빅토리아 여왕 (1838)은(는) 토머스 설리의 가장 대표적인 작품으로, 런던에 위치한 월리스 컬렉션에 소장되어 있습니다. Thomas Jefferson (1743-1826), LL.D. 1786 (1823)와 George Washington (1840)가 더해져 가장 사랑받는 캔버스 3인방이 완성됩니다. 토머스 설리의 작품 437점이 등록되어 있습니다. 그중 가장 유명한 100점의 작품을 연도, 소장 미술관, 그리고 각 작품에 담긴 이야기와 함께 만나보세요.
각 작품의 검색, 방문 및 주문 수를 결합한 인기 점수를 기준으로 순위를 매깁니다. 11월 2026 업데이트됨. 이 페이지의 모든 작품은 린넨 캔버스에 수작업으로 제작된 유화 복제화 또는 원하는 크기로 제작 가능한 파인 아트 프린트로 주문하실 수 있습니다.
1838년에 그려진 이 캔버스 유채 초상화는 빅토리아 여왕의 위엄을 생생하게 담아내고 있습니다. 화면 속 여왕은 마치 왕좌를 향해 걸음을 옮기며 관람객을 정면으로 응시하는 듯한 역동적인 자세를 취하고 있습니다. 그녀의 권위를 상징하는 왕관과 홀은 왼쪽의 작은 탁자 위에 놓여 있어 공간에 깊이감을 더합니다. 또한, 화면의 좌우에는 격식을 갖춘 예복을 입은 두 인물이 배치되어 있는데, 이들은 작품 전체에 흐르는 장엄하고 우아한 분위기를 고조시키며 여왕의 통치 시대가 지닌 웅장함을 완벽하게 구현해냅니다.
Thomas Jefferson steps from the shadows of a doorway into a soft, overcast light. He is captured in a moment of transition, moving toward an outdoor setting that remains indistinct and atmospheric. His gaze is directed slightly upward and away, suggesting a mind preoccupied with matters beyond the immediate frame. He wears a long, dark purple or plum-colored coat with wide cuffs, a garment that holds its form through heavy,…
Thomas Sully rendered this portrait of George Washington in 1840. Executed in oil on canvas, the work captures the likeness of the American leader with a focus on formal dignity. The portrait belongs to the tradition of nineteenth-century American portraiture, reflecting the era's emphasis on character and status.
Thomas Sully’s “Mrs. Edward Hudson,” completed in 1814, stands as an emblem of the Victorian era's fascination with portraiture and its celebration of aristocratic status. More than just a likeness of Dr. Edward Hudson—a prominent physician and influential figure within London society—the painting embodies the ideals of refinement, intellect, and moral virtue that defined the period’s artistic sensibilities.
In the quietude of Thomas Sully’s 1841 masterpiece, Child Asleep (The Rosebud), we find more than a mere depiction of infancy; we encounter a profound meditation on innocence and the ephemeral nature of beauty. This exquisite oil on canvas serves as a cornerstone of American Romanticism, capturing a moment of absolute tranquility that seems to suspend time itself. The painting presents a serene tableau where a sleeping infant rests upon…
Thomas Sully’s “The Coleman Sisters,” painted in 1844, is more than just a portrait; it's a carefully constructed tableau of Victorian elegance imbued with an undercurrent of melancholic beauty. The painting depicts three young women – likely sisters – posed before a simple wall backdrop, their postures and expressions hinting at both composure and a quiet introspection that speaks volumes about the era’s societal expectations for women.
