ラヴィ・ヴァルマの全作品の中で最も有名なのはDamayanti And Hamsam (1899)であり、BengaluruのSandeep - Gitanjali Maini Foundationに展示されています。 それに次いで、Maharani Chimnabai II (1889)とMusic Hath Charms (Kadambari) (1890)が続きます。 当カタログに含まれるラヴィ・ヴァルマの136点の作品のうち、これら100点は最も名高い作品であり、制作年、所蔵美術館、そしてその背景となる物語とともにご紹介します。
各作品の検索数、閲覧数、および注文数を組み合わせた当サイトの人気スコアに基づきランキングを作成しています。最終更新：10月 2026 このページに掲載されている各作品は、リネンキャンバスに手描きで制作する油彩複製画、またはご希望のサイズに合わせて作成するファインアートプリントとしてご注文いただけます。
In the quietude of a sun-drenched afternoon, Raja Ravi Varma captures a scene that transcends time, inviting the viewer into a realm where myth and reality softly intertwine. Damayanti And Hamsam is not merely a painting; it is a window into the soul of Indian classical storytelling. The artwork presents a serene encounter between the beautiful Damayanti, daughter of King Bhima, and a graceful white swan, or hamsa. As she…
To stand before Maharani Chimnabai II is to be enveloped in an atmosphere of opulent grace and quiet power. Painted by the masterful hand of Raja Ravi Varma in 1889, this portrait transcends a mere depiction; it is a window into the zenith of late 19th-century Indian aristocracy, filtered through the sophisticated lens of European academic painting techniques. The subject herself commands attention—a vision of regal poise seated upon an…
A woman sits upon a bench, her fingers poised near the strings of a sitar. She wears a traditional sari and a bindi rests upon her forehead. Around her, the world is quieted by the presence of greenery and two birds resting in the background. A clock hangs on the wall above her head, marking the passage of time in this indoor space. The scene captures a moment of focused…
This exquisite portrait, titled Nair Lady With A Mirror, invites the viewer into an intimate, almost whispered moment of personal contemplation. It captures a lady caught in the gentle ritual of grooming—the act of brushing her hair while gazing into the reflective surface before her. Raja Ravi Varma, master chronicler of everyday Indian life imbued with classical grace, has gifted us more than just a likeness; he offers a window…
A woman leans against a stone balustrade, her silhouette softened by the fading light of a sunset. She wears a sari of shimmering light blue and silver, the fabric catching the glow like water under a summer moon. Her dark hair falls in fluid lines down her back, a deep contrast to the warm pinks and oranges of the sky behind her. In her hand, she holds a red fan,…
In the secluded shade of a forest hermitage, a woman pauses to compose her thoughts. This oil on canvas, dated between 1880 and 1885, captures Shakuntala in a moment of profound intimacy. She sits amidst lush, dark foliage, focused on a lotus leaf that serves as her parchment. Her companions observe from the periphery, their presence grounding the scene in a shared, silent experience. The composition utilizes a triangular arrangement…
In the grand tapestry of Indian mythological storytelling, few moments resonate with as much profound tension and moral complexity as the scene captured in Raja Ravi Varma’s 1897 masterpiece, Draupadi at the Court of Virat. This painting serves as a breathtaking window into a pivotal moment of the Mahabharata, where the sanctity of a queen is challenged within the very halls meant to protect her. The composition centers on Draupadi,…
Raja Ravi Varma's *Radha in the Moonlight*, painted in 1890, stands as a pinnacle of Indian Romanticism and a testament to his unparalleled skill in synthesizing Western academic training with deeply rooted Hindu iconography. This captivating portrait transcends mere representation; it embodies the essence of the ‘uttama nayika,’ the ideal woman figure from classical Sanskrit literature – a being of profound beauty, intelligence, and spiritual grace. The painting’s enduring appeal…
Raja Ravi Varma's “The Maharani of Travancore” is more than just a portrait; it’s a window into the opulent and complex world of 19th-century Kerala, India. Painted in 1887, this arresting image captures a woman of considerable status – likely a sister of Maharaja Rama Varma – radiating an aura of serene dignity and regal beauty. The painting immediately draws the eye with its dramatic lighting, a technique heavily influenced…
To stand before this portrait is to step directly into the opulent drawing rooms and grand processions of late 19th-century Indian royalty. Depicting His Highness Chamarajendra Wadiyar X, the painting radiates an aura of inherited power and refined dignity. The subject himself is rendered with a commanding presence; his attire speaks volumes of his station, particularly the magnificent gold crown that crowns his noble brow. Every element—from the meticulously painted…
To gaze upon this depiction of Keechaka and Sairandhri is to step directly into the heart of Indian mythology, where devotion intertwines with dramatic human emotion. The scene…
