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Isabella Buxton

氏名 学年 日付

Thomas Bardwell, Isabella Buxton (1751), Norfolk Museums. パブリックドメイン 動きのある光の下で、このキャンバスをご覧ください。描線、ニス越しに透ける真の色、そして剥き出しの顔料を。

詳細情報

作家
Thomas Bardwell topimpressionists.com/ja/artists/thomas-bardwell/
制作年
1704 – 1767
彩色済み
1751
開催場所
Norfolk Museums topimpressionists.com/ja/museums/norfolk-museums-norwich/

文脈に合わせて

Isabella Buxton — Thomas Bardwell

制作時期

  1. 1700
  2. 1710
  3. 1720
  4. 1730
  5. 1740
  6. 1750
  7. 1760

上の行:年。下の行:各期間の開始時と終了時の年齢 — 出生時は0、没時は 63。

作家が 47 歳の時に制作。 そのアーティストは63歳で亡くなりました。 22 の当カタログにおけるこの作家の制作年が判明している 48 点の作品のうち、これよりも以前に制作されたものがあります。

背景色:Thomas Bardwellの生涯 (1704–1767) ▲ 本作品、1751 年代ごとに記された、すべての絵画作品

初期作品:1748年まで 主な活動期間:1748–1757 晩年の作品:1757年以降

これら3つの区分により、本カタログに日付が記されている作品群は、第1四半期、中間期、そして第4四半期へと分けられます。これらはアーティストの全作品を網羅したものではありません。記録の空白期間が、単なる活動休止期間として現れている場合もあります。 アーティストの生涯が刻まれた、その年月とともに

類似の作品と比較

上記の作品を一つ選んでください。この作品と共通する点を2つ、そして異なる点を1つ挙げてください。

こちらの作品とあわせてご覧いただける他の作品:topimpressionists.com/ja/art/similar/thomas-bardwell-isabella-buxton-AQRNFB-en/

カラー

画像から抽出したパレット

    主要色

    Phthalo Green #2a271b

    カタログ済みパレット

    • #2A271B
    • #957553
    • #E0BC96
    • #534533

    アーティストのパレット全体に含まれるこれらの色彩 色から他の絵画を探す

    カラーパレット
    Earthy 作品の中で主要な色調。
    主要色
    Phthalo Green
    彩度
    Balanced 単一の落ち着いた色調から、多彩で鮮やかな色彩まで、色の彩度やバリエーションの豊かさ。
    コントラスト
    Statement 作品全体における、色の明度と彩度の差異の度合い。
    調和
    Strong Color Unity 対照的な色合いから完全に調和したものまで、色彩がいかに美しく響き合っているか。
    輝度
    Shadow 深い影から明るいハイライトまで、作品全体の明暗の度合い。
    彩度
    Subtle Color 限りなくグレーに近い色合いから、鮮やかな色彩まで、その純度と強さが際立ちます。

    この絵画は世界のどこで鑑賞されていますか?

    • 1%未満
    • 1–3%
    • 3–8%
    • 8–20%
    • 20% 以上
    この絵画単体では、地図化できるほどの来場者数が記録されていないため、このプレートには過去12か月間における Thomas Bardwell の全作品を記載しています。合計で 5 か国にわたります。 これらの数値の出典について

    主要な10カ国

    1. 1 中国 80.8%
    2. 2 アメリカ合衆国 7.7%
    3. 3 イギリス 3.8%
    4. 4 シンガポール 3.8%
    5. 5 南アフリカ 3.8%

    地図上で最も色が濃い3つの国を見つけてください。この絵画を収蔵している美術館は、そのいずれかの国にありますか?遠く離れた場所にいる人々が、この作品に目を向ける理由を一つ書き出してください。

