Of all ბერტა მორიზო's paintings, რიკინი (1872) is the most famous; it hangs in the Musée d'Orsay, პარიზი. Close behind come ვენახლის კუთხე (1885) and Thatched Cottage in Normandy (1865). Among the 361 works by ბერტა მორიზო in our catalogue, these 100 are the most celebrated, each shown with its date, its museum and its story.
Ranked by our popularity score, which combines the searches, visits and orders for each work. Updated ოქტომბერი 2026. Each painting on this page can be ordered as an oil reproduction painted by hand on linen canvas, or as a fine art print, made to the size you choose.
ბერტე 모리조ის "სადუღლოს" (Le Berceau) არის იმპრესიონისტული ხელოვნების შესანიშნავი ნიმუში, რომელიც 1872 წელს შეიქმნა და დღეს Musée d'Orsay-ს კოლექციაშია. ეს ტილო მშობლისა და ბავშვის ურთიერთობის თბილ, ინტიმურ მომენტს ასახავს, მოქცეულია რბილი მზის ნათრობის ფონზე. ნახატი გამოხატავს სიმშვიდეს, სითბოსა და სიყვარულს, რაც მას განსაკუთრებულად საინტერესოს ხდის.
ბერტე 모리스ოს "ვარდების ბაღის კუთხე" დამნთქმელებს თითქოსდა მოწოდებულია მშვიდი ბაღში, სადაც ნაზად, თბილ ფერებში ჩასული მზის ნაპირები ანათებენ. ეს მომხიτευებელი ტილო არის 증거 იმისა, რომ 모рисовმა სრულყოფილად ათვისებული აქვს იმპრესიონისტული სტილი და ეფემერიული ბუნების güzellikleri გადასაზარდებს χαλαρά ფუნთუშებითა და ζωηერ ფერების палитра. ნახატი გვაქცევს ბაღში, სადაც ვარდები სხვადასხვა ფერის ტონებში ყვავიან - ροζ, თეთრი და ყვითელი, ხოლო მათ გარშემო 녹색 растительность აყვავებს. ბაღის ავეჯი ემატება сценას ადამიანური παρουლი, რაც მშვიდი…
To stand before Berthe Morisot’s depiction of a Thatched Cottage in Normandy is to step through a veil and into the gentle embrace of a bygone French afternoon. This painting, executed in 1865, is far more than a mere record of rural architecture; it is an immersion into the very spirit of life lived at the rhythm of the seasons. Morisot captures that quintessential joie de vivre found in the…
Berthe Morisot’s “Study, The Water’s Edge,” painted in 1864, is more than just a depiction of a serene lakeside scene; it’s an intimate glimpse into the heart of Impressionism. This small canvas – measuring 60 x 73 cm – vibrates with a delicate energy, capturing not just what Morisot saw but also the fleeting emotions and sensations of that particular moment. The painting immediately draws the viewer in with its…
In the soft, dappled sunlight of a French afternoon, Berthe Morisot’s “In the Garden at Maurecourt” invites the viewer into a sanctuary of profound stillness. Completed in 1884, this masterpiece serves as a window into the Belle Époque, capturing a moment that feels both fleeting and eternal. The scene unfolds within a lush, verdant garden—likely the Morisot estate near Maurecourt—where two young figures, including the artist’s daughter Julie, are nestled…
In the soft, flickering light of a Parisian afternoon, Berthe Morisot captures more than just a likeness in her 1871 masterpiece, Portrait of Edma. This painting serves as a profound window into the intimate domesticity that defined much of the Impressionist movement’s early explorations. The subject, Edma Pontillon—Morisot’s own sister-in-law—is not presented with the stiff, formal grandeur typical of academic portraiture. Instead, she is nestled within a private, quiet moment,…
To stand before Berthe Morisot’s The Bath is to step into a moment suspended in time—a breath held within the soft glow of an afternoon indoors. This painting, executed in 1886, transcends a mere depiction of daily routine; it captures the very essence of private contemplation. The scene unfolds with remarkable delicacy: a woman seated amidst the quiet rituals of self-care, brushing her hair. Morisot does not merely record what…
To gaze upon Berthe Morisot’s “The Quay at Bougival” is to step through a portal into the heart of French Impressionism, where the boundaries between reality and perception begin to dissolve. Completed in 1883, this exquisite oil on canvas serves as much more than a mere landscape; it is a rhythmic, breathing snapshot of life along the Seine. The scene captures the bustling waterfront of Bougival, a serene suburb of…
To stand before Berthe Morisot’s Daffodils is not merely to observe a still life; it is to step directly into a sun-drenched, breathlessly beautiful moment captured by the brush. Painted in 1885, this work radiates the delicate spirit of Impressionism, inviting the viewer into an intimate contemplation of nature’s cyclical promise. The composition centers on a simple arrangement: vibrant yellow daffodils gathered within a vase accented with cool blue hues,…