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To gaze upon this sketch is to encounter a moment suspended in time—a tableau vivant steeped in the profound weight of human emotion. While the image itself presents…
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To gaze upon this portrait of Bandi Balaiah Naidu is to encounter a moment suspended in time—a confluence of regal bearing and quiet contemplation. Painted in 1904, the…
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The mural presents a moment of intense movement within a conflict. A central figure on horseback appears to lead a charge, positioned amidst a group of soldiers and…
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To stand before this depiction of two men in headdresses is to step across a threshold into a moment suspended between conversation and contemplation. Raja Ravi Varma, master…
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To gaze upon "Untitled (Tilottama)" by Raja Ravi Varma is to step directly into a moment suspended between earthly performance and divine rapture. This magnificent oil on canvas,…
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In the quiet, sun-dappled seclusion of Kanva's hermitage, a profound moment of human vulnerability and romantic longing unfolds upon the canvas. Raja Ravi Varma’s Shakuntala Writing a Love…
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Raja Ravi Varma's "Bombay Singer" (Bombay Songstress), painted in 1893, is more than a mere portrait; it’s a captivating window into the vibrant cultural landscape of late Victorian…
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In the golden era of Indian academic realism, few names command as much reverence as Raja Ravi Varma. His masterpiece, The Coquette, painted in 1893, serves as a…
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In the quiet, luminous moments captured within Lady Making A Garland, we encounter the profound mastery of Raja Ravi Varma, a titan of Indian art who dared to…
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In the masterwork Sita in Ashoka Grove, painted in 1894, Raja Ravi Varma invites us into a scene of profound emotional complexity and breathtaking beauty. The painting captures…
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In the golden era of Indian academic realism, few names command as much reverence as Raja Ravi Varma. His masterpiece, The Coquette, painted in 1893, serves as a…
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In the luminous realm of early 20th-century Indian art, few names command as much reverence as Raja Ravi Varma. His masterpiece, Krishna, dating from 1905, serves as a…
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In the luminous realm of Raja Ravi Varma’s 1880 masterpiece, Shakuntala And Her Companion, we are transported to an era where myth and reality dance in a delicate…
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In the quiet depths of a verdant forest, where the dappled sunlight struggles to pierce through the dense canopy, sits a figure of profound melancholy. Damayanti Abandoned In…
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Raja Ravi Varma's "Woman Holding a Fruit," painted around 1800, isn’t merely a portrait; it’s a pivotal moment in the history of Indian art. Born in Kilimanjaro, India,…
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In the quietude of a moment captured in 1875, Raja Ravi Varma invites us into a world where melody meets the divine. A Tamil Lady Playing the Swarbat…
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In this intimate study, we find ourselves observing a moment of stillness on a shoreline. The composition centers on two women positioned near the water's edge, their presence…
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Raja Ravi Varma’s “Toddy Tapper” stands as an emblem of artistic transformation in late 19th-century India—a testament to his unwavering commitment to blending European academic precision with the…
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A Still Life of Reflection: Examining Raja Ravi Varma’s ‘Letter Written by Raja Ravi Varma’ Raja Ravi Varma stands as an undeniable titan amongst Indian artists, a figure…
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Raja Ravi Varma’s “Sita Bhumipravesh,” completed around 1880, is more than a depiction of a pivotal moment in Hindu mythology; it's a meticulously crafted testament to the burgeoning…
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At Kilimanur, Ravi Varma and his brother C. Raja Raja Varma housed a large collection of art books, catalogues, postcards and photographs, accumulated while on their many travels,…
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A Moment of Tranquility: Raja Ravi Varma’s “Woman Reclining On The Waterfront” This evocative sketch, “Woman Reclining On The Waterfront,” offers a poignant glimpse into the artistic sensibilities…
