用紙
氏名 クラス 日付

ウィリアム・ホガース, Time smoking a picture. パブリックドメイン 動きのある光の下で、このキャンバスをご覧ください。描線、ニス越しに透ける真の色、そして剥き出しの顔料を。

事実関係

作家
ウィリアム・ホガース topimpressionists.com/ja/artists/uiriamu-hoka-su_ja/
制作年
1697 – 1764
技法・素材
Acrylic On Canvas
Artistic style
Satirical
Influences
Classical Antiquity
Notable elements or techniques
Smoking pipe, angelic figure
Subject or theme
Moral Progress

文脈において

Time smoking a picture — ウィリアム・ホガース

制作時期の推定

  1. 1690
  2. 1700
  3. 1710
  4. 1720
  5. 1730
  6. 1740
  7. 1750
  8. 1760

上の行:年。下の行:各期間の開始時と終了時の年齢 — 出生時は0、没時は 67。

背景色:ウィリアム・ホガースの生涯 (1697–1764) 年代ごとに並ぶ、すべての制作年入り作品

初期作品:1735年まで 主な活動期間:1735–1750 晩年の作品:1750年以降

これら3つの区分により、本カタログに日付が記されている作品群は、第1四半期、中間期、そして第4四半期へと分けられます。これらはアーティストの全作品を網羅したものではありません。記録の空白期間が、単なる活動休止期間として現れている場合もあります。 アーティストの歩みとともに刻まれた、その年月

このレコードには正確な制作年が記録されていません。アーティストの生涯と作品のスタイルから、何年代のものだと推測されますか?

似ている作品

上記の作品から一つ選んでください。その作品と共通する点を2つ、異なる点を1つ挙げてください。

こちらの作品とあわせてご覧いただける他の作品:topimpressionists.com/ja/art/similar/william-hogarth-time-smoking-a-picture-8BWMBH-en/

カラーパレット

画像から抽出したカラーパレット

    メインカラー

    Putty #efe4d2

    保存済みパレット

    • #EFE4D2
    • #615950
    • #B7AE9F
    • #898073

    アーティストのパレット全体を構成するこれらの色彩 色から他の絵画を探す

    配色
    Neutrals 作品の中で主要な色調。
    主な色名
    Putty
    彩度
    Balanced 単一の落ち着いた色調から、多彩で鮮やかな色彩まで、色の彩度やバリエーションの豊かさ。
    コントラスト
    Balanced 作品全体における、色の明度と彩度の差異の度合い。
    調和
    Unified Palette 対照的な色合いから完全に調和したものまで、色彩がいかに美しく響き合っているか。
    明るさ
    Brilliant 深い影から明るいハイライトまで、作品全体の明暗の度合い。
    彩度
    Muted 限りなくグレーに近い色合いから、鮮やかな色彩まで、その純度と強さが際立ちます。

    この絵画が世界中のどこで鑑賞されているか

    • 1%未満
    • 1–3%
    • 3–8%
    • 8–20%
    • 20% 以上
    この作品単体では地図化できるほどの来場者数が記録されていないため、このプレートには過去12か月間における ウィリアム・ホガース の全作品を記載しています。合計で 39 か国にわたります。 これらの数値の出典について

    主要な10カ国

    1. 1 中国 47.3%19,500 visits
    2. 2 ルーマニア 9.0%3,700 visits
    3. 3 アメリカ合衆国 8.3%3,400 visits
    4. 4 シンガポール 4.4%1,800 visits
    5. 5 フランス 4.1%1,700 visits
    6. 6 イタリア 3.6%1,500 visits
    7. 7 香港 3.4%1,400 visits
    8. 8 アルゼンチン 1.9%800 visits
    9. 9 コロンビア 1.9%800 visits
    10. 10 スペイン 1.5%600 visits
    11. · 29 その他の国々 14.6%6,000 visits

    地図上で最も色が濃い3つの国を見つけてください。この絵画を収蔵している美術館は、そのいずれかの国にありますか?遠く離れた場所にいる人々が、この作品に目を向ける理由を一つ書き出してください。

