Robert Burrows의 모든 작품 중 Evening이(가) 가장 유명하며, Darlington에 위치한 Darlington Library에 전시되어 있습니다. 그 뒤를 이어 Bridge, West of Stoke Bridge, Suffolk (1847)와(과) Gainsborough's Lane (1868)가 뒤를 이었습니다. 우리 카탈로그에 수록된 Robert Burrows의 작품 21점 중 가장 찬사받는 18점을 소개합니다. 각 작품은 제작 연도, 소장 미술관 및 작품에 얽힌 이야기를 함께 보여줍니다.
각 작품의 검색, 방문 및 주문 수를 결합한 인기 점수를 기준으로 순위를 매깁니다. 11월 2026 업데이트됨. 이 페이지의 모든 작품은 린넨 캔버스에 수작업으로 제작된 유화 복제화 또는 원하는 크기로 제작 가능한 파인 아트 프린트로 주문하실 수 있습니다.
이 캔버스들에서 가장 자주 등장하는 네 가지 주제와 각 주제를 대표하는 명작들.
이 페이지에 있는 작품을 가장 많이 소장하고 있는 4개의 미술관
| 소장 미술관 | 도시 | Robert Burrows의 작품 | 이 목록의 작품들 |
|---|---|---|---|
| Darlington | 4 | Evening, Gainsborough's Lane, Cattle on Road | |
| Ipswich | 2 | Gipping near Oil Mills, Suffolk, Landscape in Christchurch Park, Suffolk | |
| Sunderland | 1 | Gainsborough's Lane | |
| Sudbury | 1 | Cattle Watering |
Evening, Darlington Library, Darlington. 다음은 Bridge, West of Stoke Bridge, Suffolk (1847)와 Gainsborough's Lane (1868)입니다.
Evening, Bridge, West of Stoke Bridge, Suffolk, Gainsborough's Lane, Foxhall Road, Ipswich, Cattle Watering, River Scene, River Orwell from Gainsborough Lane, Suffolk, Orwell from Bridleway, Ipswich, Old Gippeswyck Hall, Suffolk 및 Back of Cauldwell Hall, Suffolk. 위 랭킹의 각 캔버스 작품에는 제작 연도와 소장 미술관 정보가 포함되어 있습니다.
1847부터 1883까지 제작된 Robert Burrows의 작품 21점이 카탈로그에 등록되어 있습니다.
대부분 Darlington Library (Darlington), Christchurch Mansion (Ipswich) 및 Sunderland Museum - Winter Gardens (Sunderland)에 소장되어 있습니다. 위 목록은 각 미술관과 해당 미술관의 작품 목록을 나타냅니다.
이 페이지의 총 18점의 작품 중 8점이 1880s에 제작되었으며, 그중 River Scene입니다.
이 페이지에서 가장 오래된 캔버스는 Bridge, West of Stoke Bridge, Suffolk (1847)이며, 가장 최근의 것은 River Scene (1883)입니다.
이 페이지의 18점의 작품에 걸쳐 있는 Rural landscape (2) 및 Pastoral scene (2)
Darlington Library, Darlington은 이 페이지에 있는 작품 중 4점을 소장하고 있으며, 그중에는 Evening, Gainsborough's Lane 및 Cattle on Road이(가) 포함되어 있습니다.
네, 이 페이지에 있는 모든 작품은 각 작품의 상세 페이지에서 원하시는 크기의 수작업 유화 복제화 또는 파인 아트 프린트로 주문하실 수 있습니다.
Robert Burrows was born in Ipswich, Suffolk, in 1810. He was the eldest son of a silversmith, Robert Burrows, and Elizabeth Cordy. Growing up in a household shaped by the precise work of a silversmith, he eventually moved toward the study of fine art. He traveled to London to receive his training at the Royal Academy, where he learned the formal foundations of his craft.
His connection to the local art community in Ipswich remained strong throughout his life. Shortly after Henry Davy established the Ipswich Society of Professional & Amateur Artists in 1832, Robert Burrows joined the group. He became deeply involved in the organization's inner workings, eventually taking on the role of secretary. This involvement placed him at the center of the local creative circle during a period of significant change in how people captured the world around them.
Burrows found his subject matter in the quiet corners of the Suffolk countryside. Much of his work focuses on the immediate surroundings of Ipswich, capturing the specific light and textures of the local terrain. He spent much of his time observing the way the landscape settled around the river valleys and the small lanes that connected the rural settlements.
In 1866, he painted Gainsborough’s Lane, a scene that looks closely at a typical Victorian village street. The work focuses on the cottages and the cobblestones under the afternoon light. His interest in the water is evident in his 1883 depictions, such as the Orwell River from Gainsborough Lane, Suffolk, and his views of Old Cauldwell. These paintings look at the Orwell River valley, focusing on the stillness of the water and the way the light sits upon the landscape. He also turned his attention to the architecture of the region, as seen in his 1883 painting of Old Gippeswyck Hall, Suffolk.
Burrows worked primarily with oil paints on canvas, applying pigment in thin layers to build a sense of light. His approach relied on meticulous observation and a steady hand. He favored controlled, deliberate brushstrokes that allowed him to capture the specific textures of the natural world. In his depictions of the Suffolk countryside, he focused on the way light interacts with different surfaces, particularly the movement of water and the density of foliage.
There is a quiet precision in how he handled tonal harmony. He did not rely on sudden shifts in color but instead worked through subtle gradations to create depth. This method is evident in his treatment of landscape elements, where he sought to replicate the actual appearance of the terrain through careful layering. His work often centers on the interplay between light and shadow in rural settings, such as the following pieces:
His method required a patient, close-up study of his subjects. By prioritizing the physical reality of textures, he achieved a sense of atmospheric depth without losing the specific details of the landscape. This focus on the tangible qualities of nature—the roughness of a path or the stillness of a river—defines his visual language.
Burrows represents a specific chapter in the history of Suffolk art and photography. His landscapes offer a way to see how Victorian life was perceived in the rural countryside. By using early photographic techniques, he showed an interest in capturing reality through these new mediums. His work remains a record of the changing landscape and the way light fell across the fields and river valleys of his home.
Several collections hold his paintings. The Darlington Library contains five of his works. In Ipswich, Christchurch Mansion holds two pieces. Other works can be found in the Sudbury Town Hall and the Sunderland Museum - Winter Gardens.