Samson (Bairds Carryout) (1987)はPeter Howsonの代表作として知られる作品であり、ニューヨークにあるメトロポリタン美術館に収蔵されています。 Samson (Bairds Carryout) (1987)とBoxerが加わり、最も愛されている3枚のキャンバスが揃いました。 Peter Howsonによる作品は、当カタログに3点収められています。ここでは、制作年、所蔵美術館、そして各作品の背景とともに、最も有名な3点をご紹介します。
各作品の検索数、閲覧数、および注文数を組み合わせた当サイトの人気スコアに基づきランキングを作成しています。最終更新:11月 2026
このページに掲載されている絵画を最も多く所蔵している 1 の美術館
| 美術館 | 都市 | Peter Howsonの作品 | このリストの絵画 |
|---|---|---|---|
| ニューヨーク | 1 | Samson (Bairds Carryout) |
このページに掲載されているPeter Howsonの年代別のキャンバスはすべて1987のものです。以下に、知名度の高い順に並べてご紹介します。
Samson (Bairds Carryout) (1987)(メトロポリタン美術館, ニューヨーク)。続いてSamson (Bairds Carryout) (1987)、Boxerが続きます。
1958年に生まれたPeter Howsonは29歳でした:Samson (Bairds Carryout)は1987年の作品です。
Peter Howsonによる作品が3点、カタログに掲載されています。
主にメトロポリタン美術館 (ニューヨーク)に所蔵されています。上記のリストには、各美術館とその所蔵作品が記載されています。
このページに掲載されている全3作品のうち、2作品が1987の作品であり、その中にはSamson (Bairds Carryout)が含まれます。
Peter Howson OBE (born 1958) is a Scottish painter renowned for his powerfully emotive and often unsettling depictions of modern life. Born in London to Scottish parents, he moved with his family to Prestwick, Ayrshire, at the age of four. Raised in a deeply religious household, this early upbringing profoundly influenced his artistic trajectory; his very first painting, created at age six, was a depiction of the crucifixion.
Howson’s work has evolved through distinct phases. Initially, he became known for his raw and unflinching portrayals of masculine working-class men – figures often presented as heroic yet vulnerable. Heroic Dosser (1987) remains a seminal example of this early style. His paintings from this period are characterized by their muscular forms, gritty realism, and exploration of identity and social issues.
A pivotal moment in Howson’s career came in 1993 when he was commissioned by the Imperial War Museum as the official war artist for Bosnia/Herzegovina during the brutal conflict. This experience profoundly affected him, leading to some of his most shocking and controversial works. Paintings like Plum Grove (1994) unflinchingly documented the atrocities witnessed, including depictions of rape and violence based on direct accounts from victims. The painting Croatian and Muslim, detailing a rape, generated significant controversy due to its explicit subject matter.
Howson also served as the official war painter during the Kosovo War for *The London Times*. In more recent years, his work has increasingly explored religious themes. This shift is closely linked to his personal battle with alcoholism and drug addiction, culminating in treatment at Castle Craig Hospital in Peebles in 2000. Following this experience, he converted to Christianity, and paintings like Judas (2002) reflect both his past struggles and newfound faith.
Beyond fine art, Howson's work has reached wider audiences through album cover designs for bands like Live (*Throwing Copper*), The Beautiful South (*Quench*), and Jackie Leven (*Fairytales for Hardmen*) and even a British postage stamp celebrating engineering achievements in 1999.
Peter Howson is considered a significant figure in contemporary Scottish art, associated with the New Glasgow Boys. His unflinching honesty, powerful imagery, and willingness to confront difficult subjects have established him as a unique voice within figurative expressionism. He continues to exhibit internationally, and his work resides in numerous major collections, cementing his place as an iconic artist of our time.