아틀리에 — 전 세계 무료 배송 — 배송 기간 2~6주
      Michael Dailey, 1938 – 2009

      가장 유명한 Michael Dailey 작품 1선, 순위별 보기

      Michael Dailey의 가장 사랑받는 작품은 스미소니언 미국 미술관(워싱턴 D.C.)에 전시된 Scapa Evening (1973)입니다. Michael Dailey의 작품 1점이 등록되어 있습니다. 그중 가장 유명한 1점을 선정하여 제작 연도, 소장 미술관 및 작품의 특징과 함께 소개합니다.

      각 작품의 검색, 방문 및 주문 수를 결합한 인기 점수를 기준으로 순위를 매깁니다. 11월 2026 업데이트됨.

      Michael Dailey의 초상화
      Michael Dailey · 1938 – 2009
      생몰 연도
      1938 – 2009
      카탈로그 작품 목록
      1
      가장 유명한
      Scapa Evening (1973)
      최다 소장처
      스미소니언 미국 미술관

      Michael Dailey의 대표 명작 10선: 모두가 사랑하는 명화들

      Michael Dailey의 작품이 전시된 곳

      이 페이지에 있는 작품을 가장 많이 소장하고 있는 1개의 미술관

      소장 미술관 도시 Michael Dailey의 작품 이 목록의 작품들
      스미소니언 미국 미술관, 워싱턴 D.C.스미소니언 미국 미술관 워싱턴 D.C. 1 Scapa Evening

      연도별 Michael Dailey의 가장 사랑받는 명작들

      이 페이지에 있는 Michael Dailey의 모든 캔버스 작품은 1973년에 제작되었습니다. 가장 유명한 작품부터 차례대로 소개합니다.

      1. 1973
        Scapa Evening (1973) 의 Michael Dailey
        1개 중 1위

        Scapa Evening

        나이 35세 · 스미소니언 미국 미술관

      Michael Dailey의 캔버스에 대하여: 궁금한 점을 확인해 보세요

      Michael Dailey의 가장 유명한 작품은 무엇인가요?답변 보기

      Scapa Evening (1973)

      Scapa Evening이(가) 그려졌을 당시 Michael Dailey의 나이는 몇 살이었을까요?답변 보기

      1938년에 태어난 Michael Dailey은(는) 35세였으며, Scapa Evening은(는) 1973년의 작품입니다.

      Michael Dailey의 작품은 총 몇 점인가요?답변 보기

      Michael Dailey의 작품 1점이 카탈로그에 있습니다.

      Michael Dailey의 가장 유명한 캔버스 작품들은 어디에서 볼 수 있나요?답변 보기

      대부분 스미소니언 미국 미술관 (워싱턴 D.C.)에 소장되어 있습니다. 위 목록은 각 미술관과 해당 미술관의 작품 목록을 나타냅니다.

      Michael Dailey: 화폭에 담긴 삶

      The Luminous Layers of Michael Dailey

      Born in Des Moines, Iowa, Michael Dailey spent his life chasing the subtle shifts of light and atmosphere. He moved to Seattle in 1963, a transition that would define much of his professional existence. It was there that he began a long tenure as a professor of painting and drawing at the University of Washington, a position he held for over thirty years. His presence in the Pacific Northwest was not merely as an educator but as a quiet observer of the world's shifting hues. He sought to capture the very essence of light, often looking toward the misty landscapes of the region to inform his vision.

      His technique was one of patience and repetition. He did not simply apply paint; he built it. By layering translucent colors, he created images that seemed to glow from within, as if the light were trapped beneath the surface of the canvas. This method allowed him to achieve a softness that felt both physical and ethereal. He would rework a single veil of color over and over again, seeking a specific, precise hue that could truly represent the moment he intended to freeze in time.

      A Legacy of Light and Form

      The reach of his work extended far beyond the classrooms of the University of Washington. His canvases found their way into significant collections and galleries, reflecting a deep engagement with the visual language of abstraction. His ability to translate the atmosphere of a place into a purely sensory experience led to his inclusion in several prestigious institutions:

      One of his notable works, Scapa Evening, created in 1973, serves as a clear example of his dedication to color. Though an abstract work, it was inspired by the landscape of Scapa in Alberta, Canada. In this piece, he utilized shades of green, turquoise, and gray to mimic the fading light of dusk. The painting reveals the history of its own creation, as the underlying layers remain visible beneath the final surface, offering a glimpse into the labor required to reach his desired effect.

      The Final Retrospective

      In the later years of his life, the depth of his contribution to the art community was recognized through significant honors. A major retrospective at the Hallie Ford Museum of Art in 2008 provided an opportunity to view the breadth of his career. He passed away in Seattle, Washington, leaving behind a body of work that remains held in numerous public and corporate collections. His paintings continue to exist as studies in light, captured through the careful, repetitive application of oil on canvas.