안톤 라파엘 멩스의 모든 작품 중 요한 요아킴 빈켈만 (1717–1768) (1777)이(가) 가장 유명하며, 뉴욕에 위치한 메트로폴리탄 미술관에 전시되어 있습니다. 그 뒤를 이어 Perseus and Andromeda (1774)와(과) Parnassus (study) (1760)가 뒤를 이었습니다. 우리 카탈로그에 수록된 안톤 라파엘 멩스의 작품 128점 중 가장 찬사받는 100점을 소개합니다. 각 작품은 제작 연도, 소장 미술관 및 작품에 얽힌 이야기를 함께 보여줍니다.
각 작품의 검색, 방문 및 주문 수를 결합한 인기 점수를 기준으로 순위를 매깁니다. 10월 2026 업데이트됨. 이 페이지의 모든 작품은 린넨 캔버스에 수작업으로 제작된 유화 복제화 또는 원하는 크기로 제작 가능한 파인 아트 프린트로 주문하실 수 있습니다.
안톤 라파엘 멩스가 1777년에 그린 요한 요아킴 빈켈만의 초상화는 단순한 외형의 재현 그 이상입니다. 이는 태동하던 신고전주의 운동을 시각적으로 구현한 결정체이자, 108세기 로마를 뒤흔들었던 지적 열망을 보여주는 가슴 뭉클한 창입니다. 미술사의 아버지라 불리는 빈켈만을 포착한 이 친밀한 반신상은 서구 예술 사상에 그가 끼친 깊은 영향력을 말해주는 듯한 자세를 취하고 있습니다. 관람객의 시선은 어두운 의복의 풍성한 주름 사이로 드러난 빈켈만의 얼굴로 즉각 향하게 됩니다. 평온한 지성과 명상적인 진지함이 깃든 그의 얼굴은…
Anton Raphael Mengs’ “Perseus and Andromeda” stands as a cornerstone of Neoclassicism, capturing the spirit of Enlightenment ideals within a breathtaking depiction of Greek mythology. Painted in 1774, this monumental oil on canvas transcends mere representation; it embodies a profound philosophical statement about beauty, morality, and triumph over adversity—themes central to the artistic sensibilities of its time.
Anton Raphael Mengs' "Parnassus (Study)," painted in 1760, isn’t merely a depiction of a classical scene; it’s a carefully constructed meditation on knowledge, aspiration, and the burgeoning spirit of Neoclassicism. This intimate study, far removed from the grand scale of his later frescoes, offers an unparalleled intimacy with Mengs' artistic process – a rare opportunity to witness the genesis of a masterpiece. The painting captures a gathering around a statue…
A Portrait Steeped in Classical Grace: Exploring Anton Raphael Mengs’ Maria Luisa of Parma Anton Raphael Mengs' "Maria Luisa of Parma" stands as a testament to the burgeoning neoclassical movement that captivated Europe during the mid-18th century. More than just a depiction of royalty, this painting embodies the philosophical ideals of the Enlightenment – reason, order, and an unwavering admiration for antiquity – reflecting Mengs’ own formative years spent absorbing…
Anton Raphael Mengs' "Self Portrait," painted in 1774, isn’t merely a likeness; it’s a carefully constructed tableau of intellectual ambition and introspective melancholy. Captured with the precision characteristic of the Neoclassical movement, this painting offers a rare glimpse into the mind of an artist grappling with his burgeoning fame and the weighty expectations placed upon him. The image immediately draws the eye to the subject's face – a man in…
In the quietude of Anton Raphael Mengs’ “The Holy Family,” one finds more than just a religious tableau; one encounters a profound manifesto of the Neoclassical spirit. Created around 1760, this masterpiece serves as a deliberate and masterful departure from the swirling, ornamental excesses of the Rococo era. Instead of theatrical drama or gilded frivolity, Mengs invites the viewer into a realm of noble simplicity and rational grace. The painting…
Anton Raphael Mengs’ “The Penitent Magdalene,” painted in 1752, is not merely a depiction of a biblical figure; it's an immersive experience of sorrow, introspection, and the enduring power of repentance. The painting immediately draws the viewer into a scene of quietude – a woman, draped in simple robes, rests propped against what appears to be a natural embankment, her hand gently supporting her head. This isn’t a dramatic portrayal…
The air within the frame feels heavy with the weight of silk and ceremony. A young boy, Archduke Ferdinand, stands in the foreground, his presence anchored by a bright yellow coat that catches the light. He holds a medal, its golden surface glinting with the insignia of the Golden Fleece, a quiet declaration of his noble lineage. Behind him, the scene unfolds with a theatrical grace; an infant sits within…
The young Infante Francisco Javier sits with a heavy, quiet dignity that belies his years. He is wrapped in the weight of his station, dressed in a waistcoat of deep golden-orange, its surface crowded with intricate embroidery that catches the light. A bright orange sash cuts across his chest, a sharp line of ceremonial color against the dark, atmospheric background. To his side, a heavy curtain of emerald green falls…
Anton Raphael Mengs’ “Charles IV as Prince” is more than just a portrait; it's a meticulously crafted window into the heart of 18th-century Spanish courtly life. Completed in 1765, this oil on canvas painting residing within the Museo del Prado in Madrid stands as a testament to Mengs’ mastery of Neoclassical style and his profound understanding of capturing both likeness and character. The work immediately draws the eye with its…
A single sunflower rests in the palm of a woman. She is seen in profile, her gaze fixed upon the yellow petals with a quiet, heavy stillness. The…
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In this three-quarter length portrait, we encounter the young Antonio Pascual de Borbón y Sajonia, an Infante of Spain, captured with a quiet, poised intensity. The subject faces…
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In this 1775 portrait, we encounter Pope Clement XIII not merely as a religious figure, but as a man of profound institutional weight. The composition is a half-length…
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The Queen sits in a three-quarter length pose, her presence anchored by the weight of heavy silk brocade. Her gown, a pale pink, catches the light in a…
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The face of George, third Earl Cowper, emerges from a dark, umber void. He is caught in a moment of quietude, his gaze directed slightly away from the…
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The young Infanta Maria Theresa stands before us, a small figure enveloped in the heavy splendor of an eighteenth-century court. She is caught in a moment of quiet…
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The light enters from the upper left, a steady beam that catches the luminous, silvery-white of a silk gown. Maria Carolina of Austria sits in a three-quarter length…
