学生作品ガイド
著作権 この作品はパブリックドメインです。申潤福は1813に没し、著作権は没後70年まで保護されるため、1883に終了しました。
文脈において
Vindictive Spirits — 申潤福
原寸は 69 × 462 cm (高さ × 幅) で、ここでは平均的な身長の成人と並べて表示しています。
上の行：年。下の行：各期間の開始時と終了時の年齢 — 出生時は0、没時は 55。
背景色：申潤福の生涯 (1758–1813) ▲ 本作品、1984 年代ごとに並ぶ、すべての制作年入り作品
上記の作品から一つ選んでください。その作品と共通する点を2つ、異なる点を1つ挙げてください。
こちらの作品とあわせてご覧いただける他の作品：topimpressionists.com/ja/art/similar/shin-yun-bok-vindictive-spirits-D49Q6U-en/
画像から抽出したカラーパレット
メインカラー
Driftwood #9c7658
保存済みパレット
アーティストのパレット全体を構成するこれらの色彩 色から他の絵画を探す
主要な10カ国
地図上で最も色が濃い3つの国を見つけてください。この絵画を収蔵している美術館は、そのいずれかの国にありますか？遠く離れた場所にいる人々が、この作品に目を向ける理由を一つ書き出してください。
これらの作品は、このアーティストの絵画が過去12か月間に受けた注目全体の 99.9% を占めています。カタログにはこのアーティストによる 12 点の作品が収められており、そのうち 7 点は少なくとも一度は閲覧されました。 This painting ranks 3 of them, with 8.7% of that attention (200 visits). 月ごとの集計結果は同一です
バーは注目度を示すものであり、品質を示すものではありません。リストの最上部にある作品と、こちらの作品を選んでください：絵画がその技術的な巧拙を超えて有名になる要因として、考えられることを一つ挙げてください。
この作品について
Vindictive Spirits — 申潤福
Oh Yoon (1946-1986) was a leading artist of popular art who criticized social reality based on realism and inherited and developed it in an ethnic style. The 1980s, when he worked, was a time when the military regime and the capitalist system were at odds. In his short life, he recorded stories about ordinary people who are struggling in reality and creating Korean society as his own creative language using woodblock prints as his main medium. In particular, he had a perspective on realism, but since the mid-1980s, he has built his own world view based on the balance between
アーティストと美術館
生誕地 ソウル, 韓国
Shin Yun-bok, widely recognized by his art name Hyewon, stands as one of the most captivating figures in the history of Korean art. A painter active during the late Joseon Dynasty, he belonged to an elite group of masters often referred to as the "Three Great Genre Painters." While his contemporaries like Kim Hong-do focused on the simpler, more rugged lives of commoners, Shin Yun-bok carved out a unique niche by exploring the more intimate, sophisticated, and sometimes provocative layers of urban life. His work serves as a vibrant window into the social dynamics of his era, capturing the delicate interplay between romantic longing, societal norms, and the quiet beauty of everyday moments.
Born in Seoul, South Korea, Shin Yun-bok was immersed in an artistic lineage from a young age, coming from a family of painters. His technical prowess eventually led him to serve as a cheomjeoljesa, a junior officer, at the Dohwaseo, the royal painting bureau. However, his artistic spirit was perhaps too bold for the rigid structures of the time. Known for his skill in depicting genre scenes that leaned toward the erotic and the romantic, he famously faced expulsion from the royal bureau. This departure from officialdom allowed him to pursue a more personal and daring vision, focusing on the lives of urban gentlemen and courtesans through a lens of stylized realism.
The artistry of Hyewon is defined by a remarkable mastery of color and line. Unlike the more muted tones found in some traditional landscapes, Shin Yun-bok utilized a vibrant color palette, frequently employing rich reds and yellows to imbue his scenes with symbolic depth and visual energy. His brushwork was characterized by an extraordinary fluidity and precision, capable of capturing both the delicate texture of silk garments and the subtle nuances of human emotion. Through the skillful application of translucent washes, he achieved a sense of luminosity and depth that elevated his genre paintings from mere documentation to emotive experiences.
His repertoire extended beyond the scandalous or romantic, showcasing a profound versatility in several classical styles:
Hyewon Pungsokhwacheop: A distinctive genre of Korean painting that prioritized idealized landscapes and scenes infused with symbolic meaning.
Southern School Landscape Painting: Demonstrating his ability to capture the serene and scholarly aspects of nature.
Bird-and-Flower Painting: Showcasing a meticulous attention to the natural world and its delicate details.
The historical significance of Shin Yun-bok lies in his ability to document the complexities of late Joseon society with both honesty and aesthetic grace. His works, such as the Album of Obscene Paintings and Festivity in the Valley in Spring, offer invaluable insights into the cultural traditions, fashion, and social hierarchies of the period. By blending the boundaries between the sacred and the profane, he challenged the era's artistic conventions, leaving behind a legacy that continues to intrigue art historians and collectors worldwide.
Today, his masterpieces are preserved in prestigious institutions like the Gansong Art Museum and the National Museum of Korea. His ability to capture the ephemeral quality of human interaction—whether through a shared glance in a moonlit garden or the joyful energy of a seasonal festival—ensures that his name remains synonymous with the pinnacle of Korean genre painting. Through his delicate lines and bold colors, Shin Yun-bok transformed the fleeting moments of the Joseon era into eternal works of art.
topimpressionists.com/ja/art/download/shin-yun-bok-vindictive-spirits-D49Q6U-en/
細部まで見る
Vindictive Spirits — 申潤福
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申潤福作「Vindictive Spirits」のコントラストレベルはSereneです。
「Vindictive Spirits」の形式はPanoramicです。複製画を飾る場所を検討する際にお役立てください。
申潤福作「Vindictive Spirits」は、Neutralsなカラーパレットを使用しています。この配色は、作品全体の色彩的特徴を象徴しています。