კარლო კრიველი-ის ყველა ნამუშწაროსიდან ყველაზე ცნობილი Annunciation with Saint Emidius (1486) არის; იგი ნაციონალური გალერეა-ში, ლონდონი-ში მაღლა დგას Pietà და Virgin and Child (1482). ჩვენს კატალოგში არსებული კარლო კრიველი-ის 227 ნამუშწაროდან ეს 100 ყველაზე ცნობილია, რომელთაგან თითოეული წარმოდგენილია თარიღით, მუზეუმითა და თავისი ისტორიით.
რეიტინგი დადგენილია ჩვენი პოპულარობის ქულებით, რომელიც აერთიანებს თითოეული ნამუშწარების ძიების, ნახვებისა და შეკვეთების რაოდენობას. განახლებულია ოქტომბერი 2026. ამ გვერდზე წარმოდგენილი თითოეული სურათის შეკვეთა შესაძლებელია, როგორც ტილოსზე ხელით შესრულებული ზეთწ후ოვანი რეპროდუქცია, ასევე, როგორც თქვენთვის სასურველი ზომის მაღალი ხარისხის მხატვრული ბეჭდვა.
The Annunciation with Saint Emidius is a remarkable painting by Carlo Crivelli, created in 1486. This oil on panel artwork is a prime example of Early Renaissance style, characterized by its use of linear perspective, detailed decoration, and everyday objects. The painting depicts the moment when the Archangel Gabriel announces to the Virgin Mary that she will bear the Son of God. Composition and Symbolism The composition of the painting…
To stand before Carlo Crivelli’s depiction of the Pietà is to be enveloped by an atmosphere of exquisite, sorrowful beauty. This masterpiece transcends a mere representation of tragedy; it is a meditation on devotion, loss, and enduring love. The scene centers upon the Virgin Mary, her posture conveying both profound grief and serene acceptance, as she cradles the lifeless body of Jesus Christ. Crivelli, working in the late 15th century…
To gaze upon this magnificent depiction of the Virgin Mary cradling the Christ Child is to step directly into the luminous, devotional world of the Italian Renaissance. Carlo Crivelli’s Virgin and Child, dating from 1482, is far more than a mere portrait; it is a carefully constructed moment of divine intimacy rendered with breathtaking technical skill. The composition immediately draws the eye to the tender connection between mother and son,…
In the quiet corners of art history, few works capture the breathtaking intersection of the divine and the terrestrial as exquisitely as Carlo Crivelli’s Annunciation with Saint Emidius. This masterpiece, a jewel of the Venetian Gothic tradition, invites the viewer into a sacred space where every brushstroke serves a higher purpose. At its heart, the painting depicts the profound moment of the Annunciation—the celestial announcement of Christ's incarnation to the…
This work presents Saint Lucy, a figure rendered with the distinctive, meticulous hand of Carlo Crivelli. Created about 1476, the painting emerged from a larger, cohesive program. It was originally part of the Four Panels from an Altarpiece, Ascoli Piceno. This grouping was designed to inhabit a specific sacred space, serving the devotional needs of its original setting.
