Mrs George Morland (1792)은(는) Robert Muller의 가장 대표적인 작품으로, 런던에 위치한 덜위치 픽처 갤러리에 소장되어 있습니다. Robert Muller의 작품 1점이 등록되어 있습니다. 그중 가장 유명한 1점의 작품을 연도, 소장 미술관, 그리고 각 작품에 담긴 이야기와 함께 만나보세요.
각 작품의 검색, 방문 및 주문 수를 결합한 인기 점수를 기준으로 순위를 매깁니다. 11월 2026 업데이트됨. 이 페이지의 모든 작품은 린넨 캔버스에 수작업으로 제작된 유화 복제화 또는 원하는 크기로 제작 가능한 파인 아트 프린트로 주문하실 수 있습니다.
이 페이지에 있는 작품을 가장 많이 소장하고 있는 1개의 미술관
| 소장 미술관 | 도시 | Robert Muller의 작품 | 이 목록의 작품들 |
|---|---|---|---|
| 런던 | 1 | Mrs George Morland |
이 페이지에 있는 Robert Muller의 시대별 캔버스 작품은 모두 1792년의 작품들입니다. 명성에 따라 순서대로 나열하였습니다.
Mrs George Morland (1792)
1773년에 태어난 Robert Muller은(는) 19세였으며, Mrs George Morland은(는) 1792년의 작품입니다.
Robert Muller의 작품 1점이 카탈로그에 있습니다.
대부분 덜위치 픽처 갤러리 (런던)에 소장되어 있습니다. 위 목록은 각 미술관과 해당 미술관의 작품 목록을 나타냅니다.
네, 이 페이지에 있는 모든 작품은 각 작품의 상세 페이지에서 원하시는 크기의 수작업 유화 복제화 또는 파인 아트 프린트로 주문하실 수 있습니다.
To look at the surviving record of Robert Muller is to encounter a shadow in the history of British painting. Born in London in 1773, his career was a sudden, brief flash that vanished almost as quickly as it appeared. He was active between 1789 and 1800, a period of intense artistic production in the United Kingdom, yet his personal biography remains largely unwritten. We know him through his output rather than his life story. He was a painter who operated during a specific window of time, leaving behind a footprint that is defined more by the scarcity of his remains than by the volume of his fame.
Muller’s work is tied to the visual language of the late eighteenth century. His output suggests a focus on portraiture and the depiction of figures within specific social or domestic contexts. His technique was grounded in the traditions of his era, aiming for a clarity of form that was standard for the period. His ability to capture specific individuals is evidenced by his known works, such as his depiction of Mrs George Morland, which exists within the collections of the Dulwich Picture Gallery. This piece, dating from between circa 1792 and circa 1795, provides a concrete anchor for his skill and his place within the London art scene.
The specifics of his professional life include:
The significance of Muller lies in his role as a representative of a specific, fleeting moment in British art. He did not persist into the nineteenth century to influence later movements, but his existence is necessary to understand the breadth of the London painting tradition. He represents the professional painter of the 1790s—an artist working within a structured, competitive environment. His death around 1800 cut short a career that was still in its developmental phase. We judge him not by a long legacy of influence, but by the tangible evidence of his skill left in the hands of galleries.