შარლე დი სამფრაძე სამ vị tríთ (1636) is the painting ანტონის ვან დეიკი is best remembered for; it belongs to the Royal Collection, ლონდონი. Family Portrait (1621) and Portrait of Isabella Clara Eugenia as Widow (1628) complete the trio of best-loved canvases. Our catalogue counts 1,620 works by ანტონის ვან დეიკი. Here are the 100 most famous, with the year, the museum and the story of each canvas.
Ranked by our popularity score, which combines the searches, visits and orders for each work. Updated ოქტომბერი 2026. Each painting on this page can be ordered as an oil reproduction painted by hand on linen canvas, or as a fine art print, made to the size you choose.
"შარლე დი სამფრაძე" სერ ანტონი ვან დიქის ბაროკოს პორტრეტული ჟანრის ოსტატობის გასაოცარი მაგალითია. ეს ტილოზე ზეთით შესრულებული შედევრი, რომელიც 1635-1ეს და 1636 წლებში შეიქმნა, წარმოაჩენს ფლემური მხატვრის გამორჩეულ ნიჭსა და მის ღრმა გავლენას ევროპულ ხელოვნებაზე. ნახატი პრესტიჟული სამეფო კოლექციის ნაწილია და ამჟამად ვინსორკასტელის მეფის მისაღებ დარბაზში თ hangs.
To gaze upon this magnificent family portrait is to step directly into the opulent drawing rooms of the early seventeenth century. It captures not merely three figures—a distinguished man, an elegant woman, and a cherished child—but an entire tableau of familial pride and societal standing. The composition itself speaks volumes; every fold of fabric, every carefully placed hand, contributes to a narrative of enduring connection. The rich, dramatic red background…
Sir Anthony van Dyck’s “Portrait of Isabella Clara Eugenia as Widow” is more than just a depiction of a noblewoman; it's a carefully constructed tableau of power, grief, and the enduring legacy of a formidable ruler. Painted in 1628, this oil-on-canvas work transports us to the heart of the Spanish Netherlands during a period of significant political and personal upheaval. Isabella Clara Eugenia, daughter of Philip II of Spain, served…
The portrait of Jacqueline van Caestre, painted in 1622 by the masterful Sir Anthony van Dyck, is more than a mere likeness; it’s a carefully constructed tableau of wealth, status, and burgeoning domesticity. Within its richly layered composition lies a captivating story of a noblewoman navigating the complexities of marriage and courtly life in 17th-century Antwerp. Van Dyck, already establishing his signature style—characterized by an almost sensual realism and a…
ბაროკოს შედევრი: სუსანა და ბერები ანთონი ვან დიკისა სირი ანთონი ვან დიკის „სუსანა და ბერები“ აღემატება უბრალო პორტრეტებს; ის განასახიერებს ბაროკოს ეპოქის დიდებასა და ინტელექტუალურ სიცხადეს, რაც მას ვან დიკისთვის ყველაზე გამორჩეულ ნამუშევრად აქცევს. 1622 წელს შესრულებული ეს მონუმენტური ტილო – ზომით 194 x 144 სმ – ამჟამად მდებარეობს მუნხენის, გერმანიაში განლაგებულ ალტე პინაკოთეკის მუზეუმში და ვიზიტორებს უნიკალურ მინიშნებას აძლევს ფლემიშ ბაროკოს ხელოვნების ესთეტიკაზე. ნახატის უდავო მიმზიდველობა განპირობებულია არა მხოლოდ…
Anthony van Dyck's "Genoese Noblewoman," painted circa 1625-1627, isn’t merely a portrait; it’s a meticulously crafted window into the opulent world of early 17th-century Genoa. This captivating work, now residing within The Frick Collection in New York City, offers a rare glimpse into the refined tastes and social dynamics of a wealthy Italian city-state – a vibrant hub of commerce, art, and cultural exchange during a period of immense artistic…
The gaze of Henrietta Maria meets the viewer through this commanding portrait by Anthony van Dyck. Executed in 1636, the work captures Henrietta Maria of France in a moment of poised royal dignity. She exists here as the Queen of England, a position she holds through her marriage to King Charles I. The painting functions as a visual declaration of her status and her presence within the English court.