To stand before Berthe Morisot's Young Woman Picking Oranges is to step directly into a sun-dappled moment suspended in time. This exquisite oil on canvas, dating from 1889, is not merely a depiction of an afternoon chore; it is a lyrical meditation on leisure, femininity, and the very nature of light itself. Morisot, a central figure whose genius blossomed within the vibrant currents of Impressionism, captures life with an almost…
Berthe Morisot’s “The Garden at Bougival,” painted in 1884, is more than just a depiction of a sun-drenched garden; it's an intimate glimpse into the heart of the…
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To stand before Berthe Morisot's Woman in Black is to step directly into the luminous, fleeting moments of late nineteenth-century Parisian life. This portrait, painted in 1878, transcends…
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To gaze upon Berthe Morisot's "Woman Wearing Gloves," or as it is affectionately known, "The Parisian," is to step directly into the luminous haze of late 19th-century Paris.…
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To stand before Berthe Morisot's Little Dancer is not merely to observe a painting; it is to step into a suspended moment of quiet contemplation. This exquisite oil…
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In this 1894 oil on canvas, Berthe Morisot presents us with Roses, a quiet study within the flower painting genre. This work emerged during a period when the…
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Two Sisters on a Couch (also known as The Sisters) is a work by Berthe Morisot, painted in 1869. This oil on canvas captures a quiet, domestic genre…
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In the quiet corners of art history, few works capture the ephemeral beauty of domestic life as tenderly as Berthe Morisot’s 1869 masterpiece, "Mother and Sister of the…
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In this 1892 oil on canvas, we find ourselves in a private, intimate space, observing a young girl seated in a wicker chair. She is captured in profile,…
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A Luminous Encounter with Innocence Portrait of a Child unfolds in a soft, golden glow that seems to emanate from within the canvas itself. A young subject sits…
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The Portrait of Madame Edma Pontillon is a stunning pastel painting created by the renowned French artist Berthe Morisot in 1871. Measuring 64 x 80 cm, this beautiful…
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A young girl is captured in a moment of quietude, her form emerging from a dark, indistinct background. She is positioned slightly off-center, viewed from the waist up…
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In the delicate brushstrokes of Berthe Morisot’s 1884 masterpiece, Red haired girl sitting on a veranda, we are invited into a private, sun-drenched sanctuary. The painting captures a…
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Painted during a pivotal moment in art history, “The Port of Nice” reflects the burgeoning Impressionist movement’s challenge to traditional academic painting. Berthe Morisot, alongside artists like Monet…
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The Port of Gorey is a stunning oil on canvas painting by the renowned French artist Berthe Morisot, created in 1886. This beautiful representation of the ocean, measuring…
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Berthe Morisot’s “The Bowl of Milk” stands as a quintessential embodiment of Impressionism—a movement that revolutionized painting by prioritizing fleeting sensations and capturing the ephemeral beauty of everyday…
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Berthe Morisot's "A Woman and Child in a Garden," painted between 1883 and 1884, isn’t merely a depiction of a domestic scene; it’s a carefully constructed tableau brimming…
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To stand before Berthe Morisot’s Hanging the Laundry out to Dry is to step through a veil of time and into the luminous heart of late nineteenth-century French…
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Berthe Morisot's "Girl with a Dog," painted in 1887, is a captivating portrait that showcases her unique style and skill as an artist. This oil on canvas painting…
