100 ყველაზე ცნობილი ჯონ ჰოპნერი ტილო, დახარისხებული

The oil on canvas titled Portrait of Miss Home with a Kitten is a portrait by the artist John Hoppner. This painting captures a quiet moment, rendered in…

The Frankland Sisters is an oil painting on canvas by the British artist John Hoppner. Created in 1795, this double portrait captures Amelia and Marianne Frankland. The two…

John Hoppner executed this oil on canvas portrait in 1803. The sitter is identified as Mrs. Dorothy Dottin, originally from Southampton, England. Some records associate the depicted person…

The Hoppner Children is a portrait from 1791 that captures three young individuals in a natural setting. The composition features the children seated on the ground, framed by…

The gaze of the Irish Gentleman meets the viewer from across the years, a silent presence captured in oil on canvas. This portrait, titled Irish Gentleman, emerges from…

The oil on canvas titled Susannah Edith, Lady Rowley captures a moment of quiet poise from the late eighteenth century. Painted by John Hoppner, the work presents the…

Portrait of a man by John Hoppner. This oil painting, dating to 1790, represents the work of an English portrait painter who achieved significant standing within the British…

The oil on canvas portrait titled Sir Thomas Strange, 1756-1841. Chief Justice in Madras was executed by the artist John Hoppner. The work depicts Thomas Andrew Lumisden Strange,…

The gaze of Lady Cunliffe meets the viewer from within this portrait by John Hoppner. Painted around 1781/1782, the work captures Harriet Kinloch, who would later become known…

The gaze of William Pitt meets the viewer through this oil on canvas, a work emerging from the studio of John Hoppner. The portrait captures the statesman in…

The portrait of John Eveleigh, DD, Provost, captures a man anchored in the quiet gravity of Oxford. He sits with hands clasped, a posture of composed self-assurance that…

The portrait titled Master Orde is a work by the artist John Hoppner. It captures a young boy, a figure of quiet presence set against a dark, naturalistic…

In Portrait of William Russell, John Hoppner presents a vertical, three-quarter length portrait of a single young child. The subject is centered within the frame, positioned at an…

A young girl gazes out from the canvas, her presence felt through a soft, luminous glow that seems to emanate from within. She sits in a three-quarter pose,…

A young girl emerges from a nebulous, atmospheric background of swirling grey and white clouds, suggesting the quietude of twilight or an overcast sky. The composition is a…

In Cupid and Psyche, John Hoppner captures a suspended moment of mythological intimacy. The scene unfolds through a dynamic and diagonal composition that pulls the eye across the…

This work is a Portrait of a lady by the British artist John Hoppner. Created in 1783, the piece presents a single female subject, captured in a moment…

Portrait of Mrs. Manning and Her Daughter by John Hoppner, created about 1778, presents a vertical composition featuring two subjects set against a dark, atmospheric background. The woman…

In the vertical arrangement of Portrait of a Young Woman with a Little Boy Holding a Cat by John Hoppner, two figures emerge from a heavy, atmospheric gloom.…

The Portrait of a Lady is an oil on canvas painted by John Hoppner in 1795. A single female figure occupies the space, her presence defined by the…

The portrait titled The Countess of Darnley and her Daughter, Lady Elizabeth Bligh was executed by the artist John Hoppner. This work dates to 1795. The painting depicts…

A formal, full-length portrait of a nobleman, executed in a classical academic style that emphasizes dignity and status. The composition is vertical, featuring a single male figure positioned…

This oil portrait, executed in 1794, depicts Charles Manners-Sutton, who held the position of Dean of Windsor at the time of the painting. The subject is presented in…

In this bust-length portrait of James Hewitt by John Hoppner, the composition focuses on a single male figure. The subject is positioned slightly off-center within the frame. He…

The face of William Smith emerges from a void of deep, receding darkness. He sits in a three-quarter view, his presence defined by a single, steady light source…

An elderly gentleman is captured in a three-quarter view, seated within the plush confines of an armchair. The composition places the sitter slightly off-center, creating a sense of…

The light enters from the upper left, a soft, directional glow that catches the curve of a cheek and the crest of a white gown. This woman sits…

John Hoppner’s Portrait of Lady Musgrave with one of her children, executed about 1800, presents a medium shot of a woman and a young child. The figures are…

