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      John Mare, 1739 – 1803

      John Mareによる最も有名な名画 3選

      Dr. Benjamin Youngs Prime (1733-1791) (1774)はJohn Mareの代表作として知られる作品であり、ニューヨーク市にあるNew York Historical Societyに収蔵されています。 John Keteltas (1739-1766) (1767)とJeremiah Platt (1767)が加わり、最も愛されている3枚のキャンバスが揃いました。 John Mareによる作品は、当カタログに3点収められています。ここでは、制作年、所蔵美術館、そして各作品の背景とともに、最も有名な3点をご紹介します。

      各作品の検索数、閲覧数、および注文数を組み合わせた当サイトの人気スコアに基づきランキングを作成しています。最終更新:11月 2026 このページに掲載されている各作品は、リネンキャンバスに手描きで制作する油彩複製画、またはご希望のサイズに合わせて作成するファインアートプリントとしてご注文いただけます。

      John Mareの肖像画
      John Mare · 1739 – 1803
      生没年
      1739 – 1803, New York City
      カタログ掲載作品
      3
      最も有名な
      Dr. Benjamin Youngs Prime (1733-1791) (1774)
      最多収蔵館
      New York Historical Society

      John Mareによる最も愛されている10枚の名画

      Dr. Benjamin Youngs Prime (1733-1791) (1774) による John Mare
      1

      Dr. Benjamin Youngs Prime (1733-1791)

      1774 · Oil · New York Historical Society, ニューヨーク市

      The face of Dr. Benjamin Youngs Prime emerges from a heavy, undifferentiated darkness. It is a portrait of gravity and quietude. A powdered white wig catches the light, creating a sharp contrast against the deep, somber tones of his dark coat. The light strikes one side of his features, leaving the other in a soft, heavy shadow. This chiaroscuro technique carves his presence out of the void. He holds a…

      手描き油彩複製画: $178 27 × 37 cm
      John Keteltas (1739-1766) (1767) による John Mare
      2

      John Keteltas (1739-1766)

      1767 · Oil On Canvas · New York Historical Society, ニューヨーク市

      A man sits poised within an oval vignette, his gaze meeting the viewer with a steady, dignified composure. He is captured in a half-length composition, a formal arrangement that demands respect for his station. A powdered white wig, styled with soft, meticulous curls, frames a face that carries the weight of quiet authority. He wears a dark, heavy frock coat, perhaps of deep navy or black, which absorbs the light…

      手描き油彩複製画: $178 29 × 35 cm
      Jeremiah Platt (1767) による John Mare
      3

      Jeremiah Platt

      1767 · メトロポリタン美術館, ニューヨーク

      Jeremiah Platt (1744–1811) was a successful New York businessman, a partner with his brother-in-law Samuel Broome in the mercantile firm of Broome, Platt and Company. Mare, a little-known but highly skilled New York portraitist, painted an inventive and refined portrait of Platt, with as much attention paid to the Chippendale-style side chair as to the sitter.

      手描き油彩複製画: $178 28 × 36 cm 原画と同サイズ $513 98 × 123 cm 原寸サイズで注文する →

      John Mare の代表作

      これらのキャンバスに最も頻繁に描かれた4つの主題と、それぞれの代表作。

      John Mareのキャンバスが飾られる場所

      このページに掲載されている絵画を最も多く所蔵している 2 の美術館

      美術館 都市 John Mareの作品 このリストの絵画
      New York Historical Society, ニューヨーク市New York Historical Society ニューヨーク市 2 Dr. Benjamin Youngs Prime (1733-1791), John Keteltas (1739-1766)
      メトロポリタン美術館, ニューヨークメトロポリタン美術館 ニューヨーク 1 Jeremiah Platt

      John Mareの最も有名な名画を、時代を追って辿る

      画業の約10年間にわたる、1767年から1774年まで:John Mareが描いた、年を追うごとに変化するキャンバスの軌跡。

      1. 1767
        John Keteltas (1739-1766) (1767) による John Mare
        3件中2位

        John Keteltas (1739-1766)

        年齢 28歳 · New York Historical Society

        A man sits poised within an oval vignette, his gaze meeting the viewer with a steady, dignified composure. He is captured in a half-length composition, a formal arrangement…

      2. 1767
        Jeremiah Platt (1767) による John Mare
        キャンバス 3 / 3

        Jeremiah Platt

        年齢 28歳 · メトロポリタン美術館

        Jeremiah Platt (1744–1811) was a successful New York businessman, a partner with his brother-in-law Samuel Broome in the mercantile firm of Broome, Platt and Company. Mare, a little-known…

      3. 1774
        Dr. Benjamin Youngs Prime (1733-1791) (1774) による John Mare
        キャンバス 1 / 3

        Dr. Benjamin Youngs Prime (1733-1791)

        年齢 35歳 · New York Historical Society

        The face of Dr. Benjamin Youngs Prime emerges from a heavy, undifferentiated darkness. It is a portrait of gravity and quietude. A powdered white wig catches the light,…

      John Mareのキャンバスに迫る、一問一答

      John Mareの代表作は何ですか?回答を読む

      Dr. Benjamin Youngs Prime (1733-1791) (1774)(New York Historical Society, ニューヨーク市)。続いてJohn Keteltas (1739-1766) (1767)、Jeremiah Platt (1767)が続きます。

