Theodore E. Pineの全作品の中で最も有名なのはThe Daughters of Daniel T. MacFarlan (1857)であり、ニューヨークのメトロポリタン美術館に展示されています。 それに次いで、Mr. and Mrs. Daniel T. MacFarlan (1858)とKate Lyon Cornell (1856)が続きます。 当カタログに含まれるTheodore E. Pineの3点の作品のうち、これら3点は最も名高い作品であり、制作年、所蔵美術館、そしてその背景となる物語とともにご紹介します。
各作品の検索数、閲覧数、および注文数を組み合わせた当サイトの人気スコアに基づきランキングを作成しています。最終更新：11月 2026 このページに掲載されている各作品は、リネンキャンバスに手描きで制作する油彩複製画、またはご希望のサイズに合わせて作成するファインアートプリントとしてご注文いただけます。
In this 1857 oil on canvas, we find ourselves drawn into a private, sentimental moment from the mid-19th century. Two young girls, the daughters of Daniel T. MacFarlan, occupy a lush, atmospheric landscape that feels both expansive and deeply intimate. The composition is balanced with a gentle precision; the older girl stands to the left, while the younger child is seated upon a wooden bench to the right. A large,…
The oil on canvas titled Mr. and Mrs. Daniel T. MacFarlan captures a quiet moment of social standing. Theodore E. Pine rendered this portrait in 1858, fixing the likenesses of the couple within a formal composition. The subjects, Mr. and Mrs. Daniel T. MacFarlan, originated from Yonkers, New York, as noted in the records from 1857. They sit held within the frame, their presence defined by the steady hand of…
The portrait titled Kate Lyon Cornell brings a quiet presence into the room, capturing a specific moment of American history through the eyes of Theodore E. Pine. Created in 1856, this work presents a study of character and poise. The subject remains fixed in her elegant stance, her gaze meeting the viewer from a mid-19th-century perspective. There is a sense of stillness here, as if the air around her has…
これらのキャンバスに最も頻繁に描かれた4つの主題と、それぞれの代表作。
このページに掲載されている絵画を最も多く所蔵している 1 の美術館
| 美術館 | 都市 | Theodore E. Pineの作品 | このリストの絵画 |
|---|---|---|---|
 メトロポリタン美術館 |
ニューヨーク | 3 | The Daughters of Daniel T. MacFarlan, Mr. and Mrs. Daniel T. MacFarlan, Kate Lyon Cornell |
1856年から1858年までのわずか3年間の、このページに並ぶTheodore E. Pineの時代を超えたキャンバス：ここには、描かれた年ごとの名作が揃っています。
The portrait titled Kate Lyon Cornell brings a quiet presence into the room, capturing a specific moment of American history through the eyes of Theodore E. Pine. Created…
In this 1857 oil on canvas, we find ourselves drawn into a private, sentimental moment from the mid-19th century. Two young girls, the daughters of Daniel T. MacFarlan,…
The oil on canvas titled Mr. and Mrs. Daniel T. MacFarlan captures a quiet moment of social standing. Theodore E. Pine rendered this portrait in 1858, fixing the…
The Daughters of Daniel T. MacFarlan (1857)（メトロポリタン美術館, ニューヨーク）。続いてMr. and Mrs. Daniel T. MacFarlan (1858)、Kate Lyon Cornell (1856)が続きます。
1828年に生まれたTheodore E. Pineは29歳でした：The Daughters of Daniel T. MacFarlanは1857年の作品です。
Theodore E. Pineによる作品が3点、1856年から1858年にかけてのものがカタログに掲載されています。
主にメトロポリタン美術館 (ニューヨーク)に所蔵されています。上記のリストには、各美術館とその所蔵作品が記載されています。
ここにある最も古いキャンバスはKate Lyon Cornell (1856)、最も新しいものはMr. and Mrs. Daniel T. MacFarlan (1858)です。
このページに掲載されている3点の作品におけるTree (2), Landscape (2) と Clouds (2)
このページに掲載されている全3作品のうち、3作品にOil On Canvasが使用されています。
メトロポリタン美術館, ニューヨークには、このページに掲載されている作品のうち3点が所蔵されており、その中にはThe Daughters of Daniel T. MacFarlan, Mr. and Mrs. Daniel T. MacFarlan と Kate Lyon Cornellも含まれています。
はい。このページに掲載されているすべての絵画は、各作品の個別ページから、手書きの油彩複製画、またはお好みのサイズでのファインアートプリントとしてご注文いただけます。
Theodore E. Pine lived through many different landscapes, moving his brushes from the established streets of New York City to the quieter corners of the American West and South. Born in 1828, he was a native of New Jersey, but his early training began under the eye of his father, James, in New York. This shared practice in the city laid the foundation for a career defined by steady, observant work. He later sought out further study in Europe, bringing those learned techniques back to the various places he called home.
His movements were frequent and varied. He kept studios in Chicago, Illinois; St. Louis, Missouri; Manito, Colorado; and Asheville, North Carolina. Each location offered a different light and a different set of faces to capture. By the time he reached his final years in Ogdensburg, New York, his life had been a long sequence of settling into new spaces, setting up his easel, and recording what he saw.
His work focused on the tangible presence of people and objects. He worked primarily with oil on canvas, applying paint to capture the weight of a figure or the stillness of a still life. There is a documentary quality to his approach, particularly when he looked toward the likenesses of others. In 1904, he produced a posthumous portrait of Robert E. Lee, using a full-length photograph taken by Julian Vannerson in 1864 as his guide. This piece was not about a moment captured from life, but rather a careful reconstruction of a recorded appearance.
The subjects of his paintings were often individuals caught in specific moments of their own histories:
He also turned his attention to the smaller details of a room, such as the depiction of furniture and home furnishings. His hands were used to render the textures of cloth and wood with a quiet, focused accuracy.
Theodore E. Pine died in 1905, leaving behind a body of work that remains held in various collections, such as the New-York Historical Society. His paintings do not rely on grand gestures but on the steady recording of figures and still lifes. Through his portraits, he provided a visual record of the people and eras he encountered during his travels across the United States.
