マックス・リーバーマンの最も愛されている作品はアムステルダム孤児院での自由時間 (1876)です。 読者に最も親しまれている名画の次には、Self Portrait with Kitchen Still LIfe (1873)とCorner of a Dutch Village with Washing Hung up to Dry (1890)が続きます。 マックス・リーバーマンによる280点の作品を掲載しています。ここでは、制作年、所蔵美術館、そしてその作品の魅力とともに、最も有名な100点をご紹介します。
各作品の検索数、閲覧数、および注文数を組み合わせた当サイトの人気スコアに基づきランキングを作成しています。最終更新：10月 2026 このページに掲載されている各作品は、リネンキャンバスに手描きで制作する油彩複製画、またはご希望のサイズに合わせて作成するファインアートプリントとしてご注文いただけます。
1876年にマックス・リーバーマンによって描かれた「アムステルダム孤児院の一時間」は、19世紀のアムステルダムにおける共同生活の一瞬を捉えた魅惑的な作品です。この絵画は鑑賞者を屋外の中庭へと誘い込み、そこで女性と子供たちが集まり、豊かな社会的交流と文化的遺産に満ちた場面が広がっています。リーバーマンの筆致は、細部にこだわらず本質を捉えようとする印象主義的要素を取り入れた写実的なスタイルを示しています。自然光の活用により、左側から差し込む太陽光が人物を照らし出し、温かみのある輝きと奥行きを生み出しています。
To stand before Max Liebermann’s Self Portrait with Kitchen Still Life is not merely to observe a painting; it is to step directly into the vibrant, sun-drenched moments of late nineteenth-century Berlin. Created in 1873, this oil on canvas captures more than just a likeness; it encapsulates the artist's profound belief that true beauty resides within the quotidian—the humble objects and simple acts of daily life. Liebermann, a master whose…
The air feels heavy with the scent of damp fabric and the salt of a nearby coast. In this corner of a Dutch village, time seems to pause, caught in the soft, overcast light of 1890. A white building dominates the immediate view, its red door and blue shutters providing the only sharp interruptions to the muted, earthy tones of the village. Above the doorway, laundry hangs from a line,…
This 1918 impressionist painting by Max Liebermann presents a black and white portrait of Richard Strauss. The subject is depicted sitting in a chair with his hands clasped together, wearing a suit and tie. He is shown with a mustache and appears to be looking directly at the viewer. To provide depth to the scene, the background features a curtain behind the seated man.
There is a certain quietude found in the middle of a crowd, a feeling captured here in 1905. In Restaurant De oude Vink, we find ourselves seated among patrons enjoying a meal under the dappled shade of trees. The scene is one of casual, unhurried leisure. Green chairs are scattered around tables, some occupied by figures lost in conversation, others left empty as if the guests have only just stepped…
An older man sits in a moment of quiet creation, his presence filling the space with a heavy, contemplative dignity. He faces the viewer directly, his gaze steady and unblinking, even as his hands remain occupied with the tools of his trade. In his right hand, he holds a palette, while his left hand brings a brush toward an easel, capturing a fragment of life in real-time. The light enters…
The Preserve Makers is a somber and intimate realist painting that captures a group of women gathered within a dimly lit, rustic interior. The composition is dense and crowded, utilizing a shallow depth of field that brings the figures into the immediate foreground to create a sense of enclosure and shared labor. These women are engaged in the communal task of preparing vegetables, their presence evoking a sense of quiet…
This portrait of Alfred von Berger was painted by Max Liebermann in 1905. It presents the subject as a middle-aged man, captured in a three-quarter length composition. The sitter is positioned centrally, offering a sense of quiet presence that invites a closer look at his character.