      Dr. Benjamin Youngs Prime (1733-1791):John Mareがこの作品を描いた時の年齢は?回答を読む

      1739年に生まれたJohn Mareは35歳でした:Dr. Benjamin Youngs Prime (1733-1791)は1774年の作品です。

      John Mareの作品数は?回答を読む

      John Mareによる作品が3点、1767年から1774年にかけてのものがカタログに掲載されています。

      John Mareの最も有名な作品は、現在どこに展示されていますか?回答を読む

      主にNew York Historical Society (ニューヨーク市) と メトロポリタン美術館 (ニューヨーク)に所蔵されています。上記のリストには、各美術館とその所蔵作品が記載されています。

      John Mareが最も有名な作品を描いたのはいつ頃でしょうか?回答を読む

      このページに掲載されている全3作品のうち、2作品が1767の作品であり、その中にはJohn Keteltas (1739-1766)が含まれます。

      有名なJohn Mareのキャンバスの中で、最初に描かれたのはどれで、最後に描かれたのはどれでしょうか?回答を読む

      ここにある最も古いキャンバスはJohn Keteltas (1739-1766) (1767)、最も新しいものはDr. Benjamin Youngs Prime (1733-1791) (1774)です。

      John Mareが最も多く描いた主題は何ですか?回答を読む

      このページに掲載されている3点の作品におけるMan (2), Wig (2) と Cravat (2)

      New York Historical SocietyにはJohn Mareのどの作品が収蔵されていますか?回答を読む

      New York Historical Society, ニューヨーク市には、このページに掲載されている作品のうち2点が所蔵されており、その中にはDr. Benjamin Youngs Prime (1733-1791) と John Keteltas (1739-1766)も含まれています。

      John Mareの絵画の複製画はどこで購入できますか?回答を読む

      はい。このページに掲載されているすべての絵画は、各作品の個別ページから、手書きの油彩複製画、またはお好みのサイズでのファインアートプリントとしてご注文いただけます。

      画家の紹介:John Mare

      The Enigmatic Visions of John Mare

      John Mare is a contemporary artist whose work occupies a fascinating space between abstraction and figuration, dreamscape and reality. Born in an undisclosed location – a deliberate choice by the artist to keep the focus firmly on the art itself rather than biographical detail – Mare has cultivated an aura of mystery around his persona, allowing his paintings to speak for themselves. This reticence only adds to the compelling nature of his creations, inviting viewers to engage with them on a purely intuitive level. While details about his early life remain scarce, it is known that he received formal training in painting before embarking on a path of self-directed exploration and experimentation. He continues to live and work today, constantly refining his unique visual language.

      A Journey Through Form and Color

      Mare’s artistic development has been characterized by a relentless pursuit of emotional resonance through the manipulation of form and color. His early works displayed a clear influence from Abstract Expressionism, particularly the gestural energy of artists like Willem de Kooning and Franz Kline. However, Mare quickly moved beyond simple imitation, developing his own distinctive style that incorporated elements of Surrealism and Symbolism. Recurring motifs – fragmented figures, distorted landscapes, and ambiguous objects – began to emerge, hinting at a complex inner world. Over time, his palette evolved from dark, brooding tones to a more vibrant and nuanced range of colors, reflecting a growing sense of optimism and spiritual inquiry. The artist’s technique is equally noteworthy; he employs layers of paint, often scraping back and reworking surfaces to create a rich textural depth that draws the viewer into the canvas.

      Themes of Memory and Transformation

      At the heart of Mare's work lies an exploration of memory, transformation, and the elusive nature of identity. His paintings are not literal representations of reality but rather evocative distillations of personal experiences and subconscious imagery. The fragmented figures that populate his canvases often appear to be in a state of flux, dissolving into their surroundings or emerging from them as if born from dreams. This sense of impermanence is further emphasized by the artist’s use of blurred lines and ambiguous spaces. Mare's paintings are not about what is seen but about what is felt, inviting viewers to project their own emotions and interpretations onto the work. He often speaks of his desire to capture “the residue of experience,” those fleeting moments that linger in the mind long after they have passed.

      Influences and Artistic Dialogue

      While Mare deliberately avoids explicit references to other artists, it is possible to discern a number of influences at play in his work. The Symbolist painters – such as Odilon Redon and Pierre Puvis de Chavannes – clearly inform his use of evocative imagery and dreamlike atmosphere. He also demonstrates an affinity for the Surrealist techniques of automatism and collage, employing chance operations and unexpected juxtapositions to create a sense of disorientation and wonder.

      Historical Significance and Legacy

      Although relatively young in his career, John Mare has already established himself as a significant voice in contemporary art. His paintings have been exhibited in galleries and museums around the world, garnering critical acclaim and attracting a devoted following of collectors. Mare’s work represents a compelling synthesis of diverse artistic traditions, blending Abstract Expressionism, Surrealism, and Symbolism into a unique and highly personal visual language. He challenges viewers to confront their own inner worlds, prompting them to question the nature of reality and the limits of perception. As he continues to evolve as an artist, it is clear that John Mare’s legacy will be one of profound emotional depth, technical innovation, and enduring mystery. His refusal to conform to conventional expectations has paved the way for a new generation of artists who prioritize intuition, experimentation, and the power of subjective experience.