    Thomas Bardwell による注目の作品 20点

    1. 1 Group Portrait (possibly of the Brewster Family), in a Domestic Interior, 1736 10.7%
    2. 2 James Poole (d.1780), Mayor of Norwich (1765), 1767 10.7%
    3. 3 William Crowe (d.1778), Mayor of Norwich (1747), 1746 7.1%
    4. 4 Jermy Harcourt, Mayor of Norwich, 1763 7.1%
    5. 5 Leonard Buxton, 1751 7.1%
    6. 6 Richard Temple (1675–1749), 1st Viscount Cobham 7.1%
    7. 7 John Buxton of Channonz, 1750 3.6%
    8. 8 Joshua Ward Receiving Money from Britannia (also known as Joshua Ward Receiving Money from Britannia and Bestowing it as Charity on the Needy), 1748 3.6%
    9. 9 Portrait of a Lady (possibly of the Nassau de Zuylestein family), 1735 3.6%
    10. 10 Mary Phipps, 1749 3.6%
    11. 11 Captain Robert Fenwick (1716–1802), His Wife Isabella Orde (d.1789), and Her Sister Ann, 1746 3.6%
    12. 12 Catherine Talbot of Ingestre and Hillingdon (1722–1785), 1752 3.6%
    13. 13 David Garrick (1717–1779), as Richard III (from 'Richard III' by William Shakespeare) 3.6%
    14. 14 Sarah Buxton, 1751 3.6%
    15. 15 James Phipps (1703–1773), 1749 3.6%
    16. 16 Anne Buxton (1721–1771), 1751 3.6%
    17. 17 Robert Buxton (1710–1750) 3.6%
    18. 18 A Member of the Whitby Family, 1759 3.6%
    19. 19 John Goodman, Mayor of Norwich, 1757 3.6%
    20. — Isabella Buxton, 1751 この絵画 0.0%

    これらの作品は、このアーティストの絵画が過去12か月間に受けた注目全体の 96.6% を占めています。カタログにはこのアーティストによる 54 点の作品が収められており、そのうち 20 点は少なくとも一度は閲覧されました。 この絵画は、現時点ではまだ閲覧されていません。そのため、順位なしとしてリストの最後に表示されています。 月ごとの集計結果は同一です

    バーは注目度を示すものであり、品質を示すものではありません。リストの最上部にある作品と、こちらの作品を選んでください:絵画がその技術的な巧拙を超えて有名になる要因として、考えられることを一つ挙げてください。

    アーティストと美術館

    作家

    Thomas Bardwell

    Early Life and Apprenticeship

    Thomas Bardwell, born in 1704, emerged from a family deeply rooted in the decorative arts rather than the established world of fine painting. His initial foray into artistry wasn’t through formal training but within the practical demands of his family's business in Bungay, Suffolk. He began by crafting painted panels – functional embellishments that nonetheless required a keen eye for composition and color. This early experience, though seemingly humble, laid a crucial foundation for his later success. It instilled in him a meticulous approach to craft and an understanding of the visual impact of imagery, even before he consciously aspired to be a portraitist. The earliest documented works, conversation pieces from 1736 – notably one potentially depicting the Brewster family of Beccles now held by the Geffrye Museum – offer glimpses into this formative period. These paintings, intimate scenes capturing familial life, reveal an emerging talent for characterization and narrative detail, hinting at a sensibility that would blossom in his more ambitious commissions.

    Breaking New Ground in Norwich

    Bardwell’s trajectory took a significant turn in 1746 when he secured a commission from the Artillery Company of Norwich to paint William Crowe, who was soon to become mayor. This wasn't merely another portrait; it represented a challenge to the established artistic order within the city. Until then, John Theodore Heins, a German-born artist, had held a virtual monopoly on civic portraiture in Norwich. Bardwell’s success in capturing Crowe’s likeness – and securing this prestigious commission – effectively broke that hold, marking him as a formidable new presence on the local art scene. This initial triumph led to a series of nine portraits for St Andrew's Hall in Norwich, solidifying his reputation and establishing a distinctive style favored by the city’s prominent citizens. He wasn’t simply painting faces; he was becoming an integral part of documenting Norwich society itself.