The farrier (Beim Hufschmied) is an oil on panel painting by Max Liebermann. Created about 1874, the work belongs to the genre art category. It captures a specific…
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Max Liebermann's 1922 portrait of Albert Einstein isn’t merely a likeness; it’s a carefully constructed distillation of intellect, contemplation, and the burgeoning promise of a revolutionary mind. Painted…
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The artwork titled Portrait Study of Emil Rathenau was executed by the artist Max Liebermann in 1908. This oil on cardboard work depicts Emil Rathenau, a German industrialist…
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In this 1909 oil painting, titled Portrait Dr. Wilhelm Bode, the artist Max Liebermann presents a formal study of a man of significant intellectual standing. The work captures…
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In the quietude of Max Liebermann’s 1876 masterpiece, “The Siblings,” time seems to suspend its forward march, allowing a singular moment of human connection to breathe. This monochrome…
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We are looking at Swimmers, a work by Max Liebermann that captures a quiet, unposed moment of daily life. Also known by the title Swimming boys, this painting…
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The artwork is titled Copy of the Bohémienne after Frans Hals (Young woman). This oil painting was executed by the artist Max Liebermann. The subject is a single…
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To gaze upon Max Liebermann’s "Dutch Farmhouse with Woman" is to step across the threshold of time and into a moment suspended in golden, gentle light. This 1882…
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Study: Bust of a Man / Bust of a Woman – Two-sided Painting is an oil painting by Max Liebermann. Executed in 1875, the work originated in Paris,…
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The painting titled Self-Portrait with sports cap at the easel is a work by the artist Max Liebermann. Created in 1925, this oil on canvas depicts the artist…
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The painting titled A Dutch lacemaker (Eine holländische Klöpplerin) is an oil on canvas work by the artist Max Liebermann. This specific piece was executed in 1881. The…
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A dignified and somber oil portrait of an elderly man, rendered with expressive, painterly brushstrokes that convey a sense of psychological depth and realism. The composition is a…
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The painting, titled The Surgeon Dr. Ferdinand Sauerbruch, is an oil on canvas created in 1932. The portrait depicts a man wearing glasses and a white coat, seated…
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Max Liebermann's "Digging for Potatoes in the Dunes at Zandvoort," painted in 1895, isn’t merely a depiction of a rural scene; it’s a carefully constructed meditation on labor,…
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To stand before this selfportrait is to encounter not merely a likeness, but a carefully considered meditation on identity itself. Painted in 1922 by Max Liebermann, this bust…
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Subject and Setting The canvas opens onto a modest flax barn in the Dutch village of Laren, where a dozen women and children labor under the soft glow…
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To gaze upon Max Liebermann's "On the Beach at Noordwijk" is to be instantly transported to a sun-drenched afternoon, a moment suspended in the golden embrace of early…
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To gaze upon Max Liebermann's "Children Bathing in the Sea" is to be instantly transported to a perfect summer afternoon. This painting is more than just a depiction…
