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      Paul Sample, 1896 – 1974

      Paul Sample:最も有名な名作6選

      Paul Sampleの全作品の中で最も有名なのはMy Bride (1929)であり、Washington, D.C.のスミソニアン・アメリカン・アート・ミュージアムに展示されています。 それに次いで、My Bride (1929)とThe Turntableが続きます。 当カタログに含まれるPaul Sampleの8点の作品のうち、これら6点は最も名高い作品であり、制作年、所蔵美術館、そしてその背景となる物語とともにご紹介します。

      各作品の検索数、閲覧数、および注文数を組み合わせた当サイトの人気スコアに基づきランキングを作成しています。最終更新:11月 2026

      Paul Sampleの肖像画
      Paul Sample · 1896 – 1974
      生没年
      1896 – 1974, Louisville
      カタログ掲載作品
      8
      最も有名な
      My Bride (1929)
      最多収蔵館
      スミソニアン・アメリカン・アート・ミュージアム

      Paul Sampleの最も有名な名作10選

      Paul Sampleのキャンバスが飾られる場所

      このページに掲載されている絵画を最も多く所蔵している 1 の美術館

      美術館 都市 Paul Sampleの作品 このリストの絵画
      スミソニアン・アメリカン・アート・ミュージアム, Washington, D.C.スミソニアン・アメリカン・アート・ミュージアム Washington, D.C. 1 My Bride

      年ごとの変遷:Paul Sampleの最も名高い名画たち

      1929年のPaul Sampleによるすべての作品がこのページに掲載されています。有名な作品から順にご紹介します。

      1. 1929
        My Bride (1929) による Paul Sample
        キャンバス 1 / 6

        My Bride

        年齢 33歳 · スミソニアン・アメリカン・アート・ミュージアム
      2. 1929
        My Bride (1929) による Paul Sample
        6作品中、第2位

        My Bride

        年齢 33歳

      Paul Sampleの絵画に関するよくあるご質問

      Paul Sampleの最も有名な作品は何ですか?回答を読む

      My Bride (1929)(スミソニアン・アメリカン・アート・ミュージアム, Washington, D.C.)。続いてMy Bride (1929)、The Turntableが続きます。

      My Brideの制作当時、Paul Sampleは何歳でしたか?回答を読む

      1896年に生まれたPaul Sampleは33歳でした:My Brideは1929年の作品です。

      Paul Sampleによる作品は何点知られていますか?回答を読む

      Paul Sampleによる作品が8点、カタログに掲載されています。

      Paul Sampleの代表的な作品は、どの美術館に収蔵されていますか?回答を読む

      主にスミソニアン・アメリカン・アート・ミュージアム (Washington, D.C.)に所蔵されています。上記のリストには、各美術館とその所蔵作品が記載されています。

      Paul Sampleが最も有名な作品を描いたのは、何年頃でしょうか?回答を読む

      このページに掲載されている全6作品のうち、2作品が1929の作品であり、その中にはMy Brideが含まれます。

      Paul Sample:画家の物語

      The Quiet Observer of New England: The Life and Legacy of Paul Sample

      To wander through the canvases of Paul Sample is to step into a mid-twentieth-century America that feels both intimately familiar and hauntingly nostalgic. Born in Louisville, Kentucky, on September 14, 1896, Sample’s early years were defined by a sense of movement, as his family traversed the vast American landscape. This itinerant childhood gifted him with a panoramic perspective, an ability to observe the shifting light and character of diverse regions that would later become the cornerstone of his artistic vision. Though he initially pursued architecture at Dartmouth College, it was a period of profound personal hardship that redirected his destiny toward the easel. While visiting his brother in Saranac Lake, New York, Sample contracted tuberculosis—a grueling illness that forced him into a sedentary life, yet opened the door to a transformative mentorship under Jonas Lie. Under Lie’s guidance, Sample began to master a technique that married meticulous precision with a deep, soulful connection to the natural world.

      As his artistic identity coalesced, Sample found himself at the intersection of two powerful movements: Social Realism and Regionalism. His work did not merely document landscapes; it breathed life into the social fabric of the era. During the Great Depression, his paintings became poignant chronicles of rural existence, capturing the quiet dignity of ordinary people navigating economic hardship. There was a subtle, often ironic tension in his approach—an attempt to apply the bold, rhythmic energy of Midwestern masters like Thomas Hart Benton and Grant Wood to the more reserved, mist-covered landscapes of New England. This stylistic fusion allowed him to portray the American spirit as something both resilient and deeply contemplative, finding beauty in the weathered barns, frozen roads, and stoic faces of a changing nation.

      A Journey Through Light and Landscape

      Sample’s career was marked by a fascinating geographical duality, oscillating between the sun-drenched coasts of California and the rugged, seasonal rhythms of the Northeast. After studying at the Art Students League and the Otis Art Institute in Los Angeles, he joined the faculty of the University of Southern California, where his work began to reflect the social complexities of the era. Yet, it was his connection to New England—bolstered by his marriage to Sylvia Howland—that provided his most enduring subject matter. His summers spent in Maine and Vermont allowed him to develop a mastery over atmosphere, particularly the way light filters through winter woods or settles upon a lonely country road. These works are characterized by an emotional depth that transcends mere scenery; they are psychological portraits of place.

      His achievements extended beyond the gallery walls into the broader cultural consciousness of mid-century America. A notable moment in his career was his contribution to literature, specifically creating the evocative cover art for Carl Sandburg’s 1948 novel, Remembrance Rock. This ability to translate narrative emotion into visual form underscored his status as a storyteller of the American experience. His induction into the National Academy in 1941 served as a formal recognition of a talent that had successfully bridged the gap between academic rigor and popular resonance.

      Today, the significance of Paul Sample lies in his ability to act as a bridge between eras. While his contemporaries often sought the avant-garde, Sample remained committed to the truth of the landscape and the human condition. His legacy is found in the quiet moments captured on canvas:

      • The mastery of atmosphere: His ability to evoke the biting chill of a Vermont winter or the soft glow of a summer twilight.
      • Social empathy: A profound respect for the working class and the rural populations of the Great Depression era.
      • Stylistic synthesis: The unique blending of Regionalist structure with the emotive qualities of Social Realism.
      Though his fame may not have reached the heights of some of his peers during his lifetime, the enduring charm and emotional honesty of his work ensure that he remains a vital voice in the history of American art.