Robert Eden Scott (1769–1811) (1816)은(는) 존 무어의 가장 대표적인 작품입니다. Lieutenant Colonel William Middleton (d.1843) (1804)와 Mrs J. M. Robertson, Mother of John M. Robertson (1815)가 더해져 가장 사랑받는 캔버스 3인방이 완성됩니다. 존 무어의 작품 19점이 등록되어 있습니다. 그중 가장 유명한 19점의 작품을 연도, 소장 미술관, 그리고 각 작품에 담긴 이야기와 함께 만나보세요.
각 작품의 검색, 방문 및 주문 수를 결합한 인기 점수를 기준으로 순위를 매깁니다. 11월 2026 업데이트됨. 이 페이지의 모든 작품은 린넨 캔버스에 수작업으로 제작된 유화 복제화 또는 원하는 크기로 제작 가능한 파인 아트 프린트로 주문하실 수 있습니다.
A stern, well-dressed man emerges from a dark, indeterminate background, his presence defined by the sharp contrast of a white collar against a dark suit. The portrait captures a moment of quiet intensity, focusing on the intricate textures of his clothing and the specific lines of his facial features. His expression remains fixed and serious, projecting a sense of gravity that commands the viewer's attention. The composition relies on a…
In this portrait from 1804, we encounter Lieutenant Colonel William Middleton, a man whose presence is defined by a quiet, steady authority. He is presented in his military uniform, the deep red of his coat providing a sharp, authoritative contrast against the more muted tones of the background. A black tie and a well-groomed mustache frame a face that meets the viewer's gaze with a sense of composed confidence. There…
This oil painting on canvas, dating from 1815, presents a formal portrait of Mrs. J. M. Robertson, mother of John M. Robertson. The subject is depicted from the upper body, seated and facing forward with her gaze directed toward the viewer. She is composed against a dark, minimal background that emphasizes her presence. Her attire features a white collar and cap, contrasted against deep black and brown tones in her…
The artwork titled General Gordon is a detailed portrait rendered in black and white. The subject is a man depicted in formal attire, wearing a suit complemented by a cravat around his neck, a style suggestive of the early 19th century. The painting captures the intricacies of the man's clothing and his overall appearance with significant detail.
Mrs J. M. Robertson appears in a centered, formal pose. A ruffled white collar and cap frame her face, which holds a steady gaze directed toward the viewer. She is composed against a dark, minimal background, her attire rendered in deep black and brown tones. The light is diffused, catching the smooth, porcelain quality of her skin through careful, detailed brushwork. A quiet stillness holds her form.
In this 1817 portrait, we find ourselves in the presence of William Marshall, a man whose life was defined by the precision of both music and mechanics. He sits with a quiet, focused intensity, cradling a cello that seems to be an extension of his own frame. There is a gravity in his expression, the look of a man deeply immersed in the mathematics of melody. The composition is intimate,…
The man gazes out from the canvas with a steady, unblinking composure. He sits enveloped in a heavy brown coat, its edges traced with fine gold trim that catches the light, suggesting a life of significant weight and responsibility. A crisp white shirt and a dark bow tie frame a face marked by a well-groomed beard and mustache, lending him an air of seasoned authority. There is a stillness here,…
The portrait depicts George Robinson, a man who held the office of Provost of Banff through numerous terms between 1784 and 1827. He is seated in a chair with his legs crossed, positioned in a manner that suggests a moment of repose. He wears a dark suit and a tie, his gaze directed toward a point outside the frame of the composition. Behind him, a heavy red curtain hangs in…
This 1829 painting presents a detailed black and white portrait of a man identified as Robert Hamilton, LLD. The subject is depicted wearing a suit with a yellow shirt visible underneath. He is shown with a beard and is positioned looking directly at the viewer. The intricate details of the man's facial features and the textures of his clothing are captured with significant precision.
This portrait, titled Thomas Gordon of Cairness (1788–1841), was painted by John Moir in 1836. The subject is a man of significant history, a British army officer and historian who carried the weight of his lineage in his very name. He was born at Cairness House in Lonmay, Aberdeenshire, the son of Charles Gordon of Buthlaw and Cairness and Christian, née Forbes of Ballogie.
The John Moir painting, Jean Armour, is a stunning oil on canvas artwork that showcases the artist's skillful use of color and composition. Created in 1832, this painting…
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이 캔버스들에서 가장 자주 등장하는 네 가지 주제와 각 주제를 대표하는 명작들.
