デビッド・ジャガーの全作品の中で最も有名なのはThe Bolshevik (1918)であり、オタワのCanadian War Museumに展示されています。 それに次いで、Thomas Newbould (1845–1933) (1921)とHenry Alexander, LLD, Lord Provost of Aberdeen (1932–1935) (1936)が続きます。 当カタログに含まれるデビッド・ジャガーの23点の作品のうち、これら23点は最も名高い作品であり、制作年、所蔵美術館、そしてその背景となる物語とともにご紹介します。
各作品の検索数、閲覧数、および注文数を組み合わせた当サイトの人気スコアに基づきランキングを作成しています。最終更新:11月 2026
これらのキャンバスに最も頻繁に描かれた4つの主題と、それぞれの代表作。
このページに掲載されている絵画を最も多く所蔵している 8 の美術館
| 美術館 | 都市 | デビッド・ジャガーの作品 | このリストの絵画 |
|---|---|---|---|
| Eastbourne | 2 | Alderman Miss Alice Hudson, JP, Mayor of Eastbourne (1925–1928 1943–1945), Alderman Lieutenant Colonel Roland Vaughan Gwynne, DSO, DL, JP, Mayor of Eastbourne (1928–1931) | |
| オタワ | 1 | The Bolshevik | |
| リバプール | 1 | Sewing | |
| Sheffield | 1 | Henry Hall Bedford, JP, Chairman of the Board (1913–1924) | |
| London | 1 | Lord Baden Powell (1857–1941), as World Chief Scout | |
| ノッティンガム | 1 | Jewish Refugee, Vienna | |
| Egham | 1 | Miss Janet Ruth Bacon | |
| バーミンガム | 1 | Sir Horace Clarke |
The Bolshevik (1918)(Canadian War Museum, オタワ)。続いてThomas Newbould (1845–1933) (1921)、Henry Alexander, LLD, Lord Provost of Aberdeen (1932–1935) (1936)が続きます。
1891年に生まれたデビッド・ジャガーは27歳でした:The Bolshevikは1918年の作品です。
The Bolshevik, Thomas Newbould (1845–1933), Henry Alexander, LLD, Lord Provost of Aberdeen (1932–1935), Dr John George Graves (1866–1945), Portrait of a Man, The Late Cyrus Jones, Kathleen, Portrait of a Lady, Charles Jagger (1885–1934) と Charles Sargeant Jagger。上記のランキングに掲載されている各キャンバスには、制作年と所蔵美術館が記載されています。
デビッド・ジャガーによる作品が23点、1917年から1950年にかけてのものがカタログに掲載されています。
主にTowner (Eastbourne), Canadian War Museum (オタワ) と ウォーカー・アート・ギャラリー (リバプール)に所蔵されています。上記のリストには、各美術館とその所蔵作品が記載されています。
このページに掲載されている全23作品のうち、6作品が1920sの作品であり、その中にはThomas Newbould (1845–1933)が含まれます。
ここにある最も古いキャンバスはCharles Jagger (1885–1934) (1917)、最も新しいものはMichael Theodore Waterhouse (1888–1968), CBE, PRIBA (1950)です。
このページに掲載されている23点の作品におけるPortraits (2) と Men (2)
Towner, Eastbourneには、このページに掲載されている作品のうち2点が所蔵されており、その中にはAlderman Miss Alice Hudson, JP, Mayor of Eastbourne (1925–1928 1943–1945) と Alderman Lieutenant Colonel Roland Vaughan Gwynne, DSO, DL, JP, Mayor of Eastbourne (1928–1931)も含まれています。
Born in Kilnhurst, near Rotherham, David Jagger emerged as one of the most accomplished English portrait painters of his era. His journey into the world of fine art was deeply rooted in a family of immense creative talent; he was the son of colliery manager Enoch Jagger and Mary Sargeant, and grew up alongside siblings who would also leave their mark on the British art scene. His sister, Edith, became a noted landscape artist and textile designer, while his brother, Charles Sargeant Jagger, rose to prominence as a celebrated sculptor. This environment of artistic rigor shaped David’s early development, leading him to the Sheffield School of Art, where he honed the technical precision that would later define his professional career.
As an accomplished draughtsman and skilled illustrator, Jagger’s talent was recognized early through accolades in mural design and painting. Following his formal education, he moved to London, a transition that marked the beginning of his ascent within the prestigious circles of British society. Initially balancing commercial art studio work with evening portrait commissions, he eventually established his own professional portrait studio in Chelsea, south of London. This period of his life was not only marked by professional growth but also by profound personal inspiration; his marriage to Catherine Gardiner brought a muse into his life whose features would grace many of his most accomplished works, often appearing under a pseudonym.
Jagger’s work is characterized by a remarkable realism that, while highly detailed, maintained a soft, painterly quality that avoided the harshness of hard-edge styles. He possessed a rare ability to capture the essence of his subjects, whether they were members of the British aristocracy or figures of significant historical importance. His technical mastery allowed him to navigate the delicate balance between formal, official-looking commissions and more intimate, thoughtfully posed compositions. This skill earned him a place among the leading exhibitors of his time, with regular appearances at the Royal Academy, the Royal Society of British Artists, and the Royal Institute of Oil Painters.
The breadth of his subject matter reflects the high society and civic authority of early 20th-century Britain. His portfolio includes a breathtaking array of notable figures, such as:
Beyond the individual brilliance of his brushwork, David Jagger holds a significant place in the history of British portraiture due to his role in documenting the faces of an era. His ability to secure commissions from the highest echelons of power—ranging from royalty to political leaders—cemented his reputation as a premier chronicler of his time. His work serves as a visual record of the dignity, tradition, and shifting social landscape of mid-century England.
His contribution to the art community was further solidified through his active membership in prestigious societies like the Royal Society of Portrait Painters. Through these institutions, Jagger helped maintain the high standards of oil painting and portraiture during a period of significant artistic transition. Today, his portraits remain cherished not only for their technical excellence but as windows into the character and prestige of the individuals who shaped the twentieth century.