Queen Victoria (1838)はトマス・サリーの代表作として知られる作品であり、ロンドンにあるウォレス・コレクションに収蔵されています。 Thomas Jefferson (1743-1826), LL.D. 1786 (1823)とGeorge Washington (1840)が加わり、最も愛されている3枚のキャンバスが揃いました。 トマス・サリーによる作品は、当カタログに437点収められています。ここでは、制作年、所蔵美術館、そして各作品の背景とともに、最も有名な100点をご紹介します。
各作品の検索数、閲覧数、および注文数を組み合わせた当サイトの人気スコアに基づきランキングを作成しています。最終更新:10月 2026 このページに掲載されている各作品は、リネンキャンバスに手描きで制作する油彩複製画、またはご希望のサイズに合わせて作成するファインアートプリントとしてご注文いただけます。
Thomas Jefferson steps from the shadows of a doorway into a soft, overcast light. He is captured in a moment of transition, moving toward an outdoor setting that remains indistinct and atmospheric. His gaze is directed slightly upward and away, suggesting a mind preoccupied with matters beyond the immediate frame. He wears a long, dark purple or plum-colored coat with wide cuffs, a garment that holds its form through heavy,…
Thomas Sully rendered this portrait of George Washington in 1840. Executed in oil on canvas, the work captures the likeness of the American leader with a focus on formal dignity. The portrait belongs to the tradition of nineteenth-century American portraiture, reflecting the era's emphasis on character and status.
Thomas Sully’s “Mrs. Edward Hudson,” completed in 1814, stands as an emblem of the Victorian era's fascination with portraiture and its celebration of aristocratic status. More than just a likeness of Dr. Edward Hudson—a prominent physician and influential figure within London society—the painting embodies the ideals of refinement, intellect, and moral virtue that defined the period’s artistic sensibilities.
In the quietude of Thomas Sully’s 1841 masterpiece, Child Asleep (The Rosebud), we find more than a mere depiction of infancy; we encounter a profound meditation on innocence and the ephemeral nature of beauty. This exquisite oil on canvas serves as a cornerstone of American Romanticism, capturing a moment of absolute tranquility that seems to suspend time itself. The painting presents a serene tableau where a sleeping infant rests upon…
Thomas Sully’s “The Coleman Sisters,” painted in 1844, is more than just a portrait; it's a carefully constructed tableau of Victorian elegance imbued with an undercurrent of melancholic beauty. The painting depicts three young women – likely sisters – posed before a simple wall backdrop, their postures and expressions hinting at both composure and a quiet introspection that speaks volumes about the era’s societal expectations for women.
In this oil painting from 1810, we find ourselves drawn into a dramatic landscape at the edge of day. The composition centers on a reclining figure, William B. Wood, portrayed here through the persona of "Charles de Moor." He rests within a rugged terrain, his arm outstretched toward the left, guiding our gaze across the scene. There is a certain tension in his pose, an energy that suggests a narrative…
The Painter in the Shadows A young man gazes out from the canvas, his eyes meeting the viewer with a calm, contemplative stillness. He sits amidst the tools of his trade, the blurred shapes of a palette and paintbrushes resting in the foreground, hinting at a life lived through the application of pigment. The light falls heavily upon one side of his face, a technique of deep shadows and bright…
Colonel Samuel Boyer Davis is rendered in a full-length, vertical composition that emphasizes his military authority. He stands with a slight, dynamic tilt, positioned off-center against an atmospheric backdrop of swirling grey and beige clouds. This setting suggests the smoke and dust of a battlefield, providing a somber environment for the subject. The lighting, originating from the upper left, casts subtle shadows across his face and body, creating a sense…
The air in the room feels still, held in a quiet suspension as Eliza Melville Young McAllister meets the viewer's gaze. She sits with a poise that suggests a life of quiet refinement, her expression composed and steady. The light, soft and directional, spills from the upper left, brushing against the pale curve of her cheek and the delicate, translucent lace of her headpiece. This illumination creates a gentle depth,…
Thomas Sully's "John Finley," painted in 1821, is more than just a likeness; it’s a carefully constructed embodiment of power and prestige within the burgeoning American landscape. The…
手描きで制作する →The young man in the portrait meets the observer with a direct, steady gaze that seems to bridge the gap between 1811 and the present moment. He sits…
この光を、あなたの暮らしに。 →This portrait of John Sergeant was painted by Thomas Sully in 1811. The sitter, a man of significant political and legal standing, is captured here in a moment…
この光を、あなたの暮らしに。 →Mother and Son: An Allegory of Domestic Harmony This magnificent portrait by Thomas Sully, completed in 1840, transcends mere representation; it embodies a profound meditation on familial bonds…
この光を、あなたの暮らしに。 →A central female figure dominates this Romanticist portrait, her gaze directed off-camera with an expression of focused intensity. She holds a long strip of parchment, a detail that…
手描きで制作する →The sitter faces the viewer with a steady, direct gaze, her presence anchored by the deep shadows of a dark background. A soft, directional light brushes the right…
この光を、あなたの暮らしに。 →Thomas Sully's "Mary Anne Heide Norris," painted in 1830, is more than just a likeness; it’s a carefully constructed tableau of wealth, status, and the idealized femininity prized…