    London Commissions and Allegorical Depth

    The 1740s and 50s saw Bardwell extend his reach to London, where he undertook a variety of portrait commissions. However, it was during this period that he ventured beyond straightforward representation, demonstrating an ambition for more complex allegorical works. Joshua Ward Receiving Money from Britannia (and bestowing it as charity on the needy), painted in 1748 and now residing within the Royal College of Surgeons’ collection, stands as a prime example. This painting isn't just a portrait of Dr. Joshua Ward; it’s a carefully constructed visual narrative. The symbolic figures of Britannia and Charity flanking Ward, coupled with the throng of grateful patients, elevate the work beyond mere likeness to a celebration of philanthropy and civic virtue. An engraving after this piece, likely by Bernard Baron, further disseminated his imagery and influence. This period reveals Bardwell's growing sophistication in using symbolism to imbue his portraits with deeper meaning, moving him away from purely descriptive representation towards works that actively engaged with moral and social themes.

    Yorkshire, Scotland, and a Return to Norwich

    Bardwell’s artistic journey wasn’t confined to the south of England. Between 1752 and 1753, he embarked on an extensive series of commissions in Yorkshire and Scotland, broadening his exposure to different patrons and regional styles. This period likely influenced his technique and further refined his ability to adapt to diverse aesthetic preferences. However, by 1759, Bardwell made the decision to settle permanently in Norwich. He became a central figure within the city’s artistic community, celebrated for his skill and dedication. An obituary published in a local newspaper lauded him as “an eminent portrait painter…who principally through the power of genius and dint of application, acquired a degree of perfection in his art.”

    Legacy and Theoretical Contributions

    Bardwell’s impact extended beyond the canvas. In 1756, he published The Practice of Painting and Perspective Made Easy, a 64-page treatise dedicated to the Earl of Rochford. This work wasn't merely a technical manual; it reflected his own artistic philosophy and offered practical guidance for aspiring painters. It demonstrates a commitment to sharing his knowledge and promoting the art of painting beyond his immediate circle. According to a general history of Norfolk published in 1829, “the best of his portraits are at Langley,” with works by Turner and Carr also noted as holding historical subjects painted by Bardwell. While perhaps not achieving the widespread fame of some of his contemporaries, Thomas Bardwell carved out a significant niche for himself as a skilled portraitist, a breaker of artistic monopolies, and a thoughtful contributor to the discourse surrounding painting in 18th-century England. His legacy resides not only in the faces he captured but also in the enduring quality of his craftsmanship and his dedication to elevating the art of portraiture within his community.

    美術館・博物館

    Norfolk Museums

    展示中: Norwich, United Kingdom

    A Tapestry of Time: Discovering Norfolk Museums

    Nestled in the historic heart of Norwich, Norfolk Museums isn’t merely a collection of buildings housing artifacts; it's an immersive journey through centuries of British life, artistry, and innovation. The museums collectively represent a vibrant cultural institution dedicated to preserving and showcasing the diverse heritage of this captivating county. From the imposing silhouette of Norwich Castle to the intimate charm of Strangers’ Hall, each location whispers tales of medieval merchants, industrial pioneers, and artistic visionaries. A visit here isn't simply observation; it’s an encounter with the very soul of Norfolk.

    Norwich Castle Museum & Art Gallery:

    This Norman masterpiece, originally built as a Royal Palace, now safeguards medieval treasures that transport visitors back to a time of knights, cathedrals, and burgeoning trade. Beyond its regal origins, the castle’s collection spans centuries, offering a panoramic view of British history through art and artifacts. The curators skillfully employ academic realism—detailed depictions of architectural grandeur and illuminated manuscripts—to convey the scale and significance of Norman rule.

    Bridewell Museum:

    A stark contrast to Norwich Castle's opulence, Bridewell Museum houses the last Jacquard loom in existence, a tangible symbol of Norfolk’s industrial past. This remarkable machine speaks volumes about the ingenuity and craftsmanship that fueled Norwich’s economic growth during the Victorian era. Its architectural design—a Grade I listed building—reflects the city’s transformation from medieval roots to industrial expansion.

    The Norwich School: Capturing Norfolk's Essence

    Norfolk Museums is particularly celebrated for its exceptional art collection, spearheaded by the Norwich School painters. Active in the early 19th century, these artists—John Constable, George Eliot Palmer, John Sell Cotman—captured the essence of the Norfolk landscape and everyday life with a distinctive blend of realism and romanticism. Their canvases resonate with atmospheric perspective and meticulous attention to detail, mirroring the artistic sensibilities of their time. Examining works like ‘The Marketplace’ by Harry Goodwin offers an unparalleled glimpse into Victorian Norwich – a scene rendered with vibrant colors and masterful composition.

