아틀리에 — 전 세계 무료 배송 — 배송 기간 2~6주
      Basawan, 1560 – 1600

      Basawan의 가장 유명한 명작 13점

      Mihrdukht aims her arrow at the ring (1570)은(는) Basawan의 가장 대표적인 작품으로, 뉴욕에 위치한 메트로폴리탄 미술관에 소장되어 있습니다. The hunter offers the mother parrot to the king of Kamarupa, from a Tuti-nama (Tales of a Parrot): Fifth Night (1560)와 The hunter throws away the baby parrots, who pretend to be dead, and captures the mother, from a Tuti-nama (Tales of a Parrot): Fifth Night (1560)가 더해져 가장 사랑받는 캔버스 3인방이 완성됩니다. Basawan의 작품 13점이 등록되어 있습니다. 그중 가장 유명한 13점의 작품을 연도, 소장 미술관, 그리고 각 작품에 담긴 이야기와 함께 만나보세요.

      각 작품의 검색, 방문 및 주문 수를 결합한 인기 점수를 기준으로 순위를 매깁니다. 10월 2026 업데이트됨. 이 페이지의 모든 작품은 린넨 캔버스에 수작업으로 제작된 유화 복제화 또는 원하는 크기로 제작 가능한 파인 아트 프린트로 주문하실 수 있습니다.

      Basawan의 초상화
      Basawan · 1560 – 1600
      생몰 연도
      1560 – 1600, Uttar Pradesh
      카탈로그 작품 목록
      13
      가장 유명한
      Mihrdukht aims her arrow at the ring (1570)
      최다 소장처
      클리블랜드 미술관

      Basawan의 가장 사랑받는 명작 10선

      Mihrdukht aims her arrow at the ring (1570) 의 Basawan
      1

      Mihrdukht aims her arrow at the ring

      1570 · Tempera · 메트로폴리탄 미술관, 뉴욕

      The air holds its breath as Mihrdukht leans over the balcony, her focus narrowing to a single, slender point. She aims her arrow at the ring, a gesture that freezes the very pulse of the court. Below her, the world unfolds in layers of architectural precision and organic life. Attendants and observers gather in the shadows of the structure, their eyes drawn upward to the woman and her task. The…

      수작업 유화 복제화 시작가 $403 28 × 36 cm 원작과 동일한 크기 $481 52 × 68 cm 원작 사이즈로 주문하기 →

      Basawan: 랭킹 11위부터 13위까지의 작품

      Basawan의 작품이 전시된 곳

      이 페이지에 있는 작품을 가장 많이 소장하고 있는 6개의 미술관

      소장 미술관 도시 Basawan의 작품 이 목록의 작품들
      클리블랜드 미술관, 클리블랜드클리블랜드 미술관 클리블랜드 8 The hunter offers the mother parrot to the king of Kamarupa, from a Tuti-nama (Tales of a Parrot): Fifth Night, The hunter throws away the baby parrots, who pretend to be dead, and captures the mother, from a Tuti-nama (Tales of a Parrot): Fifth Night, The donkey, in a tiger’s skin, reveals his identity by braying aloud, from a Tuti-nama (Tales of a Parrot): Thirty-first Night
      메트로폴리탄 미술관, 뉴욕메트로폴리탄 미술관 뉴욕 1 Mihrdukht aims her arrow at the ring
      빅토리아 앤 알버트 박물관, 런던빅토리아 앤 알버트 박물관 런던 1 Akbar visits the tomb of Khwajah Mu'in ad-Din Chishti at Ajmer
      시카고 미술관, 시카고시카고 미술관 시카고 1 The Young Emperor Akbar Arrests the Insolent Shah Abu’l-Maali, page from a manuscript of the Akbarnama
      샌디에이고 미술관, 샌디에이고샌디에이고 미술관 샌디에이고 1 The Virgin and Child
      하버드 미술관, 캠브리지하버드 미술관 캠브리지 1 A Mughal and a Rajput Converse at Dusk

      수십 년의 세월을 넘어 사랑받는 Basawan의 가장 유명한 캔버스 작품

      1. 1570s
        Mihrdukht aims her arrow at the ring (1570) 의 Basawan
        13개 중 1위