The figure of Saint Catherine of Alexandria is presented within a shallow architectural niche, her presence defined by a vertical composition and a sense of quiet dignity. She is rendered in tempera on panel, a medium that allows for the meticulous layering of translucent glazes to build depth and luminosity. Her attire consists of a deep blue gown adorned with shimmering gold embroidery, a vibrant red cloak, and a striking…
Carlo Crivelli's "Saint Michael," painted around 1476, isn’t merely a depiction of an angel battling a demon; it’s a meticulously crafted tableau of spiritual warfare, brimming with Renaissance artistry and profound symbolism. This panel, once part of a larger altarpiece intended for the church of San Domenico in Ascoli Piceno, Italy, immediately draws the eye into a dynamic scene where youthful Michael, radiating aristocratic beauty yet possessing an undeniable ferocity,…
The Virgin Mary sits enveloped in a deep red background, a color that holds the weight of both royalty and sacrifice. She cradles her child with a steady, nurturing grace, her form defined by sharp, linear precision. A crown rests upon her head, catching the light and marking her status within this sacred space. Two apples appear in the composition—one near the bottom right and another toward the top left—resting…
The scene is a dense knot of grief, a tight arrangement of figures pressed against a luminous, gold-over-gesso background. At the center, the pale, sculptural flesh of Christ rests heavily, his torso rendered with anatomical precision. The Virgin Mary cradles him, her blue garment edged in reddish gold, her face marked by three large, distinct teardrops. Beside her, the figures of Mary Magdalene and another mourning companion overlap in a…
Created in 1482, this panel captures a pivotal moment of celestial intervention. The angel, poised in a state of graceful movement, holds a scroll, signaling the weight of the message being delivered to Mary. The scene unfolds within a structured architectural setting, where a brick wall provides a sense of tangible depth and permanence. A single bird flies above the angel, a subtle detail that punctuates the stillness of the…
Carlo Crivelli და მისი პიეტა – რენესანსის სულისკვეთება ბრერას მუზეუმში პიტა არის კარლო კრიველის ყველაზე ცნობილი ნაწილი და ერთერთი საუკეთესო მაგალითია რენესანსული ხელოვნება დონტელოს და ბელინჩი სტილის მიხედვით.…
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The painting titled The Dead Christ between the Virgin and Saint John the Evangelist is a work by the Venetian artist Carlo Crivelli. Created in 1475, this piece…
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The figure of Saint Lucy emerges from a dark, shadowed background, her presence defined by a sharp, sculptural clarity that feels almost tangible. She stands in profile, facing…
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A vertical, narrow composition presents a full-length figure of Saint Augustine standing within an architectural niche. The subject is a man with a long, textured beard and a…
მოიტანეთ ეს სინათლე თქვენს სახლში →
In Saint Nicholas, the artist Carlo Crivelli presents a single-figure vertical portrait that occupies a narrow, arched architectural niche. The subject is an elderly man, depicted from the…
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This vertical, narrow panel painting presents a single standing figure of Saint Catherine of Siena positioned within an elongated, pointed Gothic arch. The composition is highly centralized and…
მოიტანეთ ეს სინათლე თქვენს სახლში →
In "Man of Sorrow" by Carlo Crivelli, the viewer encounters a close-up depiction of the Deposition of Christ. The composition focuses intently on the body of Jesus as…
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In the quiet, luminous realm of the Early Renaissance, few artists possessed the ability to marry the tactile reality of the physical world with the profound mysteries of…
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The gaze meets the Madonna and Child, a work by the artist Carlo Crivelli. Created in 1476, this tempera on panel brings the sacred into a tangible, immediate…
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The painting depicts Saint Jerome, a figure of profound religious significance. This portrait captures the scholar in a moment of quietude, holding an open book that speaks to…
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The air feels heavy with the weight of silent thought as we encounter this solemn figure. A bearded cardinal, lost in a profound internal dialogue, gazes downward with…
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In this portrait of Saint Ursula by Carlo Crivelli, we encounter a young woman rendered with the precise, linear clarity characteristic of the Early Renaissance. The composition is…
მოიტანეთ ეს სინათლე თქვენს სახლში →
In this 1473 panel, we find ourselves in the presence of the Virgin Mary and the infant Jesus, a composition that speaks to the quiet intensity of the…
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This vertical composition depicts a full-length figure of a religious subject, likely a bishop or saint, rendered in a style reminiscent of late medieval or early Renaissance painting.…
მოიტანეთ ეს სინათლე თქვენს სახლში →
Carlo Crivelli's "Saint Catherine of Alexandria," painted around 1476, is more than just a devotional image; it’s a meticulously crafted window into the artistic sensibilities of early Renaissance…
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In the quiet, luminous realm of the Italian Renaissance, few works capture the intersection of earthly detail and celestial aspiration as poignantly as Carlo Crivelli’s Apostles. Created in…
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To gaze upon Carlo Crivelli’s Coronation of the Virgin is to step directly into a moment suspended between earthly splendor and divine glory. This monumental canvas, dating from…
