エミリー・カーの最も愛されている作品はTanoo, Q.C.I.で、ビクトリアのRoyal BC Museumに展示されています。 読者に最も親しまれている名画の次には、Strait of Juan de Fuca (1936)とDancing Trees (1940)が続きます。 エミリー・カーによる99点の作品を掲載しています。ここでは、制作年、所蔵美術館、そしてその作品の魅力とともに、最も有名な99点をご紹介します。
各作品の検索数、閲覧数、および注文数を組み合わせた当サイトの人気スコアに基づきランキングを作成しています。最終更新：10月 2026 このページに掲載されている各作品は、リネンキャンバスに手描きで制作する油彩複製画、またはご希望のサイズに合わせて作成するファインアートプリントとしてご注文いただけます。
A Forest of Totems The air feels heavy with the scent of damp earth and cedar as we step into this lush, green expanse. Tall totem poles rise from the foreground, their surfaces etched with intricate, swirling designs that seem to pulse with a life of their own. These wooden sentinels stand guard over a quiet corner of the woods, where the light filters through a thick canopy of leaves.…
In the sweeping expanse of Emily Carr’s 1936 masterpiece, Strait of Juan de Fuca, the viewer is invited to witness a profound dialogue between the rugged earth and the restless sea. This evocative landscape captures more than just a geographical location; it captures a moment of atmospheric tension where the heavy, cloud-laden sky meets the enduring strength of the coastal mountains. The composition is anchored by two prominent rock formations…
Dancing Trees - Emily Carr (1871 - 1945) — A Pioneer's Vision of British Columbia Emily Carr’s *Dancing Trees*, painted in 1937-40, stands as a testament to her singular artistic vision—a fusion of Post-Impressionism and an unwavering connection to the landscape of British Columbia. More than just a depiction of trees; it embodies Carr's profound engagement with both the natural world and Indigenous culture, reflecting a period marked by significant…
In the heart of the dense, mist-shrouded landscapes of British Columbia, there exists a realm where the boundary between the physical world and the spiritual plane begins to dissolve. Emily Carr’s 1930 masterpiece, “British Columbia Forest,” serves as a profound gateway into this ethereal domain. This is not merely a landscape painting; it is an emotional excavation of the wild. Through her singular lens, the forest ceases to be a…
Emily Carr's “Tanoo,” painted in 1912, is more than just a depiction of totem poles; it’s a profound meditation on the spirit of the Pacific Northwest and the enduring connection between Indigenous peoples and their ancestral lands. Created during a pivotal period of change for both Canada and its First Nations communities, this watercolor offers a rare glimpse into a world largely untouched by modern influence – a world where…
In the 1931 painting House Near Woods, Emily Carr presents a serene and tranquil scene that captures a moment of quietude within the Canadian landscape. The composition centers on a small, white house with a red roof, positioned atop a hill as it overlooks a vast, surrounding forest. This wooden cabin sits nestled within a clearing, surrounded by the dense, thick growth of the woods.
