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      John Boultbee, 1753 – 1812

      John Boultbee의 가장 유명한 명작 21점

      A Bay Horse in a Field (1778)은(는) John Boultbee의 가장 대표적인 작품으로, 뉴헤이븐에 위치한 예일 영국 미술관에 소장되어 있습니다. Cornet Thomas Boothby Parkyns (1755–1800), 15th (or the King’s) Regiment of (Light) Dragoons (1780)와 'Brindled Beauty', Sire Shakespeare Dam Long-horned Beauty sold for 260 Guineas at public auction (1792)가 더해져 가장 사랑받는 캔버스 3인방이 완성됩니다. John Boultbee의 작품 24점이 등록되어 있습니다. 그중 가장 유명한 21점의 작품을 연도, 소장 미술관, 그리고 각 작품에 담긴 이야기와 함께 만나보세요.

      각 작품의 검색, 방문 및 주문 수를 결합한 인기 점수를 기준으로 순위를 매깁니다. 11월 2026 업데이트됨. 이 페이지의 모든 작품은 린넨 캔버스에 수작업으로 제작된 유화 복제화 또는 원하는 크기로 제작 가능한 파인 아트 프린트로 주문하실 수 있습니다.

      John Boultbee의 초상화
      John Boultbee · 1753 – 1812
      생몰 연도
      1753 – 1812, Derby
      카탈로그 작품 목록
      24
      가장 유명한
      A Bay Horse in a Field (1778)
      최다 소장처
      National Trust

      John Boultbee의 가장 사랑받는 명작 10선

      A Bay Horse in a Field (1778) 의 John Boultbee
      1

      A Bay Horse in a Field

      1778 · Oil On Canvas · 예일 영국 미술관, 뉴헤이븐

      A Bay Horse in a Field is an oil on canvas painting by the artist John Boultbee. This work dates to about 1778. The piece is currently held within the Paul Mellon Collection. The subject is a single bay horse situated within a pastoral landscape.

      수작업 유화 복제화 시작가 $178 40 × 25 cm 원작과 동일한 크기 $359 104 × 67 cm 원작 사이즈로 주문하기 →
      Cornet Thomas Boothby Parkyns (1755–1800), 15th (or the King’s) Regiment of (Light) Dragoons (1780) 의 John Boultbee
      2

      Cornet Thomas Boothby Parkyns (1755–1800), 15th (or the King’s) Regiment of (Light) Dragoons

      1780 · Oil On Canvas

      In this 1780 oil portrait, we find Thomas Boothby Parkyns, depicted during his tenure as a cornet in the 15th Regiment of (Light) Dragoons. He sits poised atop a sturdy brown horse, his figure draped in the distinctive red uniform of his regiment. There is a quiet authority in his posture, a sense of a man accustomed to the saddle and the responsibilities of his rank. He holds a sword,…

      수작업 유화 복제화 시작가 $178 35 × 28 cm 원작과 동일한 크기 $563 132 × 104 cm 원작 사이즈로 주문하기 →
      'Brindled Beauty', Sire Shakespeare Dam Long-horned Beauty sold for 260 Guineas at public auction (1792) 의 John Boultbee
      3

      'Brindled Beauty', Sire Shakespeare Dam Long-horned Beauty sold for 260 Guineas at public auction

      1792 · Oil · Shugborough Hall, Stoke-on-Trent

      In "'Brindled Beauty', Sire Shakespeare Dam Long-horned Beauty sold for 260 Guineas at public auction" by John Boultbee, a single cow commands the center of a quiet pastoral landscape. The animal rests horizontally across the middle ground, its body turned toward the left as if pausing mid-stride. The composition focuses entirely on this central figure, using the animal's presence to anchor the surrounding scenery. Organic shapes define the scene, from…

      수작업 유화 복제화 시작가 $178 36 × 28 cm 원작과 동일한 크기 $352 93 × 72 cm 원작 사이즈로 주문하기 →
      A Grey Arab Stallion in a Desert Landscape (1790) 의 John Boultbee
      4

      A Grey Arab Stallion in a Desert Landscape

      1790 · Oil On Canvas · 예일 영국 미술관, 뉴헤이븐

      A Grey Arab Stallion in a Desert Landscape by John Boultbee presents a single white Arabian stallion moving through a desert terrain. The horse occupies the lower left to center foreground, its form set against a rugged, dark brown rocky outcrop that rises on the left side of the composition. Two slender palm trees provide verticality to the scene, breaking the horizontal expanse of the landscape. The background consists of…

      수작업 유화 복제화 시작가 $178 36 × 28 cm 원작과 동일한 크기 $336 90 × 69 cm 원작 사이즈로 주문하기 →
      Robert Bakewell (1791) 의 John Boultbee
      5

