用紙サイズ

学生作品ガイド

Harvest

氏名 学年 日付

Milan Konjović, Harvest (1938), The Pavle Beljanski Memorial Collection. 参考用として複製。著作権は権利者に帰属します。 動きのある光の下で、このキャンバスをご覧ください。描線、ニス越しに透ける真の色、そして剥き出しの顔料を。

詳細情報

作家
Milan Konjović topimpressionists.com/ja/artists/milan-konjovic/
制作年
1898 – 1993
彩色済み
1938
原寸大
115 x 73 cm
開催場所
The Pavle Beljanski Memorial Collection topimpressionists.com/ja/museums/the-pavle-beljanski-memorial-collection-novi-sad/

文脈に合わせて

Harvest — Milan Konjović

サイズ感について

原寸は 115 × 73 cm (高さ × 幅) で、ここでは平均的な身長の成人と並べて表示しています。

制作時期

  1. 1890
  2. 1900
  3. 1910
  4. 1920
  5. 1930
  6. 1940
  7. 1950
  8. 1960
  9. 1970
  10. 1980
  11. 1990

上の行:年。下の行:各期間の開始時と終了時の年齢 — 出生時は0、没時は 95。

作家が 40 歳の時に制作。 そのアーティストは95歳で亡くなりました。 1 の当カタログにおけるこの作家の制作年が判明している 3 点の作品のうち、これよりも以前に制作されたものがあります。

背景色:Milan Konjovićの生涯 (1898–1993) ▲ 本作品、1938 年代ごとに記された、すべての絵画作品

類似の作品と比較

上記の作品を一つ選んでください。この作品と共通する点を2つ、そして異なる点を1つ挙げてください。

こちらの作品とあわせてご覧いただける他の作品:topimpressionists.com/ja/art/similar/milan-konjovic-harvest-D5GP3T-en/

カラー

画像から抽出したパレット

    主要色

    Espresso #5a5b4f

    カタログ済みパレット

    • #5A5B4F
    • #80502F
    • #A0804D
    • #3B3832

    アーティストのパレット全体に含まれるこれらの色彩 色から他の絵画を探す

    カラーパレット
    Earthy 作品の中で主要な色調。
    主要色
    Espresso
    彩度
    Balanced 単一の落ち着いた色調から、多彩で鮮やかな色彩まで、色の彩度やバリエーションの豊かさ。
    コントラスト
    Gentle 作品全体における、色の明度と彩度の差異の度合い。
    調和
    Balanced Harmony 対照的な色合いから完全に調和したものまで、色彩がいかに美しく響き合っているか。
    輝度
    Shadow 深い影から明るいハイライトまで、作品全体の明暗の度合い。
    彩度
    Balanced Soft 限りなくグレーに近い色合いから、鮮やかな色彩まで、その純度と強さが際立ちます。

    この作品について

    Harvest — Milan Konjović

    In 1932, Konjović and his family, his wife Ema and his little daughter Veročka, returned from Paris to Sombor. “I reached such artistic freedom in Paris that the question arose: where next? And when I returned to Sombor, I found myself in different surroundings, instead of the blue mist of the Île-de-France, here I was surrounded by flaming wheat and sunflower fields and I had to start anew,” he stated in April 1984. The painting entitled Harvest is a prototype of his “red period” (1934–1939), painted in “a single go”, inspired by a real landscape which was transposed by the force of a great creative potential in the spirit of his artistic credo: “Create with your own vision, your own motifs, on your own soil.” The lower right part of the painting is dominated by two large stocks of sheaves, a motif which was a lasting inspiration to the artist with its dynamic bundling and archaic authenticity and was an important and indispensable element of his corn fields. “Later, when they were no more, I preferred to paint variations of my earlier paintings which inspired me to create new things,” Konjović used to say. In the middle distance, there are three human figures working, an extremely clear solution, and in the background, the darker horizontal band of foliage with the occasional house and the spires of Sombor has a somewhat calming effect on the composition, only to give way to the sky in the top part of the painting, tumultuous with forceful brushstrokes in a dramatic conflict of light and darkness. “I always gave myself to my work entirely. That is why I did not work every day. Only when I had a feeling here [pointing at his stomac], I had to be tense, and then I could work. That is why there are no bad paintings,” stated Konjović in the spring of 1991, looking at a reproduction of this painting.

