カルロ・ドルチの最も愛されている作品はThe Adoration of the Kings (1649)で、ロンドンのナショナル・ギャラリーに展示されています。 読者に最も親しまれている名画の次には、The Guardian Angel (1675)とMadonna in Glory (1670)が続きます。 カルロ・ドルチによる87点の作品を掲載しています。ここでは、制作年、所蔵美術館、そしてその作品の魅力とともに、最も有名な87点をご紹介します。
各作品の検索数、閲覧数、および注文数を組み合わせた当サイトの人気スコアに基づきランキングを作成しています。最終更新：10月 2026 このページに掲載されている各作品は、リネンキャンバスに手描きで制作する油彩複製画、またはご希望のサイズに合わせて作成するファインアートプリントとしてご注文いただけます。
To stand before Carlo Dolci's depiction of The Adoration of the Kings is to step across the threshold of time and into a sanctuary of profound, quiet devotion. This magnificent work captures not the bombast of grand public spectacle, but the intimate, luminous moment where divinity meets earthly reverence. The composition centers on Mary cradling the infant Jesus, figures bathed in a soft, almost palpable glow that speaks volumes about…
Carlo Dolci's “The Guardian Angel,” completed in 1675, transcends mere depiction; it embodies the spiritual fervor characteristic of Baroque art and stands as a testament to Dolci’s masterful artistic vision. Housed within the Museum of the Cathedral in Prato, Italy, this oil on canvas masterpiece invites contemplation and offers a glimpse into the profound symbolism woven throughout its composition.
Carlo Dolci's "Madonna in Glory," painted around 1670, is not merely a depiction of the Virgin Mary; it’s an immersion into the heart of Florentine Baroque piety. This intimate portrait, likely intended for private devotion, reveals a masterclass in restrained emotion and meticulous technique – qualities that cemented Dolci's reputation as one of Florence’s most revered artists during his era. The painting immediately draws the viewer in with its dark,…
The Vase of Flowers is a stunning oil on canvas painting created by the renowned Italian artist Carlo Dolci in 1662. This beautiful piece is housed at the prestigious Galleria degli Uffizi in Florence, Italy. The painting depicts a magnificent bouquet of rare and exotic flowers arranged in a stunning gilded vase, adorned with intricate patterns and the Medici coat of arms. A Masterpiece of Still Life Painting The Vase…
The figure of Christ is presented in a vertical bust-length portrait, his gaze directed slightly upward in a state of profound suffering. A crown of thorns encircles his head, the sharp points protruding into the space around him. He is draped in a deep crimson mantle over a blue undergarment, with a thick rope tied around his neck. The composition focuses on the immediate, intimate connection between the subject and…
The room falls away into an indeterminate darkness, leaving only the figure of an elderly man to meet the eye. He sits in a quiet, heavy stillness, his face emerging from the gloom as if caught in a sudden, soft beam of light from the upper left. This is Saint Philip Neri, and even in this frozen moment, there is a sense of profound, inward movement. His skin, rendered with…
Vittoria della Rovere is presented within an octagonal frame, her likeness transformed through the lens of religious iconography. Portrayed as St. Catherine, she gazes directly at the viewer with a poised, calm expression. The composition centers on her bust-length figure, where the light focuses intensely upon her face and chest. This use of tenebrism creates a deep sense of three-dimensionality, pulling the subject forward from a dark, warm background.
A Presence in Polished Steel The figure of Mattias de' Medici commands the space, frozen in a moment of quiet authority. He stands centrally, his body encased in the dark, reflective weight of black plate armor that catches the light from the upper left. This metallic surface gleams with subtle highlights, contrasting sharply against the deep scarlet red of his breeches. A decorative sash and a fine lace collar add…
In Saint Andrew the Apostle by Carlo Dolci, the viewer meets a figure caught in a moment of profound spiritual weight. The composition follows a vertical arrangement, pulling the gaze upward toward the saint's head and upper torso. He sits slightly off-center, creating a sense of natural, unforced presence. A large, dark wooden saltire cross cuts diagonally across the frame, its heavy shape anchoring the saint within the shadows. A…
The Virgin is a somber and deeply emotive Baroque portrait of a woman, likely the Virgin Mary, rendered in oil on canvas. The composition is a close-up, centered on the subject's downward-looking face, which is partially shrouded by a heavy dark blue mantle. The color palette is restrained, dominated by deep blues, shadows, and warm skin tones, with a single highlight of white fabric at the neck.