手描きで制作する →This oil portrait, executed in 1807, presents a bust-length view of Thomas Ash II. The subject is positioned slightly off-center, facing toward the left while his gaze is…
手描きで制作する →This portrait, titled Mary Harvey, Mrs. Paul Beck, Jr., was painted by Thomas Sully in 1813. The subject is Mary Harvey, who was the second wife of the…
手描きで制作する →This small-scale portrait miniature presents a bust-length view of a young man, Lester Wallach, set within an oval frame. The subject is positioned centrally, facing the viewer with…
この光を、あなたの暮らしに。 →Thomas Sully rendered this oil on canvas portrait of John Vaughan between 1815 and 1823. The work captures the subject in a dignified, intimate bust-length composition, positioning him…
手描きで制作する →Thomas Sully presents a portrait of Thomas Heyward, Jr., executed about 1854. The work features a single male figure, rendered with the technical precision characteristic of the American…
この光を、あなたの暮らしに。 →Step closer to observe the quiet gravity of Colonel Jonathan Williams. In this 1815 oil on canvas, we encounter the man not in the heat of battle, but…
このキャンバスを注文する →Thomas Sully’s William Alston, Class of 1825 presents a formal portrait of a single male figure. The work, executed in oil, captures the likeness of Alston during a…
手描きで制作する →Thomas Sully executed Mischief (Girl's Head) in 1866. This oil on canvas painting belongs to the artist's later period, capturing a specific moment of youthful curiosity through a…
この光を、あなたの暮らしに。 →In the quiet, commanding presence of Thomas Sully’s 1819 masterpiece, The Reverend George Houstoun Woodruff, one encounters more than a mere historical likeness; one meets a profound meditation…
手描きで制作する →In "Prison Scene from J. Fenimore Cooper’s “The Pilot”: “Cecelia Howard and Katherine Plowden arousing the prisoner Edward Griffith from his slumber.”" by Thomas Sully, a clandestine moment…
このキャンバスを注文する →Sarah Annis (1779-1867) of Annapolis was first married to Lawrence Sully (q.v.). Following Lawrence"s death, she married his younger brother Thomas in June 1806.
手描きで制作する →Sully recorded this miniature in his register for August 1805 as "Mrs. Worseley," with a price of twenty dollars.
このキャンバスを注文する →In this intimate double portrait, titled Self-Portrait of the Artist Painting His Wife (Sarah Annis Sully), the artist Thomas Sully presents a deeply personal view of his own…
この光を、あなたの暮らしに。 →The gaze meets us directly in Self-Portrait, a work where the artist Thomas Sully turns his brush upon his own likeness. Created in 1850, this painting captures the…
このキャンバスを注文する →This portrait presents Charles Carnan Ridgely, a man who held significant influence as the second master of the Hampton estate. Painted in 1820, the work captures the sitter…
この光を、あなたの暮らしに。 →The gaze of Major John Biddle meets the viewer with a steady, unyielding weight. He sits encased in a black coat, the fabric absorbing the light, punctuated only…
このキャンバスを注文する →The David Children is a portrait painted by Thomas Sully in 1826. The canvas captures a mother and her young child, likely a boy, within a quiet domestic…
手描きで制作する →This work is a Portrait of a Woman by the artist Thomas Sully. Executed in oil on canvas or panel, the piece belongs to the genre of portraiture,…
このキャンバスを注文する →This 1832 oil painting presents a half-length portrait of Sarah Annis Sully, depicted from the chest up within an oval composition. The subject is positioned centrally, her gaze…
手描きで制作する →This 1849 oil on canvas presents a bust-length portrait of James Pollard Espy. The subject is positioned slightly off-center, facing towards the viewer's right while his gaze meets…
このキャンバスを注文する →This oil on canvas portrait, titled Captain Charles Stewart, was executed by the artist Thomas Sully. The work depicts Captain Charles Stewart, a United States Navy officer, in…
手描きで制作する →This oil on canvas portrait depicts Rosalie Spang. The work was executed by the artist Thomas Sully in 1848. The subject is presented in a formal manner, positioned…
このキャンバスを注文する →The Rebecca Gratz painting, created by Thomas Sully in 1831, is a captivating oil on panel portrait that showcases the artist's skill in capturing the essence of his…
このキャンバスを注文する →Thomas Sully’s “Musidora,” completed in 1813, is more than just a depiction of a nude figure; it's a carefully constructed moment of burgeoning romance, steeped in the sensibilities…
手描きで制作する →Thomas Sully's "The Student," painted in 1839, is more than just a likeness; it’s a carefully constructed tableau of introspection and nascent artistic promise. This captivating portrait, rendered…
手描きで制作する →Grand portrait of President George Washington (1732-1799), Commander-in-Chief to the Continental Army during the American Revolution and 1st President of the United States. General Washington is not depicted…
手描きで制作する →In this 1842 portrait, we find ourselves in the presence of Mrs. George Lingen. There is a quiet confidence in her gaze, a subtle smile that suggests a…
この光を、あなたの暮らしに。 →In the quiet, commanding presence of Thomas Sully’s 1806 portrait, Governor Peyton Randolph, one finds more than a mere likeness of a political figure; one encounters the very…
このキャンバスを注文する →For this portrait the artist copied Gilbert Stuart"s triple portrait of Elizabeth "Betsy" Patterson Bonaparte.
