用紙サイズ

学生作品ガイド

Untitled

氏名 学年 日付

Silvia Bächli, Untitled (2017), THAT'S CONTEMPORARY. 参考用として複製。著作権は権利者に帰属します。 動きのある光の下で、このキャンバスをご覧ください。描線、ニス越しに透ける真の色、そして剥き出しの顔料を。

詳細情報

作家
Silvia Bächli topimpressionists.com/ja/artists/silvia-bachli/
制作年
1956 –
彩色済み
2017
原寸大
62 x 44 cm
様式
Contemporary Abstract Abstraction built strictly from squares, circles and straight edges rather than free gesture.
開催場所
THAT'S CONTEMPORARY topimpressionists.com/ja/museums/that-s-contemporary-milan/

文脈に合わせて

Untitled — Silvia Bächli

サイズ感について

原寸は 62 × 44 cm (高さ × 幅) で、ここでは平均的な身長の成人と並べて表示しています。

制作時期

  1. 1950
  2. 1960
  3. 1970
  4. 1980
  5. 1990
  6. 2000
  7. 2010

上の行:年。下の行:各期間の開始時と終了時の年齢(誕生時を0歳として計算)。

作家が 61 歳の時に制作。 4 の当カタログにおけるこの作家の制作年が判明している 9 点の作品のうち、これよりも以前に制作されたものがあります。

▲ 本作品、2017 年代ごとに記された、すべての絵画作品

類似の作品と比較

  • Linien 37, 2006 topimpressionists.com/ja/art/silvia-bachli-linien-37-D989N5-en/
  • Untitled, 2017 topimpressionists.com/ja/art/silvia-bachli-untitled-D73V32-en/
  • Untitled, 2010 topimpressionists.com/ja/art/silvia-bachli-untitled-D73V3S-en/

上記の作品を一つ選んでください。この作品と共通する点を2つ、そして異なる点を1つ挙げてください。

こちらの作品とあわせてご覧いただける他の作品:topimpressionists.com/ja/art/similar/silvia-bachli-untitled-D73V3H-en/

カラー

画像から抽出したパレット

    主要色

    Clay #95654c

    カタログ済みパレット

    • #95654C
    • #F4F7F0
    • #DBBBA1
    • #B89074

    アーティストのパレット全体に含まれるこれらの色彩 色から他の絵画を探す

    カラーパレット
    Pastels 作品の中で主要な色調。
    主要色
    Clay
    彩度
    Monochromatic 単一の落ち着いた色調から、多彩で鮮やかな色彩まで、色の彩度やバリエーションの豊かさ。
    コントラスト
    Serene 作品全体における、色の明度と彩度の差異の度合い。
    調和
    Softly Mixed Palette 対照的な色合いから完全に調和したものまで、色彩がいかに美しく響き合っているか。
    輝度
    Brilliant 深い影から明るいハイライトまで、作品全体の明暗の度合い。
    彩度
    Muted 限りなくグレーに近い色合いから、鮮やかな色彩まで、その純度と強さが際立ちます。

    アーティストと美術館

    作家

    Silvia Bächli

    生誕地 Wettingen, Switzerland

    The Essence of Memory: The Minimalist Vision of Silvia Bächli

    Born in the quiet Swiss town of Wettingen in 1956, Silvia Bächli has cultivated a visual language that speaks to the profound intersections of nature, geometry, and the human psyche. Her artistic journey is one of disciplined exploration, rooted in a rigorous classical foundation established at the Haute École d'Arts Appliques de Bâle and the École Supérieure des Beaux-Arts Genève. These formative years provided her with the technical mastery required to later strip away the superfluous, allowing her to focus on the raw, emotive power of minimalist abstraction. Her work does not merely represent the world; it seeks to capture its underlying rhythms and the ephemeral traces of memory that linger in our consciousness.

    Bächli’s aesthetic is defined by a striking, meditative simplicity. Often working within a restrained grayscale palette, she utilizes watercolor, graphite, and ink to construct compositions that feel both weightless and deeply grounded. There is a rhythmic precision to her use of intersecting lines and geometric forms, which often evoke the structural elegance of the natural world or the architectural grandeur of the landscapes that inspire her. Her pieces, such as her evocative Untitled works, frequently feature dynamic, balanced grids and converging paths that guide the viewer’s eye through a landscape of subtle color relationships and light. This meticulous approach creates a sense of harmony and emotional resonance, inviting a contemplative stillness in the observer.