    アーティストと美術館

    作家

    Milan Konjović

    生誕地 Sombor, Serbia

    early life and education

    milan konjović, a prominent serbian painter, was born on january 28, 1898, in sombor, serbia. his artistic journey began with studies in various countries abroad, which laid the foundation for his diverse style.

    artistic periods and recognition

    konjović's works can be divided into six distinct periods of artistic style, reflecting his eclectic approach to art. this long life's work earned him recognition and a place in the serbian academy of sciences and arts (sanu).

    parisian influence (1924-1932)

    living in paris from 1924 to 1932, konjović was exposed to the vibrant art scene, which significantly influenced his work. this period is marked by a shift towards more expressive and experimental pieces.

    notable works and style

    oil on board and oil on canvas are among the mediums konjović frequently employed, showcasing his versatility.

    his style, though varied, often incorporates elements of modernism, reflecting the artistic currents of his time.

    view milan konjović's artworks on AllPaintingsStore to explore his diverse body of work: [https://AllPaintingsStore.com/@/milan-konjovic](https://AllPaintingsStore.com/@/milan-konjovic)

    legacy and remembrance

    throughout his long and prolific career, konjović has left an indelible mark on serbian art. his contributions to the serbian academy of sciences and arts (sanu) serve as a testament to his enduring legacy.

    explore more on AllPaintingsStore

    discover other renowned artists like gustav klimt, whose life's work is extensively documented on AllPaintingsStore: [https://AllPaintingsStore.com/@/gustavklimt](https://AllPaintingsStore.com/@/gustavklimt)

    learn about the history of art and its evolution through AllPaintingsStore's comprehensive database: /en/art/list/

    conclusion

    milan konjović's life and work serve as a fascinating case study in the evolution of modern art. his legacy, preserved within the serbian academy of sciences and arts (sanu), continues to inspire artists and art enthusiasts alike, readily available for exploration on AllPaintingsStore.

    美術館・博物館

    The Pavle Beljanski Memorial Collection

    展示中: Novi Sad, Serbia

    A Sanctuary of Serbian Modernity

    Nestled in the heart of Novi Sad, Serbia, stands a testament to one man’s profound passion for art and his enduring gift to the nation – the Pavle Beljanski Memorial Collection. More than just a museum, it is a carefully preserved echo of a discerning eye, a space where the vibrant spirit of 20th-century Serbian and Yugoslav art continues to resonate. The collection itself blossomed from the personal pursuit of Pavle Beljanski, a diplomat whose keen understanding of artistic merit led him to champion emerging talents during a period of immense cultural transformation. He didn’t simply acquire paintings; he fostered relationships with artists, recognizing their potential before it was widely celebrated, and ultimately assembling a body of work that now forms a cornerstone of Serbian art history.

    The architecture of the museum is an integral part of this immersive experience. Designed by the visionary architect Ivo Kurtović and completed in 1961, the building serves as a bold departure from prevailing styles of its era, reflecting a belief that architecture should complement and elevate the treasures it houses. The structure is not merely a container but a harmonious environment where functional elegance meets thoughtful design. Inside, the spaces are bathed in natural light, creating an atmosphere conducive to quiet contemplation and fostering a deep, visceral connection between the viewer and the canvas. For the interior designer or the lover of fine aesthetics, the building itself stands as a masterpiece of mid-century modernism.

    Masterpieces of the Interwar Spirit

    At the core of this sanctuary lies a remarkable assemblage of 185 paintings by 37 artists, representing the zenith of Serbian artistic expression during the interwar period. These works offer a window into an era defined by intellectual currents and shifting societal identities. Among these masterpieces are the landscapes of Sava Šumanović, whose brushstrokes capture the sublime beauty of the Serbian countryside with evocative color palettes that seem to breathe on the canvas. In contrast, the portraits of Milan Konjović delve into profound psychological depth, portraying subjects with a sensitivity and nuance that transcend the mere likeness of the sitter.

