Daphne Todd의 가장 사랑받는 작품은 st Catharine's College(Cambridge)에 전시된 Professor Barry Supple, Master (1984–1993) (1991)입니다. 독자들이 가장 잘 알고 있는 명작 중 다음은 Duncan Stewart와 Bill Sykes, Peter Strawson, George Cawkwell and Hartmut Pogge von Strandmann입니다. Daphne Todd의 작품 18점이 등록되어 있습니다. 그중 가장 유명한 18점을 선정하여 제작 연도, 소장 미술관 및 작품의 특징과 함께 소개합니다.
각 작품의 검색, 방문 및 주문 수를 결합한 인기 점수를 기준으로 순위를 매깁니다. 11월 2026 업데이트됨.
이 캔버스들에서 가장 자주 등장하는 네 가지 주제와 각 주제를 대표하는 명작들.
이 페이지에 있는 작품을 가장 많이 소장하고 있는 8개의 미술관
| 소장 미술관 | 도시 | Daphne Todd의 작품 | 이 목록의 작품들 |
|---|---|---|---|
| 케임브리지 | 4 | Robin and Lesley Monckton, Farmers, Ron and Ray Pett, Butchers, Trevor Tasker, Cesspit Emptier | |
| 옥스퍼드 | 2 | Bill Sykes, Peter Strawson, George Cawkwell and Hartmut Pogge von Strandmann, John (Wyndham) Albery (b.1936), FRS, Master (1989–1997) | |
| Cambridge | 1 | Professor Barry Supple, Master (1984–1993) | |
| 옥스퍼드 | 1 | Duncan Stewart | |
| 런던 | 1 | Professor Peter Mortimore (b.1942), OBE, PhD, FBPS, Director (1994–2000) | |
| 옥스퍼드 | 1 | Jim Murden (b.1946), Chef (1976–2011), and Kevin Egleston (b.1946), Butler (1981–2011) | |
| Nottingham | 1 | Councillor Dennis Pettitt, Leader of the County Council (1981–2001) | |
| 런던 | 1 | Professor Allan Templeton, President of the Royal College of Obstetricians and Gynaecologists (2004–2007) |
Professor Barry Supple, Master (1984–1993) (1991), st Catharine's College, Cambridge. 다음은 Duncan Stewart와 Bill Sykes, Peter Strawson, George Cawkwell and Hartmut Pogge von Strandmann입니다.
1947년에 태어난 Daphne Todd은(는) 44세였으며, Professor Barry Supple, Master (1984–1993)은(는) 1991년의 작품입니다.
Professor Barry Supple, Master (1984–1993), Duncan Stewart, Bill Sykes, Peter Strawson, George Cawkwell and Hartmut Pogge von Strandmann, Sir Austin Pearce (1921–2004), CBE, Evan Roderic Bowen (1913–2001), President of St David's University College (1977–1992), Sir (Philip) Christopher Ondaatje, Spike Milligan, John (Wyndham) Albery (b.1936), FRS, Master (1989–1997), Robin and Lesley Monckton, Farmers 및 Ron and Ray Pett, Butchers. 위 랭킹의 각 캔버스 작품에는 제작 연도와 소장 미술관 정보가 포함되어 있습니다.
1990부터 2011까지 제작된 Daphne Todd의 작품 18점이 카탈로그에 등록되어 있습니다.
대부분 Girton College (케임브리지), University College (옥스퍼드) 및 st Catharine's College (Cambridge)에 소장되어 있습니다. 위 목록은 각 미술관과 해당 미술관의 작품 목록을 나타냅니다.
이 페이지의 총 18점의 작품 중 6점이 1990s에 제작되었으며, 그중 Professor Barry Supple, Master (1984–1993)입니다.
이 페이지에서 가장 오래된 캔버스는 Sir Austin Pearce (1921–2004), CBE (1990)이며, 가장 최근의 것은 Jim Murden (b.1946), Chef (1976–2011), and Kevin Egleston (b.1946), Butler (1981–2011) (2011)입니다.
Girton College, 케임브리지은 이 페이지에 있는 작품 중 4점을 소장하고 있으며, 그중에는 Robin and Lesley Monckton, Farmers, Ron and Ray Pett, Butchers 및 Trevor Tasker, Cesspit Emptier이(가) 포함되어 있습니다.
In the realm of contemporary British portraiture, few names command as much respect and intrigue as Daphne Todd. Born on March 27, 1947, Todd has spent her career not merely painting faces, but excavating the very essence of human character. Her work is a profound meditation on identity, captured through a mastery of oil painting that balances unflinching realism with a delicate, psychological depth. To look upon a Todd portrait is to encounter a subject stripped of pretense, presented with a clarity that feels both timeless and startlingly immediate.
Todd’s artistic journey began with a rigorous classical foundation, shaped by her formative years in York and her intensive studies at the Slade School of Fine Art between 1964 and 1971. Under the disciplined guidance of Sir William Coldstream, she mastered the technical nuances of light, shadow, and form. This period of academic excellence was marked by early triumphs, including the British Institute Award for Figurative Painting and the Tonks Drawing Prize, signaling the arrival of a formidable talent. Her ability to translate the physical world into emotive oil compositions would become the hallmark of her enduring legacy.
Beyond her technical prowess, Daphne Todd’s historical significance lies in her role as a trailblazer for women in the fine arts. She famously shattered gendered glass ceilings within the Royal Society of Portrait Painters, serving as its inaugural female president from 1994 to 2000. This achievement was not merely a personal milestone but a transformative moment for the institution, signaling a shift toward a more inclusive era of British portraiture. Her influence extended into the very fabric of London’s cultural landscape, earning her the title of Freeman of the City of London and an OBE for her contributions to the arts.
Her career is punctuated by moments of profound recognition that highlight her versatility and courage. While many portraitists seek only the flattering, Todd has demonstrated a fearless commitment to truth, even in the most challenging subject matter. Notable milestones include:
The magic of Todd’s oeuvre lies in its breadth. Her subjects range from the academic and the distinguished to the everyday worker, such as the poignant study of Trevor Tasker, Cesspit Emptier. Whether she is painting a figure in a richly furnished library, like Sir Philip Christopher Ondaatje, or exploring the quiet contemplation of Professor Barry Supple, her brushwork remains consistent in its devotion to truth. She possesses a rare ability to weave subtle symbolism into her compositions, allowing the setting and the light to speak as loudly as the sitter’s expression.
Today, Daphne Todd remains a pivotal figure whose work continues to resonate within the halls of the National Portrait Gallery and private collections worldwide. Her legacy is one of uncompromising vision—a career dedicated to the belief that every face holds a story worth telling, and every shadow contains a truth waiting to be revealed. Through her eyes, British life is not just observed; it is immortalized with grace, dignity, and an unforgettable sense of humanity.