Horses and Hunters by the SeaはJohn Amory Codmanの代表作として知られる作品であり、ボストンにあるボストン美術館に収蔵されています。 View of a BayとHarbor Overlooked by a Mansionが加わり、最も愛されている3枚のキャンバスが揃いました。 John Amory Codmanによる作品は、当カタログに6点収められています。ここでは、制作年、所蔵美術館、そして各作品の背景とともに、最も有名な6点をご紹介します。
各作品の検索数、閲覧数、および注文数を組み合わせた当サイトの人気スコアに基づきランキングを作成しています。最終更新:11月 2026 このページに掲載されている各作品は、リネンキャンバスに手描きで制作する油彩複製画、またはご希望のサイズに合わせて作成するファインアートプリントとしてご注文いただけます。
このページに掲載されている絵画を最も多く所蔵している 1 の美術館
| 美術館 | 都市 | John Amory Codmanの作品 | このリストの絵画 |
|---|---|---|---|
| ボストン | 6 | Horses and Hunters by the Sea, View of a Bay, Harbor Overlooked by a Mansion |
Horses and Hunters by the Sea(ボストン美術館, ボストン)。続いてView of a Bay、Harbor Overlooked by a Mansionが続きます。
John Amory Codmanによる作品が6点、カタログに掲載されています。
主にボストン美術館 (ボストン)に所蔵されています。上記のリストには、各美術館とその所蔵作品が記載されています。
ボストン美術館, ボストンには、このページに掲載されている作品のうち6点が所蔵されており、その中にはHorses and Hunters by the Sea, View of a Bay と Harbor Overlooked by a Mansionも含まれています。
はい。このページに掲載されているすべての絵画は、各作品の個別ページから、手書きの油彩複製画、またはお好みのサイズでのファインアートプリントとしてご注文いただけます。
Born in 1824, John Amory Codman lived a life shaped by the shifting tides of 19th-century commerce and the quiet rhythms of coastal Massachusetts. While he is remembered for his brushwork, his personal stability was tied to the lucrative Russian and China clipper trade, which provided the wealth necessary to support his lifestyle and his creative pursuits. He spent much of his time in Boston, establishing himself within the city's social and artistic circles during a period of significant growth.
His domestic life was centered around his marriage to Martha Pickman Rogers, who lived until 1905. Together, they had one surviving child, Martha Codman Karolik. The family's connection to the arts would continue through her, as she became a major benefactor to the arts, ensuring that the cultural landscape of her time remained supported. The legacy of the family was marked by both significant social standing and the complexities of private life, including legal disputes regarding his will and the distribution of his estate after his death in 1886.
Codman’s professional life was deeply rooted in the creative circles of Boston. He resided and worked in the city from 1849 through the 1860s, establishing himself within the local art community. During the 1850s, he maintained a studio in Amory Hall, a space that likely served as a central hub for his daily practice. His presence in the city was officially recognized in the Boston City Directory, which listed him as an artist from 1849 to 1855. He was also affiliated with the New England Art Union, connecting him to the broader artistic movements of the time.
His exhibitions began early in his career. In 1839, he showed his work with the Apollo Association, and by 1849, he was exhibiting with the American Art-Union. As his reputation grew, he became a regular participant in significant local venues. He exhibited with the Boston Athenaeum in 1856, contributing to the cultural life of the city during a period of significant growth. Later in his life, in 1873, he displayed two oil paintings at the Boston Art Club, continuing to share his vision with the public.