In this oil painting from 1810, we find ourselves drawn into a dramatic landscape at the edge of day. The composition centers on a reclining figure, William B. Wood, portrayed here through the persona of "Charles de Moor." He rests within a rugged terrain, his arm outstretched toward the left, guiding our gaze across the scene. There is a certain tension in his pose, an energy that suggests a narrative…
The Painter in the Shadows A young man gazes out from the canvas, his eyes meeting the viewer with a calm, contemplative stillness. He sits amidst the tools of his trade, the blurred shapes of a palette and paintbrushes resting in the foreground, hinting at a life lived through the application of pigment. The light falls heavily upon one side of his face, a technique of deep shadows and bright…
Colonel Samuel Boyer Davis is rendered in a full-length, vertical composition that emphasizes his military authority. He stands with a slight, dynamic tilt, positioned off-center against an atmospheric backdrop of swirling grey and beige clouds. This setting suggests the smoke and dust of a battlefield, providing a somber environment for the subject. The lighting, originating from the upper left, casts subtle shadows across his face and body, creating a sense…
The air in the room feels still, held in a quiet suspension as Eliza Melville Young McAllister meets the viewer's gaze. She sits with a poise that suggests a life of quiet refinement, her expression composed and steady. The light, soft and directional, spills from the upper left, brushing against the pale curve of her cheek and the delicate, translucent lace of her headpiece. This illumination creates a gentle depth,…
Thomas Sully's "John Finley," painted in 1821, is more than just a likeness; it’s a carefully constructed embodiment of power and prestige within the burgeoning American landscape. The…
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The young man in the portrait meets the observer with a direct, steady gaze that seems to bridge the gap between 1811 and the present moment. He sits…
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This portrait of John Sergeant was painted by Thomas Sully in 1811. The sitter, a man of significant political and legal standing, is captured here in a moment…
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The portrait titled Mother and Son was executed by the artist Thomas Sully in 1840. This oil on canvas work depicts two specific individuals: Jane Cooper Sully Darley…
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A central female figure dominates this Romanticist portrait, her gaze directed off-camera with an expression of focused intensity. She holds a long strip of parchment, a detail that…
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The sitter faces the viewer with a steady, direct gaze, her presence anchored by the deep shadows of a dark background. A soft, directional light brushes the right…
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Thomas Sully's "Mary Anne Heide Norris," painted in 1830, is more than just a likeness; it’s a carefully constructed tableau of wealth, status, and the idealized femininity prized…
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This oil portrait, executed in 1807, presents a bust-length view of Thomas Ash II. The subject is positioned slightly off-center, facing toward the left while his gaze is…
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This portrait, titled Mary Harvey, Mrs. Paul Beck, Jr., was painted by Thomas Sully in 1813. The subject is Mary Harvey, who was the second wife of the…
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Four figures inhabit a pale, off-white void, caught in a moment of suspended motion. They are studies of weight and tension, rendered in the quick, decisive language of…
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The scene unfolds within the lines of Sketch after David's Napoleon Crossing the Alps; a Recumbent Nude Male; a Standing Female, a work by the artist Thomas Sully.…
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This small-scale portrait miniature presents a bust-length view of a young man, Lester Wallach, set within an oval frame. The subject is positioned centrally, facing the viewer with…
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Thomas Sully rendered this oil on canvas portrait of John Vaughan between 1815 and 1823. The work captures the subject in a dignified, intimate bust-length composition, positioning him…
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Thomas Sully presents a portrait of Thomas Heyward, Jr., executed about 1854. The work features a single male figure, rendered with the technical precision characteristic of the American…
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Step closer to observe the quiet gravity of Colonel Jonathan Williams. In this 1815 oil on canvas, we encounter the man not in the heat of battle, but…
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Thomas Sully’s William Alston, Class of 1825 presents a formal portrait of a single male figure. The work, executed in oil, captures the likeness of Alston during a…
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Thomas Sully executed Mischief (Girl's Head) in 1866. This oil on canvas painting belongs to the artist's later period, capturing a specific moment of youthful curiosity through a…