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To stand before Carlo Crivelli’s St Roch is to step directly into the richly colored, deeply symbolic world of the late Italian Quattrocento. This exquisite panel painting, dating…
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The year is 1473, and within the bustling workshops of Venice, Carlo Crivelli was meticulously crafting an image destined to resonate through centuries – the “Enthroned Madonna.” This…
მოიტანეთ ეს სინათლე თქვენს სახლში →
Carlo Crivelli’s “St. Jerome and St. Augustine,” painted around 1490, isn't merely a depiction of two revered figures; it’s a carefully constructed tableau of intellectual and spiritual contemplation,…
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Carlo Crivelli's Pietà, a masterpiece housed within the Pinacoteca Vaticana, isn’t merely a depiction of loss; it’s an immersion into profound sorrow and a testament to enduring maternal…
მოიტანეთ ეს სინათლე თქვენს სახლში →
Saint Bartholomew is an artwork by Carlo Crivelli, executed in 1475. The work belongs to the Early Renaissance and reflects a Late Gothic decorative sensibility. It represents a…
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Carlo Crivelli's "Lamentation of Christ" is a poignant example of Early Renaissance art, crafted in 1473 using tempera on panel. Measuring 61 x 64 cm, this artwork resides…
მოიტანეთ ეს სინათლე თქვენს სახლში →
To gaze upon Carlo Crivelli's Madonna and Child Enthroned is to step directly into the luminous heart of the Italian Renaissance, yet to find echoes of a more…
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To stand before this magnificent triptych is to step directly into the devotional heart of the late Quattrocento. This three-paneled altarpiece, dating from 1482, does not merely depict…
მოიტანეთ ეს სინათლე თქვენს სახლში →
In the quiet, hallowed atmosphere of the Early Renaissance, few works capture the intersection of human tenderness and celestial grandeur as profoundly as Carlo Crivelli’s Enthroned Madonna. Created…
მოიტანეთ ეს სინათლე თქვენს სახლში →
The figure of Saint George emerges from the panel, a warrior caught in a moment of eternal struggle. Painted by Carlo Crivelli in 1472, this work presents the…
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To stand before this depiction of Madonna and Child alongside St. Francis of Assisi is to step directly into the luminous heart of the Italian Renaissance. The composition…
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This tempera on panel panel, dating to 1482, forms part of the predella of the larger Triptych of San Domenico. Originally commissioned for the church of San Domenico…
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In the heart of the Early Renaissance, few images capture the visceral tension between good and evil as poignantly as Carlo Crivelli’s Saint George and the Dragon. Painted…
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In the quiet stillness of Carlo Crivelli’s 1488 masterpiece, St John the Baptist, one encounters more than a mere religious portrait; one enters a sacred dialogue between the…
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In the quiet sanctity of the late 15th century, few artists could command the eye with as much decorative splendor and spiritual intensity as Carlo Crivelli. His masterpiece,…
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In the quiet, textured depths of Carlo Crivelli’s Saint James, painted in 1473, viewers are transported to the dawn of the Italian Renaissance. This intimate masterpiece, rendered on…
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In the quiet, luminous realm of the Early Renaissance, few artists captured the intersection of the divine and the earthly with as much meticulous precision as Carlo Crivelli.…
მოიტანეთ ეს სინათლე თქვენს სახლში →
In the quiet sanctity of the 15th century, few artists possessed the ability to marry the divine with the tactile as masterfully as Carlo Crivelli. His 1473 masterpiece,…
მოიტანეთ ეს სინათლე თქვენს სახლში →
In the quiet, luminous realm of the Early Renaissance, few works capture the intersection of human vulnerability and divine grace as poignantly as Carlo Crivelli’s Saint Bartholomew. Created…
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In the quietude of 1482, Carlo Crivelli captured a moment that transcends the boundaries of time and space. The Virgin Proclamation is not merely a depiction of a…
მოიტანეთ ეს სინათლე თქვენს სახლში →
The painting Saint Francis by Carlo Crivelli is a stunning example of Early Renaissance art. Created in 1470, this tempera on panel piece measures 74 x 54 cm…
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In the quiet intensity of Carlo Crivelli’s 1468 masterpiece, The Flagellation of Christ, viewers are transported into the heart of a profound biblical tragedy. This exquisite tempera on…
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In the quiet sanctity of the late 15th century, few artists could command the eye with as much decorative splendor and spiritual intensity as Carlo Crivelli. His monumental…
დაეხატოს ხელით →
Carlo Crivelli's "St Peter and St Paul" (circa 1490) isn’t merely a depiction of two revered saints; it’s a meticulously crafted portal into the heart of late medieval…
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The Christ's prayer on Oelber is a remarkable painting by the Italian artist Carlo Crivelli, created in 1468. This tempera on panel artwork measures 23 x 46 cm…
მოიტანეთ ეს სინათლე თქვენს სახლში →
This Portrait of a Man is a work by the Venetian artist Carlo Crivelli. Born in Venice, Italy, Crivelli established himself as a significant presence in the artistic…
დაეხატოს ხელით →ამ ტილოებზე ყველაზე ხშირად განმეორებადი 네 სუბიექტი, თითოეული მათგანის საუკეთესო ნიმუშით.
