Portrait of an Artist, Traditionally Identified as Mademoiselle Halbou (1795)은(는) Adèle Romany의 가장 대표적인 작품으로, 워싱턴, D.C.에 위치한 National Museum of Women in the Arts에 소장되어 있습니다. Madame Coury, Duhamel Widow (1811)와 Portrait of a Young Woman (1804)가 더해져 가장 사랑받는 캔버스 3인방이 완성됩니다. Adèle Romany의 작품 39점이 등록되어 있습니다. 그중 가장 유명한 37점의 작품을 연도, 소장 미술관, 그리고 각 작품에 담긴 이야기와 함께 만나보세요.
각 작품의 검색, 방문 및 주문 수를 결합한 인기 점수를 기준으로 순위를 매깁니다. 10월 2026 업데이트됨. 이 페이지의 모든 작품은 린넨 캔버스에 수작업으로 제작된 유화 복제화 또는 원하는 크기로 제작 가능한 파인 아트 프린트로 주문하실 수 있습니다.
The gaze of the sitter meets us in Portrait of an Artist, Traditionally Identified as Mademoiselle Halbou, a work that captures a quiet, creative pause. Painted by Adèle Romany around 1795, the portrait presents a woman poised amidst the tools of her intellect and expression. She exists in a moment of stillness, her presence defined by the delicate textures of her attire and the objects that surround her.
In this portrait from 1811, we find ourselves in the private, composed space of Madame Coury, the widow Duhamel. She is seated with a quiet dignity, her presence defined by a sense of refined status and the stillness of a life lived with intention. The composition is a three-quarter length arrangement, positioning her slightly off-center to create a balanced, natural poise. A deep forest green gown anchors the figure, its…
The artwork titled Portrait of a Young Woman is a portrait painted by Adèle Romany. Created in 1804, this oil on canvas work belongs to the genre of portraiture. The subject of the painting is a single young woman, depicted in a full-length vertical composition.
In Portrait of Julie Candeille, Adèle Romany employs a formal, neoclassical arrangement to present the subject in a medium close-up. The figure is contained within an oval vignette, a choice that creates a sense of depth and focuses the viewer's attention on the sitter. This geometric structure provides a controlled boundary against a soft, atmospheric background of dark greenery. The composition balances the organic fluidity of the subject with this…
The air in the room feels heavy with the scent of old wood and the quiet anticipation of a single note. A young woman sits poised, her body angled toward the left as her fingers prepare to brush against the vertical strings of a harp. The warm, reddish-brown wood of the instrument catches the light, creating a soft glow that contrasts against the deep, muted teal of the background. She…
The Portrait of a woman by Adèle Romany captures a single, quiet moment from 1795. This bust-length composition is set within an oval format, focusing the viewer's attention on the presence of the sitter. The subject is an elegant and intimate young woman, her likeness emerging from a dark, muted background that recedes into shadow.
In this oval-format portrait, we encounter Amélie-Justine Pontois in a moment of quiet poise. The composition, captured in a three-quarter view, positions her with a gentle sense of movement that avoids the stiffness often found in formal commissions of the era. She is rendered with a soft, luminous quality, her skin tones warming against a background of atmospheric greys and deep, nebulous shadows. There is a certain stillness here, a…
The man sits in a quiet, oval frame, caught in a moment of stillness. He is a figure of the late eighteenth century, draped in the heavy, tactile weight of a dark coat. A crisp white cravat provides a sharp, bright break against the warmth of his skin and the earthy tones of his attire. Light falls from the upper left, carving the geometry of his face with a gentle…
The air feels still, as if the world has paused to allow this couple a moment of private repose. Amélie-Justine and Charles-Édouard Pontois lean toward one another, their connection felt through the gentle tilt of their heads and the soft drape of a shawl. She rests her arm upon his shoulder, a gesture of quiet intimacy that speaks of a shared life lived in the calm of a changing era.…
The scene unfolds within the quiet tension of "A young person hesitating to play the piano in front of her family," an oil on canvas work that captures a fleeting moment of domestic hesitation. Adèle Romany brings this intimate gathering to life, freezing a single instance of social grace and youthful uncertainty. The figures are suspended in a poised, formal arrangement that suggests the weight of expectation hanging in the…
is an oil on canvas work by Adèle Romany, executed in 1799. The artist, born in Paris, France, in 1769, was a significant figure in the French portraiture…
