Portrait of A Girl (1940)은(는) Charles Alston의 가장 대표적인 작품으로, Los Angeles에 위치한 The Kinsey African American Art - History Collection에 소장되어 있습니다. Young Boy (1938)와 Untitled (Seven Figures) (1949)가 더해져 가장 사랑받는 캔버스 3인방이 완성됩니다. Charles Alston의 작품 9점이 등록되어 있습니다. 그중 가장 유명한 9점의 작품을 연도, 소장 미술관, 그리고 각 작품에 담긴 이야기와 함께 만나보세요.
각 작품의 검색, 방문 및 주문 수를 결합한 인기 점수를 기준으로 순위를 매깁니다. 10월 2026 업데이트됨.
Portrait of A Girl is an oil painting on canvas created in 1940. The work is a portrait of a woman with short hair, depicted wearing a white shirt. She is shown sitting down, looking directly at the viewer with an expression that appears somewhat stern or serious. The background of the composition features a chair that is partially visible on the left side of the frame.
이 페이지에 있는 작품을 가장 많이 소장하고 있는 3개의 미술관
| 소장 미술관 | 도시 | Charles Alston의 작품 | 이 목록의 작품들 |
|---|---|---|---|
 The Kinsey African American Art - History Collection |
Los Angeles | 1 | Portrait of A Girl |
 스미소니언 미국 미술관 |
워싱턴 D.C. | 1 | Young Boy |
 휘트니 미술관 |
뉴욕 | 1 | The Family |
Portrait of A Girl is an oil painting on canvas created in 1940. The work is a portrait of a woman with short hair, depicted wearing a white…
Portrait of A Girl (1940), The Kinsey African American Art - History Collection, Los Angeles. 다음은 Young Boy (1938)와 Untitled (Seven Figures) (1949)입니다.
1907년에 태어난 Charles Alston은(는) 33세였으며, Portrait of A Girl은(는) 1940년의 작품입니다.
1938부터 1963까지 제작된 Charles Alston의 작품 9점이 카탈로그에 등록되어 있습니다.
대부분 The Kinsey African American Art - History Collection (Los Angeles), 스미소니언 미국 미술관 (워싱턴 D.C.) 및 휘트니 미술관 (뉴욕)에 소장되어 있습니다. 위 목록은 각 미술관과 해당 미술관의 작품 목록을 나타냅니다.
이 페이지의 총 9점의 작품 중 3점이 1940s에 제작되었으며, 그중 Portrait of A Girl입니다.
이 페이지에서 가장 오래된 캔버스는 Young Boy (1938)이며, 가장 최근의 것은 Seated Woman (1963)입니다.
Charles Henry Alston (1907-1977) was a pivotal American artist – painter, sculptor, illustrator, muralist, and educator – deeply embedded within the vibrant cultural landscape of the Harlem Renaissance. His work served as both an artistic expression and a powerful statement about Black identity and community.
Born in Charlotte, North Carolina, Alston’s family moved to New York City during his childhood. He received a solid education, graduating from DeWitt Clinton High School in 1925. His artistic talent was evident early on, leading him to study at the Harlem Art Workshop and later at Yale University School of Fine Arts, where he earned both a B.A. (1929) and an M.F.A. (1931). This formal training provided a foundation for his evolving style.
Alston’s artistic journey was shaped by a diverse range of influences. He admired the work of modernist masters like Pablo Picasso and Amedeo Modigliani, drawn to their simplified forms and expressive qualities. Simultaneously, he found profound inspiration in African art, recognizing its powerful symbolism and aesthetic strength. These combined influences led him to develop a unique style characterized by flattened perspectives, bold colors, and a focus on capturing the essence of his subjects.
The 1930s proved crucial for Alston’s career. He became the first African American supervisor for the Federal Art Project (FAP) of the Works Progress Administration (WPA). This role was groundbreaking, allowing him to provide opportunities for numerous Black artists during a time of economic hardship and racial discrimination. He also actively created murals as part of the WPA’s efforts to beautify public spaces, notably at Harlem Hospital – these murals remain significant examples of his commitment to community art.
Charles Henry Alston’s significance extends beyond his artistic achievements. He was a dedicated educator, teaching at various institutions including Yale University and the High School of Art and Design in New York City. He believed strongly in empowering African Americans through cultural enrichment and artistic advancement. His work challenged racial stereotypes and contributed to a more inclusive representation of Black life in American art history.
Throughout his career, Alston continued to exhibit his work and receive recognition for his contributions. He remained committed to social justice and used his art as a platform for advocacy. His legacy continues to inspire generations of artists and activists, solidifying his place as a vital figure in American art history.
His works can be found in numerous collections including the Syracuse University Art Collection and other museums across the United States.