      Robert Bakewell

      1791 · Oil On Canvas · National Portrait Gallery, 런던

      In this oil painting on canvas, John Boultbee presents us with Robert Bakewell. Created about 1791, the work captures a quiet moment of authority within a pastoral setting. The subject is depicted seated atop a majestic brown horse, his presence commanding yet calm. He is dressed in a brown coat and a black hat, looking directly toward the viewer. This steady gaze establishes an immediate connection, inviting a sense of…

      수작업 유화 복제화 시작가 $178 36 × 28 cm 원작과 동일한 크기 $344 91 × 71 cm 원작 사이즈로 주문하기 →
      Captain Ichabod Wright of Mapperley (1767–1862), Formed the First Nottingham Troop in 1794 (1803) 의 John Boultbee
      6

      Captain Ichabod Wright of Mapperley (1767–1862), Formed the First Nottingham Troop in 1794

      1803 · Oil · Sherwood Rangers Yeomanry Museum, Nottingham

      A man in a red uniform sits atop a white horse in this 1803 oil painting. He holds the reins with one hand, maintaining a steady posture while mounted. The horse is positioned centrally, its white coat contrasting against the darker elements of the composition. To the left, a tree rises from the ground, its branches extending into the frame. Two birds are visible within the scene: one occupies the…

      수작업 유화 복제화 시작가 $178 35 × 29 cm 원작과 동일한 크기 $238 59 × 50 cm 원작 사이즈로 주문하기 →
      An Oak Tree struck by Lightning in Dunham Park (1808) 의 John Boultbee
      7

      An Oak Tree struck by Lightning in Dunham Park

      1808 · Oil On Canvas · Dunham Massey Hall

      In this work, An Oak Tree struck by Lightning in Dunham Park, John Boultbee captures a moment of profound natural disruption. Painted about 1808, the scene focuses on the aftermath of a violent atmospheric event within the confines of Dunham Park. The central subject is a singular oak tree, its trunk split and shattered by the force of a lightning strike. This sudden fracture creates a stark, pale focal point…

      수작업 유화 복제화 시작가 $178 33 × 30 cm 원작과 동일한 크기 $289 76 × 61 cm 원작 사이즈로 주문하기 →
      A Bay Hunter Named 'Sir Oliver' (1808) 의 John Boultbee
      8

      A Bay Hunter Named 'Sir Oliver'

      1808 · Oil On Canvas · National Trust, 알트린컴

      A Bay Hunter Named 'Sir Oliver' is an equestrian study by the English painter John Boultbee. Created about 1808, the work belongs to a period when Boultbee was establishing his reputation for capturing the specific anatomy and movement of horses. The piece focuses on a single subject, prioritizing the physical presence of the animal within its natural environment.

      수작업 유화 복제화 시작가 $178 34 × 30 cm 원작과 동일한 크기 $533 126 × 101 cm 원작 사이즈로 주문하기 →
      An Oak Tree struck by Lightning in Dunham Park (1808) 의 John Boultbee
      9

      An Oak Tree struck by Lightning in Dunham Park

      1808 · Oil · National Trust, 알트린컴

      A singular oak tree dominates the composition, its skeletal branches stripped of foliage by a sudden celestial strike. The wood appears charred and lifeless, a stark silhouette against the surrounding forest. Nearby, the sheer force of the lightning has toppled other trees, leaving them sprawled across a floor of dirt and grass. This scene captures a moment of profound disruption within the quietude of Dunham Park.

      수작업 유화 복제화 시작가 $178 35 × 29 cm 원작과 동일한 크기 $289 76 × 61 cm 원작 사이즈로 주문하기 →

      John Boultbee: 랭킹 11위부터 21위까지의 작품

      시대별 John Boultbee의 캔버스 작품

      John Boultbee의 주요 작품

      이 캔버스들에서 가장 자주 등장하는 네 가지 주제와 각 주제를 대표하는 명작들.

