데이비드 재거의 모든 작품 중 The Bolshevik (1918)이(가) 가장 유명하며, 오타와에 위치한 Canadian War Museum에 전시되어 있습니다. 그 뒤를 이어 Thomas Newbould (1845–1933) (1921)와(과) Henry Alexander, LLD, Lord Provost of Aberdeen (1932–1935) (1936)가 뒤를 이었습니다. 우리 카탈로그에 수록된 데이비드 재거의 작품 23점 중 가장 찬사받는 23점을 소개합니다. 각 작품은 제작 연도, 소장 미술관 및 작품에 얽힌 이야기를 함께 보여줍니다.
각 작품의 검색, 방문 및 주문 수를 결합한 인기 점수를 기준으로 순위를 매깁니다. 11월 2026 업데이트됨.
이 캔버스들에서 가장 자주 등장하는 네 가지 주제와 각 주제를 대표하는 명작들.
이 페이지에 있는 작품을 가장 많이 소장하고 있는 8개의 미술관
| 소장 미술관 | 도시 | 데이비드 재거의 작품 | 이 목록의 작품들 |
|---|---|---|---|
| Eastbourne | 2 | Alderman Miss Alice Hudson, JP, Mayor of Eastbourne (1925–1928 1943–1945), Alderman Lieutenant Colonel Roland Vaughan Gwynne, DSO, DL, JP, Mayor of Eastbourne (1928–1931) | |
| 오타와 | 1 | The Bolshevik | |
| 리버풀 | 1 | Sewing | |
| Sheffield | 1 | Henry Hall Bedford, JP, Chairman of the Board (1913–1924) | |
| London | 1 | Lord Baden Powell (1857–1941), as World Chief Scout | |
| 노팅엄 | 1 | Jewish Refugee, Vienna | |
| Egham | 1 | Miss Janet Ruth Bacon | |
| 버밍엄 | 1 | Sir Horace Clarke |
The Bolshevik (1918), Canadian War Museum, 오타와. 다음은 Thomas Newbould (1845–1933) (1921)와 Henry Alexander, LLD, Lord Provost of Aberdeen (1932–1935) (1936)입니다.
1891년에 태어난 데이비드 재거은(는) 27세였으며, The Bolshevik은(는) 1918년의 작품입니다.
The Bolshevik, Thomas Newbould (1845–1933), Henry Alexander, LLD, Lord Provost of Aberdeen (1932–1935), Dr John George Graves (1866–1945), Portrait of a Man, The Late Cyrus Jones, Kathleen, Portrait of a Lady, Charles Jagger (1885–1934) 및 Charles Sargeant Jagger. 위 랭킹의 각 캔버스 작품에는 제작 연도와 소장 미술관 정보가 포함되어 있습니다.
1917부터 1950까지 제작된 데이비드 재거의 작품 23점이 카탈로그에 등록되어 있습니다.
대부분 Towner (Eastbourne), Canadian War Museum (오타와) 및 워커 아트 갤러리 (리버풀)에 소장되어 있습니다. 위 목록은 각 미술관과 해당 미술관의 작품 목록을 나타냅니다.
이 페이지의 총 23점의 작품 중 6점이 1920s에 제작되었으며, 그중 Thomas Newbould (1845–1933)입니다.
이 페이지에서 가장 오래된 캔버스는 Charles Jagger (1885–1934) (1917)이며, 가장 최근의 것은 Michael Theodore Waterhouse (1888–1968), CBE, PRIBA (1950)입니다.
이 페이지의 23점의 작품에 걸쳐 있는 Portraits (2) 및 Men (2)
Towner, Eastbourne은 이 페이지에 있는 작품 중 2점을 소장하고 있으며, 그중에는 Alderman Miss Alice Hudson, JP, Mayor of Eastbourne (1925–1928 1943–1945) 및 Alderman Lieutenant Colonel Roland Vaughan Gwynne, DSO, DL, JP, Mayor of Eastbourne (1928–1931)이(가) 포함되어 있습니다.
Born in Kilnhurst, near Rotherham, David Jagger emerged as one of the most accomplished English portrait painters of his era. His journey into the world of fine art was deeply rooted in a family of immense creative talent; he was the son of colliery manager Enoch Jagger and Mary Sargeant, and grew up alongside siblings who would also leave their mark on the British art scene. His sister, Edith, became a noted landscape artist and textile designer, while his brother, Charles Sargeant Jagger, rose to prominence as a celebrated sculptor. This environment of artistic rigor shaped David’s early development, leading him to the Sheffield School of Art, where he honed the technical precision that would later define his professional career.
As an accomplished draughtsman and skilled illustrator, Jagger’s talent was recognized early through accolades in mural design and painting. Following his formal education, he moved to London, a transition that marked the beginning of his ascent within the prestigious circles of British society. Initially balancing commercial art studio work with evening portrait commissions, he eventually established his own professional portrait studio in Chelsea, south of London. This period of his life was not only marked by professional growth but also by profound personal inspiration; his marriage to Catherine Gardiner brought a muse into his life whose features would grace many of his most accomplished works, often appearing under a pseudonym.
Jagger’s work is characterized by a remarkable realism that, while highly detailed, maintained a soft, painterly quality that avoided the harshness of hard-edge styles. He possessed a rare ability to capture the essence of his subjects, whether they were members of the British aristocracy or figures of significant historical importance. His technical mastery allowed him to navigate the delicate balance between formal, official-looking commissions and more intimate, thoughtfully posed compositions. This skill earned him a place among the leading exhibitors of his time, with regular appearances at the Royal Academy, the Royal Society of British Artists, and the Royal Institute of Oil Painters.
The breadth of his subject matter reflects the high society and civic authority of early 20th-century Britain. His portfolio includes a breathtaking array of notable figures, such as:
Beyond the individual brilliance of his brushwork, David Jagger holds a significant place in the history of British portraiture due to his role in documenting the faces of an era. His ability to secure commissions from the highest echelons of power—ranging from royalty to political leaders—cemented his reputation as a premier chronicler of his time. His work serves as a visual record of the dignity, tradition, and shifting social landscape of mid-century England.
His contribution to the art community was further solidified through his active membership in prestigious societies like the Royal Society of Portrait Painters. Through these institutions, Jagger helped maintain the high standards of oil painting and portraiture during a period of significant artistic transition. Today, his portraits remain cherished not only for their technical excellence but as windows into the character and prestige of the individuals who shaped the twentieth century.