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In this portrait, we find Maria Luisa of Spain seated with a poised, quiet dignity. The composition is a three-quarter length view, placing her centrally within an ornate…
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Alberico Archinto sits in a three-quarter pose, his presence defined by the weight of his office and the quiet gravity of his station. Seated in an ornate gilded…
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In this portrait from 1773, we encounter Saint Peter not as a distant figure of myth, but with a heavy, sculptural presence that commands the space. The composition…
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The painting Noli me tangere by Anton Raphael Mengs captures a profound moment of recognition within a garden setting. It depicts Christ appearing to Mary in the Garden…
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In this 1761 portrait, we encounter Maria Amalia of Saxony presented with a quiet, commanding presence. She is seated centrally, her gaze meeting ours with a directness that…
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The Portrait of William Burton Conyngham is a work by the artist Anton Raphael Mengs. The subject of the portrait is William Burton Conyngham, an Irish aristocrat. This…
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A Portrait Steeped in Classical Grace: Anton Raphael Mengs' Maria Luisa of Parma The painting “Maria Luisa of Parma” by Anton Raphael Mengs stands as a testament to…
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This bust-length portrait presents a man positioned slightly off-center, facing the viewer with a direct and steady gaze. The subject is rendered with high technical precision, emphasizing the…
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The air within the frame feels heavy with a quiet, holy peace. The Virgin Mary sits at the center of this intimate gathering, her presence anchoring the composition…
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In this 1776 work, titled Self-portrait, the artist Anton Raphael Mengs presents us with a quiet, introspective study of his own likeness. Executed in Madrid, the painting captures…
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In this 1767 portrait, we encounter Maria Josefa de Lorena, Archduchess of Austria, captured in a moment of quiet, regal composure. The composition is a three-quarter length study,…
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Light descends through the architecture of the Chiesa di Sant'Eusebio in Rome. In this celestial space, the ceiling opens to a golden glow. The central figure of St…
A Moment of Imperial Grace The Archduchess Maria Teresa of Austria stands before us in a moment of quiet, formal dignity. She occupies the space with a poised,…
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This oil on canvas work, titled Portrait of a Boy, was executed by the artist Anton Raphael Mengs in 1753. Known in its original German context as Bildnis…
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Anton Raphael Mengs executed this oil on canvas portrait of an unidentified woman. Dating to the 18th century, the work belongs to the genre of portraiture. The sitter…
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The portrait presents Ismael Mengs in a close-up bust composition, positioned slightly off-center against an indistinct, dark background. Light enters from the upper left, carving the facial structure…
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In this 1758 portrait, we are invited into the private, contemplative space of Father Francesco Pepe. The subject is presented in a three-quarter view, his presence defined by…
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The painting depicts a serene and spiritually evocative scene of divine revelation. The composition is centered on two primary figures: an older, weary man, identified as St. Joseph,…
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A profound stillness settles over the scene as the earthly and celestial spheres collide. In the lower half of the composition, the Virgin Mary and the Archangel Gabriel…
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The oil on canvas titled Head of an Apostle is a work by the artist Anton Raphael Mengs. Created in 1764, this piece emerges from the German School.…
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In this 1774 oil painting, we find St. John the Baptist caught in a profound moment of spiritual supplication. The figure is positioned vertically, his arms raised toward…
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This oil on canvas portrait depicts Prince James Francis Edward Stuart. The work is attributed to the artist Anton Raphael Mengs. It dates to 1740. The subject of…
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The portrait depicts Pope Clement XIII in a three-quarter length seated position. He is positioned slightly off-center against a muted, architectural background of warm ochre and shadows. The…
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The Portrait of State Minister Baron Wilhelm von Edelsheim emerges from the canvas as a quiet encounter with a man of significant influence. Painted by Anton Raphael Mengs,…
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In Cupid by Anton Raphael Mengs, the composition centers on a close-up view of a cherubic child. The figure is positioned intimately, pulling the viewer into a private…
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Step closer to observe the young Archduke Francis of Austria. In this 1770 portrait, we encounter a child who already carries the weight of his lineage with a…
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The portrait presents Francesco Saverio de Zelada in a three-quarter view, positioned against a dark, atmospheric background. The subject is an elderly man, depicted from the upper torso…