    The collection also celebrates the courage of artists like Nadežda Petrović, Milan Milovanović, and Kosta Miličević, who navigated a landscape shaped by political upheaval. These creators masterfully blended influences from European movements such as Cubism and Surrealism with their own unique perspectives, forging a distinctly Serbian artistic identity. To walk through these galleries is to witness the birth of a modern visual language, where every stroke and shade tells a story of a nation finding its voice amidst the complexities of the 20th century.

    A Living Legacy and Personal Intimacy

    What truly distinguishes the Pavle Beljanski Memorial Collection is its profound intimacy. Adding to the museum's character is the Memorial Hall, inaugurated in 1966 as a poignant recreation of Beljanski’s personal living and working space. Stepping inside feels like entering a time capsule; visitors are surrounded by his original furniture, books, photographs, and cherished possessions. This meticulously curated hall allows one to understand the man behind the art, offering insight into the refined sensibility and intellectual curiosity that guided his collecting activities. It is an invitation to step into the life of a diplomat who lived among the very beauty he sought to preserve.

    The museum’s mission extends far beyond the preservation of the past, as it actively nurtures the future of Serbian culture. Through educational programs for young students and the prestigious

    Pavle Beljanski Award

    —which recognizes outstanding scholarly work in art history—the institution ensures that the dialogue between generations remains unbroken. For the connoisseur seeking an authentic cultural journey, the collection offers a compelling encounter with history, culture, and the transformative power of artistic expression, making it an essential destination for anyone captivated by the enduring legacy of Serbian modernism.

    さらに詳しく読む

    オンラインで詳細を見る

    HarvestのダウンロードページへつながるQRコード

    topimpressionists.com/ja/art/download/milan-konjovic-harvest-D5GP3T-en/

    この作品の引用元

    MLA
    Konjović, Milan. Harvest. 1938, The Pavle Beljanski Memorial Collection. https://topimpressionists.com/ja/art/milan-konjovic-harvest-D5GP3T-en/
    APA
    Konjović, Milan (1938). Harvest [Painting]. The Pavle Beljanski Memorial Collection. https://topimpressionists.com/ja/art/milan-konjovic-harvest-D5GP3T-en/
    Chicago
    Milan Konjović. Harvest. 1938. The Pavle Beljanski Memorial Collection. https://topimpressionists.com/ja/art/milan-konjovic-harvest-D5GP3T-en/
    Harvard
    Konjović, Milan (1938) Harvest. The Pavle Beljanski Memorial Collection. Available at: https://topimpressionists.com/ja/art/milan-konjovic-harvest-D5GP3T-en/

    細部まで見る

    Harvest — Milan Konjović

    もっと近くで見る

    ご自身の言葉で回答してください。正解はありません。大切なのは、その答えを説明できるかどうかです。

    1. まず最初に目に飛び込んでくるのはどこですか?また、それはなぜでしょうか?
    2. どのような色や形がその情緒を作り出しているでしょうか。そして、それはどのような情緒なのでしょうか。
    3. このガイドの前述にある My Studio II (1930) を改めて振り返ってみましょう。この作品と共通する点を2つ、そして異なる点を1つ挙げてください。
    4. Milan Konjović は、この作品の制作当時 40 歳でした。作品のどのような点に、その時期のアーティストらしい特徴が見て取れるでしょうか。
    5. アーティストは、あなたにどのような感情を抱いてほしかったのでしょうか。

    回答内容

    この作品について短い文章を書いてください。本ガイドの前半部分に記載されている事実と、上記での回答内容を活用してください。

    よくあるご質問

    「Harvest」の色味は、鮮やかですか、それとも落ち着いていますか?

    Milan Konjović作「Harvest」の色調は、Balanced Softの彩度とBalancedの強さを備えています。

    「Harvest」は、作者の母国に留まっているのでしょうか?

    はい、作品は作家の母国に保管されています。。Milan Konjovićの出生国はSerbiaであり、「Harvest」の真作を収蔵している美術館はSerbiaにあります。

    「Harvest」を特徴づける配色と主役となる色は何でしょうか?

    「Harvest」は、Espresso (#5a5b4f)を主軸としたEarthyなパレットによって構成されています。