手描きで制作する →これらのキャンバスに最も頻繁に描かれた4つの主題と、それぞれの代表作。
このページに掲載されている絵画を最も多く所蔵している 8 の美術館
| 美術館 | 都市 | トマス・サリーの作品 | このリストの絵画 |
|---|---|---|---|
| ニューヨーク | 23 | George Washington, Child Asleep (The Rosebud), John Finley | |
| ワシントン | 22 | The Coleman Sisters, William B. Wood as "Charles de Moor", John Quincy Adams | |
| Washington, D.C. | 6 | Thomas Sully, John Sergeant, Thomas Ash II | |
| フィラデルフィア | 8 | George Frederick Cooke as Richard III, Elizabeth Willing Jackson, Frances Anne Kemble as Beatrice | |
| ボストン | 7 | John Myers, Mrs. Joseph Rotch (Anne Smith), Victor René Value and His Daughter Charlotte | |
| ニューヘイブン | 4 | Thomas Jefferson (1743-1826), LL.D. 1786, Lester Wallach (1820-1888), Elizabeth Cook (Mrs. Benjamin Franklin Bache) as The Country Girl | |
| シンシナティ | 4 | Portia, Merchant of Venice (Recto) / Sketch of a Woman's Head (Verso), William Alston | |
| ダラス | 3 | Mary Harvey, Mrs. Paul Beck, Jr., Portrait of Mrs. George H. Crossman |
This oil portrait, executed in 1807, presents a bust-length view of Thomas Ash II. The subject is positioned slightly off-center, facing toward the left while his gaze is…
Thomas Sully’s “Mrs. Edward Hudson,” completed in 1814, stands as an emblem of the Victorian era's fascination with portraiture and its celebration of aristocratic status. More than just…
Thomas Jefferson steps from the shadows of a doorway into a soft, overcast light. He is captured in a moment of transition, moving toward an outdoor setting that…
Thomas Sully rendered this portrait of George Washington in 1840. Executed in oil on canvas, the work captures the likeness of the American leader with a focus on…
Thomas Sully presents a portrait of Thomas Heyward, Jr., executed about 1854. The work features a single male figure, rendered with the technical precision characteristic of the American…
Thomas Sully executed Mischief (Girl's Head) in 1866. This oil on canvas painting belongs to the artist's later period, capturing a specific moment of youthful curiosity through a…
Queen Victoria (1838)(ウォレス・コレクション, ロンドン)。続いてThomas Jefferson (1743-1826), LL.D. 1786 (1823)、George Washington (1840)が続きます。
1783年に生まれたトマス・サリーは55歳でした:Queen Victoriaは1838年の作品です。
Queen Victoria, Thomas Jefferson (1743-1826), LL.D. 1786, George Washington, Dr. Edward Hudson, Child Asleep (The Rosebud), The Coleman Sisters, William B. Wood as "Charles de Moor", Thomas Sully, Colonel Samuel Boyer Davis と Eliza Melville Young McAllister (Mrs. John McAllister, Jr.) (1790-1853)。上記のランキングに掲載されている各キャンバスには、制作年と所蔵美術館が記載されています。
トマス・サリーによる作品が437点、1802年から1866年にかけてのものがカタログに掲載されています。
主にメトロポリタン美術館 (ニューヨーク), ナショナル・ギャラリー・オブ・アート (ワシントン) と 国立肖像画美術館 (Washington, D.C.)に所蔵されています。上記のリストには、各美術館とその所蔵作品が記載されています。
このページに掲載されている全100作品のうち、25作品が1810sの作品であり、その中にはDr. Edward Hudsonが含まれます。
ここにある最も古いキャンバスはMrs. Thomas Sully (Sarah Annis) (1802)、最も新しいものはMischief (Girl's Head) (1866)です。
このページに掲載されている100点の作品におけるMan (18), Portrait (17) と Woman (10)
このページに掲載されている全100作品のうち、32作品にOil On Canvasが使用されています。
このページに並ぶキャンバスが示す通り、Romanticism と Neoclassicism
メトロポリタン美術館, ニューヨークには、このページに掲載されている作品のうち11点が所蔵されており、その中にはGeorge Washington, Child Asleep (The Rosebud) と John Finleyも含まれています。
はい。このページに掲載されているすべての絵画は、各作品の個別ページから、手書きの油彩複製画、またはお好みのサイズでのファインアートプリントとしてご注文いただけます。