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      William Widgery, 1822 – 1893

      William Widgery:最も有名な名作25選

      William Widgeryの全作品の中で最も有名なのはCheddar Gorge, Somerset (1860)であり、バースのVictoria Art Galleryに展示されています。 それに次いで、Burdocks, Brambles and Furze (1868)とLandscape with Figures by a Waterfall (1858)が続きます。 当カタログに含まれるWilliam Widgeryの25点の作品のうち、これら25点は最も名高い作品であり、制作年、所蔵美術館、そしてその背景となる物語とともにご紹介します。

      各作品の検索数、閲覧数、および注文数を組み合わせた当サイトの人気スコアに基づきランキングを作成しています。最終更新:11月 2026 このページに掲載されている各作品は、リネンキャンバスに手描きで制作する油彩複製画、またはご希望のサイズに合わせて作成するファインアートプリントとしてご注文いただけます。

      William Widgeryの肖像画
      William Widgery · 1822 – 1893
      生没年
      1822 – 1893
      ムーブメント
      Romanticism
      カタログ掲載作品
      25
      最も有名な
      Cheddar Gorge, Somerset (1860)
      最多収蔵館
      Royal Albert Memorial Museum

      William Widgeryの最も有名な名作10選

      Cheddar Gorge, Somerset (1860) による William Widgery
      1

      Cheddar Gorge, Somerset

      1860 · Oil On Canvas · Victoria Art Gallery, バース

      The composition centers on the vertical limestone ranges of Cheddar Gorge, which rise on either side of the scene. These crags form a narrow passage where light and shadow define the rugged textures of the rock faces. In the middle ground, a river flows through the valley, its surface reflecting the sky. Small cottages are situated along the banks, appearing nestled against the base of the cliffs. Groups of people…

      手描き油彩複製画: $178 39 × 26 cm 原画と同サイズ $623 159 × 99 cm 原寸サイズで注文する →
      Burdocks, Brambles and Furze (1868) による William Widgery
      2

      Burdocks, Brambles and Furze

      1868 · Oil · Royal Albert Memorial Museum, エクセター

      The composition focuses on a dense, tangled arrangement of botanical life. Burdock plants, wild brambles, and the thick, prickly texture of furze shrub occupy the frame. This oval-canvas work captures the unmanicured reality of the British countryside, moving away from idealized garden scenes toward the rugged, overlapping layers of the hedgerow. The arrangement emphasizes the structural complexity of these plants, where thorns and broad leaves intersect in a natural, chaotic…

      手描き油彩複製画: $178 28 × 36 cm 原画と同サイズ $347 72 × 91 cm 原寸サイズで注文する →
      Landscape with Figures by a Waterfall (1858) による William Widgery
      3

      Landscape with Figures by a Waterfall

      1858 · Oil On Canvas

      There is a certain stillness that settles over this 1858 oil on canvas, a sense of a moment caught in the soft, diffused light of an overcast day. In this landscape, we find ourselves looking upon a picturesque valley where a meandering river carves its way through rolling hills. The composition draws the eye inward, moving from the immediate presence of the foreground toward the pale, receding shapes of the…

      手描き油彩複製画: $203 41 × 24 cm 原画と同サイズ $468 128 × 76 cm 原寸サイズで注文する →
      On the Lyd, Devon (1873) による William Widgery
      4

      On the Lyd, Devon

      1873 · Oil On Canvas · Royal Albert Memorial Museum, エクセター

      A vertical stream cuts through the heart of a wooded Devon landscape. The water moves with a soft, diffused light, suggesting the cool air of an overcast morning. Thick tree trunks rise like pillars, their bark rendered with a heavy, tactile layering of oil paint. A small, solitary figure rests near the bank, a tiny presence amidst the overwhelming weight of the foliage. The scene feels still, caught in a…

      手描き油彩複製画: $178 26 × 38 cm 原画と同サイズ $619 102 × 153 cm 原寸サイズで注文する →

      William Widgery の絵画ランキング 11位〜25位

      Stepping Stones (1859) による William Widgery
      #16

      Stepping Stones

      1859 · Torre Abbey Historic House And Gardens

      The painting Stepping Stones by William Widgery is a captivating example of 19th-century art, showcasing the artist's skill in capturing the essence of rural life. Created in 1859,…