To stand before this portrait is to encounter the quiet gravity of the seventeenth-century English court. The Queen stands slightly off-center, her figure anchored by the heavy weight of crimson drapery and a draped table. There is a certain stillness here, a moment caught between the political tensions of 1638 and the personal dignity of the sitter. Van Dyck uses light to sculpt her form, pulling her face and chest…
In this oil painting, titled The healing of the paralytic, Anthony van Dyck explores a moment of profound spiritual intervention. The work, which dates to about 1618-20, captures the immediate aftermath of a miracle. We find ourselves witnessing the precise instant of transition between infirmity and restoration. The subject matter is drawn from the New Testament, specifically the narratives found in Matthew 9:1-8 or John 5:1-15.
A dignified three-quarter length portrait, this work captures a middle-aged man positioned centrally against a dark, atmospheric background. The subject, Alexandre della Faille, is rendered with a sense of quiet authority and formal composure. A voluminous white ruff collar acts as the primary focal point, its crisp texture contrasting sharply against the heavy, dark fabric of his cloak. Light enters from the upper left, casting soft shadows across the right…
A white horse moves through a landscape of heavy, shifting clouds. It carries a man armored in steel, a figure of quiet authority seated upright against the sky.…
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Step closer to observe the weight of this scene. In this 1629 composition, we find the Virgin Mary cradling the limp, pale body of Christ. The arrangement is…
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A single figure occupies the vertical space, positioned slightly to the right. He is a young nobleman, caught in a moment of poised stillness against a receding landscape…
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A single figure stands against the cold geometry of a stone column. The Marquis de Vieuville is caught in a moment of stillness, his presence anchored by the…
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A single shaft of light strikes the polished black plate armor of Charles I. The metal reflects a cold, sharp brilliance against the deep shadows of the background.…
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To stand before 'The Lomellini Family' is to step directly into the gilded drawing rooms of 17th-century Genoese aristocracy. Anthony van Dyck, a painter whose elegance seemed to…
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The Queen sits in a moment of quiet poise, her figure angled slightly away from the viewer to create a sense of graceful movement. She is draped in…
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This vertical three-quarter length portrait depicts Queen Henrietta Maria of France against a dark, atmospheric background. The subject is positioned centrally, emerging from a somber environment of deep…
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Moses and the Brazen Serpent by Anthony van Dyck captures a moment of divine intervention from the Book of Numbers. The oil painting on canvas depicts the biblical…
A heavy, somber silence hangs in the air as the scene unfolds. The figure of Christ hangs upon a dark wooden cross, dominating the center of the composition.…
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The Portrait of Queen Henriëtta Maria by Anthony van Dyck presents a singular, commanding presence. In this work, executed in 1632, the artist captures Henrietta Maria of France,…
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In this 1621 work, Anthony van Dyck presents us with a quiet, formal gathering of three souls. The painting, titled Portrait of a Family, captures a man, a…
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A formal, full-length Baroque portrait of Thomas Hamilton, 2nd Earl of Haddington, captures the sitter in a moment of aristocratic dignity. He is positioned slightly off-center against a…
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In the grand tapestry of the Flemish Baroque, few moments capture the tension between divine strength and human frailty as poignantly as Sir Anthony van Dyck’s Samson and…
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The composition centers on a seated woman and her young daughter, arranged in a pyramidal structure that provides a sense of stability and order. The woman is dressed…
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The scene unfolds with the commanding presence of Charles I (1600-49) on Horseback, a work by the artist Anthony van Dyck. Created in 1635, the portrait captures the…
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Anthony van Dyck's "Cupid and Psyche," painted in 1640, is more than just a depiction of a mythological romance; it’s a distillation of the Baroque spirit – a…
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In this three-quarter length portrait, Anthony van Dyck positions Queen Henrietta Maria of England slightly off-center. This subtle shift creates a quiet tension within the frame. A luminous…
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A Family Group is an oil on canvas painting by the Flemish artist Anthony van Dyck. This work dates to about 1634. It is a formal and elegant…
