Along the River Front, New York (1912)はEverett Warnerの代表作として知られる作品であり、トレドにあるトレド美術館に収蔵されています。 Everett Warnerによる作品は、当カタログに5点収められています。ここでは、制作年、所蔵美術館、そして各作品の背景とともに、最も有名な2点をご紹介します。
各作品の検索数、閲覧数、および注文数を組み合わせた当サイトの人気スコアに基づきランキングを作成しています。最終更新:11月 2026
このページに掲載されている絵画を最も多く所蔵している 2 の美術館
| 美術館 | 都市 | Everett Warnerの作品 | このリストの絵画 |
|---|---|---|---|
| トレド | 1 | Along the River Front, New York | |
| ニューヨーク市 | 1 | "Manhattan Contrasts," New York City |
このページに掲載されているEverett Warnerの年代別のキャンバスは1912年から1917年までのわずか6年間にわたります。その変遷を、年を追うごとにご覧いただけます。
Along the River Front, New York (1912)
1877年に生まれたEverett Warnerは35歳でした:Along the River Front, New Yorkは1912年の作品です。
Everett Warnerによる作品が5点、1912年から1917年にかけてのものがカタログに掲載されています。
主にトレド美術館 (トレド) と New York Historical Society (ニューヨーク市)に所蔵されています。上記のリストには、各美術館とその所蔵作品が記載されています。
ここにある最も古いキャンバスはAlong the River Front, New York (1912)、最も新しいものは"Manhattan Contrasts," New York City (1917)です。
Born in Vinton, United States, Everett Warner was an American Impressionist painter and printmaker. His early education included studies at the Corcoran Museum and the Washington Art Students League, followed by training at the Art Students League in New York under George Bridgman and Walter Clark. Warner's work gained recognition through selection for prestigious competitions at the Art Institute of Chicago, the Pennsylvania Academy of the Fine Arts, and the National Academy of Design. He also served as an art critic for the Evening Star in Washington, D.C.
Warner's career was marked by significant contributions to maritime history. During World War I, he developed the Warner System, a ship camouflage method designed to break up a vessel's silhouette to make it difficult for enemies to obtain a range. He served as a lieutenant in the US Naval Reserves, managing a design-based subdivision in Washington, D.C. He later returned to serve as Chief Civilian Aid to Commander Charles Bittinger during World War II to assist in the design of ship camouflage.
Beyond his maritime work, Warner explored unique perspectives through aerial painting. Following the end of World War I, he utilized military seaplanes to observe New York City and the Eastern seaboard from above, becoming one of the first artists to sketch and paint from an aerial view. He even experimented with anamorphosis, displaying his large-scale paintings flat on the floor to be viewed from an oblique angle to enhance the sense of depth.
In his later professional life, Warner held a position as an associate professor of painting and design at the Carnegie Institute of Technology in Pittsburgh, Pennsylvania, for eighteen years. After retiring from teaching, he settled in Westmoreland, New Hampshire. He eventually transitioned from painting to writing articles for publication before his death in 1963.