    ウィリアム・ホガース の注目作品 20点

    1. 1 いたずら風船男の進歩、第一図 6.3%3,500 visits
    2. 2 The Marriage Contract, 1745 3.6%2,000 visits
    3. 3 「いたずら風船男の旅」第6図: 賭博場での場面 3.2%1,800 visits
    4. 4 結婚の流行 ― 6、貴婦人の死 3.2%1,800 visits
    5. 5 「いたずら風しの上の男の旅」より、第2図 2.3%1,300 visits
    6. 6 The Death of the Earl 2.0%1,100 visits
    7. 7 時代の結婚, 1743 1.8%1,000 visits
    8. 8 Marriage à la Mode, 1743 1.8%1,000 visits
    9. 9 サタン、罪、そして死(ミルトンの一場面), 1735 1.6%900 visits
    10. 10 The Banquet, 1755 1.6%900 visits
    11. 11 Night, plate four from The Four Times of the Day 1.6%900 visits
    12. 12 ウィリアム・ホガース、キャプテン・トーマス・コーラムの肖像、1740年 © コーラム(ファンドリング博物館保管), 1740 1.4%800 visits
    13. 13 The Marriage of Stephen Beckingham and Mary Cox, 1729 1.4%800 visits
    14. 14 Marriage A-la-Mode - 2, The Tête à Tête 1.4%800 visits
    15. 15 The Madhouse, 1735 1.4%800 visits
    16. 16 The Suicide of the Countess 1.4%800 visits
    17. 17 The Countess's Morning Levee, 1745 1.3%700 visits
    18. 18 Canvassing for Votes 1.3%700 visits
    19. 19 A Musical Party, The Mathias family 1.3%700 visits
    20. 98 Time smoking a picture こちらの作品 0.4%200 visits

    これらの作品は、このアーティストの絵画が過去12か月間に受けた注目全体の 40.3% を占めています。カタログにはこのアーティストによる 241 点の作品が収められており、そのうち 168 点は少なくとも一度は閲覧されました。 This painting ranks 98 of them, with 0.4% of that attention (200 visits). 月ごとの集計結果は同一です

    バーは注目度を示すものであり、品質を示すものではありません。リストの最上部にある作品と、こちらの作品を選んでください:絵画がその技術的な巧拙を超えて有名になる要因として、考えられることを一つ挙げてください。

    この作品について

    Time smoking a picture — ウィリアム・ホガース

    A Singular Vision: William Hogarth’s “Time Smoking a Picture”

    William Hogarth’s “Time Smoking a Picture,” an enigmatic watercolor depicting a man absorbed in the act of inhaling smoke emanating from a framed image, transcends mere visual representation. It's a masterful distillation of Hogarth’s signature blend—sharp observation coupled with biting satire—a testament to his unparalleled ability to capture the anxieties and contradictions inherent within the social landscape of Georgian England.

    Subject Matter: The painting centers around an unnamed gentleman, positioned before a portrait depicting a woman. This juxtaposition immediately establishes a dialogue between contemplation and consumption; he isn’t merely observing beauty but actively engaging with it, transforming it into something intangible – smoke.

    Style & Technique: Hogarth's watercolor technique is characterized by meticulous detail and tonal gradation, skillfully conveying the diffused light of an interior space. The delicate washes create a sense of atmosphere, mirroring the contemplative mood of the figure at the forefront.

    The historical context surrounding “Time Smoking a Picture” is crucial to understanding its deeper significance. Produced during Hogarth’s prolific period—specifically around 1730—the artwork reflects the burgeoning fascination with scientific inquiry and the growing preoccupation with ideas of time and perception. The inclusion of an angelic figure on the right side of the frame serves as a subtle counterpoint, hinting at moral judgment and questioning the gentleman's indulgence in this unconventional pastime.

    Symbolism: The smoke itself is laden with symbolic weight. It represents not only physical inhalation but also intellectual absorption—the man’s mind consuming the image as if it were a substance. Furthermore, the angel embodies divine scrutiny, prompting viewers to consider whether this pursuit of aesthetic pleasure aligns with ethical conduct.

    Emotional Impact: Hogarth's masterful composition invites contemplation on themes of vanity, obsession, and the ephemeral nature of beauty. The painting’s unsettling stillness compels us to confront uncomfortable truths about human desires and societal values—a hallmark of Hogarthian satire.

    “Time Smoking a Picture” stands as an enduring emblem of Hogarth's artistic genius, demonstrating his ability to transform commonplace scenes into profound meditations on the human condition. Its meticulous detail, evocative atmosphere, and subtle symbolic layers continue to resonate with audiences today, cementing its place as one of Hogarth’s most captivating and intellectually stimulating creations.