ამ გვერდზე წარმოდგენილი მხატვრობის შედეგების უმეტესობას 8 მუზეუმი ინახავს.
| მუზეუმი | ქალაქი | კარლო კრიველი შემოქმედებაలు | ამ სიიდან მოპოვებული ნახატები |
|---|---|---|---|
 ნაციონალური გალერეა |
ლონდონი | 27 | Annunciation with Saint Emidius, Annunciation with St Emidius (detail), Saint Lucy |
 Pinacoteca di Brera |
მილანი | 10 | Virgin and Child, მარიამა და იესუს ტრაპეცია, Coronation of the Virgin |
 Musée du Petit Palais |
ავინიონი | 4 | Saint Lucy, Saint Augustine, Saint Nicholas |
 ბონეფანტენის მუზეუმი |
მაასტრიხტი | 3 | St Antony of Padua, St Dominic, St Ambrose |
 Gemäldegalerie |
ბერლინი | 4 | Saint Benedict, Bonaventure |
 ვენეციის აკადემიის გალერეა |
ვენეცია | 4 | St Jerome and St Augustine (detail), St Peter and St Paul (detail) |
 ვტიკანის პინაკოთეკა |
ვატიკანი | 2 | Pietà, Pietà |
 შტედელის მუზეუმი |
ფრანკფურტი | 2 | Annunciation angel, Virgin proclamation |
The figure of Saint Lucy emerges from a dark, shadowed background, her presence defined by a sharp, sculptural clarity that feels almost tangible. She stands in profile, facing…
In "Man of Sorrow" by Carlo Crivelli, the viewer encounters a close-up depiction of the Deposition of Christ. The composition focuses intently on the body of Jesus as…
This work presents Saint Lucy, a figure rendered with the distinctive, meticulous hand of Carlo Crivelli. Created about 1476, the painting emerged from a larger, cohesive program. It…
The Annunciation with Saint Emidius is a remarkable painting by Carlo Crivelli, created in 1486. This oil on panel artwork is a prime example of Early Renaissance style,…
The figure of Saint Catherine of Alexandria is presented within a shallow architectural niche, her presence defined by a vertical composition and a sense of quiet dignity. She…
Annunciation with Saint Emidius (1486), ნაციონალური გალერეა, ლონდონი. მას მოსდევს Pietà და Virgin and Child (1482).
კარლო კრიველი, რომელიც 1435 წელს დაიბადა, 51 წლის იყო: Annunciation with Saint Emidius შექმნილია 1486 წელს.
Annunciation with Saint Emidius, Pietà, Virgin and Child, Annunciation with St Emidius (detail), Saint Lucy, Saint Catherine of Alexandria, Saint Michael, Madonna and Child, Pietà და Annunciation angel. ზემოთ მოცემულ რეიტინგში თითოეულ ტილოზე მითითებულია მისი შემოქმედების წელი და მუზეუმი.
ჩვენს კატალოგშია 227 ნამუშგარები კარლო კრიველი-ისგან, თარიღებით 1450-დან 1493-მდე.
