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학생 작품 안내서

Amphibole Object

성명 학년/반 날짜

Yoon Yongbin, Amphibole Object, korea-craft-and-design-foundation. 참고용으로 복제됨; 모든 권리는 저작권자에게 있음. 움직이는 빛 아래에서 이 캔버스를 감상해 보세요: 드로잉, 바니시 아래의 진정한 색채, 그리고 가공되지 않은 안료를.

상세 정보

작가
Yoon Yongbin topimpressionists.com/ko/artists/yoon-yongbin/
작가 활동 시기
1995 –
장소
korea-craft-and-design-foundation topimpressionists.com/ko/museums/korea-craft-and-design-foundation-seoul/

문맥상

Amphibole Object — Yoon Yongbin

이 작품의 제작 시기는 언제쯤일까요?

  1. 1990

윗줄: 연도. 아랫줄: 출생 시를 0세로 하여 각 기간의 시작과 끝 시점에서의 작가 연령.

연대별로 기록된 모든 회화 작품들

이 레코드의 정확한 발매 연도는 기록되어 있지 않습니다. 아티스트의 생애와 작품의 스타일을 바탕으로 볼 때, 몇 년대 작품이라고 추측하시나요?

컬러 팔레트

이미지 기반 측정값

    주요 색상

    Espresso #585650

    컬렉션된 팔레트

    • #585650
    • #82827A
    • #A8A9A1
    • #1D1E1A

    아티스트의 전체 팔레트에 담긴 이 색상들 색상별로 다른 작품 찾아보기

    주요 색상
    Espresso
    강도
    Monochromatic 단일한 차분한 색조부터 다채롭고 밝은 색조에 이르기까지, 색상의 채도와 다양성을 나타냅니다.
    대비
    Gentle 작품 전체에 걸쳐 색상의 명도와 채도가 얼마나 차이 나는지를 나타냅니다.
    조화
    Strong Color Unity 색채가 서로 충돌하는지 혹은 완벽하게 조화를 이루는지 등, 색채의 어우러짐 정도.
    밝기
    Shadow 깊은 그림자부터 밝은 하이라이트까지, 작품 전체의 전반적인 명암 정도.
    채도
    Muted 회색에 가까운 색조부터 매우 선명한 색조까지, 얼마나 순수하고 강렬한 색채를 지녔는지 확인해 보세요.

    작품 소개

    Amphibole Object — Yoon Yongbin

    This stone object was made of amphibole from the Jangsu region in Korea. Such an object has been used since the Joseon Dynasty (1392-1897), when objects made of amphibole from Jangsu were used on the king’s table. Infrared rays and minerals coming from the stone during the transfer of heat protect food nutrients and improve the taste of what we eat. Furthermore, the warmth of amphibole helps a person’s blood circulation. Amphibole is a healthy material that keeps the condition of both hot and cold foods as they are for a longer period of time.

    아티스트와 미술관

    작가

    Yoon Yongbin

    출생지 Seoul, South Korea

    The Poetic Resonance of Yoon Yongbin

    In the vibrant heart of Seoul, a new creative voice is emerging that seeks to bridge the profound depths of Korean heritage with the sleek sensibilities of modern expression. Yoon Yongbin, known to many by his stage name Lee Sae-on, is an artist whose multidisciplinary journey reflects a rare synthesis of performance and plastic arts. Born in 1995, Yongbin’s early life was steeped in the cultural atmosphere of South Korea, where the echoes of history are never far from the surface. His formative years were deeply influenced by the legacy of the Yoon Dongju Memorial Hall, an encounter that instilled in him a reverence for the melancholic and poetic spirit of Korea's national bard. This early exposure to lyrical tragedy and beauty laid the groundwork for an artistic identity defined by emotional depth and symbolic weight.

    While many recognize his presence through the lens of contemporary media—having debuted in the 2018 drama Inspector 2 of the Devil and gaining widespread visibility through his participation in Produce 101 Season 2—Yongbin’s true sanctuary lies in the tactile world of sculpture and conceptual form. His transition from the spotlight of the entertainment industry to the quiet intensity of the studio marks a profound evolution, moving from the ephemeral nature of performance to the enduring permanence of stone and mineral.