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A Moment of Quiet Contemplation The woman sits in a stillness that feels heavy with thought. Draped in a white toga, she rests in a chair with her…
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This is a preparatory sketch by Raja Ravi Varma for the picture of Gangavatran or the Descent of Ganga. The painting was printed as a chromolithograph by the…
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To gaze upon this depiction of Crossing The River is to be instantly transported to a moment suspended between two shores—a quintessential vision of passage and serene human…
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Raja Ravi Varma’s “Hesitation,” painted circa 1880, is more than just a depiction of a man and woman; it's a profound meditation on emotion, memory, and the delicate…
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To gaze upon this evocative black and white drawing, "Waiting For The Train," is to be instantly transported to a liminal space—that charged moment between departure and arrival.…
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In the quiet, hallowed halls of the Jayachamrajendra Art Gallery in Mysore, there exists a portrait that serves as a profound testament to a transformative era in Indian…
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A Keralite lady sits in a state of idle and pleasant contemplation. Her gaze is directed downward, lost in thought. She wears a white dress, her long hair…
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In the quiet, focused atmosphere of 1870, a young Raja Ravi Varma captured a moment of profound spiritual instruction that would resonate through the annals of Indian art…
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Raja Ravi Varma’s “An Adaptation of the Poem,” painted in 1898, is more than a depiction of a forest scene; it's a meticulously crafted tableau brimming with symbolic…
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In the quietude of a sun-drenched moment, Woman With Musical Instrument invites the viewer into a realm where melody and stillness converge. Painted in 1880 by the legendary…
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In the vast and storied oeuvre of Raja Ravi Varma, few works resonate with such raw, unvarnished humanity as The Gypsies Of South India. Created around 1893, this…
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Stepping into the presence of the Ornate Mural by C Raja Raja Varma is akin to passing through a threshold of time, where the boundaries between reality and…
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Raja Ravi Varma: Bridging Tradition & Modernity in 19th-Century Indian Art Raja Ravi Varma stands as an unparalleled figure in the annals of Indian art history—a visionary who…
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In the delicate strokes of Raja Ravi Varma’s Gangawataran Sketch, we find ourselves transported to a serene pastoral landscape that breathes with the quiet vitality of late 19th-century…
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In the quiet, preparatory moments of artistic creation, there exists a raw energy that finished masterpieces often refine into stillness. Initial Sketch Of Gangawataran, a profound glimpse into…
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In the delicate interplay of light and shadow within Untitled (Damayanti), we encounter a moment frozen in time, where the boundaries between the earthly and the divine begin…
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A Symphony of Serenity: Romantic Echoes in Malabar Lady This exquisite acrylic painting on canvas embodies the spirit of Romanticism—a movement that prioritized emotion and imagination above strict…
In the delicate, monochromatic whispers of "Gypsies of South India—Preliminary Study," we encounter a profound moment of artistic introspection captured by the legendary Raja Ravi Varma in 1893.…
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In the delicate, translucent layers of Gypsies of South India—Preliminary Study, we encounter a moment of profound vulnerability captured by the legendary Raja Ravi Varma. Created in 1893,…
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In the quiet, intimate space of an artist's studio, before the grand narratives of mythology are draped in rich oils and vibrant pigments, there exists a moment of…
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Raja Ravi Varma’s “The Maharaja of Travancore welcoming the Duke of Buckingham and Chandos” is more than a historical painting; it's a meticulously crafted window into 19th-century India,…
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In the quiet intimacy of A Tamil Lady, we encounter more than just a portrait; we enter a moment frozen in time by the masterful hand of Raja…
