Ethel Wrightの全作品の中で最も有名なのはDame Christabel Pankhurst (1909)であり、ロンドンのナショナル・ポートレート・ギャラリーに展示されています。 当カタログに含まれるEthel Wrightの1点の作品のうち、これら1点は最も名高い作品であり、制作年、所蔵美術館、そしてその背景となる物語とともにご紹介します。
各作品の検索数、閲覧数、および注文数を組み合わせた当サイトの人気スコアに基づきランキングを作成しています。最終更新：11月 2026 このページに掲載されている各作品は、リネンキャンバスに手描きで制作する油彩複製画、またはご希望のサイズに合わせて作成するファインアートプリントとしてご注文いただけます。
A formal, full-length portrait captures a woman emerging from a dark, indeterminate background. She is positioned slightly off-center, her presence defined by a luminous pale green gown that catches the light against the deep, muted tones of the shadows. A sash, striped in purple, white, and green, cuts a sharp diagonal across her torso, marking her affiliation with the suffrage movement. The lighting is dramatic, employing a chiaroscuro effect that…
このページに掲載されている絵画を最も多く所蔵している 1 の美術館
| 美術館 | 都市 | Ethel Wrightの作品 | このリストの絵画 |
|---|---|---|---|
 ナショナル・ポートレート・ギャラリー |
ロンドン | 1 | Dame Christabel Pankhurst |
1909年のEthel Wrightによるすべての作品がこのページに掲載されています。有名な作品から順にご紹介します。
A formal, full-length portrait captures a woman emerging from a dark, indeterminate background. She is positioned slightly off-center, her presence defined by a luminous pale green gown that…
Dame Christabel Pankhurst (1909)
1866年に生まれたEthel Wrightは43歳でした：Dame Christabel Pankhurstは1909年の作品です。
Ethel Wrightによる作品が1点、カタログに掲載されています。
主にナショナル・ポートレート・ギャラリー (ロンドン)に所蔵されています。上記のリストには、各美術館とその所蔵作品が記載されています。
はい。このページに掲載されているすべての絵画は、各作品の個別ページから、手書きの油彩複製画、またはお好みのサイズでのファインアートプリントとしてご注文いただけます。
Caroline Elizabeth Wright, known to many as Ethel, began her time with art by walking through the National Gallery, copying the works of others. Her early training took place in the studio of John Seymour Lucas before she moved to Paris. There, at the Académie Julian, she studied under Rodolphe Julian. It was during these years that she developed a steady hand for portraiture and illustration.
Her life in London was marked by shifts in name and circumstance. She married Bernard Armiger Barczinsky in Liverpool in 1897, briefly exhibiting as Mrs. Armiger Barclay. After her marriage ended, she returned to the identity of Ethel Wright. In 1901, she traveled to the United States, where she found work as an illustrator for a few years before returning to England in 1905.
The studio often held subjects that ranged from the theatrical to the political. She had a particular interest in painting Pierrot and Pierrettes, works like Bonjour Pierrot! which appeared in various publications. Her canvases also captured society figures, such as Lady Ada Osborne and Beatrice, Lady Lever. Some of her work focused on allegorical images of women, often blending a sense of character with careful detail.
Her brushwork documented the faces of her era, including notable portraits like:
Beyond the easel, her life was shaped by the movements of her time. She became a supporter of the suffragettes and remained active in the Chelsea branch of the WSPU until 1927. Her paintings often reflected this growing political awareness, most notably in her portrait of Christabel Pankhurst. This work eventually found its place in the National Portrait Gallery.
During the First World War, she took on the role of a volunteer nurse at the Royal Free Hospital. This period of service left a lasting mark on her history. She died in London in 1939, leaving behind a body of work held in collections such as Tate Britain and the Atkinson Art Gallery.
