용지
성명 반 날짜

William Bell Scott, Thomas Evans (1840), Treasurer's House, York. 퍼블릭 도메인 빛의 움직임에 따라 변화하는 이 캔버스를 감상해 보세요: 드로잉과 바니시 아래 드러나는 진정한 색채, 그리고 안료 본연의 질감을.

주요 정보

작가
William Bell Scott topimpressionists.com/ko/artists/william-bell-scott-1/
작가 활동 시기
1811 – 1890
채색됨
1840
원본 크기
49.5 x 42.0cm
개최 장소
Treasurer's House, York topimpressionists.com/ko/museums/treasurer-s-house-york/

문맥상

Thomas Evans — William Bell Scott

크기는 어느 정도인가요?

원작의 크기는 50 × 42 cm (높이 × 너비)이며, 여기에는 평균 신장의 성인과 나란히 배치하여 크기를 비교할 수 있습니다.

이 작품은 언제 제작되었나요?

  1. 1810
  2. 1820
  3. 1830
  4. 1840
  5. 1850
  6. 1860
  7. 1870
  8. 1880
  9. 1890

윗줄: 연도. 아랫줄: 각 기간의 시작과 끝 시점에서의 작가 연령 — 출생 시 0세, 사망 시 79세.

작가가 29세 때 그린 작품입니다. 이 예술가는 79의 나이로 생을 마감했습니다. 0의 작품이 저희 카탈로그에 등록된 이 작가의 연대별 작품 16점 중 이 작품보다 앞선 시기에 제작되었습니다.

음영 처리됨: William Bell Scott의 생애 (1811–1890) ▲ 이 작품, 1840 연대별로 정리된 모든 회화 작품들

초기 작품: 1857년까지 주요 활동 시기: 1857–1864 후기 작품: 1864년부터

이 세 구간은 본 카탈로그에 날짜가 명시된 작품들을 각각 1분기, 중반부, 그리고 마지막 4분기로 나눕니다. 이는 작가의 전체 작업물을 의미하는 것은 아닙니다. 기록이 비어 있는 구간이 단순히 활동이 적었던 시기보다 더 길게 나타날 수도 있습니다. 작가의 생애와 함께하는 연도별 기록

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색상

이미지 기반 측정값

    주요 색상

    Walnut #694e2c

    등록된 팔레트

    • #694E2C
    • #B19A71
    • #0E0D09
    • #D6D0B0

    아티스트의 전체 팔레트에 담긴 이 색상들 색상별로 다른 작품 찾아보기

    팔레트
    Earthy 작품에서 주를 이루는 색상군.
    주요 색상명
    Walnut
    채도
    Monochromatic 단일한 차분한 색조부터 다채롭고 밝은 색조에 이르기까지, 색상의 채도와 다양성을 나타냅니다.
    대비
    Statement 작품 전체에 걸쳐 색상의 명도와 채도가 얼마나 차이 나는지를 나타냅니다.
    조화
    Balanced Harmony 색채가 서로 충돌하는지 혹은 완벽하게 조화를 이루는지 등, 색채의 어우러짐 정도.
    밝기
    Deep_shadow 깊은 그림자부터 밝은 하이라이트까지, 작품 전체의 전반적인 명암 정도.
    채도
    Muted 회색에 가까운 색조부터 매우 선명한 색조까지, 얼마나 순수하고 강렬한 색채를 지녔는지 확인해 보세요.

    아티스트와 미술관

    작가

    William Bell Scott

    출생지 Edinburgh, United Kingdom

    A Life of Art and Letters

    William Bell Scott was a Scottish artist, painter, writer, poet, graphic artist, art historian, exlibrist, and print collector. Born in Edinburgh, United Kingdom, he was the son of the engraver Robert Scott and the brother of the painter David Scott. His artistic journey took him from his upbringing in Edinburgh to London, and later to Newcastle upon Tyne, where he served as the principal of the government School of Art from 1843 to 1864. During his tenure in Newcastle, he expanded his repertoire of landscapes and history painting to include industrial subjects, becoming one of the first British artists to extensively depict the processes of the Industrial Revolution.

    Beyond his visual work, Scott was a prolific writer and poet. His literary contributions included:

    Artistic Commissions and Portraits

    Scott's decorative work is notably represented in historical cycles. For Wallington Hall in Northumberland, he produced eight large pictures illustrating Northumbrian history, featuring life-size figures, alongside eighteen pictures on The Ballad of Chevy Chase. He also executed a historical cycle for Penkill Castle in Ayrshire, Scotland, illustrating James I's poem The Kingis Quair.

    While he did not focus heavily on portraiture, his striking portrait of the poet Algernon Charles Swinburne remains an iconic image. His etchings were primarily designed to serve as illustrations for his books. In his later years, after resigning from his appointment under the Science and Art Department in 1885, he focused on his writing until his death in South Ayrshire.

    박물관

    Treasurer's House, York

    전시 중인 장소 United Kingdom

    The History and Origins of the House

    Treasurer's House, York is a Grade I listed historic house located in Minster Yard, directly to the north of York Minster. The site's history is deeply connected to the ecclesiastical administration of the Minster. The office of Treasurer was established by Archbishop of York Thomas of Bayeux, and the first Treasurer for York Minster was appointed in 1091. For several centuries, the building functioned as a grand residence for the Treasurer, providing a space to entertain important guests. This specific function continued until 1547, when the Reformation of the English Church brought the office of Treasurer to an end.