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This captivating study presents an intimate look behind the curtain of artistic creation, offering viewers not just finished masterpieces, but the very process of observation itself. The composition,…
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In the luminous depths of Raja Ravi Varma’s 1879 masterpiece, Her Highness Janaki Subamma Bai Sahib of Pudukkottai, we are invited into a private moment of aristocratic grace.…
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A Parsi Couple presumably waiting for a train while the lady is seated on a railway-platform bench. She is attired in the typical Gujarati style saree. In a…
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One of the few paintings by Raja Ravi Varma that depicts violence and bloodshed, this scene is taken from the Indian epic Ramayana. Ravana cuts off Jatayu
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A Regal Presence: Unveiling Raja Ravi Varma’s “Portrait of a Gentleman” This captivating portrait by Raja Ravi Varma offers a compelling glimpse into late 19th or early 20th-century…
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Raja Ravi Varma’s “Kerala Varma Valiya Koil Thampuran,” painted in 1880, is more than a simple portrait; it's a meticulously crafted window into the opulent world of late…
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Raja Ravi Varma's “Reclining Nair Lady,” painted in 1902, is more than just a portrait; it’s a meticulously crafted tableau that offers a rare glimpse into the social…
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This evocative sketch by Raja Ravi Varma offers a captivating glimpse into the heart of Travancore's royal identity during a pivotal moment in Indian art history. Executed with…
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これらのキャンバスに最も頻繁に描かれた4つの主題と、それぞれの代表作。
このページに掲載されている絵画を最も多く所蔵している 8 の美術館
| 美術館 | 都市 | ラヴィ・ヴァルマの作品 | このリストの絵画 |
|---|---|---|---|
 The Raja Ravi Varma Heritage Foundation |
バンガロール | 52 | Maharani Chimnabai II, Music Hath Charms (Kadambari), His Highness Chamarajendra Wadiyar X |
 The Ganesh Shivaswamy Foundation |
バンガロール | 28 | Draupadi at the Court of Virat, Radha in the Moonlight, Shakuntala Patra Lekhan of Shakuntala Writing a Love Letter |
 Sandeep - Gitanjali Maini Foundation |
Bengaluru | 5 | Damayanti And Hamsam, Nair Lady With A Mirror, Bandi Balaiah Naidu |
| Sree Chitra Art Gallery | 3 | Maharani Lakshmi Bayi, Charity, The Milkmaid | |
 National Gallery of Modern Art |
ニューデリー | 2 | Woman Holding a Fruit |
 ヴィクトリア＆アルバート博物館 |
ロンドン | 1 | Woman Holding a Fan |
 アシュモリアン美術館 |
オックスフォード | 1 | Shakuntala writing a love letter on a lotus leaf |
 ロイヤル・コレクション |
ロンドン | 1 | The Maharani of Travancore |
In the quiet, focused atmosphere of 1870, a young Raja Ravi Varma captured a moment of profound spiritual instruction that would resonate through the annals of Indian art…
To stand before Maharani Chimnabai II is to be enveloped in an atmosphere of opulent grace and quiet power. Painted by the masterful hand of Raja Ravi Varma…
In the quietude of a sun-drenched afternoon, Raja Ravi Varma captures a scene that transcends time, inviting the viewer into a realm where myth and reality softly intertwine.…
To gaze upon this portrait of Bandi Balaiah Naidu is to encounter a moment suspended in time—a confluence of regal bearing and quiet contemplation. Painted in 1904, the…
Damayanti And Hamsam (1899)（Sandeep - Gitanjali Maini Foundation, Bengaluru）。続いてMaharani Chimnabai II (1889)、Music Hath Charms (Kadambari) (1890)が続きます。
1848年に生まれたラヴィ・ヴァルマは51歳でした：Damayanti And Hamsamは1899年の作品です。
Damayanti And Hamsam, Maharani Chimnabai II, Music Hath Charms (Kadambari), Nair Lady With A Mirror, Woman Holding a Fan, Shakuntala writing a love letter on a lotus leaf, Draupadi at the Court of Virat, Radha in the Moonlight, The Maharani of Travancore と His Highness Chamarajendra Wadiyar X。上記のランキングに掲載されている各キャンバスには、制作年と所蔵美術館が記載されています。
ラヴィ・ヴァルマによる作品が136点、1870年から1906年にかけてのものがカタログに掲載されています。
主にThe Raja Ravi Varma Heritage Foundation (バンガロール), The Ganesh Shivaswamy Foundation (バンガロール) と Sandeep - Gitanjali Maini Foundation (Bengaluru)に所蔵されています。上記のリストには、各美術館とその所蔵作品が記載されています。
このページに掲載されている全100作品のうち、36作品が1890sの作品であり、その中にはDamayanti And Hamsamが含まれます。
ここにある最も古いキャンバスはHanuman (1870)、最も新しいものはLetter Written by Raja Ravi Varma (1906)です。
このページに掲載されている100点の作品におけるPortrait (16), Indian art (16) と Woman (15)
このページに掲載されている全100作品のうち、29作品にOil On Canvasが使用されています。
このページに並ぶキャンバスが示す通り、Academic realism
The Raja Ravi Varma Heritage Foundation, バンガロールには、このページに掲載されている作品のうち50点が所蔵されており、その中にはMaharani Chimnabai II, Music Hath Charms (Kadambari) と His Highness Chamarajendra Wadiyar Xも含まれています。
はい。このページに掲載されているすべての絵画は、各作品の個別ページから、手書きの油彩複製画、またはお好みのサイズでのファインアートプリントとしてご注文いただけます。