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In the quiet, commanding presence of Thomas Sully’s 1819 masterpiece, The Reverend George Houstoun Woodruff, one encounters more than a mere historical likeness; one meets a profound meditation…
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In "Prison Scene from J. Fenimore Cooper’s “The Pilot”: “Cecelia Howard and Katherine Plowden arousing the prisoner Edward Griffith from his slumber.”" by Thomas Sully, a clandestine moment…
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This miniature portrait, rendered in 1802, captures Sarah Annis in a bust-length view within an oval metal frame. The composition centers on her face, utilizing a soft, diffused…
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In this three-quarter length portrait, Thomas Sully presents Mrs. Joseph Hopkinson positioned slightly off-center within the frame. The subject is viewed from an eye-level perspective, establishing a direct…
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This classical portrait painting from 1813 depicts a young woman in a three-quarter view, positioned slightly off-center to create a sense of elegance and poise. The subject is…
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The scene unfolds through George Frederick Cooke as Richard III, a work that captures a moment of intense theatricality. Painted in 1811, this portrait finds the actor George…
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This formal and dignified three-quarter length portrait, executed in 1814, presents a young man positioned slightly turned while facing the viewer directly. The subject is depicted with an…
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A young man sits in a quiet, poised stillness, his presence filling the space with a sense of aristocratic calm. He is captured from the chest up, turned…
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A young man is captured in a bust-length portrait, his body turned slightly toward the left while his gaze meets the observer directly. The composition relies on a…
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This miniature portrait of Mrs. William Wortley Worsley (Rebecca Smith) was executed by Thomas Sully in 1805. It offers a quiet, intimate glimpse into the likeness of the…
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Daniel LaMotte sits in a moment of poised stillness, his gaze drifting slightly away from the viewer toward an unseen horizon. The year is 1812, and the air…
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In this three-quarter length portrait of Elizabeth Willing Jackson, Thomas Sully positions the subject slightly off-center. She gazes toward the right of the frame, creating a sense of…
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In the portrait of Dr. Thomas Parke. by Thomas Sully, the subject is presented in a three-quarter length view. He is positioned slightly off-center within the frame, with…
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In the Portrait of John W. Sandford by Thomas Sully, a young man is captured in a bust-length study. He sits slightly off-center, his gaze directed toward the…
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The light catches the soft curve of a neck and the luminous glow of skin in this 1830 oil portrait. Margaret H. Sandford sits with a quiet, aristocratic…
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In this intimate encounter, we meet Mrs. James Gore King (Sarah Rogers Gracie King), Wife of "The Gold Beater", as she appears in a portrait painted by Thomas…
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In the Portrait of Willliam Henry Fitzhugh by Thomas Sully, the subject is presented in a formal, classical bust-length arrangement. The elderly man is positioned centrally within the…
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The painting titled Mrs. Joseph Rotch (Anne Smith) is a formal portrait executed by the artist Thomas Sully. Created about 1831, the work presents the subject, Mrs. Joseph…
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In Victor René Value and His Daughter Charlotte, Thomas Sully employs a medium shot to establish an intimate domestic scene. The two subjects are seated upon a red…
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A young man meets the gaze of the viewer with a steady, composed expression that speaks of a quiet nobility. He sits in a bust-length pose, his shoulders…
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The man sits in a quiet, centered stillness. He is caught in a moment of formal dignity, his body turned slightly to the left while his eyes hold…
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A young man is captured in a bust-length portrait, his gaze directed forward with a quiet, composed intensity. He is positioned in a subtle three-quarter turn, a posture…
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This portrait depicts Mrs. Charles Gratiot, a work painted by Thomas Sully in 1829. It is a three-quarter length portrait that captures the subject with a sense of…
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The portrait depicts an elderly man positioned in a frontal perspective, facing the viewer directly. He is shown from the head to the shoulders against a dark, undifferentiated…
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The Leland Sisters is an oil on canvas portrait by Thomas Sully, executed in 1830. The work presents a close-up, symmetrical composition of two young children, likely twins,…