Reforestation - A Vision of Resilience Emily Carr’s “Reforestation,” painted in 1936 during her prolific period exploring British Columbia's landscapes, stands as a testament to her unwavering fascination with the natural world and her ability to translate its spirit onto canvas. This monumental artwork embodies Group of Seven principles—bold brushstrokes, flattened perspective, and an uncompromising commitment to capturing raw emotion—resulting in a scene that transcends mere depiction; it communicates a…
In the quietude of the Pacific Northwest, where the mist clings to the rugged bark of ancient conifers, Emily Carr captures a moment of profound stillness in Young Pines And Sky. This evocative piece serves as a window into a world where the boundary between the earth and the heavens feels beautifully permeable. The composition centers on a cluster of resilient young pines, their silhouettes reaching upward with a quiet,…
The world settles into a quiet, silvered stillness. Before a modest wooden dwelling, a Haida ceremonial pole rises against the landscape, its carved face fixed in a steady, unblinking gaze. This black-and-white watercolor captures a moment of profound gravity, where the textures of wood and shadow merge. The house, with its dark walls and a hint of a red roof, sits tucked beneath the presence of the totem. There is…
Created in 1911, this oil on cardboard work captures a specific moment of transition in the artist's development. The composition focuses on the structural presence of a dwelling within the Brittany landscape. Through a controlled application of paint, the work explores the relationship between built forms and the surrounding environment. The medium of cardboard lends a specific texture to the surface, influencing the way the oil pigment sits upon the…
Emily Carr (1871-1945), a Canadian Modernist pioneer, stands apart from her contemporaries not merely for her prolific output but for the singular vision that fueled her artistic endeavors.…
手描きで制作する →
Emily Carr’s watercolor, “Cha-atl, Field with Pole,” painted around 1912, is more than a simple depiction of a coastal landscape; it’s a profound meditation on the interconnectedness between…
このキャンバスを注文する →
Emily Carr’s “Crécy-en-Brie” is far more than a mere depiction of a quaint French village; it is a crystallized moment of artistic revelation. Painted during her immersive journey…
このキャンバスを注文する →
Emily Carr's 1911 painting, "Brittany Landscape," isn’t merely a depiction of a coastal scene; it’s a profound meditation on place, memory, and the burgeoning spirit of modern Canadian…
この光を、あなたの暮らしに。 →
Emily Carr’s “Sawmills, Vancouver,” painted in 1912, isn't merely a depiction of a coastal scene; it’s a poignant meditation on the collision between tradition and progress, the raw…
この光を、あなたの暮らしに。 →
Emily Carr’s “A Haida Village,” painted in 1929, isn't merely a depiction of a coastal scene; it’s an immersive journey into the heart of Northwest Indigenous culture. This…
このキャンバスを注文する →
In the quietude of 1912, Emily Carr captured a moment of profound stillness in her evocative work, Yan Q.C.I. This painting serves as a breathtaking window into a…
このキャンバスを注文する →
“Dancing Sunlight,” painted in 1937 by Emily Carr, offers an intimate glimpse into the heart of British Columbia’s wilderness – a scene rendered with a profound understanding of…
この光を、あなたの暮らしに。 →
To gaze upon this collection of lamps is to encounter not merely functional objects, but miniature sculptures imbued with stories of skilled hands and rich cultural exchange. The…
このキャンバスを注文する →
The work titled Self-portrait is a quiet, introspective oil on paperboard. Created between 1924 and 1925, it captures the artist Emily Carr in a moment of solitary labor.…
このキャンバスを注文する →
A Window Into a Changing World: Emily Carr’s Kispiox Village Emily Carr's "Kispiox Village," painted in 1929, isn’t merely a depiction of a remote British Columbia landscape; it’s…
このキャンバスを注文する →