        Mihrdukht aims her arrow at the ring

        연령대 10 – 19 · 메트로폴리탄 미술관

        The air holds its breath as Mihrdukht leans over the balcony, her focus narrowing to a single, slender point. She aims her arrow at the ring, a gesture…

      2. 1580s
      3. 1590s

      Basawan의 캔버스, 질문을 통해 만나보다

      Basawan의 작품 중 가장 잘 알려진 캔버스는 무엇인가요?답변 보기

      Mihrdukht aims her arrow at the ring (1570), 메트로폴리탄 미술관, 뉴욕. 다음은 The hunter offers the mother parrot to the king of Kamarupa, from a Tuti-nama (Tales of a Parrot): Fifth Night (1560)와 The hunter throws away the baby parrots, who pretend to be dead, and captures the mother, from a Tuti-nama (Tales of a Parrot): Fifth Night (1560)입니다.

      Mihrdukht aims her arrow at the ring: Basawan이(가) 이 작품을 그렸을 때의 나이는 몇 살이었을까요?답변 보기

      1560년에 태어난 Basawan은(는) 10세였으며, Mihrdukht aims her arrow at the ring은(는) 1570년의 작품입니다.

      Basawan의 가장 유명한 작품 10가지는 무엇인가요?답변 보기

      Mihrdukht aims her arrow at the ring, The hunter offers the mother parrot to the king of Kamarupa, from a Tuti-nama (Tales of a Parrot): Fifth Night, The hunter throws away the baby parrots, who pretend to be dead, and captures the mother, from a Tuti-nama (Tales of a Parrot): Fifth Night, The donkey, in a tiger’s skin, reveals his identity by braying aloud, from a Tuti-nama (Tales of a Parrot): Thirty-first Night, A feast for Babur hosted by his half-brother Jahangir Mirza in Ghazni in May 1505, from a Babur-nama (Memoirs of Babur), Akbar visits the tomb of Khwajah Mu'in ad-Din Chishti at Ajmer, The Young Emperor Akbar Arrests the Insolent Shah Abu’l-Maali, page from a manuscript of the Akbarnama, The Virgin and Child, The siege of Arbela in the era of Hulagu Khan, from a Chingiz-nama (Book of Chingiz Khan) of the Jami al-tavarikh (Compendium of Chronicles) of Rashid al-Din (Persian, 1247–1318) 및 Page from Tales of a Parrot (Tuti-nama): text page. 위 랭킹의 각 캔버스 작품에는 제작 연도와 소장 미술관 정보가 포함되어 있습니다.

      Basawan 작가는 몇 점의 작품을 남겼나요?답변 보기

      1570부터 1596까지 제작된 Basawan의 작품 13점이 카탈로그에 등록되어 있습니다.

      Basawan의 가장 유명한 작품들은 오늘날 어디에 전시되어 있을까요?답변 보기

      대부분 클리블랜드 미술관 (클리블랜드), 메트로폴리탄 미술관 (뉴욕) 및 빅토리아 앤 알버트 박물관 (런던)에 소장되어 있습니다. 위 목록은 각 미술관과 해당 미술관의 작품 목록을 나타냅니다.

      Basawan의 가장 유명한 작품들은 언제 그려졌을까요?답변 보기

      이 페이지의 총 13점의 작품 중 4점이 1590s에 제작되었으며, 그중 Akbar visits the tomb of Khwajah Mu'in ad-Din Chishti at Ajmer입니다.

      어떤 유명한 Basawan 캔버스가 가장 먼저 제작되었고, 어떤 것이 마지막인가요?답변 보기

      이 페이지에서 가장 오래된 캔버스는 Mihrdukht aims her arrow at the ring (1570)이며, 가장 최근의 것은 The siege of Arbela in the era of Hulagu Khan, from a Chingiz-nama (Book of Chingiz Khan) of the Jami al-tavarikh (Compendium of Chronicles) of Rashid al-Din (Persian, 1247–1318) (1596)입니다.