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The young man sits in a three-quarter pose, his presence filling the space with a quiet, heavy stillness. He rests his chin upon his hand, a gesture that…
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In this portrait, Elizabeth Cook (Mrs. Benjamin Franklin Bache) as The Country Girl, Thomas Sully employs a medium close-up that focuses on the subject from the waist up.…
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In this intimate double portrait, titled Self-Portrait of the Artist Painting His Wife (Sarah Annis Sully), the artist Thomas Sully presents a deeply personal view of his own…
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The light catches a crown of diamonds and gold, pinning the gaze of a young woman against a dark, atmospheric void. This is the portrait of Queen Victoria,…
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Thomas Sully captured the English actress Frances Anne Kemble in the 1833 portrait titled Frances Anne Kemble as Beatrice. The subject is depicted in character, embodying the spirited…
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The artwork, titled Child Asleep (The Rosebud), was painted by Thomas Sully in 1841. This oil on canvas captures a quiet moment of infancy. It belongs to the…
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Thomas Sully captures the likeness of Fanny Kemble in this portrait from about 1833. The subject is a single female figure, rendered with a serene and dignified expression.…
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In this 1834 portrait, we encounter Blanche Sully in a moment of profound stillness. The composition focuses on a close-up bust view, capturing her profile against a nebulous,…
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This bust-length oil portrait, executed in 1837, presents Caroline Thomas, known as Mrs. William Alston, positioned slightly off-center. She is oriented toward the right of the frame, her…
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The bust-length portrait titled Mary Stout, wife of Richard Stout by Thomas Sully presents a single female figure positioned against a dark, neutral, and atmospheric background. This backdrop…
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The gaze meets us directly in Self-Portrait, a work where the artist Thomas Sully turns his brush upon his own likeness. Created in 1850, this painting captures the…
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The room feels heavy with the quiet weight of a life lived in high circles. A man sits in a three-quarter pose, his body turned slightly away while…
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The oil painting titled Sea Nymph was executed by the artist Thomas Sully. This work dates to about 1840. The subject of the piece is a female mythological…
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The Artist's Daughter by Thomas Sully is a classical portrait painting of a young woman. Rendered in a Romantic style, the work presents a bust-length composition. The subject…
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In Macbeth in the witches' cave, Thomas Sully presents a scene of profound supernatural tension. The composition centers on a male figure, the protagonist, captured in a three-quarter…
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In this bust-length portrait of Mrs. Henry Robinson, Thomas Sully positions the single female figure slightly off-center. She does not meet the viewer's gaze directly but looks toward…
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In this bust-length portrait by Thomas Sully, Samuel Sartain is centered within the quiet geometry of an arched frame. The subject is positioned from the chest up, his…
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The Portrait of Mrs. George H. Crossman is a mid-19th-century oil portrait, dating to 1861. This bust-length composition features a mature woman positioned centrally against an atmospheric, nebulous…
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This portrait presents Charles Carnan Ridgely, a man who held significant influence as the second master of the Hampton estate. Painted in 1820, the work captures the sitter…
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In Portrait of a Child, Thomas Sully presents a close-up study of a young subject, focusing the viewer's attention on the face and upper torso. The child is…
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The gaze of Major John Biddle meets the viewer with a steady, unyielding weight. He sits encased in a black coat, the fabric absorbing the light, punctuated only…
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The David Children is a portrait painted by Thomas Sully in 1826. The canvas captures a mother and her young child, likely a boy, within a quiet domestic…
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This work is a Portrait of a Woman by the artist Thomas Sully. Executed in oil on canvas or panel, the piece belongs to the genre of portraiture,…
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In this portrait, Thomas Sully captures Francis Hopkinson in a moment of quiet, engaging presence. The subject meets the viewer's gaze directly, a gentle smile resting upon his…