    Sculpting Tradition: The Amphibole Series

    At the core of Yongbin’s artistic practice is a meticulous exploration of texture, history, and the elemental properties of the earth. His work is most notably characterized by his “Amphibole Object” series, a collection that serves as a profound dialogue between the Joseon Dynasty and the contemporary era. By utilizing amphibole—a specific stone from the Jangsu region of Korea—Yongbin invokes a lineage of craftsmanship that once graced the tables of Korean royalty. These objects are not merely sculptural forms; they are vessels of cultural memory, designed to honor the ancient techniques used to preserve nutrients and enhance the essence of life through heat and mineral transfer.

    His technique is a deliberate study in minimalism and symbolic representation. In his hands, the heavy, rugged nature of Korean stone is transformed into something contemplative and ethereal. The artist focuses on:

    Textural Detail: Capturing the raw, geological essence of the amphibole to emphasize the passage of time.

    Symbolic Heritage: Using materials that historically connected the monarchy to the natural world to explore themes of transformation.

    Minimalist Aesthetics: Stripping away the superfluous to allow the intrinsic beauty and "breath" of the stone to command the viewer's attention.

    A Legacy of Transformation

    The significance of Yoon Yongbin’s work lies in its ability to act as a bridge. He does not merely replicate the past; he recontextualizes it for a modern audience that is often disconnected from ancestral traditions. Through his sculptural explorations, he invites viewers to contemplate the enduring beauty of natural materials and the cyclical nature of history. His art suggests that while the world moves toward rapid technological advancement, there remains an essential, grounding need to reconnect with the minerals and memories of our origins.

    As his career continues to unfold, Yongbin stands as a testament to the versatility of the modern creator. Whether through the rhythmic movement of cultural performance or the silent, powerful presence of a stone vessel, his work remains anchored in a singular mission: to find the eternal within the contemporary and to ensure that the poetic soul of Korea continues to resonate in the modern age.

    박물관

    korea-craft-and-design-foundation

    전시 장소 Seoul, South Korea

    A Living Dialogue Between Heritage and Modernity

    In the heart of Seoul, where the pulse of a hyper-modern metropolis meets the quiet echoes of antiquity, lies the Korea Craft & Design Foundation (KCDF). It is far more than a mere repository for artifacts; it is a vibrant, breathing sanctuary where the ancestral soul of Korea finds expression in the contemporary moment. To enter KCDF is to embark on a sensory pilgrimage, stepping into a space where the boundaries between historical preservation and avant-garde innovation dissolve. The foundation serves as a vital bridge, ensuring that the meticulous skills of master artisans are not lost to the passage of time but are instead reimagined for the modern lifestyle, making it an essential destination for those who seek beauty that is both deeply rooted and strikingly current.

    The collection itself unfolds like a beautifully woven tapestry, offering a chronological journey through the very essence of Korean identity. One cannot help but be captivated by the ethereal grace of Goryeo celadon, whose jade-like glazes possess a translucent, otherworldly quality that seems to capture the very mist of a mountain morning. These ceramics stand in poetic contrast to the robust, earthy stoneware of earlier dynasties, which embody a sense of resilience and grounded strength. As one moves through the galleries, the tactile richness of Korean textiles takes center stage. The Hanbok fabrics, with their luminous hues and intricate patterns, do more than decorate; they communicate social hierarchies, Confucian values, and the rhythmic shifts of the seasons. Each embroidered screen and silken thread tells a story of devotion, where painstaking technique meets profound symbolic meaning.

    The Art of Material and Form

    Beyond the delicate allure of silk and porcelain, KCDF celebrates the structural mastery of woodcraft and metalwork. The museum showcases furniture that is a masterclass in functional artistry, where the natural grain of precious woods is honored through sophisticated carving and joinery. This architectural approach to object-making reflects a uniquely Korean aesthetic—one that finds harmony in the balance between utility and elegance. Similarly, the metalwork collection reveals how precious metals can be transformed into wearable art, blending ornamental splendor with cultural narratives. For the interior designer or collector, these pieces represent more than decoration; they are sculptural elements that bring a sense of historical depth and artisanal integrity to any contemporary space.

