrating that creativity can flourish in unexpected places.

    A Lasting Impression

    Herbert Rollett’s story is more than just the biography of an artist; it's a poignant reflection on the pursuit of dreams, the beauty of everyday life, and the enduring power of art. His paintings offer a unique window into the Lincolnshire landscape and a glimpse into the soul of a man who dared to transform his humble profession into a remarkable artistic vocation. Today, his work continues to inspire and delight, reminding us that even the most ordinary lives can hold extraordinary beauty.

    美術館・博物館

    Ferens Art Gallery

    展示中: Hull, United Kingdom

    A Legacy Etched in Hull: The Soul of Ferens Art Gallery

    Nestled within the vibrant coastal embrace of Hull, United Kingdom, the

    Ferens Art Gallery

    stands as a profound testament to the transformative power of beauty and the enduring legacy of human creativity. To step through its doors is to embark on a journey that transcends time, moving seamlessly from the meticulous precision of the Old Masters to the evocative abstractions of the modern era. Established by the visionary industrialist

    Thomas Robinson Ferens

    , the gallery was born from a philanthropic dream to democratize art, ensuring that the treasures of the past and present remain accessible to all. It is not merely a repository for canvas and pigment; it is a living narrative of cultural evolution, where every brushstroke whispers stories of maritime adventure, societal shifts, and the eternal quest for aesthetic truth.

    The collection itself is a breathtaking tapestry of European excellence, anchored by works that define entire epochs. Visitors are often captivated by the gallery’s exceptional holdings in

    Dutch and Flemish art

    , where the masterful manipulation of light and shadow creates an almost tactile reality. One cannot help but feel the pulse of human emotion in the dynamic portraiture of

    Frans Hals

    , whose ability to capture a fleeting glance or a subtle smile remains unparalleled. This dialogue with light continues through the luminous Venetian landscapes of

    Canaletto

    , whose atmospheric perspectives transport the viewer to sun-drenched canals and bustling piazzas. For those drawn to the sea, the gallery’s collection of British Marine paintings offers a poignant connection to Hull’s own seafaring heritage, presenting dramatic scenes of naval life and the formidable, unpredictable force of the ocean.

    A Sanctuary of Light and Architectural Grandeur

    The architectural experience of the gallery is as much a part of the art as the paintings themselves. The building, a

    Grade II listed structure

    , exudes an understated grandeur and a sense of tranquil permanence. Following a significant restoration and extension in 1991 and a major £4.5 million makeover in preparation for the 2017 Turner Prize, the space has been transformed into a light-filled sanctuary designed for deep contemplation. The spacious galleries allow expansive canvases to breathe, while the architectural harmony of the building provides a serene backdrop that encourages visitors to linger.

    Beyond its permanent treasures, the gallery serves as a vital bridge to the 20th century and beyond, hosting significant temporary exhibitions that range from explorations of the Royal Collection to celebrated features on artists like

    Francis Bacon

    . This curated tension between tradition and innovation makes the gallery a sanctuary for both the seasoned art historian and the modern collector seeking inspiration. Whether wandering through the quietude of the permanent collections or engaging with the lively atmosphere of the children's gallery and cafe, one finds that the Ferens Art Gallery is an immersive experience where history, art, and architecture converge to inspire a lifelong passion for the sublime.

    さらに詳しく読む

    オンラインで詳細を見る

    Time to GoのダウンロードページへつながるQRコード

    topimpressionists.com/ja/art/download/herbert-rollett-time-to-go-ARC7KM-en/

    この作品の引用元

    MLA
    Rollett, Herbert. Time to Go. 1920, Ferens Art Gallery. https://topimpressionists.com/ja/art/herbert-rollett-time-to-go-ARC7KM-en/
    APA
    Rollett, Herbert (1920). Time to Go [Painting]. Ferens Art Gallery. https://topimpressionists.com/ja/art/herbert-rollett-time-to-go-ARC7KM-en/
    Chicago
    Herbert Rollett. Time to Go. 1920. Ferens Art Gallery. https://topimpressionists.com/ja/art/herbert-rollett-time-to-go-ARC7KM-en/
    Harvard
    Rollett, Herbert (1920) Time to Go. Ferens Art Gallery. Available at: https://topimpressionists.com/ja/art/herbert-rollett-time-to-go-ARC7KM-en/

    細部まで見る

    Time to Go — Herbert Rollett

    もっと近くで見る

    ご自身の言葉で回答してください。正解はありません。大切なのは、その答えを説明できるかどうかです。

    1. まず最初に目に飛び込んでくるのはどこですか?また、それはなぜでしょうか?
    2. どのような色や形がその情緒を作り出しているでしょうか。そして、それはどのような情緒なのでしょうか。
    3. このガイドの前述にある Louth, Lincolnshire を改めて見返してみてください。この作品と共通する点を2つ、そして異なる点を1つ挙げてください。
    4. Herbert Rollett は、この作品の制作当時 48 歳でした。作品のどのような点に、その時期のアーティストらしい特徴が見て取れるでしょうか。
    5. アーティストは、あなたにどのような感情を抱いてほしかったのでしょうか。

    回答内容

    この作品について短い文章を書いてください。本ガイドの前半部分に記載されている事実と、上記での回答内容を活用してください。

    よくあるご質問

    Herbert Rollett作「Time to Go」のコントラストはどの程度強いですか?

    Time to Go」の明暗のコントラストはBalancedと記録されています。コントラストとは、明るい部分と暗い部分がどの程度強く異なっているかを表す指標です。

    「Time to Go」は、どのアーティストの作品とされていますか?

    Time to Go」を手がけたアーティストはHerbert Rollettです。この作品はHerbert Rollettの名でカタログに登録されています。

    Herbert Rollett作「Time to Go」に関する統計情報はどこで確認できますか?

    Herbert Rollett作「Time to Go」の統計情報ページでは、公開されている閲覧統計をご覧いただけます。この作品の月間閲覧数、アーティストのなかで最も閲覧されている作品との比較、そして訪問者の地域情報などが掲載されています。

    「Time to Go」のプレビューはどこで確認できますか?

    Herbert Rollett作「Time to Go」の複製画をプレビューするには、作品のプレビューページを開いてください。

    「Time to Go」の色同士は、どのように調和していますか?

    Time to Go」の色彩の調和は、Discordant Paletteと表現されます。

    Herbert Rollett作「Time to Go」 の主要な色調は何ですか?

    Herbert Rollett作「Time to Go」には、Green to Violet Spectrumの色調が全体に広がっています。

    「Time to Go」の詳細を確認することはできますか?

    Time to Go」は、作品のX線解析ページにて、層ごとに詳しく観察することができます。このビューアは修復家のライトベンチに着想を得ており、画像の11層にわたる光学的な読み取りを可能にしています。

    Herbert Rollett作「Time to Go」の色調は、鮮やかですか、それとも落ち着いていますか?

    Herbert Rollett作「Time to Go」は、Mutedの彩度とMonochromaticの強烈な色彩で記録されています。