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      Carleton Wiggins, 1848 – 1932

      Carleton Wigginsによる最も有名な名画 27選

      Winter Evening in France (1882)はCarleton Wigginsの代表作として知られる作品であり、プロビデンスにあるRhode Island School of Design Museum of Artに収蔵されています。 Landscape with Cattle (1882)とThe Supper at Emmaus (1636)が加わり、最も愛されている3枚のキャンバスが揃いました。 Carleton Wigginsによる作品は、当カタログに27点収められています。ここでは、制作年、所蔵美術館、そして各作品の背景とともに、最も有名な27点をご紹介します。

      各作品の検索数、閲覧数、および注文数を組み合わせた当サイトの人気スコアに基づきランキングを作成しています。最終更新:11月 2026 このページに掲載されている各作品は、リネンキャンバスに手描きで制作する油彩複製画、またはご希望のサイズに合わせて作成するファインアートプリントとしてご注文いただけます。

      Carleton Wigginsの肖像画
      Carleton Wiggins · 1848 – 1932
      生没年
      1848 – 1932, Orange County
      カタログ掲載作品
      27
      最も有名な
      Winter Evening in France (1882)
      最多収蔵館
      Temple Newsam House

      Carleton Wigginsによる最も愛されている10枚の名画

      Winter Evening in France (1882) による Carleton Wiggins
      1

      Winter Evening in France

      1882 · Oil On Canvas · Rhode Island School of Design Museum of Art, プロビデンス

      The landscape unfolds in a wide, snow-covered field that stretches toward a low horizon. A single figure drives a small wooden cart pulled by a donkey, moving slowly from the left toward the center-right. Faint tracks mark the white surface where the wheels and hooves have passed. To the left, a line of slender, leafless trees recedes into the distance, their vertical forms cutting through the soft haze. In the…

      手描き油彩複製画: $178 38 × 26 cm 原画と同サイズ $297 84 × 58 cm 原寸サイズで注文する →
      Landscape with Cattle (1882) による Carleton Wiggins
      2

      Landscape with Cattle

      1882 · Oil On Canvas · New York Historical Society, ニューヨーク市

      The air feels heavy and still, as if a soft, grey mist has just settled over the valley. In this 1882 landscape, the world breathes in slow, rhythmic pulses. A group of cattle grazes within a wide, open pasture, their forms grounded and heavy against the earth. The horizon sits near the center of the view, dividing a muted sky from the textured terrain below. There is a profound sense…

      手描き油彩複製画: $178 36 × 28 cm
      The Supper at Emmaus (1636) による Carleton Wiggins
      3

      The Supper at Emmaus

      1636 · Oil · Temple Newsam House, リーズ

      A quiet intimacy defines this scene of Jesus and his twelve apostles gathered around a dining table. The composition centers on the shared meal, set within a room furnished with chairs and a bench. In the periphery, life continues in small, domestic details: a dog rests near the bottom right corner, while a cat sits on the left side near a chair. The atmosphere is one of warmth and profound…

      手描き油彩複製画: $178 39 × 26 cm
      Moses (1636) による Carleton Wiggins
      4

      Moses

      1636 · Oil · Temple Newsam House, リーズ

      Moses stands as a pillar of stone and shadow. He holds the two tablets, the heavy weight of the Ten Commandments pressing against his palms. Around him, the air feels thick with the presence of others, figures caught in the periphery of his monumental task. The colors are muted, as if seen through a veil of dust or the haze of ancient history. He is a man defined by the…

      手描き油彩複製画: $178 16 × 64 cm
      Daniel (1636) による Carleton Wiggins
      5

      Daniel

      1636 · Oil · Temple Newsam House, リーズ

      The portrait of Daniel by Carleton Wiggins presents a man caught in a moment of quiet study. Dated about 1636, the work focuses on the face and hands of the subject, leaving the rest of his form to the shadows. He holds a book, a heavy presence in his grip that anchors the composition. A clock hangs in the background, its presence marking the steady passage of time against the…

      手描き油彩複製画: $178 16 × 63 cm
      Jeremiah (1636) による Carleton Wiggins
      8

      Jeremiah

      1636 · Oil · Temple Newsam House, リーズ

      The painting Jeremiah, dating to 1636, presents a detailed portrait of a man dressed in religious attire, reminiscent of a monk or a priest. The subject is depicted sitting upon a chair with his hands folded together in a gesture of repose or prayer. The composition is carefully balanced, with the central figure occupying a significant portion of the frame. In the background, the scene is enriched by the presence…