Two melons rest upon a table, their heavy forms pressing against the surface. One fruit remains whole, a smooth curve of skin, while the other has been sliced…
この光を、あなたの暮らしに。 →
To stand before an image like this Untitled forest scene by Emily Carr is to step across a threshold, leaving the clamor of the modern world behind for…
この光を、あなたの暮らしに。 →
{ "description": "Subject and Composition This captivating artwork depicts a serene rural landscape, inviting viewers into a tranquil world where nature and human habitation coexist harmoniously. The winding…
この光を、あなたの暮らしに。 →
Emily Carr's "Heina, Maude Island," painted in 1912, isn’t merely a depiction of a bird perched upon a weathered pole; it’s a profound meditation on solitude, resilience, and…
手描きで制作する →
![Untitled [Skedans, Queen Charlotte Islands] による エミリー・カー](/media/artworks/images-thumb/d0/d7/d0d77f9fa039d25a761f21e549246072.jpg)
In the delicate, translucent layers of Ada and Louise Outside Cedar Canim, we encounter a profound moment of quietude captured by one of Canada’s most revered artistic voices.…
手描きで制作する →
In the quiet, evocative depths of Emily Carr’s “Mrs. Douse, Chieftainess of Kitwancool,” we encounter more than a mere portrait; we enter a profound dialogue between person and…
この光を、あなたの暮らしに。 →
Emily Carr's "Roots," painted circa 1929, isn’t merely a depiction of two magnificent horned creatures amidst the dense foliage of British Columbia; it’s a profound meditation on connection…
このキャンバスを注文する →
A Symphony of Light and Texture: Emily Carr’s “Study in Colour and Form” Emily Carr's "Study in Colour and Form" transcends mere landscape painting; it embodies a profound…
このキャンバスを注文する →
これらのキャンバスに最も頻繁に描かれた4つの主題と、それぞれの代表作。
このページに掲載されている絵画を最も多く所蔵している 8 の美術館
| 美術館 | 都市 | エミリー・カーの作品 | このリストの絵画 |
|---|---|---|---|
 カナダ国立美術館 |
オタワ | 23 | House in Brittany, Portrait of Woo, Grizzly Bear Totem, Angidah, Nass River |
 Royal BC Museum |
ビクトリア | 15 | Tanoo, Q.C.I., Kitwangar Pole, (forest landscape) |
 McMichael Canadian Art Collection |
ヴォーン | 11 | Strait of Juan de Fuca, Dancing Trees, British Columbia Forest |
 Vancouver Art Gallery |
バンクーバー | 10 | Totem Poles, Kitseukla, Totem Mother, Totem and Forest |
 オンタリオ美術館 |
トロント | 3 | Guyasdoms D'Sonoqua, In the Forest, BC, Indian Church |
 モントリオール美術館 |
モントリオール | 2 | Community House Ucluelet, Indian War Canoe |
 The Robert McLaughlin Gallery |
Oshawa | 1 | House Near Woods |
 Art Gallery of Hamilton |
ハミルトン | 1 | Yan Q.C.I. |
Emily Carr's “Tanoo,” painted in 1912, is more than just a depiction of totem poles; it’s a profound meditation on the spirit of the Pacific Northwest and the…
In the sweeping expanse of Emily Carr’s 1936 masterpiece, Strait of Juan de Fuca, the viewer is invited to witness a profound dialogue between the rugged earth and…
Dancing Trees - Emily Carr (1871 - 1945) — A Pioneer's Vision of British Columbia Emily Carr’s *Dancing Trees*, painted in 1937-40, stands as a testament to her…
Tanoo, Q.C.I.（Royal BC Museum, ビクトリア）。続いてStrait of Juan de Fuca (1936)、Dancing Trees (1940)が続きます。
Tanoo, Q.C.I., Strait of Juan de Fuca, Dancing Trees, British Columbia Forest, Tanoo, House Near Woods, Reforestation, Young Pines And Sky, Kitwangar Pole と House in Brittany。上記のランキングに掲載されている各キャンバスには、制作年と所蔵美術館が記載されています。
エミリー・カーによる作品が99点、1911年から1942年にかけてのものがカタログに掲載されています。
主にカナダ国立美術館 (オタワ), Royal BC Museum (ビクトリア) と McMichael Canadian Art Collection (ヴォーン)に所蔵されています。上記のリストには、各美術館とその所蔵作品が記載されています。
このページに掲載されている全99作品のうち、34作品が1930sの作品であり、その中にはStrait of Juan de Fucaが含まれます。
ここにある最も古いキャンバスはHouse in Brittany (1911)、最も新しいものはClearing (1942)です。
このページに掲載されている99点の作品におけるLandscape (11), Forest (8) と Trees (8)
このページに掲載されている全99作品のうち、10作品にOil On Canvasが使用されています。
このページに並ぶキャンバスが示す通り、Post-impressionism と Modernism
カナダ国立美術館, オタワには、このページに掲載されている作品のうち23点が所蔵されており、その中にはHouse in Brittany, Portrait of Woo と Grizzly Bear Totem, Angidah, Nass Riverも含まれています。
はい。このページに掲載されているすべての絵画は、各作品の個別ページから、手書きの油彩複製画、またはお好みのサイズでのファインアートプリントとしてご注文いただけます。