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Queen Henrietta Maria of England, painted by Anthony van Dyck, captures the queen consort of Charles I. Dated 1636, the portrait presents the woman who was born in…
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A diagonal line cuts through the composition, pulling the eye from the descending angel down to the slumped, pale form of Saint Sebastian. The saint’s skin is luminous,…
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We are looking at Portrait of a painter, a work by Sir Anthony van Dyck. Created about 1640, this piece presents a man whose identity is tied closely…
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Queen Henrietta Maria is an oil on canvas portrait by Sir Anthony van Dyck, executed in 1636. The work identifies the subject as Henrietta Maria of France, who…
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Christ on the Cross with Saint Catherine of Siena, Saint Dominic and an Angel is a significant religious work by the Flemish painter Anthony van Dyck. The composition…
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The composition centers on the muscular, elderly figure of St. Jerome, positioned in a wilderness setting. His torso is partially exposed, draped in a voluminous red cloth that…
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To stand before this magnificent portrait is to step directly into the dramatic heart of the seventeenth century. Sir Anthony van Dyck’s depiction of Venetia, Lady Digby is…
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The oil painting titled Christ and the Penitent Magdalene was executed by Anthony van Dyck. Created about 1620, the work captures a moment of profound spiritual weight. The…
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Sir Anthony van Dyck's 1622 depiction of the Crucifixion is not merely a representation of a biblical event; it’s a visceral exploration of human suffering and spiritual anguish,…
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Anthony van Dyck's "Portrait of Frederik Hendrik," painted in 1632, stands as a quintessential example of the Baroque period’s artistic prowess and a significant historical document. This oil…
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Sir Anthony van Dyck’s 1627 portrait of Ottaviano Canevari is more than simply a likeness; it's a carefully constructed tableau of intellect, status, and the quiet dignity of…
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In this 1620 work, we find ourselves drawn into a tight, pyramidal arrangement of figures that centers entirely on the lifeless body of Christ. A heavy, sacred silence…
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In the year 1635, within the vibrant, artistic pulse of Antwerp, Sir Anthony van Dyck captured more than just a likeness; he immortalized an era. His Portrait of…
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This oil on canvas work is the Portrait of James Hay, 2nd Earl of Carlisle (c1612-1660) by the Flemish Baroque artist Anthony van Dyck. The subject of the…
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The oil on canvas known as Saint Sebastian is an artwork by Anthony van Dyck. Created about 1620, the painting captures a moment of martyrdom. The figure is…
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The Martyrdom of Saint Sebastian emerges from the shadows of the Baroque era, a religious work that captures a moment of profound transition. In this painting by Sir…
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To stand before this magnificent portrait is to step directly into the opulent drawing rooms of early seventeenth-century England. It captures not merely three figures—Sir Algernon Percy, his…
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To gaze upon this portrait of Sir Kenelm Digby is to step directly into the opulent, charged atmosphere of the early seventeenth century English court. The subject, depicted…
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To gaze upon this portrait of Lord John Stuart and his Brother, Lord Bernard Stuart, is to step directly into the opulent, charged atmosphere of early seventeenth-century English…
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Sir Anthony van Dyck's "Portrait of an Old Man," painted circa 1618, is more than a simple likeness; it’s a profound meditation on time, wisdom, and the quiet…
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This work is a Portrait of a Man by the Flemish Baroque artist Anthony van Dyck. Dated 1922, the painting presents a formal, full-length composition. The subject is…
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In the grand tapestry of Baroque portraiture, few works command the room with as much quiet authority as Sir Anthony van Dyck’s “Charles I in Three Positions.” Completed…
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The Portrait of Nicolaes van der Borght is a captivating oil on canvas painting created by the renowned Flemish artist Anthony Van Dyck in 1620. Measuring an impressive…
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To stand before this portrait is to step directly into the opulent, sophisticated world of early 17th-century European aristocracy. Sir Anthony van Dyck, the Flemish master whose brushstrokes…
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To gaze upon this portrait of James Stuart, 1st Duke of Richmond and 4th Duke of Lennox, is to step directly into the opulent drawing rooms of early…
