Francis I of France (1494-1547), king of France (1515) is the painting ジャン・クルーエ is best remembered for; it belongs to the コンデ美術館, シャンティイ. Unknown Lady (1525) and Unknown Lady (1530) complete the trio of best-loved canvases. Our catalogue counts 37 works by ジャン・クルーエ. Here are the 37 most famous, with the year, the museum and the story of each canvas.
各作品の検索数、閲覧数、および注文数を組み合わせた当サイトの人気スコアに基づきランキングを作成しています。最終更新：10月 2026 Each painting on this page can be ordered as an oil reproduction painted by hand on linen canvas, or as a fine art print, made to the size you choose.
The subject is positioned in a bust-length composition, facing toward the right of the frame while his gaze remains directed forward. He wears a black hat and a cloak that covers his shoulders. A cream-colored collar with a ribbed texture sits at his neck, contrasting with the dark fabric of his attire. The skin on his face appears smooth, with light coming from the upper left to define the bridge…
The painting "Unknown Lady," attributed to the masterful French Renaissance artist Jean Clouet, is not merely a portrait; it's an invitation into a world of subtle observation and carefully constructed mystery. Completed around 1525, this captivating drawing—a testament to Clouet’s meticulous technique and psychological acuity—holds within its delicate lines a profound sense of contained emotion. It resides in the heart of the WahooArt collection, offering a glimpse into the courtly…
The world of 16th-century French portraiture is often associated with opulent courts and meticulously rendered depictions of royalty, yet within this grand tradition lies a captivating vein of quiet introspection—exemplified perfectly by Jean Clouet’s “Unknown Lady.” Painted around 1525, this drawing, now housed in a stunning reproduction, offers far more than a simple likeness; it's an invitation to contemplate the veiled emotions and subtle power dynamics inherent in Renaissance society.…
Jean Clouet's 1525-30 “Portrait of Francis I” is more than just a royal likeness; it’s a meticulously crafted embodiment of the French Renaissance at its zenith. Housed within the hallowed halls of the Louvre, this oil on panel painting transcends mere portraiture, offering a profound glimpse into the character and ambitions of King Francis I himself. Clouet, a master of courtly art, doesn't simply depict a monarch; he constructs an…
Jean Clouet’s depiction of Guillaume Budé, completed around 1536, stands as a quintessential emblem of the Florentine Renaissance's fascination with intellectual pursuits and humanist ideals. More than just a likeness of a prominent scholar—Budé being the librarian to King Francis I—the painting embodies a carefully constructed visual narrative that speaks volumes about the era’s preoccupation with reason, virtue, and classical learning.
The Countess Beatrix Pacheco sits in a quiet, poised stillness, her presence filling the space with a sense of noble composure. She turns her head slightly toward the left, her eyes meeting the viewer with a steady, penetrating look that bridges the centuries. A soft, gentle smile rests upon her lips, suggesting a woman of profound character and inner life. The light, descending from the upper left, brushes against the…
The Portrait of Charlotte of France is a work by Jean Clouet, executed in 1522. The painting captures a young girl of high station, Princess Charlotte, who was the daughter of King Francis I of France. At the moment the artist fixed her likeness to the panel, she was approximately seven years old.
The portrait presents a middle-aged man in a half-length composition, positioned slightly off-center. He gazes toward the left of the frame with a steady, calm expression. The subject is dressed in dark, somber clothing, featuring a black hat with sharp folds and sleeves of a warm pinkish-red hue. His pale skin tones contrast against the deep navy and black of his attire and the dark background. In his hands, he…
In the Portrait of Louis de Cleves by Jean Clouet, a single male figure emerges from a dark forest green background. The composition is a medium close-up, capturing the man from the chest up. He is positioned slightly off-center, his gaze directed toward the left of the frame. This orientation creates a sense of quiet gravity within the space. The subject's presence is anchored by a palette of deep, saturated…
The artwork titled Madame de Canaples (Marie d'Assigny, 1502 - 58) is a portrait executed by the artist Jean Clouet. This oil on panel work depicts Marie d’Acigné, who is also identified as Madame de Canaples. The sitter was a lady of the court, specifically serving as a maid of honour to Queen Claude of France. The portrait was likely produced in 1525, coinciding with the year Marie d’Acigné married…
In this intimate portrait miniature from 1530, we encounter a young woman captured in a moment of profound stillness. The scale is remarkably small, yet the presence she…
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Jean Clouet’s “Doña Leonor Zapata” is more than just a portrait; it's a carefully constructed window into the life and status of a prominent figure from 16th-century Spain.…
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This meticulously rendered chalk drawing, dating back to 1533 and attributed to the masterful hand of Jean Clouet, offers a captivating glimpse into the world of French nobility…
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Jean Clouet’s “Renée de France, Duchess of Ferrara and Chartres” is more than just a portrait; it's a meticulously crafted window into the refined world of 16th-century French…