      클리블랜드 미술관이(가) 소장하고 있는 Basawan의 작품은 무엇인가요?답변 보기

      클리블랜드 미술관, 클리블랜드은 이 페이지에 있는 작품 중 8점을 소장하고 있으며, 그중에는 The hunter offers the mother parrot to the king of Kamarupa, from a Tuti-nama (Tales of a Parrot): Fifth Night, The hunter throws away the baby parrots, who pretend to be dead, and captures the mother, from a Tuti-nama (Tales of a Parrot): Fifth Night 및 The donkey, in a tiger’s skin, reveals his identity by braying aloud, from a Tuti-nama (Tales of a Parrot): Thirty-first Night이(가) 포함되어 있습니다.

      Basawan의 작품 복제본은 어디에서 구매할 수 있나요?답변 보기

      네, 이 페이지에 있는 모든 작품은 각 작품의 상세 페이지에서 원하시는 크기의 수작업 유화 복제화 또는 파인 아트 프린트로 주문하실 수 있습니다.

      화가 소개: Basawan

      Basawan: The Pioneer of Mughal Portraiture

      Basawan (flourished 1580–1600), a name whispered with reverence in Indian art history, stands as one of the foremost figures of the Mughal miniature tradition. Though shrouded in obscurity—details about his life remain scant—his legacy endures through his breathtaking depictions of human subjects within the monumental Akbarnama, cementing his place as an innovator who elevated portraiture to unprecedented heights. Born in New Delhi during a period of significant cultural exchange between Persia and India, Basawan’s artistic journey began amidst the opulent courts of Akbar the Great. His formative years were spent under the tutelage of Abd al-Samad, a renowned artist whose influence profoundly shaped Basawan's stylistic sensibilities. This mentorship instilled within him a meticulous observation of human anatomy and expression—a hallmark that distinguishes his work from contemporaries.
      • Akbarnama Influence: Basawan’s contribution to the Akbarnama is arguably his most celebrated achievement. Unlike previous chronicles, Akbar commissioned a series of portraits capturing not merely royal figures but also individuals representing diverse social strata – scholars, musicians, and artisans. This bold decision signaled a departure from conventional artistic practices and established Basawan as a trailblazer in portraying human character with remarkable realism.
      • Color Palette & Technique: Basawan’s mastery lay primarily in his exceptional color palette and technique. Utilizing opaque watercolor pigments combined with gold leaf—a practice considered revolutionary at the time—he achieved luminous hues and textural depth that captivated viewers. His meticulous layering of colors created an illusionistic effect, mirroring the subtleties of light and shadow and conveying a profound sense of atmosphere.
      • Family Legacy: Basawan’s artistic lineage continued through his son Manohar Das, who carried on the family tradition as a court painter. Today, the Das family maintains a thriving manufacturing business specializing in handcrafted carpets—a tangible connection to their ancestral heritage and a testament to the enduring influence of Basawan's artistic vision.

      Exploring His Artistic Output: Beyond Akbarnama Illustrations

      While the Akbarnama undoubtedly represents Basawan’s magnum opus, evidence suggests he engaged in diverse artistic endeavors extending beyond royal commissions. Fragments of manuscripts depicting scenes from Hindu mythology—particularly those featuring Tara Kalan—offer glimpses into his versatility and willingness to explore different thematic concerns. These works demonstrate a keen understanding of symbolism and narrative complexity, reflecting the broader intellectual currents of the Mughal era.
      • Notable Works: Among Basawan’s surviving paintings are depictions of angels (Peri) riding composite camels—a striking visual representation of Islamic cosmology—and portraits capturing the dignity and solemnity of royal figures.

      Connections to Western Artistic Traditions

      Basawan's artistic development coincided with the arrival of Jesuit missionaries in India, bringing with them European paintings that profoundly impacted Mughal artists. This exposure fostered a dialogue between Eastern and Western aesthetics—a pivotal moment in Indian art history—and Basawan’s oeuvre bears subtle traces of this influence. His meticulous attention to detail and his masterful use of perspective foreshadowed developments occurring across the ocean, marking him as an artist attuned to global artistic trends.

      Historical Significance: A Reflection of Mughal Patronage

      Basawan's success is inextricably linked to Akbar’s enlightened patronage—a royal commitment to fostering artistic excellence and promoting cultural enrichment. Akbar recognized Basawan’s talent and entrusted him with monumental commissions, securing his place as one of the most influential artists of his time. His work serves as a poignant reminder of the transformative power of royal support in shaping artistic innovation and preserving cultural heritage for posterity.