The gaze of the sitter meets us in the Portrait of Eleanor Agnes, wife of Robert, 4th Earl of Buckinghamshire, a work that captures a moment of quiet…

The oil on canvas titled Portrait of a woman, called Countess Oxford captures a formal likeness of a noblewoman. Painted by John Hoppner, the work emerged around 1800.…

Miss Harriet Cholmondeley is a portrait by John Hoppner, executed about 1804. The subject was the illegitimate daughter of George Cholmondeley, 1st Marquess of Cholmondeley, and Madame Saint-Albin.…

In this 1798 portrait, we encounter William Markham, the Archbishop of York, presented with a quiet, commanding presence. The composition is a three-quarter length study, capturing the subject…

A formal, three-quarter length portrait of John Willett Payne captures a man defined by naval authority. He stands with an upright, dignified posture, angled slightly toward the viewer's…

A single light source strikes the face of George Keith Elphinstone, pulling him from a dark, murky void. He is a man of salt and shadow, positioned in…

In this formal, full-length double portrait by John Hoppner, Henry Augustus Berkeley Craven and Keppel Richard Craven are presented in a poised, side-by-side arrangement. The composition utilizes an…

In this portrait of Mrs. Henry Beaufoy by John Hoppner, we encounter a single female figure presented in a three-quarter view. The subject is positioned slightly off-center, shown…

The portrait presents a distinguished elderly man in formal attire, positioned slightly off-center to the right. He occupies much of the frame, his figure set against a dark,…

The portrait of Lord Farnborough emerges from the shadows, a formal presence captured by the hand of John Hoppner. This work presents the likeness of Charles Long, 1st…

The Portrait of Henry Reade Revell, Esq. is a formal oil painting by the English artist John Hoppner. Created about 1810, this work captures the likeness of an…

To stand before a portrait like this is to step directly across the threshold of an era—a moment suspended in the refined gravity of the early nineteenth century.…

John Granville is an oil on canvas portrait executed by the British artist John Hoppner. Created between 1790 and 1795, the work belongs to the tradition of European…

This portrait of Matthew Raine is a work by the English painter John Hoppner. Rendered in the tradition of oil painting, the piece presents a formal study of…

The gaze of the sitter meets us in Portrait of a Gentleman, a work that captures a specific presence from a bygone era. This oil on canvas, created…

John Hoppner's 1799 portrait of Vice-Admiral Lord Hugh Seymour is more than just a likeness; it’s a meticulously crafted tableau of naval authority, aristocratic grace, and the subtle…

A three-quarter view captures the subject against a dark, indeterminate background, a technique that pushes the figure into the immediate foreground. The sitter wears a white bonnet accented…

We are looking at the Portrait of Doctor Simmons, Physician to King George III, a work by the English painter John Hoppner. This oil on canvas presents a…

In the quiet, hallowed halls of Wadham College, Oxford, resides a masterpiece that transcends mere portraiture to become a window into the soul of the late Georgian era.…

The man stares directly through the veil of time, his eyes meeting yours with a heavy, contemplative stillness. He sits in a three-quarter view, a posture that suggests…

The portrait of King George III emerges from the shadows, a commanding presence captured by the hand of John Hoppner. This likeness presents the monarch in a moment…

John Hoppner's 1797 painting, “Mrs. Richard Brinsley Sheridan (Hester Jane Ogle, 1775/76–1817) and Her Son (Charles Brinsley Sheridan, 1796–1843),” is more than a simple portrait; it’s a carefully…

A single head emerges from a deep, crimson shadow. The woman’s skin carries a pale, pinkish hue, catching a light that seems to come from an unseen window.…

In the luminous realm of late eighteenth-century portraiture, few works capture the intersection of stagecraft and high society as vibrantly as John Hoppner’s Mrs Jordan as Viola in…

This engraving, titled IOSEPH HAYDEN, M.D. Oxon., offers a quiet encounter with a man of significant standing. Created by John Hoppner in 1791, the work captures the likeness…

In A Gale of Wind by John Hoppner, the air itself seems to heave with a violent, unseen force. Painted about 1794, this work captures a moment of…