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Jean Clouet's "Jacqueline de La Queuille, Lady of Aubigny," painted circa 1535, is more than a simple portrait; it’s a meticulously crafted window into the refined world of…
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Jean Clouet’s “Catherine dit Cathelot, dwarf or madwoman of Queen Claude” is not merely a portrait; it's a captivating glimpse into the turbulent and fascinating world of 16th-century…
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In the delicate lines of Jean Clouet’s 1524 drawing, Madeleine of France, Queen of Scotland, we encounter a moment of profound vulnerability that transcends the rigid formalities of…
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In the quiet intimacy of the French Renaissance, few works capture the ethereal intersection of power and piety as profoundly as the Portrait of Marguerite of Navarre. Attributed…
In the quiet, hallowed halls of the Château de Chantilly, there exists a window into the soul of the French Renaissance, captured through the masterful brush of Jean…
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This portrait presents Guillaume Gouffier, sire de Bonnivet, as captured by the hand of Jean Clouet. The sitter, who lived from 1482 to 1525, is depicted with a…
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Portrait of an Unknown Man by Jean Clouet: A Window into Renaissance Dignity The charcoal drawing, attributed to the masterful hand of Jean Clouet (1480-1541), presents a profoundly…
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Within the meticulously crafted world of 16th-century French art, few figures possess the same captivating allure as Jean Clouet. More than simply a painter, he was a pivotal…
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Jean de la Barre: A Portrait of Renaissance Dignity The portrait of Jean de la Barre, executed by Jean Clouet in 1520, stands as a testament to the…
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Further research into Jean Clouet’s artistic lineage reveals connections to a family of artists active in Brussels during the early sixteenth century—a network that fostered innovation and facilitated…
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Jean Clouet's 1525 portrait of François I, King of France, is more than just a likeness; it’s a carefully constructed embodiment of royal power and the burgeoning humanist…
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The four subjects that return most often on these canvases, each with its best-loved example.
このページに掲載されている絵画を最も多く所蔵している 8 の美術館
| 美術館 | 都市 | ジャン・クルーエの作品 | このリストの絵画 |
|---|---|---|---|
 シャトー・ド・シャンティイ |
シャンティイ | 11 | Unknown Lady, Unknown Lady, Doña Leonor Zapata |
 コンデ美術館 |
シャンティイ | 4 | Francis I of France (1494-1547), king of France, Portrait of Jean de Dinteville, Seigneur de Polisy, Portrait of an Unknown Man |
 ルーブル美術館 |
パリ | 2 | Portrait of Francis I, Portrait of François I, King of France |
 メトロポリタン美術館 |
ニューヨーク | 2 | Guillaume Budé, Charles de Cossé (1506–1563), Count of Brissac |
 Saint Louis Art Museum |
セントルイス | 2 | Portrait of a Banker, Guillame Gouffier |
 シュテデル美術館 |
フランクフルト | 1 | Portrait of Beatrix Pacheco, Countess of Montbel und Entremonts |
 Minneapolis Institute of Art |
ミネアポリス | 1 | Portrait of Charlotte of France |
 Accademia Carrara |
ベルガモ | 1 | Portrait of Louis de Cleves |
The subject is positioned in a bust-length composition, facing toward the right of the frame while his gaze remains directed forward. He wears a black hat and a…
The painting "Unknown Lady," attributed to the masterful French Renaissance artist Jean Clouet, is not merely a portrait; it's an invitation into a world of subtle observation and…
The world of 16th-century French portraiture is often associated with opulent courts and meticulously rendered depictions of royalty, yet within this grand tradition lies a captivating vein of…
Jean Clouet’s “Catherine dit Cathelot, dwarf or madwoman of Queen Claude” is not merely a portrait; it's a captivating glimpse into the turbulent and fascinating world of 16th-century…
Francis I of France (1494-1547), king of France (1515), コンデ美術館, シャンティイ. Unknown Lady (1525) and Unknown Lady (1530) follow.
ジャン・クルーエ, born in 1480, was 35 years old: Francis I of France (1494-1547), king of France dates from 1515.
Francis I of France (1494-1547), king of France, Unknown Lady, Unknown Lady, Portrait of Francis I, Guillaume Budé, Portrait of Beatrix Pacheco, Countess of Montbel und Entremonts, Portrait of Charlotte of France, Portrait of a Banker, Portrait of Louis de Cleves と Madame de Canaples (Marie d'Assigny, 1502 - 58). Each canvas in the ranking above comes with its year and its museum.
37 works by ジャン・クルーエ are in our catalogue, dated 1515 to 1540.
Mostly in シャトー・ド・シャンティイ (シャンティイ), コンデ美術館 (シャンティイ) と ルーブル美術館 (パリ); the list above names each museum and its canvases.
In 1520s, which gave 16 of the 37 works on this page, Unknown Lady among them.
The earliest canvas here is Francis I of France (1494-1547), king of France (1515); the latest is Catherine dit Cathelot, dwarf or madwoman of Queen Claude (1540).
Portrait (9), Woman (9) と Detail (7), across the 37 works on this page.
Oil On Panel, used in 9 of the 37 works on this page.
Renaissance portraiture と Renaissance, as the canvases on this page show.
The シャトー・ド・シャンティイ, シャンティイ holds 11 of the works on this page, among them Unknown Lady, Unknown Lady と Doña Leonor Zapata.
Yes. Every painting on this page can be ordered from its own page as an oil reproduction painted by hand, or as a fine art print, in the size you choose.