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To gaze upon Max Liebermann’s Flower Terrace in the Wannsee Garden, Facing East, is to step directly into a moment suspended between vibrant life and profound tranquility. This…
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Max Liebermann’s Recess in the Amsterdam Orphanage - View of the Inner Courtyard, Study, painted in 1876, transports us to a moment suspended in time—a vibrant tableau of…
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To gaze upon Max Liebermann’s Terrace in the Garden near the Wannsee toward Southwest is to step directly into a moment suspended in time—a breath of pure, sun-drenched…
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To gaze upon Max Liebermann’s Flowers at the Gardener's House toward the Northwest (sketch) is to step directly into a moment suspended by sunlight and gentle activity. This…
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To gaze upon Max Liebermann’s depiction of The Flower Terrace in the Wannsee Garden, Facing Northwest, is to step through a veil and into a moment suspended in…
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Max Liebermann’s “Old Men’s Home in Amsterdam, Study,” painted in 1880, offers a poignant and intimate portrayal of everyday life. This oil on canvas painting, residing within the…
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Study Head of a Man: A Glimpse into Liebermann's Artistic Soul The "Study Head of a Man," also known as "Sephardic Jew with a Prayer Shawl, Facing Left,"…
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This oil on canvas, titled View of the Wannsee with sailing boats, was painted by Max Liebermann in 1924. The work measures 96 cm in height and 115…
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In the quietude of a summer afternoon, Max Liebermann invites us to step through a threshold of greenery into a world where time seems to pause. View over…
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To gaze upon Max Liebermann's depiction of The Terrace in the Wannsee Garden toward the Northwest is to step directly into a moment suspended in time—a breath of…
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Max Liebermann's "Parrot Avenue," painted in 1902, is a captivating example of Impressionism that transports viewers to a vibrant scene of urban life. Measuring 88 x 72 cm,…
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To gaze upon Max Liebermann’s Table with Pieces of Meat is to step directly into the warm, luminous heart of late nineteenth-century Berlin. This oil on canvas from…
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In the gentle embrace of Max Liebermann’s 1885 masterpiece, Amsterdam Orphans in the Garden, we are invited into a moment of profound tranquility and quiet connection. The scene…
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In the quiet, contemplative depths of Max Liebermann’s 1932 masterpiece, The Surgeon, Ferdinand Sauerbruch, we are invited into a moment of profound psychological stillness. The painting presents a…
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To gaze upon Max Liebermann's Outdoor Garden on the Havel, Nikolskoe is to be instantly transported to a moment suspended in golden light—a quintessential Parisian or Berlin afternoon…
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In the gentle embrace of 1924, Max Liebermann captured more than just a landscape; he bottled a feeling of profound tranquility. The Cutting Garden in Wannsee toward the…
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To gaze upon Max Liebermann's "Flowers at the Gardener's House" is to step through a portal into a moment suspended in perfect, sun-drenched tranquility. This 1927 masterpiece, executed…
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In the quietude of a Prussian afternoon, Max Liebermann’s 1916 masterpiece, Terrace in the Garden near the Wannsee toward Northwest, invites the viewer into a sanctuary of cultivated…