      John Boultbee의 작품이 전시된 곳

      이 페이지에 있는 작품을 가장 많이 소장하고 있는 8개의 미술관

      소장 미술관 도시 John Boultbee의 작품 이 목록의 작품들
      National Trust, MilfordNational Trust Milford 4 'Garrick' A Bullock, 'Garrick's Sister' A Cow, 'Broken Horned Beauty' A Cow
      예일 영국 미술관, 뉴헤이븐예일 영국 미술관 뉴헤이븐 2 A Bay Horse in a Field, A Grey Arab Stallion in a Desert Landscape
      Shugborough Hall, Stoke-on-TrentShugborough Hall Stoke-on-Trent 2 'Brindled Beauty', Sire Shakespeare Dam Long-horned Beauty sold for 260 Guineas at public auction, 'Garrick' A Bullock
      National Trust, 알트린컴National Trust 알트린컴 2 A Bay Hunter Named 'Sir Oliver', An Oak Tree struck by Lightning in Dunham Park
      National Trust, 스톡포트National Trust 스톡포트 2 A Chestnut Horse in a Stable, A Horse and Groom outside a Porch
      National Portrait Gallery, 런던National Portrait Gallery 런던 1 Robert Bakewell
      Sherwood Rangers Yeomanry Museum, NottinghamSherwood Rangers Yeomanry Museum Nottingham 1 Captain Ichabod Wright of Mapperley (1767–1862), Formed the First Nottingham Troop in 1794
      Dunham Massey HallDunham Massey Hall 1 An Oak Tree struck by Lightning in Dunham Park

      수십 년의 세월을 넘어 사랑받는 John Boultbee의 가장 유명한 캔버스 작품

      1. 1770s
        A Bay Horse in a Field (1778) 의 John Boultbee
        캔버스 1/21

        A Bay Horse in a Field

        연령대 17 – 26 · 예일 영국 미술관

        A Bay Horse in a Field is an oil on canvas painting by the artist John Boultbee. This work dates to about 1778. The piece is currently held…

      2. 1780s
      3. 1790s
      4. 1800s

      John Boultbee의 캔버스, 질문을 통해 만나보다

      John Boultbee의 작품 중 가장 잘 알려진 캔버스는 무엇인가요?답변 보기

      A Bay Horse in a Field (1778), 예일 영국 미술관, 뉴헤이븐. 다음은 Cornet Thomas Boothby Parkyns (1755–1800), 15th (or the King’s) Regiment of (Light) Dragoons (1780)와 'Brindled Beauty', Sire Shakespeare Dam Long-horned Beauty sold for 260 Guineas at public auction (1792)입니다.

      A Bay Horse in a Field: John Boultbee이(가) 이 작품을 그렸을 때의 나이는 몇 살이었을까요?답변 보기

      1753년에 태어난 John Boultbee은(는) 25세였으며, A Bay Horse in a Field은(는) 1778년의 작품입니다.

      John Boultbee의 가장 유명한 작품 10가지는 무엇인가요?답변 보기

      A Bay Horse in a Field, Cornet Thomas Boothby Parkyns (1755–1800), 15th (or the King’s) Regiment of (Light) Dragoons, 'Brindled Beauty', Sire Shakespeare Dam Long-horned Beauty sold for 260 Guineas at public auction, A Grey Arab Stallion in a Desert Landscape, Robert Bakewell, Captain Ichabod Wright of Mapperley (1767–1862), Formed the First Nottingham Troop in 1794, An Oak Tree struck by Lightning in Dunham Park, A Bay Hunter Named 'Sir Oliver', An Oak Tree struck by Lightning in Dunham Park 및 'Garrick' A Bullock. 위 랭킹의 각 캔버스 작품에는 제작 연도와 소장 미술관 정보가 포함되어 있습니다.

      John Boultbee 작가는 몇 점의 작품을 남겼나요?답변 보기

      1778부터 1808까지 제작된 John Boultbee의 작품 24점이 카탈로그에 등록되어 있습니다.

      John Boultbee의 가장 유명한 작품들은 오늘날 어디에 전시되어 있을까요?답변 보기

      대부분 National Trust (Milford), 예일 영국 미술관 (뉴헤이븐) 및 Shugborough Hall (Stoke-on-Trent)에 소장되어 있습니다. 위 목록은 각 미술관과 해당 미술관의 작품 목록을 나타냅니다.

      John Boultbee의 가장 유명한 작품들은 언제 그려졌을까요?답변 보기

      이 페이지의 총 21점의 작품 중 4점이 1800s에 제작되었으며, 그중 Captain Ichabod Wright of Mapperley (1767–1862), Formed the First Nottingham Troop in 1794입니다.

      어떤 유명한 John Boultbee 캔버스가 가장 먼저 제작되었고, 어떤 것이 마지막인가요?답변 보기

      이 페이지에서 가장 오래된 캔버스는 A Bay Horse in a Field (1778)이며, 가장 최근의 것은 An Oak Tree struck by Lightning in Dunham Park (1808)입니다.

      John Boultbee이(가) 가장 많이 그린 주제는 무엇인가요?답변 보기

      이 페이지의 21점의 작품에 걸쳐 있는 Horse (4), Grass (4) 및 Sky (3)

      John Boultbee의 작품에서 가장 많이 사용된 재료는 무엇인가요?답변 보기

      이 페이지의 총 21점의 작품 중 6점에 Oil On Canvas이(가) 사용되었습니다.