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To gaze upon this magnificent portrait is to step directly into the opulent drawing rooms of early seventeenth-century England. Sir Anthony van Dyck, the master painter whose brushstrokes…
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The Martyrdom of Saint Sebastian emerges from the shadows as a profound piece of religious art by Sir Anthony van Dyck. In this scene, the saint faces his…
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The air feels heavy with the warmth of a summer afternoon as the Holy Family finds a brief respite amidst the lush greenery. Under the sweeping branches of…
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Sir Anthony van Dyck's “Portrait of a Man,” painted circa 1618-1619, is not merely a likeness; it’s a carefully constructed meditation on presence and authority. This small yet…
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To stand before Marie de Raet is to be enveloped in the profound stillness of the early seventeenth century. This magnificent portrait by Sir Anthony van Dyck, dating…
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To gaze upon Anthony Van Dyck’s "Moses and the Brass Snake" is to step directly into a moment of profound revelation, a tableau vivant steeped in Baroque drama.…
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To gaze upon this portrait of Prince Charles Louis, Elector Palatine, is to step directly into the opulent, charged atmosphere of the early seventeenth century. Sir Anthony van…
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To gaze upon this portrait of Charles Seton, 2nd Earl of Dunfermline, is to step directly into the opulent drawing rooms and powerful circles of early seventeenth-century English…
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In this Baroque oil painting, the Virgin Mary is positioned at the center of a pyramidal structure, cradling the Christ Child. She wears a rose-colored tunic beneath a…
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To gaze upon this portrait of Lord George Stuart is to step directly into the opulent, yet deeply thoughtful, world of early seventeenth-century English aristocracy. Sir Anthony van…
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Anthony van Dyck's “Portrait of Wolfgang William of Palatine-Neuburg” is more than a simple likeness; it’s a carefully constructed tableau of power, lineage, and strategic self-representation. Painted in…
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In this oil on canvas work from 1636, Sir Anthony van Dyck presents Queen Henrietta Maria. The portrait captures the queen, who lived from 1609 to 1669, with…
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To stand before a portrait like Portrait of Emmanuel Philibert is to step directly into the opulent drawing rooms of the early seventeenth century. This magnificent oil on…
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A Regal Vision Captured in Bronze and Crimson Sir Anthony van Dyck’s “Portrait of Charles V on Horseback” stands as a testament to the Baroque mastery of capturing…
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The composition is dominated by the diagonal movement of the horse and rider. This movement creates a sense of forward momentum across the canvas. The subject is a…
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Sir Anthony van Dyck's “Charles I and the Knights of the Garter in Procession” is more than just a royal portrait; it’s a meticulously crafted tableau vivant, a…
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Christus als Salvator Mundi: A Baroque Masterpiece of Divine Authority The painting by Anton van Dyck (1599-1641) stands as a testament to the grandeur and solemn beauty of…
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Sir Anthony van Dyck’s “Charles I” stands as a testament to the artistic prowess of the Baroque period and a captivating glimpse into the opulent reign of England's…
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Anthony van Dyck's "Queen Henrietta Maria," painted in 1636, is more than just a portrait; it’s a meticulously crafted document of power, faith, and the intricate dance of…
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Sir Anthony van Dyck’s “Lady Dacre” is not merely a portrait; it's a carefully constructed tableau of Renaissance elegance, imbued with subtle symbolism and the quiet dignity of…
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Sir Anthony van Dyck’s “Francis Junius (1591–1677)” is more than just a portrait; it's a carefully constructed tableau of intellect, serenity, and the quiet dignity of scholarly life.…
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In this work, titled Charles i - (16), Anthony van Dyck presents a formal bust-length depiction of the monarch. The subject is Charles I, who held the titles…
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Sir Anthony van Dyck's "Deux têtes d" – literally, “Two Heads” – is not merely a painting; it’s an arresting tableau of psychological depth and subtle drama. Completed…
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A Portrait of Status and Subtle Tension: Sir Anthony van Dyck’s “Princess Henrietta” Sir Anthony van Dyck's "Princess Henrietta" (1634) stands as a quintessential example of Dutch Golden…