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In this 1802 oil painting, we find ourselves drawn into a quiet, private interval between two figures. The composition centers on a young man and woman, their bodies…
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This Neoclassical portrait, rendered in 1799, presents Jeanne-Marie Mercier in a three-quarter view, seated with a quiet, steady presence. The composition is contained within an oval format, focusing…
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In Portrait of Justine-Louise Mercier, aunt of the artist, Adèle Romany employs a Neoclassical and Late Baroque sensibility to capture the sitter in an intimate, oval-format composition. The…
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In this portrait of Louis Jean-Baptiste Étienne Vigée, Adèle Romany captures a man of letters through the quiet stillness of an interior setting. Painted about 1800, the work…
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In Portrait de Mme Thénard, Adèle Romany presents a three-quarter length portrait of the subject. The figure is positioned against a dark, indeterminate background that lacks specific environmental…
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In Adèle Romany's Full-length Portrait of a Young Lady Seated in a Landscape, about 1805, the subject occupies a central position, though she is placed slightly to the…
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The oil on canvas titled Portrait of a Lady at a Pianoforte was executed by the French painter Adèle Romany in 1808. This portrait captures a young woman…
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A young man sits in the quiet gravity of 1807. He is turned slightly toward the upper right, his gaze drifting away from the viewer toward an unseen…
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A young man sits in a quiet moment of musical devotion. He holds a lyre guitar, the polished wood catching a soft, directional light from the upper left.…
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Portrait of Emilie Leverd by Adèle Romany is a three-quarter length portrait composed with a deliberate sense of balance. The subject is positioned slightly off-center, directing her gaze…
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In this portrait, titled Mlle Raucourt as Agrippine, the artist Adèle Romany presents a striking study of the celebrated French actress Françoise Marie Antoinette Saucerotte. Known professionally as…
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In the Portrait of Joseph Souberbielle by Adèle Romany, an elderly gentleman is depicted in a three-quarter length pose. He is seated within a study-like setting, positioned slightly…
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A young woman is positioned in a three-quarter length pose, situated slightly off-center within a landscape setting. She wears a satin gown of luminous white and silver tones…
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The Portrait of Antoine Valedau is a formal work by the French painter Adèle Romany. Created in 1809, this oil on canvas portrait captures a single male figure…
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The Portrait of Alphonse de Chavanges is an oil painting by the French artist Adèle Romany. The subject of the work is Alphonse de Chavanges, who was also…
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In this 1810 oil on canvas, we find ourselves in the presence of Michael Kelly, a man whose very posture suggests a life lived through song. He is…
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A middle-aged man sits in a three-quarter length pose, his presence defined by a sense of intellectual weight and social standing. He is positioned slightly off-center, a composition…
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An elderly gentleman sits within the stillness of a domestic interior, caught in a pause between duties. He is positioned slightly off-center, his figure anchored by the weight…
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Aglaé-Constance Boudard is presented in a three-quarter view, her presence anchored by the heavy, saturated crimson of a velvet dress. The fabric catches the light from the upper…
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The canvas holds a young woman, Amélie-Justine Laidin de la Bouterie, suspended in a moment of quietude. She is positioned in a three-quarter length pose, her presence anchored…
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이 캔버스들에서 가장 자주 등장하는 네 가지 주제와 각 주제를 대표하는 명작들.
