Samson (Bairds Carryout) (1987)은(는) Peter Howson의 가장 대표적인 작품으로, 뉴욕에 위치한 메트로폴리탄 미술관에 소장되어 있습니다. Samson (Bairds Carryout) (1987)와 Boxer가 더해져 가장 사랑받는 캔버스 3인방이 완성됩니다. Peter Howson의 작품 3점이 등록되어 있습니다. 그중 가장 유명한 3점의 작품을 연도, 소장 미술관, 그리고 각 작품에 담긴 이야기와 함께 만나보세요.
각 작품의 검색, 방문 및 주문 수를 결합한 인기 점수를 기준으로 순위를 매깁니다. 11월 2026 업데이트됨.
이 페이지에 있는 작품을 가장 많이 소장하고 있는 1개의 미술관
| 소장 미술관 | 도시 | Peter Howson의 작품 | 이 목록의 작품들 |
|---|---|---|---|
| 뉴욕 | 1 | Samson (Bairds Carryout) |
이 페이지에 있는 Peter Howson의 시대별 캔버스 작품은 모두 1987년의 작품들입니다. 명성에 따라 순서대로 나열하였습니다.
Samson (Bairds Carryout) (1987), 메트로폴리탄 미술관, 뉴욕. 다음은 Samson (Bairds Carryout) (1987)와 Boxer입니다.
1958년에 태어난 Peter Howson은(는) 29세였으며, Samson (Bairds Carryout)은(는) 1987년의 작품입니다.
Peter Howson의 작품 3점이 카탈로그에 있습니다.
대부분 메트로폴리탄 미술관 (뉴욕)에 소장되어 있습니다. 위 목록은 각 미술관과 해당 미술관의 작품 목록을 나타냅니다.
이 페이지의 총 3점의 작품 중 2점이 1987에 제작되었으며, 그중 Samson (Bairds Carryout)입니다.
Peter Howson OBE (born 1958) is a Scottish painter renowned for his powerfully emotive and often unsettling depictions of modern life. Born in London to Scottish parents, he moved with his family to Prestwick, Ayrshire, at the age of four. Raised in a deeply religious household, this early upbringing profoundly influenced his artistic trajectory; his very first painting, created at age six, was a depiction of the crucifixion.
Howson’s work has evolved through distinct phases. Initially, he became known for his raw and unflinching portrayals of masculine working-class men – figures often presented as heroic yet vulnerable. Heroic Dosser (1987) remains a seminal example of this early style. His paintings from this period are characterized by their muscular forms, gritty realism, and exploration of identity and social issues.
A pivotal moment in Howson’s career came in 1993 when he was commissioned by the Imperial War Museum as the official war artist for Bosnia/Herzegovina during the brutal conflict. This experience profoundly affected him, leading to some of his most shocking and controversial works. Paintings like Plum Grove (1994) unflinchingly documented the atrocities witnessed, including depictions of rape and violence based on direct accounts from victims. The painting Croatian and Muslim, detailing a rape, generated significant controversy due to its explicit subject matter.
Howson also served as the official war painter during the Kosovo War for *The London Times*. In more recent years, his work has increasingly explored religious themes. This shift is closely linked to his personal battle with alcoholism and drug addiction, culminating in treatment at Castle Craig Hospital in Peebles in 2000. Following this experience, he converted to Christianity, and paintings like Judas (2002) reflect both his past struggles and newfound faith.
Beyond fine art, Howson's work has reached wider audiences through album cover designs for bands like Live (*Throwing Copper*), The Beautiful South (*Quench*), and Jackie Leven (*Fairytales for Hardmen*) and even a British postage stamp celebrating engineering achievements in 1999.
Peter Howson is considered a significant figure in contemporary Scottish art, associated with the New Glasgow Boys. His unflinching honesty, powerful imagery, and willingness to confront difficult subjects have established him as a unique voice within figurative expressionism. He continues to exhibit internationally, and his work resides in numerous major collections, cementing his place as an iconic artist of our time.