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Sir Anthony van Dyck’s “Portrait of Father Jean-Charles della Faille, S.J.” is more than a mere depiction of a 17th-century Jesuit; it's a meticulously crafted meditation on intellect,…
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To stand before an image evoking the Equestrian Portrait of Charles I, King of England is to step directly into the opulent, charged atmosphere of the English court…
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Sir Anthony van Dyck’s “Portrait of François Langlois” is more than just a likeness; it's a carefully constructed tableau vivant, capturing a fleeting moment of animated repose. Painted…
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To stand before Sir Anthony van Dyck’s Portrait of Charles I, King of England is to be transported directly into the opulent and charged atmosphere of the seventeenth-century…
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In Christ carrying the Cross by Anthony van Dyck, the viewer is met with a tightly cropped, bust-length portrait. The composition focuses entirely on the upper torso and…
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The world of 17th-century portraiture was profoundly shaped by the arrival of Anthony van Dyck, a Flemish master who redefined the genre with his elegant grace and masterful…
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Sir Anthony van Dyck’s “Ecce Homo,” painted circa 1625-1626, is not merely a depiction of Christ before Pilate; it's an intensely human portrayal of sorrow, humility, and the…
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To gaze upon Anthony Van Dyck's portrait of Margareta Snyders is to step directly into the opulent, emotionally charged world of the early seventeenth century. This painting, executed…
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Sir Anthony van Dyck’s “Margareta de Vos,” painted in 1620, is more than just a portrait; it's a meticulously crafted tableau of wealth, status, and subtle artistry. This…
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Sir Anthony van Dyck’s “Portrait of Anna Dalkeith, Countess of Morton, and Lady Anna Kirk” is more than just a depiction of two women; it's a meticulously crafted…
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Anthony Van Dyck’s “Portrait of Philip, Lord Wharton,” painted in 1630, is more than just a likeness; it's a meticulously crafted embodiment of the Baroque era’s fascination with…
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In this formal portrait from 1618, Sir Anthony van Dyck presents a man positioned slightly off-center, facing forward to engage the viewer directly. The composition is characterized by…
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The portrait presents Queen Henrietta Maria in a three-quarter length composition, positioned against a deep, dark background of crimson and burgundy. She is draped in a luminous, silvery-white…
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A Noble Presence: Unveiling Anthony van Dyck’s Portrait of James Hamilton The image before you captures not merely a likeness, but the very essence of 17th-century power and…
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Sir Anthony van Dyck's “Charles I on Horseback,” painted in 1635, is more than just a portrait; it’s a carefully constructed statement about power, authority, and the evolving…
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Sir Anthony van Dyck's “Thomas Killigrew and William, Lord Croft” (1638) is more than a simple depiction of two men; it’s a poignant meditation on loss, friendship, and…
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This meticulously rendered portrait of Alexander Henderson, completed in 1641 by the renowned Sir Anthony van Dyck, offers a compelling glimpse into the life and character of a…
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To stand before Sir Anthony van Dyck’s “The Lomellini Family” is to step directly into the gilded drawing rooms of seventeenth-century Genoa, where the air feels heavy with…
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სამების და დელილას ისტორიის მძლავრი გამოსახულება ანტônio ვენ დიყკის შექმნილი ეს ნაწარმყოფობა, "სამების და დელილას" ისტორიის ერთ-ერთი ყველაზე მეტხრელ გამოსახულებაა. ის არის ფლამინგ ბაროკოს უმაღლესი đỉnh, რომელიც გამოირჩევა…
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Sir Anthony van Dyck's “Abraham and Isaac,” painted in 1617, is more than just a biblical scene; it’s a profound meditation on faith, obedience, and the agonizing weight…
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Sir Anthony van Dyck’s “Portrait of Anna van Craesbecke,” painted in 1635, is more than just a likeness; it's a meticulously crafted tableau of aristocratic life and the…
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Sir Anthony van Dyck's "A Wooded Ridge," painted around 1630, isn’t merely a landscape; it’s an invitation into a hushed and contemplative realm. This evocative piece, rendered in…
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#46 Sir Algernon Percy (1602–1668), 10th Earl of Northumberland, KG, His First Wife Lady Anne Cecil (d.1637), and Their Eldest Daughter, Lady Catherine Percy (1630–1638)
#47 Sir Kenelm Digby
#48 Lord John Stuart and his Brother, Lord Bernard Stuart
#62 Charles Seton (1615–1672), 2nd Earl of Dunfermline, Lord Privy Seal
#64 Lord George Stuart
The four subjects that return most often on these canvases, each with its best-loved example.