이 페이지에 있는 작품을 가장 많이 소장하고 있는 8개의 미술관
| 소장 미술관 | 도시 | Adèle Romany의 작품 | 이 목록의 작품들 |
|---|---|---|---|
| Library-museum of the Comédie-Française | Paris | 5 | Portrait of Emilie Leverd, Mlle Raucourt as Agrippine, Portrait of Fleury |
 베르사유 궁전 |
베르사유 | 2 | Charles-Antoine d'Artenay, The Marquis de Romance Mesmon's snack |
 보스턴 미술관 |
보스턴 | 2 | Portrait of a Lady at a Pianoforte, Joseph-Dominique Fabry Garat Playing a Lyre Guitar |
 National Museum of Women in the Arts |
워싱턴, D.C. | 1 | Portrait of an Artist, Traditionally Identified as Mademoiselle Halbou |
 국립 미술관 |
스톡홀름 | 1 | Madame Coury, Duhamel Widow |
 마르모탄 모네 미술관 |
파리 | 1 | Portrait of a Young Woman |
 Palais des Beaux-Arts de Lille |
릴 | 1 | Portrait of a Young Harpist |
 Musée Jacquemart-André |
파리 | 1 | Portrait of a woman |
The gaze of the sitter meets us in Portrait of an Artist, Traditionally Identified as Mademoiselle Halbou, a work that captures a quiet, creative pause. Painted by Adèle…
The artwork titled Portrait of a Young Woman is a portrait painted by Adèle Romany. Created in 1804, this oil on canvas work belongs to the genre of…
In this portrait from 1811, we find ourselves in the private, composed space of Madame Coury, the widow Duhamel. She is seated with a quiet dignity, her presence…
Portrait of an Artist, Traditionally Identified as Mademoiselle Halbou (1795), National Museum of Women in the Arts, 워싱턴, D.C.. 다음은 Madame Coury, Duhamel Widow (1811)와 Portrait of a Young Woman (1804)입니다.
1769년에 태어난 Adèle Romany은(는) 26세였으며, Portrait of an Artist, Traditionally Identified as Mademoiselle Halbou은(는) 1795년의 작품입니다.
Portrait of an Artist, Traditionally Identified as Mademoiselle Halbou, Madame Coury, Duhamel Widow, Portrait of a Young Woman, Portrait of Julie Candeille, Portrait of a Young Harpist, Portrait of a woman, Portrait of Amélie-Justine Pontois, Charles-Antoine d'Artenay, Portrait of Amélie-Justine and Charles-Édouard Pontois 및 A young person hesitating to play the piano in front of her family. 위 랭킹의 각 캔버스 작품에는 제작 연도와 소장 미술관 정보가 포함되어 있습니다.
1791부터 1836까지 제작된 Adèle Romany의 작품 39점이 카탈로그에 등록되어 있습니다.
대부분 Library-museum of the Comédie-Française (Paris), 베르사유 궁전 (베르사유) 및 보스턴 미술관 (보스턴)에 소장되어 있습니다. 위 목록은 각 미술관과 해당 미술관의 작품 목록을 나타냅니다.
이 페이지의 총 37점의 작품 중 13점이 1800s에 제작되었으며, 그중 Portrait of a Young Woman입니다.
이 페이지에서 가장 오래된 캔버스는 Portrait of Julie Candeille (1791)이며, 가장 최근의 것은 Portrait of Voltaire (1836)입니다.
이 페이지의 37점의 작품에 걸쳐 있는 Woman (21), Man (12) 및 White dress (6)
이 페이지의 총 37점의 작품 중 26점에 Oil On Canvas이(가) 사용되었습니다.
이 페이지의 캔버스들이 보여주듯, Neoclassicism의 정수를 만나보세요.
Library-museum of the Comédie-Française, Paris은 이 페이지에 있는 작품 중 5점을 소장하고 있으며, 그중에는 Portrait of Emilie Leverd, Mlle Raucourt as Agrippine 및 Portrait of Fleury이(가) 포함되어 있습니다.
네, 이 페이지에 있는 모든 작품은 각 작품의 상세 페이지에서 원하시는 크기의 수작업 유화 복제화 또는 파인 아트 프린트로 주문하실 수 있습니다.
Adèle de Romance, also known as Adèle Romany or Adèle Romanée (December 7, 1769 – June 6, 1846), was a highly regarded French painter specializing in miniatures and portraits. Her career spanned several decades of significant social and political change in France, and she successfully navigated the art world while adapting her name and artistic presentation to reflect evolving circumstances.
Adèle de Romance’s work received limited critical attention after her death in 1846. However, recent scholarship and a retrospective exhibition at the Jean-Honoré-Fragonard Museum in Grasse (scheduled for 2025) are contributing to a renewed appreciation of her artistic contributions. Her legacy lies not only in her skillful execution but also in her ability to capture the spirit of a vibrant cultural scene and navigate a complex historical landscape as a successful female artist.