    アーティストと美術館

    作家

    ウィリアム・ホガース

    生誕地 ロンドン, イギリス

    A London Life in Ink and Paint: The World of William Hogarth

    William Hogarth, born into the bustling heart of 18th-century London in 1697, was more than just an artist; he was a visual historian, a keen observer of human nature, and a satirical commentator on the societal currents of his age. His life story is inextricably linked to the very fabric of England during a period of significant transformation – its burgeoning ambitions, underlying anxieties, and pervasive hypocrisies all finding potent expression in his remarkably detailed and often biting works. The son of a struggling Latin schoolmaster, Hogarth’s early experiences instilled within him both a love for learning and a sharp awareness of social inequalities, a foundation that would prove crucial to shaping his artistic vision. Initially apprenticed to an engraver, he quickly demonstrated a talent extending beyond mere technical skill; he possessed an innate ability to observe the nuances of human behavior and translate them into compelling visual narratives. However, he chafed against the constraints of traditional engraving, seeking a more expressive outlet for his burgeoning creativity. This led him to studies at both St Martin’s Lane Academy and under Sir James Thornhill, where he honed his skills in painting and composition, absorbing influences that would later inform his unique style.

    The Birth of Modern Moral Subjects

    Hogarth's true innovation lay not simply what he painted, but how. He pioneered what he termed “modern moral subjects” – series of pictures designed to tell a story, often imbued with a strong satirical edge. These weren’t isolated portraits or landscapes; they were visual novels unfolding before the viewer’s eyes, offering pointed commentary on contemporary society. A Harlot's Progress, created in 1742, stands as perhaps his most famous example. This series of six paintings meticulously follows the tragic downfall of Mary, a young woman arriving in London full of hope but quickly succumbing to the temptations and dangers of city life. Each scene is rendered with painstaking detail, filled with symbolic elements that reveal the moral decay surrounding her. The figures are portrayed with unflinching realism, capturing every gesture and expression with remarkable accuracy—a deliberate departure from idealized depictions prevalent at the time. Similarly, A Rake's Progress, begun in 1733, charts the reckless decline of Tom Rakewell, a man who squanders his inheritance on gambling, debauchery, and ultimately, madness. These weren’t merely cautionary tales; they were unflinching portraits of a society grappling with issues of class, morality, and social mobility. Hogarth's genius resided in his ability to elevate everyday scenes – the bustling streets of London, the opulent interiors of the wealthy, the squalid lives of the poor – into works of art that resonated deeply with his audience. He didn’t shy away from depicting the harsh realities of life, presenting them with a blend of humor and pathos that forced viewers to confront uncomfortable truths about themselves and their society.

    Technique and Influences: A Synthesis of Styles

    Hogarth's artistic style was a unique amalgamation of diverse influences. He greatly admired the realism and narrative detail found in the works of Dutch genre painters like Pieter de Hooch, evident in his meticulous depictions of interiors and everyday life. The expressive dynamism of Rembrandt’s portraits also captivated him—a testament to his ability to convey emotion through subtle shading and composition. Furthermore, Hogarth was profoundly impacted by the writings of Jonathan Swift and Henry Fielding, whose satirical wit served as inspiration for his own social observations. He believed that art should not merely be beautiful but should also serve a moral purpose, challenging viewers to think critically about the world around them and their place within it. His technique was characterized by a masterful use of line and shading, particularly evident in his engravings. He employed a distinctive cross-hatching technique—a painstaking process of intersecting lines—that created depth and texture, bringing his scenes to life with remarkable clarity. This method allowed him to capture the nuances of light and shadow, conveying atmosphere and emotion with unparalleled precision. Beyond visual art, Hogarth’s intellectual curiosity extended into various fields, fostering a broader understanding of human psychology and social dynamics.

    Major Achievements and Legacy

    Hogarth achieved considerable renown during his lifetime for his groundbreaking series of paintings and engravings—most notably A Harlot's Progress and A Rake's Progress. These works established him as a pioneer of “modern moral subjects,” transforming the genre of visual storytelling and influencing generations of artists to come. His unflinching portrayal of social ills—corruption, poverty, hypocrisy—challenged prevailing societal norms and provoked considerable debate among intellectuals and critics alike. He is widely regarded as one of the most important figures in British art history, celebrated for his innovative style, his masterful technique, and his enduring contribution to the visual arts. As Charles Lamb famously remarked, Hogarth’s images were “like books to be read rather than merely looked at”—a testament to their narrative power and intellectual depth. His legacy continues to inspire artists today who strive to engage audiences with thought-provoking stories that illuminate both beauty and truth. He demonstrated that art could serve as a catalyst for social reform, prompting viewers to confront uncomfortable realities and fostering a deeper appreciation for human dignity.