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This 1832 oil painting presents a half-length portrait of Sarah Annis Sully, depicted from the chest up within an oval composition. The subject is positioned centrally, her gaze…
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This 1849 oil on canvas presents a bust-length portrait of James Pollard Espy. The subject is positioned slightly off-center, facing towards the viewer's right while his gaze meets…
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This oil on canvas portrait, titled Captain Charles Stewart, was executed by the artist Thomas Sully. The work depicts Captain Charles Stewart, a United States Navy officer, in…
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This oil on canvas portrait depicts Rosalie Spang. The work was executed by the artist Thomas Sully in 1848. The subject is presented in a formal manner, positioned…
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In this 1831 portrait, Thomas Sully captures the presence of Rebecca Gratz. The woman sits before us, her gaze meeting the viewer with a quiet, contemplative stillness. She…
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Thomas Sully’s “Musidora,” completed in 1813, is more than just a depiction of a nude figure; it's a carefully constructed moment of burgeoning romance, steeped in the sensibilities…
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The portrait titled Elizabeth Wadsworth, married Charles Augustus Murray is a work by Thomas Sully. Within this frame, we meet Elizabeth "Elise" Wadsworth, a woman whose life connects…
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Thomas Sully executed Mary Ann Paton (Mrs Wood) in Philadelphia during 1836. The artist commenced the work on 11 March and reached completion on 5 August of that…
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Thomas Sully's "The Student," painted in 1839, is more than just a likeness; it’s a carefully constructed tableau of introspection and nascent artistic promise. This captivating portrait, rendered…
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The Equestrian Portrait of George Washington is an oil on canvas work by the English-American artist Thomas Sully. Created in 1842, this piece presents the first President of…
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In this 1842 portrait, we find ourselves in the presence of Mrs. George Lingen. There is a quiet confidence in her gaze, a subtle smile that suggests a…
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The portrait titled Ann Biddle Hopkinson (Mrs. Francis Hopkinson) was executed by the artist Thomas Sully. This work, dated 1834, depicts the subject Ann Biddle Hopkinson (Mrs. Francis…
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In the quiet, commanding presence of Thomas Sully’s 1806 portrait, Governor Peyton Randolph, one finds more than a mere likeness of a political figure; one encounters the very…
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The painting presents three women positioned closely together against a solid blue background. Each figure is depicted from the chest up, facing the viewer directly. The woman on…
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A woman sits in a poised, seated position, her hands folded in her lap. She is dressed in white, a choice that emphasizes the texture of her attire:…
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Three figures occupy a rugged landscape, seated upon stones before the dark mouth of a cave. On the left, a woman rests her head against her hand, her…
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In this portrait of Thomas Jefferson, Thomas Sully captures the third President of the United States in a moment of quietude. Created about 1822, the work presents the…
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The portrait known as Mrs. James Gibson (Elizabeth Bordley) brings the presence of Elizabeth Bordley into the room. Painted by Thomas Sully, the work captures a woman who…
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The painting presents a large-scale view of a church interior, specifically the Capuchin Chapel in the Piazza Barberini. High ceilings and a series of arched doorways define the…
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The portrait titled Mrs. William Griffin was painted by Thomas Sully in 1830. This oil on canvas work captures a woman with brown hair. She sits in a…
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Thomas Sully rendered this portrait of Jared Sparks about 1831. The sitter was a significant figure in American intellectual life, serving as an educator, a Unitarian minister, and…
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In this 1831 portrait, we encounter a woman caught in a moment of profound introspection. She is dressed in the somber attire of mourning, her hair pulled back…
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Painted in 1830, the work captures a moment of transition in American portraiture. The sitter's attire and the formal arrangement of the figures reflect the social expectations of…
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In this 1831 painting, Mother with Her Children, Thomas Sully captures a quiet, suspended moment of maternal devotion. A woman sits at the center of the composition, her…
이 빛을 집으로 가져오세요 ~부터 $178 →이 캔버스들에서 가장 자주 등장하는 네 가지 주제와 각 주제를 대표하는 명작들.