    A Journey Through Light and Landscape

    The soul of Bächli’s work is deeply intertwined with her connection to the Swiss landscape and her spiritual affinity for historical echoes. She finds profound solace in the architectural and natural beauty of regions like Leipzig, where the legacy of Johann Sebastian Bach serves as a silent, musical companion to her creative process. Much like the timeless complexity found in Bach’s compositions, Bächli’s art seeks to find order within abstraction and beauty within simplicity. This parallel pursuit of artistry—where structure meets emotion—is a hallmark of her development, allowing her to translate the vastness of nature into intimate, tactile experiences on paper and canvas.

    Her career has been marked by significant milestones that have brought her minimalist voice to the global stage. A defining moment occurred in 2009, when her work was featured in the prestigious Swiss Pavilion at the Venice Biennale. This recognition solidified her standing as a vital figure in contemporary art, demonstrating her unique ability to distill complex existential ideas into visually arresting, minimalist forms. Her contributions to the art world are further validated by an impressive array of accolades, including:

    The Manor Cultural Prize in Aargau (1990), recognizing her early impact on the Swiss art scene.

    The Montres Breguet Prize for Contemporary Art (1991), celebrating her innovative approach to medium and form.

    The Meret Oppenheim Prize (2003), a testament to her place within the lineage of great Swiss creators.

    The Drawing Prize from Fondation Daniel et Florence Guerlain d’Art Contemporain (2007), highlighting her mastery of line and graphic expression.

    Legacy and Contemporary Significance

    Beyond her personal practice, Bächli has significantly influenced the next generation of artists through her long-standing role as an educator at the Academy of Fine Arts, Karlsruhe, where she has taught since 1993. This commitment to pedagogy ensures that her dedication to precision, balance, and the exploration of memory continues to resonate within the academic and professional art communities. Her work is not merely a relic of contemporary minimalism but a living dialogue between the seen and the unseen.

    Today, Silvia Bächli’s oeuvre resides in esteemed museum collections worldwide, including the Museum of Modern Art (MoMA) in New York City. Her ability to bridge the gap between the geometric and the organic, the historical and the contemporary, ensures her lasting significance. In an era often characterized by visual noise, Bächli offers a sanctuary of clarity, reminding us that within the simplest line or the softest wash of gray, there lies an infinite capacity for profound discovery.

    美術館・博物館

    THAT'S CONTEMPORARY

    展示中: Milan, Italy

    THAT'S CONTEMPORARY: A Milanese Hub for Contemporary Art

    Milan, Italy – THAT’S CONTEMPORARY stands as a singular testament to the evolving landscape of Italian art. Founded in 2011, this innovative cultural platform isn’t merely documenting contemporary artistic endeavors; it actively cultivates an independent network connecting artists, galleries, and audiences—a deliberate departure from traditional museum models. Its mission is simple yet profound: to illuminate Milan's dynamic creative spirit and foster a deeper appreciation for modern art forms.

    Mapping the Scene:

    Launched as a response to the need for centralized artistic mapping, THAT’S CONTEMPORARY swiftly established itself as the go-to resource for discovering exhibitions and emerging talent within Milan.

    Bridging Connections:

    Unlike conventional institutions focused on preservation, THIS platform prioritizes engagement—facilitating dialogues between artists and collectors alike.

    Collection Highlights & Artistic Explorations

    While lacking a permanent collection in the traditional sense, THAT’S CONTEMPORARY offers visitors an immersive journey into Milanese contemporary art. The platform champions exhibitions showcasing diverse mediums—photography, sculpture, installation art—often featuring groundbreaking perspectives on societal issues and artistic experimentation. Notably, explorations of architectural spaces like Viafarini contribute to this experience, highlighting innovative approaches to gallery design and fostering stimulating conversations about artistic presentation.

    Featured Works:

    Among the showcased pieces are captivating artworks such as Gerhard Richter’s ‘Domplatz, Mailand,’ a masterful black & white photograph capturing Milanese grandeur—a testament to realism infused with aged aesthetic qualities.

    Fashion Forward Inspiration:

    Águeda Isabel Ruiz de la Prada’s ‘Dress with Synthetic-Suede Squares,’ presented during Milan Fashion Week, exemplifies the platform's commitment to showcasing artistic collaborations and pushing creative boundaries.

    Notable Artists & Creative Voices

    THAT’S CONTEMPORARY spotlights Italian artists who are shaping the future of art. Massimo Kaufmann, renowned for his expansive paintings, embodies the spirit of Milanese artistic tradition while simultaneously embracing innovation. Similarly, elisabetta gut's sculptures and installations delve into themes of confinement and fragility—reflecting a thoughtful engagement with contemporary concerns. Daniele Innamorato’s collaborative work as founder of Kings Collective underscores the platform’s dedication to fostering collective creativity and pushing artistic boundaries.