    The architecture of the foundation itself mirrors this philosophy of harmonious fusion. The building’s sleek, minimalist design acts as a quiet, sophisticated canvas, allowing the intricate details of the crafts to command the viewer's full attention. Large, intentional windows invite natural light to flood the interiors, creating a seamless connection between the curated treasures within and the shifting landscape of Seoul outside. This transparency fosters an atmosphere of contemplation, inviting visitors to lose themselves in the subtle textures of clay, fiber, and metal.

    A Vision for the Future of Craft

    What truly distinguishes KCDF is its proactive role as a cultural incubator. While much of the foundation's mission is dedicated to the preservation of fading traditions, there is an unmistakable energy directed toward the future. The institution does not merely look backward with nostalgia; it actively nurtures a thriving ecosystem for young makers and contemporary designers. Through groundbreaking exhibitions and collaborative projects, KCDF explores how traditional techniques can be reinterpreted through modern materials and digital sensibilities. This commitment to innovation ensures that Korean craft remains a living, evolving language rather than a static relic of the past.

    Whether through workshops that revive forgotten skills or international showcases that bring Korean design to the global stage, the foundation continues to expand its influence. It is this unique ability to marry the ancient with the experimental that makes KCDF a singular cultural landmark. For the art lover, it offers a profound connection to Korea's cultural soul; for the designer, it provides an inexhaustible well of inspiration; and for the world, it presents a compelling vision of how heritage can drive the creative spirit of tomorrow.

    자세히 보기

    온라인에서 더 보기

    Amphibole Object 다운로드 페이지로 연결되는 QR 코드

    topimpressionists.com/ko/art/download/yoon-yongbin-amphibole-object-DD28WC-en/

    이 작품 인용하기

    MLA
    Yongbin, Yoon. Amphibole Object. n.d., korea-craft-and-design-foundation. https://topimpressionists.com/ko/art/yoon-yongbin-amphibole-object-DD28WC-en/
    APA
    Yongbin, Yoon (n.d.). Amphibole Object [Painting]. korea-craft-and-design-foundation. https://topimpressionists.com/ko/art/yoon-yongbin-amphibole-object-DD28WC-en/
    Chicago
    Yoon Yongbin. Amphibole Object. n.d. korea-craft-and-design-foundation. https://topimpressionists.com/ko/art/yoon-yongbin-amphibole-object-DD28WC-en/
    Harvard
    Yongbin, Yoon (n.d.) Amphibole Object. korea-craft-and-design-foundation. Available at: https://topimpressionists.com/ko/art/yoon-yongbin-amphibole-object-DD28WC-en/

    상세히 보기

    Amphibole Object — Yoon Yongbin

    자세히 들여다보기

    자신의 언어로 답변해 주세요. 정답은 없습니다. 오직 스스로 설명할 수 있는 답변이 있을 뿐입니다.

    1. 가장 먼저 눈길을 사로잡는 것은 무엇이며, 그 이유는 무엇인가요?
    2. 어떤 색상이나 형태가 분위기를 조성하며, 그 분위기는 무엇인가요?
    3. 저희 카탈로그는 이 작품을 다음 분류로 등록하고 있습니다: korean art, stone vessels, minimalist design. 이에 동의하시나요? 추가하거나 제외하고 싶은 내용이 있으신가요?
    4. Yoon Yongbin의 작품 세계에서 반복되는 주제들: exploration of form & texture, cultural narrative focus, quiet contemplation series. 이 중 어떤 것이 이 작품에서 느껴지시나요?
    5. 작가는 당신이 무엇을 느끼길 원했을까요?

    작성하신 내용

    이 작품에 대해 짧은 글을 작성해 보세요. 가이드 앞부분의 정보와 위에서 답변한 내용을 활용하시기 바랍니다.

    질의응답

    Yoon Yongbin의 "Amphibole Object"은 어떤 사조와 시대에 속하나요?

    Yoon Yongbin의 "Amphibole Object"은(는) 작가의 Contemporary 시대 중 Contemporary Still Life 사조에 속합니다.

    Yoon Yongbin의 다른 이름이나 별칭에는 무엇이 있나요?

    Yoon Yongbin은(는) Lee Sae-On라는 다른 이름으로도 알려져 있습니다.

    Yoon Yongbin의 "Amphibole Object"의 색감은 채도가 높은 편인가요, 아니면 차분한 편인가요?

    Yoon Yongbin의 "Amphibole Object"은(는) Muted의 채도로 기록되었습니다.