      手描きで制作する 〜 $178 →

      William Widgery の代表作

      これらのキャンバスに最も頻繁に描かれた4つの主題と、それぞれの代表作。

      William Widgeryのキャンバスが飾られる場所

      このページに掲載されている絵画を最も多く所蔵している 4 の美術館

      美術館 都市 William Widgeryの作品 このリストの絵画
      Royal Albert Memorial Museum, エクセターRoyal Albert Memorial Museum エクセター 12 Burdocks, Brambles and Furze, On the Lyd, Devon, Edward Adams (1823–1892), of Crediton
      Torre Abbey Historic House And Gardens, TorquayTorre Abbey Historic House And Gardens Torquay 7 Stepping Stones, Ponies on Dartmoor, Cattle on Dartmoor
      Victoria Art Gallery, バースVictoria Art Gallery バース 2 Cheddar Gorge, Somerset, Leigh Woods, Bristol
      University of Exeter, ExeterUniversity of Exeter Exeter 1 River Scene

      年代別:William Widgeryの最も有名な名画

      1. 1850s
        Landscape with Figures by a Waterfall (1858) による William Widgery
        25件中3位

        Landscape with Figures by a Waterfall

        年齢 28歳 – 37歳

        There is a certain stillness that settles over this 1858 oil on canvas, a sense of a moment caught in the soft, diffused light of an overcast day.…

      2. 1860s
        Cheddar Gorge, Somerset (1860) による William Widgery
        キャンバス 1 / 25

        Cheddar Gorge, Somerset

        年齢 38歳 – 47歳 · Victoria Art Gallery

        The composition centers on the vertical limestone ranges of Cheddar Gorge, which rise on either side of the scene. These crags form a narrow passage where light and…

      3. 1870s
        On the Lyd, Devon (1873) による William Widgery
        キャンバス 4 / 25

        On the Lyd, Devon

        年齢 48歳 – 57歳 · Royal Albert Memorial Museum

        A vertical stream cuts through the heart of a wooded Devon landscape. The water moves with a soft, diffused light, suggesting the cool air of an overcast morning.…

      William Widgeryの絵画に関するよくあるご質問

      William Widgeryの最も有名な作品は何ですか?回答を読む

      Cheddar Gorge, Somerset (1860)(Victoria Art Gallery, バース)。続いてBurdocks, Brambles and Furze (1868)、Landscape with Figures by a Waterfall (1858)が続きます。

      Cheddar Gorge, Somersetの制作当時、William Widgeryは何歳でしたか?回答を読む

      1822年に生まれたWilliam Widgeryは38歳でした:Cheddar Gorge, Somersetは1860年の作品です。

      William Widgeryの最も有名な10作品は何ですか?回答を読む

      Cheddar Gorge, Somerset, Burdocks, Brambles and Furze, Landscape with Figures by a Waterfall, On the Lyd, Devon, Edward Adams (1823–1892), of Crediton, Fingle Bridge, Devon, Swiss Lake Scene, Scene near Holy Street Mill, Chagford, Devon, Bowerman’s Nose, Dartmoor, Devon と View in Gidley Park, Devon。上記のランキングに掲載されている各キャンバスには、制作年と所蔵美術館が記載されています。

      William Widgeryによる作品は何点知られていますか?回答を読む

      William Widgeryによる作品が25点、1856年から1873年にかけてのものがカタログに掲載されています。

      William Widgeryの代表的な作品は、どの美術館に収蔵されていますか?回答を読む

      主にRoyal Albert Memorial Museum (エクセター), Torre Abbey Historic House And Gardens (Torquay) と Victoria Art Gallery (バース)に所蔵されています。上記のリストには、各美術館とその所蔵作品が記載されています。

      William Widgeryが最も有名な作品を描いたのは、何年頃でしょうか?回答を読む

      このページに掲載されている全25作品のうち、6作品が1860sの作品であり、その中にはCheddar Gorge, Somersetが含まれます。

      William Widgeryの代表作の中で、最初と最後に描かれたキャンバスは何ですか?回答を読む

      ここにある最も古いキャンバスはEdward Adams (1823–1892), of Crediton (1856)、最も新しいものはOn the Lyd, Devon (1873)です。

      William Widgeryの絵画に最も頻繁に登場する主題は何ですか?回答を読む

      このページに掲載されている25点の作品におけるBritish countryside (3), Landscape (3) と Rural (3)