In this 1645 oil painting, we find ourselves drawn into a crowded, intimate interior where the air seems heavy with unspoken tension. The scene depicts the biblical encounter…
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The composition centers on a bust-length portrait of Christ, captured in a moment of profound spiritual suffering. His gaze is directed upward, eyes searching the heavens with an…
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A single pearl rests against the pale skin of Archduchess Claudia Felicitas. It catches a light source from the upper left, casting a soft shadow across her neck.…
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The composition centers on a young child, identified as the boy Jesus, seated in a contemplative pose. He occupies much of the frame, establishing an immediate connection with…
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The oil painting titled Allegory of Sincerity was executed by the artist Carlo Dolci. This work is a product of Italian and Florentine culture. The piece is dated…
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In "Maria With Child" by Carlo Dolci, the world narrows to an intimate, octagonal frame. The composition centers on the quiet gravity between mother and child. The Virgin…
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In this reverent portrait, St Cecilia at the Organ finds herself suspended in a moment of profound spiritual contemplation. Painted by Carlo Dolci in 1671, the work captures…
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In this intimate portrait, Head of Christ by Carlo Dolci presents a centered, close-up bust view. The composition focuses our attention entirely on the face and upper torso…
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The painting "Moses" by Carlo Dolci is a masterpiece of Baroque art, created in 1640. This beautiful oil on canvas painting measures 40 x 30 cm and is…
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Carlo Dolci's "Self-Portrait," painted in 1674, is not merely a likeness; it’s an intimate glimpse into the soul of a Florentine master. This oil on canvas transcends the…
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In this oil painting, Saint Paul the hermit, we encounter a profound moment of spiritual sustenance captured by the Florentine artist Carlo Dolci. Created around 1640, the work…
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The Holy Family with God the Father and the Holy Spirit is a captivating oil on copper painting created by the Italian Baroque artist Carlo Dolci in 1630.…
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Carlo Dolci’s “St Mary Magdalene,” painted in 1644, is not merely a portrait; it's an immersion into the profound devotional atmosphere of late Mannerism and early Baroque Florence.…
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Saint John the Evangelist is a work by the Florentine painter Carlo Dolci. Born in Florence in 1616, Dolci became a significant figure in the Italian Baroque period,…
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In this intimate portrait, we encounter a young woman caught in a moment of profound spiritual reflection. The subject, identified as St. Mary Magdalene, is rendered with a…
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In the quiet, evocative depths of Carlo Dolci’s 1665 masterpiece, Salome with the Head of St John the Baptist, viewers are invited into a moment of profound psychological…
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The work before us is titled Head of Christ, a painting by the Florentine artist Carlo Dolci. Created in 1658, this piece offers a direct and intimate encounter…
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Carlo Dolci's “Allegory of Patience,” painted around 1677, isn’t merely a portrait; it’s an invitation to contemplate the enduring power of resilience. Rooted firmly in the Florentine Baroque…
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In the quiet corridors of the Galleria degli Uffizi, there exists a painting that does not merely capture a face, but rather invites the viewer into a profound…