이 페이지에 있는 작품을 가장 많이 소장하고 있는 7개의 미술관
| 소장 미술관 | 도시 | 존 무어의 작품 | 이 목록의 작품들 |
|---|---|---|---|
 스코틀랜드 국립 초상화 갤러리 |
Edinburgh | 2 | William Marshall (1748–1833), Violinist and Composer, Alexander Gordon (1743–1827), 4th Duke of Gordon, Keeper of the Great Seal of Scotland |
 The Black Watch Castle - Museum |
Perth | 1 | Lieutenant Colonel William Middleton (d.1843) |
 Mintlaw Discovery Centre |
Peterhead | 1 | George Robinson (1743–1827), Provost of Banff (1784–1787, 1790–1793, 1796–1799, 1802–1805, 1808–1811, 1814–1817, 1820–1823 1826–1827) |
 Augustiner Museum |
프라이부르크 | 1 | Jean Armour |
 The National Trust For Scotland |
Huntly | 1 | Harriot Christian Leith Hay (d.1830), Wife of Sir Harry N. Lumsden, Bt |
 Royal College of Physicians of Edinburgh |
에든버러 | 1 | John Arbuthnot (1667–1735) (copy after Godfrey Kneller) |
 The National Trust For Scotland |
반프 | 1 | Margaret Dalrymple Horn Elphinstone, Daughter of General Robert Dalrymple Horn Elphinstone of Logie Elphinstone and Wife of Sir Robert Burnett of Leys |
In this portrait from 1804, we encounter Lieutenant Colonel William Middleton, a man whose presence is defined by a quiet, steady authority. He is presented in his military…
A stern, well-dressed man emerges from a dark, indeterminate background, his presence defined by the sharp contrast of a white collar against a dark suit. The portrait captures…
The portrait depicts George Robinson, a man who held the office of Provost of Banff through numerous terms between 1784 and 1827. He is seated in a chair…
This portrait, titled Thomas Gordon of Cairness (1788–1841), was painted by John Moir in 1836. The subject is a man of significant history, a British army officer and…
Robert Eden Scott (1769–1811) (1816), Lieutenant Colonel William Middleton (d.1843) (1804), Mrs J. M. Robertson, Mother of John M. Robertson (1815) 순입니다.
1788년에 태어난 존 무어은(는) 28세였으며, Robert Eden Scott (1769–1811)은(는) 1816년의 작품입니다.
Robert Eden Scott (1769–1811), Lieutenant Colonel William Middleton (d.1843), Mrs J. M. Robertson, Mother of John M. Robertson, General Gordon, John M. Robertson, William Marshall (1748–1833), Violinist and Composer, Alexander Gordon (1743–1827), 4th Duke of Gordon, Keeper of the Great Seal of Scotland, George Robinson (1743–1827), Provost of Banff (1784–1787, 1790–1793, 1796–1799, 1802–1805, 1808–1811, 1814–1817, 1820–1823 1826–1827), Robert Hamilton, LLD 및 Thomas Gordon of Cairness (1788–1841). 위 랭킹의 각 캔버스 작품에는 제작 연도와 소장 미술관 정보가 포함되어 있습니다.
1804부터 1841까지 제작된 존 무어의 작품 19점이 카탈로그에 등록되어 있습니다.
대부분 스코틀랜드 국립 초상화 갤러리 (Edinburgh), The Black Watch Castle - Museum (Perth) 및 Mintlaw Discovery Centre (Peterhead)에 소장되어 있습니다. 위 목록은 각 미술관과 해당 미술관의 작품 목록을 나타냅니다.
이 페이지의 총 19점의 작품 중 6점이 1810s에 제작되었으며, 그중 Robert Eden Scott (1769–1811)입니다.
이 페이지에서 가장 오래된 캔버스는 Lieutenant Colonel William Middleton (d.1843) (1804)이며, 가장 최근의 것은 John Milne of Bombay, MD (1841)입니다.
이 페이지의 19점의 작품에 걸쳐 있는 Man (9), Suit (5) 및 Portrait (3)
이 페이지의 총 19점의 작품 중 5점에 Oil이(가) 사용되었습니다.
스코틀랜드 국립 초상화 갤러리, Edinburgh은 이 페이지에 있는 작품 중 2점을 소장하고 있으며, 그중에는 William Marshall (1748–1833), Violinist and Composer 및 Alexander Gordon (1743–1827), 4th Duke of Gordon, Keeper of the Great Seal of Scotland이(가) 포함되어 있습니다.
네, 이 페이지에 있는 모든 작품은 각 작품의 상세 페이지에서 원하시는 크기의 수작업 유화 복제화 또는 파인 아트 프린트로 주문하실 수 있습니다.
