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      Matthys Pool, 1676 – 1732

      Matthys Poolによる最も有名な名画 10選

      Mars (1727)はMatthys Poolの代表作として知られる作品であり、アムステルダムにある国立美術館に収蔵されています。 Mars (1727)とLeda and the Swan (1727)が加わり、最も愛されている3枚のキャンバスが揃いました。 Matthys Poolによる作品は、当カタログに10点収められています。ここでは、制作年、所蔵美術館、そして各作品の背景とともに、最も有名な10点をご紹介します。

      各作品の検索数、閲覧数、および注文数を組み合わせた当サイトの人気スコアに基づきランキングを作成しています。最終更新:11月 2026 このページに掲載されている各作品は、リネンキャンバスに手描きで制作する油彩複製画、またはご希望のサイズに合わせて作成するファインアートプリントとしてご注文いただけます。

      Matthys Poolの肖像画
      Matthys Pool · 1676 – 1732
      生没年
      1676 – 1732, Amsterdam
      カタログ掲載作品
      10
      最も有名な
      Mars (1727)
      最多収蔵館
      国立美術館

      Matthys Poolによる最も愛されている10枚の名画

      Mars (1727) による Matthys Pool
      1

      Mars

      1727 · Engraving · 国立美術館, アムステルダム

      This monochrome engraving, titled Mars, was created in 1727 by Matthys Pool. The artwork depicts the Roman god of war as a nude male figure standing upon an ornate pedestal decorated with floral elements. The composition is centered on the muscular form of the figure, utilizing a highly detailed and realistic style.

      手描き油彩複製画: $178 22 × 45 cm
      Mars (1727) による Matthys Pool
      2

      Mars

      1727 · Engraving · 国立美術館, アムステルダム

      This monochrome engraving, titled Mars, was executed by the Dutch artist Matthys Pool in 1727. It presents a focused study of a muscular male figure, rendered through the precise application of line and shadow characteristic of the engraving medium. The work captures a sense of physical weight and anatomical presence, utilizing the starkness of a single-tone palette to define the subject's form.

      手描き油彩複製画: $178 25 × 40 cm
      Leda and the Swan (1727) による Matthys Pool
      3

      Leda and the Swan

      1727 · Engraving

      This black and white engraving, created in 1727 by Matthys Pool, presents a mythological scene through meticulous line work. The composition centers on Leda, who reclines upon a large, rounded rock or mound. Beside her, a swan is positioned in close proximity, appearing to offer her a piece of fruit. The figures are rendered with a focus on organic forms, specifically the curves of Leda’s body and the feathered texture…

      手描き油彩複製画: $178 36 × 28 cm 原画と同サイズ $398 103 × 80 cm 原寸サイズで注文する →

      Matthys Pool の代表作

      これらのキャンバスに最も頻繁に描かれた4つの主題と、それぞれの代表作。

      Matthys Poolのキャンバスが飾られる場所

      このページに掲載されている絵画を最も多く所蔵している 1 の美術館

      美術館 都市 Matthys Poolの作品 このリストの絵画
      国立美術館, アムステルダム国立美術館 アムステルダム 2 Mars, Mars

      Matthys Poolの最も有名な名画を、時代を追って辿る

      このページに掲載されているMatthys Poolの年代別のキャンバスはすべて1727のものです。以下に、知名度の高い順に並べてご紹介します。

      1. 1727
        Mars (1727) による Matthys Pool
        10作品中、第1位

        Mars

        年齢 51歳 · 国立美術館

        This monochrome engraving, titled Mars, was created in 1727 by Matthys Pool. The artwork depicts the Roman god of war as a nude male figure standing upon an…

      2. 1727
        Mars (1727) による Matthys Pool
        キャンバス 2 / 10

        Mars

        年齢 51歳 · 国立美術館

        This monochrome engraving, titled Mars, was executed by the Dutch artist Matthys Pool in 1727. It presents a focused study of a muscular male figure, rendered through the…

      3. 1727
        Leda and the Swan (1727) による Matthys Pool
        10件中3位

        Leda and the Swan

        年齢 51歳

        This black and white engraving, created in 1727 by Matthys Pool, presents a mythological scene through meticulous line work. The composition centers on Leda, who reclines upon a…

      Matthys Poolのキャンバスに迫る、一問一答

      Matthys Poolの代表作は何ですか?回答を読む

      Mars (1727)(国立美術館, アムステルダム)。続いてMars (1727)、Leda and the Swan (1727)が続きます。

      Mars:Matthys Poolがこの作品を描いた時の年齢は?回答を読む

      1676年に生まれたMatthys Poolは51歳でした:Marsは1727年の作品です。

      Matthys Poolの最も有名な作品10選は?回答を読む

      Mars, Mars, Leda and the Swan, Francis van Bossuit, after Barent Graat, The Holy Family with a Dove, Plante chef-tereck, Grenadine, Fruits from the East Indies, including piek, Vertumnus and Pomona as lovers と A screaming young woman is forced by soldiers into a 'iron coffin of Lissa'.。上記のランキングに掲載されている各キャンバスには、制作年と所蔵美術館が記載されています。

