Along the River Front, New York (1912)은(는) Everett Warner의 가장 대표적인 작품으로, 톨레도에 위치한 톨레도 미술관에 소장되어 있습니다. Everett Warner의 작품 5점이 등록되어 있습니다. 그중 가장 유명한 2점의 작품을 연도, 소장 미술관, 그리고 각 작품에 담긴 이야기와 함께 만나보세요.
각 작품의 검색, 방문 및 주문 수를 결합한 인기 점수를 기준으로 순위를 매깁니다. 11월 2026 업데이트됨.
이 페이지에 있는 작품을 가장 많이 소장하고 있는 2개의 미술관
| 소장 미술관 | 도시 | Everett Warner의 작품 | 이 목록의 작품들 |
|---|---|---|---|
| 톨레도 | 1 | Along the River Front, New York | |
| 뉴욕 | 1 | "Manhattan Contrasts," New York City |
이 페이지에 있는 Everett Warner의 연도별 캔버스 작품은 1912년부터 1917년까지 단 6년의 기간에 걸쳐 있으며, 해마다의 기록을 이곳에서 확인하실 수 있습니다.
Along the River Front, New York (1912)
1877년에 태어난 Everett Warner은(는) 35세였으며, Along the River Front, New York은(는) 1912년의 작품입니다.
1912부터 1917까지 제작된 Everett Warner의 작품 5점이 카탈로그에 등록되어 있습니다.
대부분 톨레도 미술관 (톨레도) 및 New York Historical Society (뉴욕)에 소장되어 있습니다. 위 목록은 각 미술관과 해당 미술관의 작품 목록을 나타냅니다.
이 페이지에서 가장 오래된 캔버스는 Along the River Front, New York (1912)이며, 가장 최근의 것은 "Manhattan Contrasts," New York City (1917)입니다.
Born in Vinton, United States, Everett Warner was an American Impressionist painter and printmaker. His early education included studies at the Corcoran Museum and the Washington Art Students League, followed by training at the Art Students League in New York under George Bridgman and Walter Clark. Warner's work gained recognition through selection for prestigious competitions at the Art Institute of Chicago, the Pennsylvania Academy of the Fine Arts, and the National Academy of Design. He also served as an art critic for the Evening Star in Washington, D.C.
Warner's career was marked by significant contributions to maritime history. During World War I, he developed the Warner System, a ship camouflage method designed to break up a vessel's silhouette to make it difficult for enemies to obtain a range. He served as a lieutenant in the US Naval Reserves, managing a design-based subdivision in Washington, D.C. He later returned to serve as Chief Civilian Aid to Commander Charles Bittinger during World War II to assist in the design of ship camouflage.
Beyond his maritime work, Warner explored unique perspectives through aerial painting. Following the end of World War I, he utilized military seaplanes to observe New York City and the Eastern seaboard from above, becoming one of the first artists to sketch and paint from an aerial view. He even experimented with anamorphosis, displaying his large-scale paintings flat on the floor to be viewed from an oblique angle to enhance the sense of depth.
In his later professional life, Warner held a position as an associate professor of painting and design at the Carnegie Institute of Technology in Pittsburgh, Pennsylvania, for eighteen years. After retiring from teaching, he settled in Westmoreland, New Hampshire. He eventually transitioned from painting to writing articles for publication before his death in 1963.