이 페이지에 있는 작품을 가장 많이 소장하고 있는 8개의 미술관
| 소장 미술관 | 도시 | 토머스 설리의 작품 | 이 목록의 작품들 |
|---|---|---|---|
 메트로폴리탄 미술관 |
뉴욕 | 22 | George Washington, Child Asleep (The Rosebud), John Finley |
 국립 미술관 |
워싱턴 | 22 | The Coleman Sisters, William B. Wood as "Charles de Moor", John Quincy Adams |
 내셔널 포트레이트 갤러리 |
워싱턴 D.C. | 6 | Thomas Sully, John Sergeant, Thomas Ash II |
 보스턴 미술관 |
보스턴 | 7 | John Myers, Mrs. Joseph Rotch (Anne Smith), Victor René Value and His Daughter Charlotte |
 예일 대학교 미술관 |
뉴헤이븐 | 4 | Thomas Jefferson (1743-1826), LL.D. 1786, Lester Wallach (1820-1888), Elizabeth Cook (Mrs. Benjamin Franklin Bache) as The Country Girl |
 Pennsylvania Academy of Fine Arts |
필라델피아 | 4 | George Frederick Cooke as Richard III, Elizabeth Willing Jackson, Frances Anne Kemble as Beatrice |
 신시내티 미술관 |
신시내티 | 3 | Portia, Merchant of Venice (Recto) / Sketch of a Woman's Head (Verso), William Alston |
 댈러스 미술관 |
댈러스 | 3 | Mary Harvey, Mrs. Paul Beck, Jr., Portrait of Mrs. George H. Crossman |
This oil portrait, executed in 1807, presents a bust-length view of Thomas Ash II. The subject is positioned slightly off-center, facing toward the left while his gaze is…
Thomas Sully’s “Mrs. Edward Hudson,” completed in 1814, stands as an emblem of the Victorian era's fascination with portraiture and its celebration of aristocratic status. More than just…
Thomas Jefferson steps from the shadows of a doorway into a soft, overcast light. He is captured in a moment of transition, moving toward an outdoor setting that…
1838년에 그려진 이 캔버스 유채 초상화는 빅토리아 여왕의 위엄을 생생하게 담아내고 있습니다. 화면 속 여왕은 마치 왕좌를 향해 걸음을 옮기며 관람객을 정면으로 응시하는 듯한 역동적인 자세를 취하고 있습니다.…
Thomas Sully rendered this portrait of George Washington in 1840. Executed in oil on canvas, the work captures the likeness of the American leader with a focus on…
Thomas Sully presents a portrait of Thomas Heyward, Jr., executed about 1854. The work features a single male figure, rendered with the technical precision characteristic of the American…
Thomas Sully executed Mischief (Girl's Head) in 1866. This oil on canvas painting belongs to the artist's later period, capturing a specific moment of youthful curiosity through a…
빅토리아 여왕 (1838), 월리스 컬렉션, 런던. 다음은 Thomas Jefferson (1743-1826), LL.D. 1786 (1823)와 George Washington (1840)입니다.
1783년에 태어난 토머스 설리은(는) 55세였으며, 빅토리아 여왕은(는) 1838년의 작품입니다.
빅토리아 여왕, Thomas Jefferson (1743-1826), LL.D. 1786, George Washington, Dr. Edward Hudson, Child Asleep (The Rosebud), The Coleman Sisters, William B. Wood as "Charles de Moor", Thomas Sully, Colonel Samuel Boyer Davis 및 Eliza Melville Young McAllister (Mrs. John McAllister, Jr.) (1790-1853). 위 랭킹의 각 캔버스 작품에는 제작 연도와 소장 미술관 정보가 포함되어 있습니다.
1802부터 1866까지 제작된 토머스 설리의 작품 437점이 카탈로그에 등록되어 있습니다.
대부분 메트로폴리탄 미술관 (뉴욕), 국립 미술관 (워싱턴) 및 내셔널 포트레이트 갤러리 (워싱턴 D.C.)에 소장되어 있습니다. 위 목록은 각 미술관과 해당 미술관의 작품 목록을 나타냅니다.
이 페이지의 총 100점의 작품 중 29점이 1830s에 제작되었으며, 그중 빅토리아 여왕입니다.
이 페이지에서 가장 오래된 캔버스는 Mrs. Thomas Sully (Sarah Annis) (1802)이며, 가장 최근의 것은 Mischief (Girl's Head) (1866)입니다.
이 페이지의 100점의 작품에 걸쳐 있는 Portrait (43), Woman (42) 및 Man (38)
이 페이지의 총 100점의 작품 중 69점에 Oil On Canvas이(가) 사용되었습니다.
이 페이지의 캔버스들이 보여주듯, Romanticism 및 Neoclassicism의 정수를 만나보세요.
메트로폴리탄 미술관, 뉴욕은 이 페이지에 있는 작품 중 10점을 소장하고 있으며, 그중에는 George Washington, Child Asleep (The Rosebud) 및 John Finley이(가) 포함되어 있습니다.
네, 이 페이지에 있는 모든 작품은 각 작품의 상세 페이지에서 원하시는 크기의 수작업 유화 복제화 또는 파인 아트 프린트로 주문하실 수 있습니다.