ძირითადად ნაციონალური გალერეა (ლონდონი), Pinacoteca di Brera (მილანი) და Musée du Petit Palais (ავინიონი)-ში; ზემოთ მოცემულ სიაში წარმოდგენილია თითოეული მუზეუმი და მისი ტილოები.
1470s-ში, რომელიც ამ გვერდზე წარმოდგენილი 100 ნამუშწაროსგან 42 შეადგენს, მათ შორის არის Saint Lucy.
აქ წარმოდგენილი ტილოებიდან უძველესი არის Saint Lucy (1450); უახლესი კი — მარიამა და იესუს ტრაპეცია (1493).
Religious (31), Saints (25) და Virgin mary (20), ამ გვერდზე წარმოდგენილ 100 ნამუშწარეს შორის.
Tempera On Panel, გამოყენებულია ამ გვერდზე არსებული 100 ნამუშწაროდან 27-ში.
Ადრეული რენესანსი, როგორც ამ გვერდის ტილოები ადასტურებს.
ნაციონალური გალერეა, ლონდონი-ში წარმოდგენილია ამ გვერდზე არსებული ნამუშევრების 9, მათ შორის Annunciation with Saint Emidius, Annunciation with St Emidius (detail) და Saint Lucy.
დიახ. ამ გვერდზე წარმოდგენილი ყველა სურათის შეკვეთა შესაძლებელია მისივე გვერდიდან, როგორც ხელნაკეთი ზეთისებრი რეპროდუქციის, ისე მაღალი ხარისხის მხატვრული ბეჭდვის სახით, თქვენთვის სასურველი ზომით.
Born in Venice, Carlo Crivelli emerged from a family of painters, a lineage that likely shaped his early understanding of the craft. His formative years were spent absorbing the stylistic currents of the Veneto, drawing from the Vivarini school and the linear precision of the Paduan tradition. He was a man of distinct, often stubborn, sensibilities. While his contemporaries moved toward the naturalism of the early Renaissance, Crivelli maintained a devotion to the decorative exuberance of the Late Gothic. This choice made him a singular figure in the fifteenth century, an artist who navigated the tension between the old ways and the new with a highly personal, almost mannered, expressionism.
His life was marked by a sudden departure from the Venetian center. In 1457, following a legal entanglement involving the seduction of a married woman, he left Venice. This period of exile led him toward the Marches, specifically the area around Ascoli Piceno. In these eastern Italian territories, he found a different kind of success, becoming a prolific maker of altarpieces. He was not a follower of the prevailing trends of the day; instead, he cultivated a style that prioritized clarity and a sharp, linear definition of form, often working in isolation from the major artistic shifts occurring in the larger Italian hubs.
Crivelli’s work is defined by a technical virtuosity that sought to bridge the gap between the sacred and the tangible. He was a master of trompe l'oeil, using paint to mimic the physical world with startling accuracy. He did not merely represent objects; he attempted to make them occupy the same space as the viewer. His surfaces are often crowded with simulated marble architecture, festoons of fruit, and parchment cartellini that seem to project from the panel. This obsession with materiality was central to his devotional intent, creating a sense of immediacy for those standing before his altarpieces.
His approach to color and light was both brilliant and deliberate. He utilized gold leaf, often punched with intricate patterns, to create an otherworldly glow that contrasted with the realistic textures of silk, jewels, and stone. His figures often possess an excessive pallor and a flawless complexion, rendered with sharp outlines that emphasize their sculptural quality. This combination of the highly decorative and the intensely realistic created a visual language that was uniquely his own, characterized by:
The works he left behind, many of which reside in collections such as the Pinacoteca di Brera and the National Gallery, reveal a painter of immense technical skill. His Madonnas and depictions of saints are marked by an unusual expressionism, where gestures are often exaggerated to convey deep feeling. He was a painter of the details, from the glint of a knight's armor to the delicate folds of a Virgin's drapery. Even as the Renaissance progressed toward different ideals of perspective and proportion, Crivelli remained committed to his meticulous, highly detailed vision, ensuring his place as one of the most distinctive voices of his era.
ყველა 227 ნამუშევარი, რომელიც შემოქმედებითად ეკუთვნის კარლო კრიველი →