      手描き油彩複製画: $178 16 × 62 cm
      Jonah (1636) による Carleton Wiggins
      10

      Jonah

      1636 · Oil · Temple Newsam House, リーズ

      In this work, Carleton Wiggins captures the moment of divine intervention and peril. The painting depicts Jonah being swallowed by the whale. It is a scene of sudden, overwhelming scale. The figure of Jonah is caught in the transition between the world of men and the depths of the sea. He is a man in a suit with his arms outstretched, as if he's being lifted up into the air.…

      手描き油彩複製画: $178 16 × 61 cm

      Carleton Wiggins:ランキングの11枚目から27枚目のキャンバス

      David (1636) による Carleton Wiggins
      #11

      David

      1636 · Temple Newsam House

      The painting titled David is a work by the artist Carleton Wiggins. This antique image captures a figure of authority, rendered with the specific tonal modulation that defines…

      手描きで制作する 〜 $178 →
      Samuel (1636) による Carleton Wiggins
      #13

      Samuel

      1636 · Temple Newsam House

      Carleton Wiggins renders a moment of spiritual weight through a layered assembly of figures. The central figure, Samuel, is depicted with a heavy, bearded presence, his robe providing…

      このキャンバスを注文する 〜 $178 →
      Isaiah (1636) による Carleton Wiggins
      #18

      Isaiah

      1636 · Temple Newsam House

      Carleton Wiggins produced this antique work titled Isaiah. The painting features a religious figure, potentially representing Mary or Jesus, positioned before a wall. The composition includes two additional…

      このキャンバスを注文する 〜 $178 →

      Carleton Wiggins の代表作

      これらのキャンバスに最も頻繁に描かれた4つの主題と、それぞれの代表作。

      Carleton Wigginsのキャンバスが飾られる場所

      このページに掲載されている絵画を最も多く所蔵している 5 の美術館

      美術館 都市 Carleton Wigginsの作品 このリストの絵画
      Temple Newsam House, リーズTemple Newsam House リーズ 18 The Supper at Emmaus, Moses, Daniel
      スミソニアン・アメリカン・アート・ミュージアム, Washington, D.C.スミソニアン・アメリカン・アート・ミュージアム Washington, D.C. 2 Evening after a Shower, The Pasture Lot
      Rhode Island School of Design Museum of Art, プロビデンスRhode Island School of Design Museum of Art プロビデンス 1 Winter Evening in France
      New York Historical Society, ニューヨーク市New York Historical Society ニューヨーク市 1 Landscape with Cattle
      Buffalo AKG Art Museum, バッファローBuffalo AKG Art Museum バッファロー 1 Sand Dunes: Coney Island

      時代を超えて愛され続ける、Carleton Wigginsの最も有名なキャンバス

      1. 1870s
      2. 1880s
        Winter Evening in France (1882) による Carleton Wiggins
        27件中1位

        Winter Evening in France

        年齢 32歳 – 41歳 · Rhode Island School of Design Museum of Art

        The landscape unfolds in a wide, snow-covered field that stretches toward a low horizon. A single figure drives a small wooden cart pulled by a donkey, moving slowly…

      3. 1890s
        Evening after a Shower (1890) による Carleton Wiggins
        キャンバス 22 / 27

        Evening after a Shower

        年齢 42歳 – 51歳 · スミソニアン・アメリカン・アート・ミュージアム
      4. 1900s

      Carleton Wigginsのキャンバスに迫る、一問一答

      Carleton Wigginsの代表作は何ですか?回答を読む

      Winter Evening in France (1882)(Rhode Island School of Design Museum of Art, プロビデンス)。続いてLandscape with Cattle (1882)、The Supper at Emmaus (1636)が続きます。

      Winter Evening in France:Carleton Wigginsがこの作品を描いた時の年齢は?回答を読む

      1848年に生まれたCarleton Wigginsは34歳でした:Winter Evening in Franceは1882年の作品です。

      Carleton Wigginsの最も有名な作品10選は?回答を読む

      Winter Evening in France, Landscape with Cattle, The Supper at Emmaus, Moses, Daniel, Zephaniah, Nahum, Jeremiah, Ezekiel と Jonah。上記のランキングに掲載されている各キャンバスには、制作年と所蔵美術館が記載されています。

      Carleton Wigginsの作品数は?回答を読む

      Carleton Wigginsによる作品が27点、1873年から1908年にかけてのものがカタログに掲載されています。

      Carleton Wigginsの最も有名な作品は、現在どこに展示されていますか?回答を読む

      主にTemple Newsam House (リーズ), スミソニアン・アメリカン・アート・ミュージアム (Washington, D.C.) と Rhode Island School of Design Museum of Art (プロビデンス)に所蔵されています。上記のリストには、各美術館とその所蔵作品が記載されています。