      Matthys Poolの作品数は?回答を読む

      Matthys Poolによる作品が10点、カタログに掲載されています。

      Matthys Poolの最も有名な作品は、現在どこに展示されていますか?回答を読む

      主に国立美術館 (アムステルダム)に所蔵されています。上記のリストには、各美術館とその所蔵作品が記載されています。

      Matthys Poolが最も有名な作品を描いたのはいつ頃でしょうか?回答を読む

      このページに掲載されている全10作品のうち、3作品が1727の作品であり、その中にはMarsが含まれます。

      Matthys Poolが最も多く描いた主題は何ですか?回答を読む

      このページに掲載されている10点の作品におけるMan (2), Nude (2) と Rock (2)

      Matthys Poolの作品の中で、最も多く使用されている画材は何ですか?回答を読む

      このページに掲載されている全10作品のうち、3作品にEngravingが使用されています。

      国立美術館にはMatthys Poolのどの作品が収蔵されていますか?回答を読む

      国立美術館, アムステルダムには、このページに掲載されている作品のうち2点が所蔵されており、その中にはMars と Marsも含まれています。

      Matthys Poolの絵画の複製画はどこで購入できますか?回答を読む

      はい。このページに掲載されているすべての絵画は、各作品の個別ページから、手書きの油彩複製画、またはお好みのサイズでのファインアートプリントとしてご注文いただけます。

      画家の紹介:Matthys Pool

      Matthys Pool: A Dutch Master of Baroque Detail

      Matthys Pool, born in Amsterdam in 1676 and tragically passing away in the same city in 1732, remains a captivating figure within the history of 17th-century Dutch art. While he may not command the immediate recognition afforded to Rembrandt or Vermeer, Pool’s meticulous craftsmanship and profound understanding of religious and classical subjects have earned him a significant place as a Baroque painter and, crucially, an accomplished engraver. His legacy isn't one of grand, sweeping compositions but rather of exquisite detail, subtle shading, and a remarkable ability to capture the essence of his subjects – often biblical figures or scenes from antiquity – with astonishing realism. Initially trained in engraving, Pool’s skill with line and texture proved invaluable when he began working alongside renowned painters like Gerard de Lairesse, producing engravings for De Lairesse's seminal *Groot schilderboeck*, a comprehensive guide to painting techniques. This early experience undoubtedly shaped his eye for detail and his appreciation for the nuances of artistic representation.

      Early Life and Artistic Training

      Pool’s biography is somewhat sparse, lacking extensive documentation beyond confirming his birth and death in Amsterdam. However, records indicate a shift in his career trajectory around 1708 when he married Barend Graat's daughter, relocating to the Leidsegracht district. This move coincided with an increased focus on engraving, particularly for publications featuring ivory sculptures after the classics, notably those by Francis van Bossuit. His work during this period demonstrates a growing mastery of technique and a keen interest in replicating the intricate details of sculptural forms. Crucially, Pool’s engravings weren't merely copies; he imbued them with his own artistic sensibility, adding subtle variations in line and shading that elevated them beyond simple reproductions. He also became known for his depictions of the Bentvueghels – traveling birdmen who created and traded engraved illustrations of exotic birds – after paintings by Domenicus van Wijnen (also known as Askaan). These prints offer a fascinating glimpse into 18th-century travel, commerce, and artistic exchange.

      The Art of Engraving and Painting

      Pool’s true brilliance lies in the intersection of his engraving skills and his painting abilities. He wasn't simply translating images from one medium to another; he was developing a unique visual language that combined the precision of line with the richness of color and texture. His paintings, particularly those depicting religious scenes and classical figures, are characterized by an almost photographic realism – a remarkable feat achieved through careful observation, meticulous layering of paint, and a masterful understanding of light and shadow. The influence of Caravaggism is evident in his use of dramatic chiaroscuro, creating powerful contrasts between light and dark that heighten the emotional impact of his compositions. However, Pool’s style transcends mere imitation; he infused these influences with a distinctly Dutch sensibility – a focus on clarity, detail, and a subtle sense of restraint.

      Notable Works and Artistic Style

      Among Pool's most celebrated works is “Mars,” a dramatic depiction of the Roman god of war, showcasing his ability to render complex anatomical details and convey a palpable sense of power and intensity. His engravings after Domenicus van Wijnen are equally impressive, capturing the vibrant colors and intricate patterns of the original paintings with remarkable fidelity. Pool’s style can be characterized as meticulously detailed, emotionally resonant, and deeply informed by both classical antiquity and Baroque aesthetics. He wasn't interested in grand gestures or flamboyant displays; instead, he sought to capture the quiet dignity and profound beauty of his subjects through painstaking observation and skillful execution.

      Historical Significance and Legacy

      Matthys Pool’s contribution to 17th-century art is often overlooked, overshadowed by more prominent figures. However, his work represents a vital link between the Mannerist and Baroque periods, demonstrating the continued importance of classical themes and techniques in Dutch painting during this transformative era. His engravings, in particular, played a crucial role in disseminating artistic ideas and images throughout Europe. Furthermore, Pool’s dedication to detail and his mastery of both engraving and painting established him as a highly respected artist within his time, leaving behind a body of work that continues to fascinate and inspire art historians today. He stands as a testament to the quiet power of meticulous craftsmanship and the enduring appeal of classical subjects rendered with exceptional skill and sensitivity.