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“On the Balcony of Eugene Manet's Room at Bougival,” created in 1881 by Berthe Morisot, is a quintessential example of Impressionist art. Morisot was a prominent figure within…
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To gaze upon Berthe Morisot's "On a Bench in the Bois de Boulogne" is to step directly into a sun-dappled afternoon of late nineteenth-century Paris. This painting captures…
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“Hide and Seek” is an oil on canvas painting created by Berthe Morisot in 1873, showcasing a beautiful depiction of everyday life in the 19th century. This artwork…
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Berthe Morisot was a renowned French painter and a prominent figure in the Impressionist movement. Her painting, Cottage Interior (also known as Interior at Jersey), is a beautiful…
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Berthe Morisot’s “Young Woman Putting on Her Skates,” painted in 1888, is a captivating example of Impressionism that transports viewers to a serene winter scene. This oil on…
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Berthe Morisot's Julie with Her Nurse, painted in 1880, is more than just a portrait; it’s a tender exploration of motherhood and domestic life within the burgeoning Impressionist…
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Beneath the Lilac at Maurecourt is an oil-on-canvas painting created by Berthe Morisot in 1874. The artwork depicts a serene outdoor scene featuring a woman sitting on the…
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To stand before Berthe Morisot's depiction of Woman Getting Dressed is to step into a moment suspended in time—a private, luminous tableau from the late 19th century. This…
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In the delicate brushstrokes of Berthe Morisot’s The Mandolin, we find ourselves transported to a private, melodic moment captured within the fleeting essence of the Impressionist era. The…
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Berthe Morisot's "Haying at Mezy," painted in 1891, is a captivating example of Impressionist art that transports viewers to the serene landscapes of rural France. This oil on…
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To gaze upon Berthe Morisot’s Julie and Eugene Manet is to step directly into the luminous, fleeting moments of late nineteenth-century Parisian life. This oil on canvas, dating…
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Berthe Morisot was a French painter and one of the leading figures in the Impressionist movement. Her painting, Rosbras (Finistère), created in 1866, is a beautiful representation of…
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In this 1892 oil on canvas, Berthe Morisot captures a quiet moment of musical focus. The work, titled Lucie Leon at the Piano, presents an unsmiling young lady…
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To gaze upon Berthe Morisot's In the Wheatfield at Gennevilliers is to step directly into a sun-drenched moment of Parisian life, a breath caught between labor and leisure.…
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Berthe Morisot's Child in the Rose Garden, painted in 1881, is a quintessential example of Impressionism, capturing a fleeting moment of childhood innocence within a tranquil garden setting.…
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The Basket Chair is an oil on canvas created by Berthe Morisot. This work emerged in 1882, capturing a quiet moment within the garden. The paint settles upon…
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To gaze upon this depiction, Peasant Girl among Tulips, is to step directly into a sun-dappled moment suspended in time. The scene unfolds with an exquisite intimacy, centering…
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The Portrait of Jeanne Pontillon is a stunning oil on canvas painting created by the renowned French artist Berthe Morisot in 1894. This beautiful piece of art measures…
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is an oil on canvas painted by Berthe Morisot in 1876. The work captures a quiet arrangement of objects resting upon a dark surface. A translucent glass pitcher…
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The four subjects that return most often on these canvases, each with its best-loved example.