The 8 museums that hold the most of the paintings on this page.
| Museum | City | Works by ანტონის ვან დეიკი | Paintings from this list |
|---|---|---|---|
 ბავარიის სახელმწიფო ფერწერის კოლექციები |
მუნხენი | 57 | The healing of the paralytic, Equestrian Portrait of Charles I of England, Queen Henrietta Maria of England |
 ერმიტაჟის მუზეუმი |
სან-პეტერბურგი | 25 | Family Portrait, Portrait of Queen Henrietta-Maria, Portrait of Charles I, King of the Great Britain (1600-1649) |
 Royal Collection |
ლონდონი | 29 | შარლე დი სამფრაძე სამ vị tríთ, Cupid and Psyche, Charles I in Three Positions |
 Liechtenstein Museum |
Vienna | 23 | Portrait of an Old Man, Portrait of a Man, Portrait of a Man |
 The Frick Collection |
ნიუ-იორკი | 8 | Genoese Noblewoman, Ottaviano Canevari, Margareta de Vos |
 Wallace Collection |
ლონდონი | 9 | Queen Henrietta Maria, Marie de Raet |
 National Portrait Gallery |
ლონდონი | 6 | Sir Kenelm Digby, Lord George Stuart |
 Scottish National Portrait Gallery |
Edinburgh | 5 | Thomas Hamilton, 2nd Earl of Haddington, 1600 - 1640, Alexander Henderson (c.1583–1646), Presbyterian Divine and Diplomatist |
The Martyrdom of Saint Sebastian emerges from the shadows of the Baroque era, a religious work that captures a moment of profound transition. In this painting by Sir…
To gaze upon this magnificent family portrait is to step directly into the opulent drawing rooms of the early seventeenth century. It captures not merely three figures—a distinguished…
"შარლე დი სამფრაძე" სერ ანტონი ვან დიქის ბაროკოს პორტრეტული ჟანრის ოსტატობის გასაოცარი მაგალითია. ეს ტილოზე ზეთით შესრულებული შედევრი, რომელიც 1635-1ეს და 1636 წლებში შეიქმნა, წარმოაჩენს ფლემური მხატვრის გამორჩეულ…
The Queen sits in a moment of quiet poise, her figure angled slightly away from the viewer to create a sense of graceful movement. She is draped in…
შარლე დი სამფრაძე სამ vị tríთ (1636), Royal Collection, ლონდონი. Family Portrait (1621) and Portrait of Isabella Clara Eugenia as Widow (1628) follow.
ანტონის ვან დეიკი, born in 1599, was 37 years old: შარლე დი სამფრაძე სამ vị tríთ dates from 1636.
შარლე დი სამფრაძე სამ vị tríთ, Family Portrait, Portrait of Isabella Clara Eugenia as Widow, Jacqueline van Caestre, სუსანა და ბერები, Genoese Noblewoman, Henrietta Maria, Portrait of Queen Henrietta-Maria, The healing of the paralytic and Portrait of Alexandre della Faille (1589-1653). Each canvas in the ranking above comes with its year and its museum.
1,620 works by ანტონის ვან დეიკი are in our catalogue, dated 1616 to 1641.
Mostly in ბავარიის სახელმწიფო ფერწერის კოლექციები (მუნხენი), ერმიტაჟის მუზეუმი (სან-პეტერბურგი) and Royal Collection (ლონდონი); the list above names each museum and its canvases.
In 1630s, which gave 44 of the 100 works on this page, შარლე დი სამფრაძე სამ vị tríთ among them.
The earliest canvas here is The Martyrdom of Saint Sebastian (1616); the latest is Portrait of Prince Charles Louis, Elector Palatine (1641).
Man (22), Portraiture (20) and Portrait (17), across the 100 works on this page.
Oil On Canvas, used in 75 of the 100 works on this page.
Baroque style, as the canvases on this page show.
The ბავარიის სახელმწიფო ფერწერის კოლექციები, მუნხენი holds 10 of the works on this page, among them The healing of the paralytic, Equestrian Portrait of Charles I of England and Queen Henrietta Maria of England.
Yes. Every painting on this page can be ordered from its own page as an oil reproduction painted by hand, or as a fine art print, in the size you choose.