    Viafarini: An Architectural Canvas

    The Viafarini gallery complex serves as an integral part of THAT’S CONTEMPORARY's narrative. Designed by architect Marco Zanuso Jr., this building embodies Milanese architectural modernity—a space deliberately conceived to stimulate artistic dialogue and showcase experimental exhibitions. Its expansive layout encourages exploration and contemplation, mirroring the platform’s ethos of fostering engagement with cutting-edge art.

    A Unique Perspective on Contemporary Art

    THAT'S CONTEMPORARY distinguishes itself from conventional museums by prioritizing active participation and disseminating knowledge beyond physical walls. It operates as a dynamic online resource—a vibrant hub for artistic discovery—solidifying its position as an indispensable guide for anyone wishing to experience Milan’s flourishing contemporary art scene.

    さらに詳しく読む

    オンラインで詳細を見る

    UntitledのダウンロードページへつながるQRコード

    topimpressionists.com/ja/art/download/silvia-bachli-untitled-D73V3H-en/

    この作品の引用元

    MLA
    Bächli, Silvia. Untitled. 2017, THAT'S CONTEMPORARY. https://topimpressionists.com/ja/art/silvia-bachli-untitled-D73V3H-en/
    APA
    Bächli, Silvia (2017). Untitled [Painting]. THAT'S CONTEMPORARY. https://topimpressionists.com/ja/art/silvia-bachli-untitled-D73V3H-en/
    Chicago
    Silvia Bächli. Untitled. 2017. THAT'S CONTEMPORARY. https://topimpressionists.com/ja/art/silvia-bachli-untitled-D73V3H-en/
    Harvard
    Bächli, Silvia (2017) Untitled. THAT'S CONTEMPORARY. Available at: https://topimpressionists.com/ja/art/silvia-bachli-untitled-D73V3H-en/

    細部まで見る

    Untitled — Silvia Bächli

    もっと近くで見る

    ご自身の言葉で回答してください。正解はありません。大切なのは、その答えを説明できるかどうかです。

    1. まず最初に目に飛び込んでくるのはどこですか?また、それはなぜでしょうか?
    2. どのような色や形がその情緒を作り出しているでしょうか。そして、それはどのような情緒なのでしょうか。
    3. 当カタログでは、この作品を abstract lines, geometric art, color intersection として分類しています。この分類は適切でしょうか?追加したい項目や、削除すべき項目があれば教えてください。
    4. このガイドの前述にある Linien 37 (2006) を改めて振り返ってみましょう。この作品と共通する点を2つ、そして異なる点を1つ挙げてください。
    5. Contemporary Abstract: Abstraction built strictly from squares, circles and straight edges rather than free gesture. この作品のどこにその特徴が見て取れるでしょうか?

    回答内容

    この作品について短い文章を書いてください。本ガイドの前半部分に記載されている事実と、上記での回答内容を活用してください。

    よくあるご質問

    「Untitled」(2017)は、Silvia Bächliのキャリアにおけるどの時期の作品にあたりますか?

    2017年という制作年代から、「Untitled」はSilvia BächliのContemporaryに属します。

    「Untitled」の色同士は、どのように調和していますか?

    Silvia Bächli作「Untitled」の色使いは、Softly Mixed Paletteな調和を見せています。ここでの「調和」とは、色彩同士が互いにどのように響き合っているかを表しています。

    Silvia Bächli作「Untitled」のコントラストはどの程度強いですか?

    Silvia Bächli作「Untitled」のコントラストレベルはSereneです。

    「Untitled」の詳細を確認することはできますか?

    Untitled」は、作品のX線解析ページにて、層ごとに詳しく観察することができます。このビューアは修復家のライトベンチに着想を得ており、画像の11層にわたる光学的な読み取りを可能にしています。

    「Untitled」の原画は、どの美術館に収蔵されていますか?

    原画の「Untitled」はTHAT'S CONTEMPORARY, Milan, Italyにてご覧いただけます。

    Silvia Bächli作「Untitled」 のプリントを購入するにはどうすればよいですか?

    Untitled」はコットンキャンバスまたはアーカイブ品質のキャンバスペーパーに施されたファインアートプリントとしてご購入いただけます。ご注文はこのページにて、お好みのサイズでお受けしております。

    「Untitled」のContemporary Abstractの背景には、どの国のルーツがあるのでしょうか?

    Untitled」は、その作者の出生地を通じて、Contemporary Abstract運動とSwitzerlandを結びつけています。

    What aliases or alternate names does Silvia Bächli have?

    Other names recorded for Silvia Bächli, creator of "Untitled", include Silvia Bachli.