The 8 museums that hold the most of the paintings on this page.
| Museum | City | Works by ბერტა მორიზო | Paintings from this list |
|---|---|---|---|
 Musée Marmottan Monet |
პარიზი | 15 | The Garden at Bougival, On the edge of the lake, In the apple tree |
 National Gallery of Art |
ვაშინგტონი | 13 | Two Sisters on a Couch (also known as The Sisters), Mother and Sister of the Artist, Hanging the Laundry out to Dry |
 Musée d'Orsay |
პარიზი | 10 | რიკინი, On a Bench in the Bois de Boulogne, In the Wheatfield at Gennevilliers |
 მუზეუმ ვალრაფ რაიხარ்ட்სი |
Köln | 3 | Child among the Hollyhocks, Child in the Rose Garden |
 ფილადელფიის ხელოვნების მუზეუმი |
ფილადელფია | 2 | Young Girl with Basket, Portrait of a Child |
 ჰიუსტონის fine arts მუზეუმი |
ჰიუსტონი | 2 | Young Woman, The Basket Chair |
 იეილის უნივერსიტეტის სახელოვნებო გალერეა |
ნიუ ჰეივენი | 2 | Young Woman and Child, The Harbor at Cherbourg |
 ჩიკაგოს ხელოვნების ინსტიტუტი |
ჩიკაგო | 4 | Young Girl with Hat |
To stand before Berthe Morisot’s depiction of a Thatched Cottage in Normandy is to step through a veil and into the gentle embrace of a bygone French afternoon.…
ბერტე 모리조ის "სადუღლოს" (Le Berceau) არის იმპრესიონისტული ხელოვნების შესანიშნავი ნიმუში, რომელიც 1872 წელს შეიქმნა და დღეს Musée d'Orsay-ს კოლექციაშია. ეს ტილო მშობლისა და ბავშვის ურთიერთობის თბილ, ინტიმურ მომენტს…
ბერტე 모리스ოს "ვარდების ბაღის კუთხე" დამნთქმელებს თითქოსდა მოწოდებულია მშვიდი ბაღში, სადაც ნაზად, თბილ ფერებში ჩასული მზის ნაპირები ანათებენ. ეს მომხიτευებელი ტილო არის 증거 იმისა, რომ 모рисовმა სრულყოფილად ათვისებული…
In this 1894 oil on canvas, Berthe Morisot presents us with Roses, a quiet study within the flower painting genre. This work emerged during a period when the…
რიკინი (1872), Musée d'Orsay, პარიზი. ვენახლის კუთხე (1885) and Thatched Cottage in Normandy (1865) follow.
ბერტა მორიზო, born in 1841, was 31 years old: რიკინი dates from 1872.
რიკინი, ვენახლის კუთხე, Thatched Cottage in Normandy, Study, The Water's Edge, In the Garden at Maurecourt, Portrait of Edma, The Bath, The Quay at Bougival, Daffodils and Young Woman Picking Oranges. Each canvas in the ranking above comes with its year and its museum.
361 works by ბერტა მორიზო are in our catalogue, dated 1863 to 1894.
Mostly in Musée Marmottan Monet (პარიზი), National Gallery of Art (ვაშინგტონი) and Musée d'Orsay (პარიზი); the list above names each museum and its canvases.
In 1880s, which gave 35 of the 100 works on this page, ვენახლის კუთხე among them.
The earliest canvas here is Memory of the Banks of l'Oise (1863); the latest is Roses (1894).
Portrait (14), Women (12) and Domestic scene (10), across the 100 works on this page.
Oil On Canvas, used in 39 of the 100 works on this page.
Impressionism, as the canvases on this page show.
The Musée Marmottan Monet, პარიზი holds 4 of the works on this page, among them The Garden at Bougival, On the edge of the lake and In the apple tree.
Yes. Every painting on this page can be ordered from its own page as an oil reproduction painted by hand, or as a fine art print, in the size you choose.
Berthe Morisot was born on 14 January 1841 in Bourges, France. She grew up in an affluent bourgeois family where the lines between domestic life and art were often blurred. Her father, Edmé Tiburce Morisot, held the position of prefect of the department of Cher. Her mother, Marie-Joseph-Cornélie Thomas, brought a connection to the Rococo tradition as the great-niece of Jean-Honoré Fragonard. This lineage provided a backdrop of artistic familiarity from her earliest years.
Her training began with private lessons from Geoffroy-Alphonse Chocarne and Joseph Guichard. By 1858, she was spending her time in the Louvre, learning the mechanics of paint by copying the Old Masters. This period of study was supplemented by the guidance of Jean-Baptiste-Camille Corot and Achille-Francois Oudinot. During the winter of 1863–64, she also turned her attention to the physical form through the study of sculpture under Aimé Millet.