      Carleton Wigginsが最も有名な作品を描いたのはいつ頃でしょうか?回答を読む

      このページに掲載されている全27作品のうち、2作品が1880sの作品であり、その中にはWinter Evening in Franceが含まれます。

      有名なCarleton Wigginsのキャンバスの中で、最初に描かれたのはどれで、最後に描かれたのはどれでしょうか?回答を読む

      ここにある最も古いキャンバスはMoonlight on the Long Island Sound (1873)、最も新しいものはSand Dunes: Coney Island (1908)です。

      Carleton Wigginsが最も多く描いた主題は何ですか?回答を読む

      このページに掲載されている27点の作品におけるMan (12), People (6) と Clock (4)

      Carleton Wigginsの作品の中で、最も多く使用されている画材は何ですか?回答を読む

      このページに掲載されている全27作品のうち、17作品にOilが使用されています。

      Temple Newsam HouseにはCarleton Wigginsのどの作品が収蔵されていますか?回答を読む

      Temple Newsam House, リーズには、このページに掲載されている作品のうち18点が所蔵されており、その中にはThe Supper at Emmaus, Moses と Danielも含まれています。

      Carleton Wigginsの絵画の複製画はどこで購入できますか?回答を読む

      はい。このページに掲載されているすべての絵画は、各作品の個別ページから、手書きの油彩複製画、またはお好みのサイズでのファインアートプリントとしてご注文いただけます。

      画家の紹介:Carleton Wiggins

      John Carleton Wiggins (1848–1932): A Visionary Interpreter of Biblical Narrative

      John Carleton Wiggins was a prolific American artist whose distinctive style—characterized by meticulous detail and expressive tonal modulation—established him as one of the foremost interpreters of Old Testament themes in late nineteenth-century art. Born in Brooklyn, New York, in 1848, Wiggins’s artistic journey began modestly but swiftly ascended to prominence thanks to his unwavering dedication to capturing the spiritual essence of biblical stories through masterful technique and profound emotional resonance.
      • Early Life & Education: Wiggins pursued formal schooling primarily in Brooklyn, where he honed foundational skills in drawing and painting before embarking on a collegiate path at Bates College in Lewiston, Maine. His formative years instilled within him an appreciation for both realism and symbolic representation—influences that would permeate his artistic output throughout his career.
      • Career Highlights: Wiggins’s professional life unfolded across several disciplines, including law practice and coaching roles. However, it was his unwavering commitment to visual art that cemented his legacy. He gained considerable acclaim for his biblical paintings, notably ‘Ezekiel,’ ‘The Supper at Emmaus,’ and ‘Aaron,’ which garnered recognition from institutions like the Smithsonian American Art Museum.

      Stylistic Innovation & Artistic Technique

      Wiggins’s artistic approach distinguished itself through a meticulous attention to textural detail—a hallmark of his oeuvre—and an innovative use of tonal modulation that conveyed profound emotional depth. He skillfully blended realistic observation with symbolic iconography, creating canvases imbued with both visual richness and spiritual significance. His technique involved layering thin glazes over prepared surfaces, achieving luminous effects and capturing subtle nuances of light and shadow—methods that reflected the prevailing artistic currents of his time while simultaneously forging a singular aesthetic identity.
      • Glazing Technique: Wiggins’s mastery of glazing—applying translucent layers of pigment—allowed him to build up color gradually, producing velvety surfaces and enhancing visual luminosity.
      • Symbolic Iconography: He incorporated symbolic elements into his compositions, referencing biblical narratives and conveying theological ideas through carefully chosen imagery.

      Major Works & Recognition

      Among Wiggins’s most celebrated paintings are ‘Ezekiel,’ ‘The Supper at Emmaus,’ and ‘Aaron,’ each representing a significant achievement in capturing the dramatic tension and spiritual contemplation inherent in biblical narratives. These works exemplify his stylistic innovations and garnered considerable acclaim from critics and collectors alike. The Smithsonian American Art Museum proudly houses several of Wiggins’s masterpieces, ensuring that his artistic legacy continues to inspire future generations of artists and scholars.

      Legacy & Historical Significance

      John Carleton Wiggins stands as a pivotal figure in the history of American biblical art—a testament to the enduring power of visual storytelling to illuminate spiritual truths. His distinctive style—characterized by meticulous detail, expressive tonal modulation, and skillful blending of realism and symbolism—influenced subsequent artists and solidified his place among the foremost interpreters of Old Testament themes. Wiggins’s unwavering dedication to artistic excellence ensured that his work would resonate across time, securing his enduring contribution to the canon of nineteenth-century art.