The gaze of the sitter meets us in Portrait of a Woman; (reverse, now covered by relining canvas) Study of a Child's Head, a work that carries the…

In this 1793 portrait, John Hoppner captures the likeness of Richard Bache, a man whose life is deeply intertwined with the foundational years of a new nation. The…

A woman sits held within a quiet, dark space. Her brown hair is gathered, framing a face that meets the viewer with a steady, unblinking gaze. She wears…

The oil on canvas depicts Sir Ralph Abercromby, a man presented in a formal military manner. He is dressed in a red coat characterized by white trim and…

The portrait presents a woman positioned against a naturalistic backdrop of foliage. She is dressed in a white gown, accented by a blue ribbon at the neck and…

Two brothers, the Honourable John Cust and the Reverend Henry Cockayne Cust, are captured in a moment of quiet companionship. They stand side by side, arms linked in…

In this 1799 portrait, we encounter Charlotte Clavering, later known as Mrs. Thomas Pechell. There is a certain stillness in her gaze, a directness that meets the viewer…

Jane Elizabeth, Countess of Oxford gazes out from the canvas in this portrait by John Hoppner. Created about 1797, the work captures the noblewoman in a moment of…

The painting titled Admiral Lord Duncan, Commander of the British Fleet, Battle of Camperdown is a work by the artist John Hoppner. Created in 1797, this portrait depicts…

The oil on canvas depicts Sir Arthur Davies Owen seated at a desk. He is positioned in a three-quarter view, facing slightly toward the viewer. He wears a…

In this portrait, we encounter David Pitcairn, a man whose steady gaze meets ours with a quiet, unyielding authority. He is presented in a moment of stillness, dressed…

A man sits anchored in a chair, his hands folded in a quiet, heavy repose. He wears a suit and tie, the crisp white of his collar catching…

The man sits amidst the quietude of a garden, his presence anchored by the weight of his attire. White hair and a beard frame a face etched with…

A man sits in quiet contemplation, his gaze directed toward the viewer from beneath a shock of short hair. He is dressed in a black suit, the dark…

A man sits anchored against a dark, impenetrable void. He wears a red coat, the pigment deep and heavy, trimmed with a stark white that catches the light.…

This portrait by John Hoppner captures a man from the year 1800. He is dressed in a red coat accented with white trim. A beard defines his jawline.…

The portrait captures a woman of high social standing, seated in a moment of quiet repose. She is rendered with a luminous quality, her pale skin and white…

The painting titled Self Portrait is a work by the English portrait painter John Hoppner. This specific piece dates to about 1800. The subject of the canvas is…

The room holds a stillness that feels heavy and intentional. A woman sits poised in a white dress, her legs crossed in a gesture of relaxed elegance. She…

The man stares directly through the canvas, his gaze meeting the viewer with a steady, unflinching composure. He is dressed in the full-dress uniform of the Royal Navy,…

In the quietude of a sun-drenched meadow, John Hoppner’s 1794 masterpiece, Elizabeth James Parkyns, invites the viewer into a realm where time seems to suspend its forward march.…

A mother sits as the anchor of this 1797 portrait, her presence defined by a gentle expression and an elegant white dress. The lace collar catches the light,…

In this portrait, titled Untitled (D2X748), the artist John Hoppner captures a quiet moment of reflection. The work dates to 1805, a period when the subject sits before…

Painted in 1805, this portrait emerges from a period of high-society portraiture in the United Kingdom. The sitter's attire, including the formal cravat, reflects the sartorial standards of…

The portrait depicts Beilby Porteus, a man positioned against a dark, undifferentiated background. He is shown from the chest up, wearing a white powdered wig that sits high…

The man stares directly from the canvas, his gaze steady and heavy with the weight of command. He wears a dark coat, the fabric absorbing the light, punctuated…

The Portrait of Mrs William Fitzroy is a work attributed to the English painter John Hoppner. This portrait captures a woman of status, rendered with the specific technical…

In the quiet, commanding presence of John Hoppner’s 1806 portrait, Sir William Scott, we encounter more than just a likeness of a distinguished jurist; we step into the…

John Hoppner’s “Agnes Coussmaker,” painted in 1788, is more than just a likeness; it's a window into the refined sensibilities of the late Georgian era. This captivating portrait…