      National Trust이(가) 소장하고 있는 John Boultbee의 작품은 무엇인가요?답변 보기

      National Trust, Milford은 이 페이지에 있는 작품 중 4점을 소장하고 있으며, 그중에는 'Garrick' A Bullock, 'Garrick's Sister' A Cow 및 'Broken Horned Beauty' A Cow이(가) 포함되어 있습니다.

      John Boultbee의 작품 복제본은 어디에서 구매할 수 있나요?답변 보기

      네, 이 페이지에 있는 모든 작품은 각 작품의 상세 페이지에서 원하시는 크기의 수작업 유화 복제화 또는 파인 아트 프린트로 주문하실 수 있습니다.

      화가 소개: John Boultbee

      John Boultbee: A Painter of Horses and British Life

      John Boultbee (1753-1812) emerges from the annals of 18th and early 19th-century England as a remarkably versatile artist, primarily celebrated for his captivating equestrian paintings and evocative depictions of rural life. Born in Osgathorpe, Leicestershire, into a family with artistic leanings – his twin brother Thomas also pursued painting – Boultbee’s career unfolded against the backdrop of a rapidly changing Britain, marked by burgeoning commerce, evolving social structures, and a growing appreciation for landscape and sporting subjects. While often overshadowed by more prominent figures of the era, Boultbee's work offers a valuable window into the tastes, customs, and artistic sensibilities of his time.

      Early influences undoubtedly stemmed from Sir Joshua Reynolds, whose presidency at the Royal Academy Schools in 1775 provided Boultbee with crucial training. The Academy’s emphasis on classical principles and naturalism shaped his initial style, evident in his early landscape paintings exhibited in 1776. However, Boultbee quickly developed a distinctive approach, particularly when it came to portraying horses – an obsession that would define much of his oeuvre. His fascination with these magnificent animals wasn't merely aesthetic; it reflected the growing importance of equestrian pursuits within British society, from hunting and racing to military displays. The influence of George Stubbs, a pioneering animal painter known for his anatomical accuracy and dynamic compositions, is readily apparent in Boultbee’s later works.

      A Royal Patronage and Sporting Subjects

      Boultbee's fortunes shifted dramatically with the patronage of King George III. Recognizing the artist’s skill in capturing the grace and power of horses, the monarch commissioned a series of portraits, solidifying Boultbee’s position within the highest echelons of British society. This royal favor afforded him a residence in Windsor Great Park, providing invaluable access to royal stables and allowing him to observe and paint these magnificent animals firsthand. The resulting paintings – often lavishly detailed and imbued with a sense of grandeur – became symbols of royal power and prestige.

      Beyond the royal commissions, Boultbee’s artistic interests extended to depicting rural landscapes and sporting scenes. He frequently portrayed hunts, races, and other equestrian events, capturing the energy and excitement of these pursuits. His paintings offer a glimpse into the lives of the landed gentry, showcasing their leisure activities and reflecting the prevailing social values of the time. His depictions of cattle, particularly those commissioned for the Duke of Bedford, demonstrate an understanding of livestock breeds and agricultural practices – a testament to his keen observational skills.

      Technique and Style

      Boultbee’s artistic style is characterized by a remarkable blend of technical skill and expressive flair. He possessed a deep knowledge of equine anatomy, meticulously rendering the musculature and movement of horses with impressive accuracy. His compositions are often dynamic and engaging, utilizing light and shadow to create a sense of depth and drama. While influenced by classical principles, Boultbee’s work is not overly formal or rigid; rather, it possesses a certain spontaneity and vitality.

      His use of color is particularly noteworthy. He favored warm, earthy tones – browns, ochres, and greens – to evoke the natural beauty of the landscapes he depicted. He also employed subtle gradations of light and shadow to create a sense of atmosphere and mood. His later works often exhibit a delicate pinkish hue, possibly influenced by the prevailing fashion for pastel shades.

      Legacy and Significance

      Despite not achieving widespread fame during his lifetime, John Boultbee’s work has since been recognized as an important contribution to British art history. His equestrian paintings are particularly valued for their technical skill, expressive quality, and historical significance. They offer a unique perspective on the social and cultural landscape of 18th-century Britain, reflecting the importance of horses in both military and sporting contexts.

      Today, Boultbee’s paintings can be found in major museums and private collections throughout the United Kingdom. His legacy endures as a testament to his artistic talent and his ability to capture the spirit of his time. The Durham Ox, commissioned by John Day, remains an iconic image of British rural life, embodying the artist's skill and the enduring fascination with horses within British culture.