    The physical foundations of the house reflect the long occupation of the site. The structure was built directly over one of the main Roman roads that led out of Roman York to the North. During major structural changes carried out by Frank Green, four Roman column bases were uncovered. One of these remains in-situ in the cellar. The house is currently owned and maintained by the National Trust.

    The Restoration by Frank Green

    In 1897, Frank Green, a wealthy local industrialist, began the process of acquiring the various parts of the house. He purchased each section between 1897 and 1898, aiming to unify the subdivided properties into a single residence. To achieve this, he appointed Temple Moore to oversee the restoration. The architectural work involved removing numerous earlier additions to return the structure to a more cohesive state. This extensive project was largely completed by 1900.

    Green intended the house to function as a setting for his personal collection of antique furniture, paintings, and objets d’art. He was an exacting man who maintained the house with strict attention to order and tidiness. The resulting interior reflects his specific vision for a grand town house. In 1930, Green donated both the house and his entire collection to the National Trust, ensuring the property and its contents remained intact.

    The Architecture and Interior Rooms

    Located in Minster Yard directly to the north of York Minster, the house possesses a layered architectural character. The structure features a symmetrical front that was added during the early 17th century. While the building's origins reach back to medieval times, the current configuration reflects the extensive transformations undertaken at the end of the 19th century. By 1900, the property had been converted into an elaborately decorated town house.

    The interior is composed of thirteen period rooms. These spaces represent a variety of different styles and eras, creating a specific domestic arrangement. The layout reflects the transition from a subdivided set of tenements back into a unified residence. The arrangement of these rooms was intended to display a curated collection of antique furniture and objects.

    Mrs Halliwell as an Old Woman, 1840 - William Bell Scott

    Thomas Evans, 1840 - William Bell Scott

    'Frisk' a Skye Terrier, 1875 - Richard S. Moseley

    Lady Charlotte Harley - Richard Westall

    Landscape with a Lake, Cattle and a Figure on Horseback, 1801 - Charles Towne

    Mr Halliwell on Horseback, 1794 - Charles Towne

    Exhibitions and Visiting Information

    The house is open to the public for an admission fee. Visitors may access the garden and the café without charge. During certain periods, the site hosts specific displays to examine the history of the property. The exhibition titled 'Demolition and Restoration' opened on May 6 and remains available until the end of the year.

    Daily opening hours are from 11am to 4.30pm. The house is located in Minster Yard, directly to the north of York Minster. Access to the interior is managed through the National Trust. The site remains open to the public throughout the year, though specific tour availability may vary by season.

    더 읽어보기

    당신의 벽에 직접 걸어보세요: Thomas Evans by William Bell Scott (손으로 그린 인상주의 유화 복제화), 맞춤 사이즈 제작 가능

    온라인에서 확인하기

    Thomas Evans 다운로드 페이지로 연결되는 QR 코드

    topimpressionists.com/ko/art/download/thomas-evans-by-william-bell-scott/

    이 작품 인용하기

    MLA
    Scott, William Bell. Thomas Evans. 1840, Treasurer's House, York. https://topimpressionists.com/ko/art/thomas-evans-by-william-bell-scott/
    APA
    Scott, William Bell (1840). Thomas Evans [Painting]. Treasurer's House, York. https://topimpressionists.com/ko/art/thomas-evans-by-william-bell-scott/
    Chicago
    William Bell Scott. Thomas Evans. 1840. Treasurer's House, York. https://topimpressionists.com/ko/art/thomas-evans-by-william-bell-scott/
    Harvard
    Scott, William Bell (1840) Thomas Evans. Treasurer's House, York. Available at: https://topimpressionists.com/ko/art/thomas-evans-by-william-bell-scott/

    자세히 보기

    Thomas Evans — William Bell Scott

    자세히 보기

    자신의 언어로 답변해 주세요. 정답은 없습니다. 오직 스스로 설명할 수 있는 답변이 있을 뿐입니다.

    1. 가장 먼저 눈길을 사로잡는 것은 무엇이며, 그 이유는 무엇인가요?
    2. 어떤 색상이나 형태가 분위기를 조성하며, 그 분위기는 무엇인가요?
    3. 몇 명의 얼굴을 찾을 수 있나요? ____ (저희 카탈로그에는 1명으로 기록되어 있습니다. 여러분도 동의하시나요?)
    4. 이 가이드 앞부분에서 보았던 Una and the Lion (from Spenser's 'The Faerie Queene') (1860)를 다시 한번 떠올려 보세요. 이 작품과 공통점 두 가지와 차이점 한 가지를 찾아보세요.
    5. William Bell Scott 작가는 이 작품을 제작할 당시 약 29세였습니다. 작품의 어떤 부분에서 그 시기 작가의 특징이 느껴지나요?

    답변 내용

    이 작품에 대해 짧은 글을 작성해 보세요. 앞서 안내된 정보와 위에서 답변한 내용을 활용하시기 바랍니다.

    질의응답

    William Bell Scott의 "Thomas Evans"의 색감은 채도가 높은 편인가요, 아니면 차분한 편인가요?

    "Thomas Evans"의 색채 구성은 채도가 Muted입니다.

    "Thomas Evans" 작품은 명암 대비가 강한 편인가요?

    William Bell Scott의 "Thomas Evans"은(는) 밝은 부분과 어두운 부분 사이의 Statement 대비를 보여줍니다.

    William Bell Scott의 "Thomas Evans"의 디지털 파일을 어디에서 구매할 수 있나요?

    William Bell Scott의 "Thomas Evans"의 디지털 파일을 소장하시려면, 디지털 이미지 파일 페이지에서 고해상도 디지털 이미지 다운로드을(를) 주문해 주세요.