In 1864, Morisot showed her work for the first time at the Paris Salon. This was a significant step, as the Salon was the official gatekeeper of the art world. She did not remain confined to these traditional spaces. Instead, she became a member of the circle of painters in Paris who would eventually be known as the Impressionists. Her presence in this group was constant. Between 1874 and 1886, she participated in all but one of the eight Impressionist exhibitions held during those years.
The first of these gatherings took place in the studio of the photographer Nadar. It opened on 15 April and ran until 15 May 1874. This exhibition was a departure from the established norms of the time. Morisot was there alongside the others, helping to define a new way of seeing. She continued to exhibit with the group, bringing her specific perspective to the various shows held throughout the following decade.
The boundaries between Morisot’s private life and her art were often blurred. She grew up in a household with two older sisters, Yves and Edma, and a younger brother, Tiburce. In 1868, she became acquainted with Édouard Manet, a connection that grew into a deep mutual influence. He painted her many times, capturing her in various states of dress and mood, while she found her own way through the shifting light of Paris. Their relationship was one of intellectual exchange and shared artistic purpose.
In 1874, Morisot married Eugène Manet, the brother of Édouard. This union further embedded her within the circle of artists who were redefining modern painting. A daughter, Julie Manet, was born in Paris in 1878. Julie would grow up in a home where the boundaries between domestic life and the radical debates of the avant-garde were thin, often serving as a presence in the very rooms where art was created and discussed.
Morisot’s approach to the canvas relies on a lightness of touch. She often worked outdoors, using the plein air method to catch the shifting qualities of light and atmosphere directly from nature. This habit of working in the open air allowed her to translate the transient nuances of color through loose, confident strokes. Her brushwork is fluid, moving across the surface with a sense of immediacy that avoids heavy, labored layers. She did not rely solely on oil; her practice included working in watercolours and pastel to explore different textures and light effects.
There is a specific way she handles the edges of her subjects. Instead of hard, defined outlines, she uses broken color and small strokes of pigment to build form. This technique creates a shimmering effect, making the air between objects feel as tangible as the objects themselves. In her depictions of domestic life, this method captures the soft glow on skin or the way light filters through a garden. The result is a sense of spontaneity, as if the scene were being recorded in a single, unhurried moment of observation.
In 1872, Morisot painted The Cradle, an oil on canvas that captures her sister Edma watching over her sleeping daughter, Blanche. The composition uses a diagonal line formed by the mother's gaze and the fabric of the crib to draw the eye toward the infant. This work marks the first time she explored the theme of motherhood, using a reduced number of colors and a fluid brushstroke to create an atmosphere of quiet, protective love.
Her presence appears frequently in the works of others, most notably in 1872 when Édouard Manet painted Berthe Morisot with a Bouquet of Violets. In this portrait, she is dressed in black mourning attire, with a barely visible bouquet of violets near her neckline. The light hits her from one side, leaving the other half of her face in deep shadow. This study in black tones highlights the contrast between her dark clothing and the lighter background.
Other significant pieces include:
Later in her career, she produced The Hydrangea in 1894. Her ability to translate the nuances of light and color through loose, confident strokes remained a constant throughout her years of painting.
To see her brushwork in person, one might start in Paris. The Musée d'Orsay holds six of her paintings, including The Cradle. This work, which she painted in 1872, shows her sister Edma watching over a sleeping child. The Musée Marmottan Monet also keeps five of her works within its collection.
Beyond France, her presence is felt in Washington, D.C. The National Gallery of Art holds six of her paintings. In this collection, you can find Mother and Sister of the Artist, which she painted in 1869. Other pieces held in Washington include In the Dining Room and Hanging the Laundry out to Dry, both from 1875.
A few of her other works reside in different locations, such as the Thyssen-Bornemisza Museum in Madrid and the Nationalmuseum in Stockholm. These pieces allow for a quiet look at how she handled light and domestic scenes across different settings.