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This Baroque oil painting presents a close-up portrait of a solitary, sorrowful figure, Mary Magdalene, positioned slightly off-center to create dynamic movement. The composition focuses on her upper…
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The air in the stable feels thick with a quiet, sacred weight. In the center of this dim space, a soft, supernatural glow emanates from the infant Jesus,…
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A frequent subject in seventeenth-century European painting, the Penitent Magdalene is caught here in a moment of fervid prayer, evidenced by her clasped hands and teary eyes raised…
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The figure of the Virgin Mary is captured in a moment of profound grief, her head tilted downward and eyes cast low in a gesture of quiet suffering.…
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これらのキャンバスに最も頻繁に描かれた4つの主題と、それぞれの代表作。
このページに掲載されている絵画を最も多く所蔵している 8 の美術館
| 美術館 | 都市 | カルロ・ドルチの作品 | このリストの絵画 |
|---|---|---|---|
 バイエルン州立絵画コレクション |
ミュンヘン | 7 | Ecce Homo, Saint Agnes, The Penitent Mary Magdalene |
 美術史美術館 |
ウィーン | 7 | Portrait of Vittoria della Rovere (1622-1694) as St. Catherine, Mattias de' Medici (1613-1667), Archduchess Claudia Felicitas (1653-1676) |
 Statens Museum For Kunst |
コペンハーゲン | 5 | Saint Andrew the Apostle, The Virgin, Christ's Agony in the Garden of Gethsemane |
 パラティーナ美術館 |
フィレンツェ | 4 | Diogenes, Magdalene, Portrait of Stefano Della Bella |
 ウフィツィ美術館 |
フィレンツェ | 3 | Vase of Flowers, Self-Portrait, Self-Portrait |
 国立美術館 |
ストックホルム | 3 | Christ and Mary Magdalen in the House of Simon, The Penitent Mary Magdalene, Madonna med barnet |
 Fitzwilliam Museum |
3 | Sir Thomas Baines, F.R.S., F.R.C.P. 1622-1681, Sir John Finch F.R.S., F.R.C.P. 1626-1682, Mater Dolorosa | |
 ロイヤル・コレクション |
ロンドン | 3 | Salome with the Head of John the Baptist, The Penitent Magdalen, Salome with the Head of St John the Baptist |
A Presence in Polished Steel The figure of Mattias de' Medici commands the space, frozen in a moment of quiet authority. He stands centrally, his body encased in…
To stand before Carlo Dolci's depiction of The Adoration of the Kings is to step across the threshold of time and into a sanctuary of profound, quiet devotion.…
The figure of Christ is presented in a vertical bust-length portrait, his gaze directed slightly upward in a state of profound suffering. A crown of thorns encircles his…
The Vase of Flowers is a stunning oil on canvas painting created by the renowned Italian artist Carlo Dolci in 1662. This beautiful piece is housed at the…
Carlo Dolci's “The Guardian Angel,” completed in 1675, transcends mere depiction; it embodies the spiritual fervor characteristic of Baroque art and stands as a testament to Dolci’s masterful…
The Adoration of the Kings (1649)（ナショナル・ギャラリー, ロンドン）。続いてThe Guardian Angel (1675)、Madonna in Glory (1670)が続きます。
1616年に生まれたカルロ・ドルチは33歳でした：The Adoration of the Kingsは1649年の作品です。
The Adoration of the Kings, The Guardian Angel, Madonna in Glory, Vase of Flowers, Ecce Homo, Saint Philip Neri (1515–1595), Portrait of Vittoria della Rovere (1622-1694) as St. Catherine, Mattias de' Medici (1613-1667), Saint Andrew the Apostle と The Virgin。上記のランキングに掲載されている各キャンバスには、制作年と所蔵美術館が記載されています。
カルロ・ドルチによる作品が87点、1630年から1680年にかけてのものがカタログに掲載されています。
主にバイエルン州立絵画コレクション (ミュンヘン), 美術史美術館 (ウィーン) と Statens Museum For Kunst (コペンハーゲン)に所蔵されています。上記のリストには、各美術館とその所蔵作品が記載されています。
このページに掲載されている全87作品のうち、18作品が1650sの作品であり、その中にはEcce Homoが含まれます。
ここにある最も古いキャンバスはThe Holy Family with God the Father and the Holy Spirit (1630)、最も新しいものはDavid with the Head of Goliath (1680)です。
このページに掲載されている87点の作品におけるMan (11), Woman (10) と Religious (8)
このページに掲載されている全87作品のうち、21作品にOil On Canvasが使用されています。
このページに並ぶキャンバスが示す通り、Baroque
バイエルン州立絵画コレクション, ミュンヘンには、このページに掲載されている作品のうち7点が所蔵されており、その中にはEcce Homo, Saint Agnes と The Penitent Mary Magdaleneも含まれています。
はい。このページに掲載されているすべての絵画は、各作品の個別ページから、手書きの油彩複製画、またはお好みのサイズでのファインアートプリントとしてご注文いただけます。