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The Max Liebermann painting, The Circular Bed in the Hedge Garden with a Woman Watering Flowers, is a beautiful depiction of a serene garden scene. Created in 1925,…
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Jewish Street in Amsterdam is an oil painting by Max Liebermann. Created in 1908, the work depicts a bustling street market scene located in Amsterdam. The subject matter…
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In the quietude of a Prussian afternoon, Max Liebermann captures a moment of profound serenity in his 1916 masterpiece, Terrace in the Garden near the Wannsee towards Northwest.…
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これらのキャンバスに最も頻繁に描かれた4つの主題と、それぞれの代表作。
このページに掲載されている絵画を最も多く所蔵している 8 の美術館
| 美術館 | 都市 | マックス・リーバーマンの作品 | このリストの絵画 |
|---|---|---|---|
 アルテ・ナショナルギャラリー |
ベルリン | 17 | Portrait of Richard Strauss, Portrait Study of Emil Rathenau, Portrait Dr. Wilhelm Bode |
 ハンブルク美術館 |
ハンブルク | 8 | The Net Menders, The Terrace at the Hotel Louis C. Jacob in Nienstedten on the Elbe, A Dutch lacemaker |
 バイエルン州立絵画コレクション |
ミュンヘン | 7 | Self portrait in painting smock (Selbstbildnis im Malkittel), Children Bathing in the Sea, Still life of meat (Fleischstillleben) |
 ウォールラフ・リヒャルトス美術館 |
ケルン | 6 | Two riders on the beach, Self-portrait, The artist's daughter riding |
 シュタットリッヒェ・クンストハレ・カールスルーエ |
カールスルーエ | 5 | The farrier, The Basketweavers (Die Korbflechter), Copy of the Bohémienne after Frans Hals (Young woman) |
 Stadtisches Museum |
ゲルゼンキルヒェン | 3 | Self Portrait with Kitchen Still LIfe, The Flower Terrace in the Wannsee Garden, Facing Northwest |
 クンストハレ・ブレーメン |
ブレーメン | 3 | Self-portrait, Parrot Avenue |
 ドレスデン州立美術館 |
ドレスデン | 3 | Alfred von Berger, On the Alster in Hamburg |
1876年にマックス・リーバーマンによって描かれた「アムステルダム孤児院の一時間」は、19世紀のアムステルダムにおける共同生活の一瞬を捉えた魅惑的な作品です。この絵画は鑑賞者を屋外の中庭へと誘い込み、そこで女性と子供たちが集まり、豊かな社会的交流と文化的遺産に満ちた場面が広がっています。リーバーマンの筆致は、細部にこだわらず本質を捉えようとする印象主義的要素を取り入れた写実的なスタイルを示しています。自然光の活用により、左側から差し込む太陽光が人物を照らし出し、温かみのある輝きと奥行きを生み出しています。
The air feels heavy with the scent of damp fabric and the salt of a nearby coast. In this corner of a Dutch village, time seems to pause,…
There is a certain quietude found in the middle of a crowd, a feeling captured here in 1905. In Restaurant De oude Vink, we find ourselves seated among…
This 1918 impressionist painting by Max Liebermann presents a black and white portrait of Richard Strauss. The subject is depicted sitting in a chair with his hands clasped…
Max Liebermann's 1922 portrait of Albert Einstein isn’t merely a likeness; it’s a carefully constructed distillation of intellect, contemplation, and the burgeoning promise of a revolutionary mind. Painted…
The painting, titled The Surgeon Dr. Ferdinand Sauerbruch, is an oil on canvas created in 1932. The portrait depicts a man wearing glasses and a white coat, seated…
アムステルダム孤児院での自由時間 (1876)、次いでSelf Portrait with Kitchen Still LIfe (1873)、そしてCorner of a Dutch Village with Washing Hung up to Dry (1890)。
1847年に生まれたマックス・リーバーマンは29歳でした：アムステルダム孤児院での自由時間は1876年の作品です。
アムステルダム孤児院での自由時間, Self Portrait with Kitchen Still LIfe, Corner of a Dutch Village with Washing Hung up to Dry, Portrait of Richard Strauss, Restaurant De oude Vink, Self-portrait, The Preserve Makers, Schreitender Bauer, KIRCHGANG IN Laren と Alfred von Berger。上記のランキングに掲載されている各キャンバスには、制作年と所蔵美術館が記載されています。
マックス・リーバーマンによる作品が280点、1865年から1932年にかけてのものがカタログに掲載されています。
主にアルテ・ナショナルギャラリー (ベルリン), ハンブルク美術館 (ハンブルク) と バイエルン州立絵画コレクション (ミュンヘン)に所蔵されています。上記のリストには、各美術館とその所蔵作品が記載されています。
このページに掲載されている全100作品のうち、18作品が1910sの作品であり、その中にはPortrait of Richard Straussが含まれます。
ここにある最も古いキャンバスはPortrait of Felix Liebermann (1865)、最も新しいものはThe Surgeon Dr. Ferdinand Sauerbruch (1932)です。
このページに掲載されている100点の作品におけるMan (10), Portrait (6) と Garden scene (6)
このページに掲載されている全100作品のうち、29作品にOil On Canvasが使用されています。
このページに並ぶキャンバスが示す通り、Impressionism
アルテ・ナショナルギャラリー, ベルリンには、このページに掲載されている作品のうち9点が所蔵されており、その中にはPortrait of Richard Strauss, Portrait Study of Emil Rathenau と Portrait Dr. Wilhelm Bodeも含まれています。
はい。このページに掲載されているすべての絵画は、各作品の個別ページから、手書きの油彩複製画、またはお好みのサイズでのファインアートプリントとしてご注文いただけます。