      William Widgeryは、普段どのような画材を使って描いていましたか?回答を読む

      このページに掲載されている全25作品のうち、3作品にOil On Canvasが使用されています。

      William Widgeryはどの芸術運動に属していますか?回答を読む

      このページに並ぶキャンバスが示す通り、Romanticism

      Royal Albert Memorial MuseumでWilliam Widgeryの作品を見るには?回答を読む

      Royal Albert Memorial Museum, エクセターには、このページに掲載されている作品のうち12点が所蔵されており、その中にはBurdocks, Brambles and Furze, On the Lyd, Devon と Edward Adams (1823–1892), of Creditonも含まれています。

      William Widgeryの絵画の手描き複製画を注文することはできますか?回答を読む

      はい。このページに掲載されているすべての絵画は、各作品の個別ページから、手書きの油彩複製画、またはお好みのサイズでのファインアートプリントとしてご注文いただけます。

      William Widgery:画家の物語

      A Life Rooted in the British Landscape: William Widgery (1822-1893)

      William Widgery, born in 1822 in Uppercot, Northmolton, Devonshire, embodies a compelling narrative of self-taught artistic dedication blossoming amidst humble beginnings. His story isn’t one of privileged academies and early patronage, but rather a testament to the enduring power of observation and an innate connection to the natural world. Initially working as a mason, Widgery pursued painting in his spare time, driven by an internal compulsion that would ultimately redefine his life's path. The encouragement of friends proved pivotal, yet it was the guidance of Mr. Thomas Hex of St. Thomas who truly catalyzed his transformation, urging him to abandon his trade and wholeheartedly embrace his artistic calling. This leap of faith—a commitment to a future solely dependent on his creative abilities—speaks volumes about Widgery’s unwavering belief in his own potential.

      The Self-Made Aesthetic: Developing a Unique Vision

      Remarkably, Widgery received no formal art instruction. In an era where artistic training often dictated style and subject matter, he forged his own path, relying solely on Nature as his master. Exeter, at the time, lacked a significant art gallery to provide guidance; instead, Widgery ventured directly into the fields, meticulously studying light, color, and form. This direct engagement with the landscape fostered a distinctive aesthetic—one characterized by bold brushwork, atmospheric effects, and an acute sensitivity to the nuances of rural life. Early works often involved skillful reproductions of popular artists like Landseer, providing him with a foundation in technique while simultaneously allowing him to develop his own unique voice. Dr. W.R. Scott, a keen art critic, consistently praised Widgery’s exceptional eye for color—a quality that would become a hallmark of his mature style. He didn't adhere to any particular school or movement; rather, he created a style uniquely his own, inspiring a generation of painters in Exeter who sought to emulate his approach.

      Dartmoor and Beyond: Subjects and Style

      Widgery’s artistic focus centered on the beauty of the British countryside, particularly the dramatic landscapes of Dartmoor. He captured the wildness and untamed spirit of the moor with a remarkable ability to convey both its grandeur and its intimate details. While Dartmoor remained his primary muse, he also explored coastal scenes in Devon and Cornwall, skillfully depicting rugged iron-bound coasts battered by crashing waves. His paintings are not merely representations of places; they are evocative experiences—imbued with atmosphere, light, and a palpable sense of place. He was equally adept at portraying animals, integrating them seamlessly into his landscapes to create harmonious compositions. His work is characterized by its directness and lack of excessive finish, prioritizing the emotional impact of the scene over meticulous detail. Over three thousand paintings were produced during his lifetime, each one eagerly sought after even before it left his easel—a testament to his growing reputation and the enduring appeal of his vision.

      Legacy and Influence: A Family Tradition

      William Widgery’s influence extended beyond his own prolific output; he also profoundly impacted his son, Frederick John Widgery (1861-1942). While William was largely self-taught, Frederick received formal training at Exeter Cathedral School, the Royal Albert Memorial Museum, and academies in London and Antwerp. This difference in education led to a more precise draughtsmanship in Frederick’s work, particularly suited for smaller-scale paintings and illustrations. Both father and son shared a deep connection to Dartmoor, but their individual styles reflect distinct approaches to capturing its essence. The family's artistic legacy is further cemented by the numerous works they left behind, now cherished collections within institutions like the Royal Albert Memorial Museum (RAMM) in Exeter. William Widgery’s story serves as an inspiring example of how passion, dedication, and a profound connection to nature can overcome adversity and create a lasting artistic impact. His paintings continue to resonate with audiences today, offering a glimpse into the beauty of 19th-century Britain and the enduring power of landscape art.