    Historical Significance: Reflecting the Enlightenment

    Hogarth’s artistic output embodies the spirit of the Enlightenment—a period characterized by intellectual curiosity, rational inquiry, and a commitment to humanist values. He rejected idealized representations of virtue and beauty, favoring instead unflinching depictions of human flaws and failings. This bold stance reflected the broader cultural shift toward questioning traditional authority and embracing empirical observation—a hallmark of the era’s philosophical advancements. By confronting viewers with uncomfortable truths about society, Hogarth challenged them to engage in critical reflection and strive for moral improvement—values that resonated deeply with Enlightenment thinkers and contributed to shaping the intellectual landscape of his time. His work stands as a powerful reminder that art can serve as a vehicle for social commentary and inspire transformative change—a legacy that continues to endure centuries after his death.

    詳細はこちら

    オンラインで探す

    Time smoking a pictureのダウンロードページへつながるQRコード

    topimpressionists.com/ja/art/download/william-hogarth-time-smoking-a-picture-8BWMBH-en/

    この作品を引用する

    MLA
    ウィリアム・ホガース. Time smoking a picture. n.d., https://topimpressionists.com/ja/art/william-hogarth-time-smoking-a-picture-8BWMBH-en/
    APA
    ウィリアム・ホガース (n.d.). Time smoking a picture [Painting]. https://topimpressionists.com/ja/art/william-hogarth-time-smoking-a-picture-8BWMBH-en/
    Chicago
    ウィリアム・ホガース. Time smoking a picture. n.d. https://topimpressionists.com/ja/art/william-hogarth-time-smoking-a-picture-8BWMBH-en/
    Harvard
    ウィリアム・ホガース (n.d.) Time smoking a picture. Available at: https://topimpressionists.com/ja/art/william-hogarth-time-smoking-a-picture-8BWMBH-en/

    細部まで見る

    Time smoking a picture — ウィリアム・ホガース

    細部を詳しく見る

    ご自身の言葉で回答してください。正解はありません。大切なのは、その答えを説明できるかどうかです。

    1. まず最初に目に飛び込んでくるのはどこですか?また、それはなぜでしょうか?
    2. どのような色や形がその情緒を作り出しているでしょうか。そして、それはどのような情緒なのでしょうか。
    3. 当カタログでは、この作品を smoking pipe, picture frame, angel figure として分類しています。この分類は適切でしょうか?追加したい項目や、削除すべき項目があれば教えてください。
    4. このガイドの前述にある いたずら風船男の進歩、第一図 を改めて見返してみてください。この作品と共通する点を2つ、そして異なる点を1つ挙げてください。
    5. ウィリアム・ホガース の作品に繰り返し現れるテーマ: moral observation & critique, london society commentary, classical inspiration blend。この作品には、どのテーマが見て取れるでしょうか?

    回答内容

    この作品について短い文章を書いてください。本ガイドの前半部分に記載されている事実と、上記での回答内容を活用してください。

    アートクイズ

    Time smoking a picture — ウィリアム・ホガース

    この作品について、どれくらいご存知ですか?

    以下の 5 問の各質問に対して、正しい答えを1つずつ選択してください。各質問には、正解が1つずつあります。

    1. 1. What artistic style is predominantly used in ‘Time smoking a picture’?

      • A Cubism
      • B Impressionism
      • C Watercolor
    2. 2. The painting depicts a scene that reflects Hogarth's fascination with:

      • A Mythological narratives
      • B Religious iconography
      • C Social satire
    3. 3. What prominent figure appears on the right side of the frame within the artwork?

      • A A Roman Emperor
      • B A Biblical Prophet
      • C An Angel
    4. 4. ‘Lock, Stock and Two Smoking Barrels’ is a film known for its:

      • A Historical Drama
      • B Romantic Comedy
      • C Crime Thriller
    5. 5. Which novel inspired the film ‘Thank You for Smoking’?

      • A Pride and Prejudice
      • B To Kill a Mockingbird
      • C The Great Gatsby

    スコア:5点中 ____点

    解答集 — 教員用

    ここから新しいページとして印刷されるため、コピーの際は除外していただいて構いません。

    1C · 2C · 3C · 4C · 5B

    回答がこの絵画のカタログ記録と一致しているか確認してください

    Q&A

    ウィリアム・ホガース作「Time smoking a picture」の色使いは、どのような感情を呼び起こしますか?

    「Time smoking a picture」では、Neutralsの色調がMysteriousな情緒を添えています。

    ウィリアム・ホガース作「Time smoking a picture」は、絵画、デッサン、それとも版画のいずれでしょうか?

    ウィリアム・ホガース作「Time smoking a picture」はWallArtに分類されます。このカテゴリーは、原画の作品形式を表しています。

    「Time smoking a picture」の作者は?

    「Time smoking a picture」の作者はウィリアム・ホガースとされています。