    Beyond Art: Portraits of Norfolk's Medical History

    However, Norfolk Museums’ commitment to storytelling extends far beyond traditional art forms. The museum’s unique collection of medical portraits at the Norfolk & Norwich University Hospital provides a fascinating exploration of over 250 years of healthcare evolution. These portraits honor the dedicated professionals who have served the community through periods of both progress and adversity—individuals whose faces are preserved in time, offering poignant reflections on medical practice and societal values.

    A Living Legacy: Engagement & Exploration

    What truly distinguishes Norfolk Museums is its holistic approach to local history, art, and heritage. It’s a place where the past isn't confined to static displays but actively engages with the present through immersive exhibits and educational programs. Collaborations with local artists and researchers foster a deeper understanding of Norfolk’s cultural landscape—a testament to the museum’s enduring mission: to inspire curiosity and cultivate appreciation for this region’s rich artistic legacy.

    Notable Exhibitions:

    Recent exhibitions have explored themes ranging from Tudor Norfolk to the Industrial Revolution, demonstrating the museum's ability to adapt its programming to contemporary interests.

    さらに詳しく読む

    オンラインで詳細を見る

    Isabella BuxtonのダウンロードページへつながるQRコード

    topimpressionists.com/ja/art/download/thomas-bardwell-isabella-buxton-AQRNFB-en/

    この作品の引用元

    MLA
    Bardwell, Thomas. Isabella Buxton. 1751, Norfolk Museums. https://topimpressionists.com/ja/art/thomas-bardwell-isabella-buxton-AQRNFB-en/
    APA
    Bardwell, Thomas (1751). Isabella Buxton [Painting]. Norfolk Museums. https://topimpressionists.com/ja/art/thomas-bardwell-isabella-buxton-AQRNFB-en/
    Chicago
    Thomas Bardwell. Isabella Buxton. 1751. Norfolk Museums. https://topimpressionists.com/ja/art/thomas-bardwell-isabella-buxton-AQRNFB-en/
    Harvard
    Bardwell, Thomas (1751) Isabella Buxton. Norfolk Museums. Available at: https://topimpressionists.com/ja/art/thomas-bardwell-isabella-buxton-AQRNFB-en/

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    Isabella Buxton — Thomas Bardwell

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    ご自身の言葉で回答してください。正解はありません。大切なのは、その答えを説明できるかどうかです。

    1. まず最初に目に飛び込んでくるのはどこですか?また、それはなぜでしょうか?
    2. どのような色や形がその情緒を作り出しているでしょうか。そして、それはどのような情緒なのでしょうか。
    3. このガイドの前述にある John Buxton of Channonz (1750) を改めて振り返ってみましょう。この作品と共通する点を2つ、そして異なる点を1つ挙げてください。
    4. Thomas Bardwell は、この作品の制作当時 47 歳でした。作品のどのような点に、その時期のアーティストらしい特徴が見て取れるでしょうか。
    5. アーティストは、あなたにどのような感情を抱いてほしかったのでしょうか。

    回答内容

    この作品について短い文章を書いてください。本ガイドの前半部分に記載されている事実と、上記での回答内容を活用してください。

    よくあるご質問

    「Isabella Buxton」のプレビューはどこで確認できますか?

    Thomas Bardwell作「Isabella Buxton」のプレビューは、作品のプレビューページでご確認いただけます。

    Norfolk Museumsに所蔵されているThomas Bardwell作「Isabella Buxton」は、法的に複製することが可能でしょうか?

    Thomas Bardwell作「Isabella Buxton」の著作権の状態は明確であり、本作はパブリックドメイン(著作権消滅)です。Norfolk Museumsに所蔵されているという事実によって、この状態が変わることはありません。

    Thomas Bardwell作「Isabella Buxton」では、どのような配色が使われていますか?

    Thomas Bardwell作「Isabella Buxton」は、Earthyなカラーパレットを使用しています。この配色が、作品全体の色彩的特徴を象徴しています。