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In this three-quarter length portrait, a young woman is positioned slightly off-center, her body angled toward the left while her gaze meets the viewer directly. She is depicted…
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The portrait presents a three-quarter length view of a young man, positioned slightly off-center against a dark, muted olive-green background. The subject is depicted with a calm and…
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The subject emerges from a pale, luminous haze, an allegorical figure of Pleasure captured in an oval frame. She is a vision of Rococo grace, her form rendered…
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The portrait of Maria Luisa of Parma by Anton Raphael Mengs captures a moment of quiet aristocratic poise. Painted in 1765, the work presents the young Maria Luisa…
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A single light source carves a path through the darkness, illuminating a face turned toward a wooden cross. The woman’s skin is smooth, a pale contrast to the…
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In this somber and dignified monochrome portrait, Anton Raphael Mengs presents us with an elderly man, likely a Capuchin monk, in a moment of quiet reflection. The composition…
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Anton Raphael Mengs' "Portrait of the Singer Domenico Annibaldi," painted in 1750, is more than just a likeness; it’s a meticulously crafted tableau of Baroque elegance and aristocratic…
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A young man gazes outward from a three-quarter view, his expression calm and introspective. The portrait is rendered in grayscale, utilizing a chiaroscuro effect to define the contours…
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In this formal portrait, we encounter the Portrait of King Charles III of Spain, a work executed by the artist Anton Raphael Mengs. The painting captures the monarch,…
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In this Neoclassical oil painting, we find ourselves looking upward, drawn into a moment of profound spiritual ascension. The composition is centered on the Virgin Mary, a single…
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A three-quarter length portrait depicts Gabriel de Borbón y Sajonia, Infante of Spain, positioned slightly off-center against a background containing a classical stone pillar. The subject wears a…
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In the quiet, shadowed depths of a wooden stable, a singular, celestial light breaks through the gloom, illuminating a moment of profound spiritual intimacy. Anton Raphael Mengs’ “The…
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The painting presents a vertical arrangement that connects a terrestrial foreground with a celestial upper zone. In the lower portion of the canvas, the Virgin Mary and the…
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This captivating self-portrait by Anton Raphael Mengs transports us directly into the intellectual atmosphere of the mid-eighteenth century. The subject, portrayed with an arresting directness, meets the viewer's…
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In this portrait, we encounter Maria Carolina of Habsburg-Lorraine, Queen of Naples, presented with a quiet, commanding presence. The sitter is captured in a three-quarter length pose, her…
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To gaze upon this depiction of The Holy Family is to step directly into the refined, intellectual atmosphere of late 18th-century European art. Painted in 1769, this work…
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In the profound stillness of the natural world, Anton Raphael Mengs captures a moment of spiritual transcendence in his masterpiece, St. John the Baptist Preaching in the Wilderness.…
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A Window Into Enlightenment Thought: Mengs' Portrait of Winckelmann Anton Raphael Mengs’ 1761 portrait of Johann Joachim Winckelmann stands as a testament to the burgeoning artistic and intellectual…
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In the delicate transition between the exuberant flourishes of the Rococo and the disciplined clarity of Neoclassicism, Anton Raphael Mengs’s 1757 masterpiece, “William Fermor,” emerges as a profound…
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Portrait of doña Isabel Parreño Arce Ruiz de Alarcón, marquise de Llano. Standing up on a balcony. In the right hand a mask, on the left side of…
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In this intimate oil portrait, we find ourselves face to face with a young man captured in a moment of quiet contemplation. The composition is tight, a three-quarter…
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In the quiet, shadowed depths of a wooden stable, a singular, celestial light breaks through the gloom, illuminating a moment of profound spiritual intimacy. Anton Raphael Mengs’ The…
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The painting's creation coincided with a transformative period in European art history. Following the exuberant excesses of Rococo, neoclassicism emerged as a reaction against ornamentation and sentimentality, drawing…
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The scene unfolds within the oil on canvas work titled Architect and His Muse. Portrait of James Caulfield, Lord Charlemont. Created by the artist Anton Raphael Mengs, this…
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이 캔버스들에서 가장 자주 등장하는 네 가지 주제와 각 주제를 대표하는 명작들.
이 페이지에 있는 작품을 가장 많이 소장하고 있는 8개의 미술관
| 소장 미술관 | 도시 | 안톤 라파엘 멩스의 작품 | 이 목록의 작품들 |
|---|---|---|---|
 프라도 미술관 |
마드리드 | 25 | Maria Luisa of Parma, Archduke Ferdinand and Archduchess Maria Anna of Austria, Infante Francisco Javier of Spain (1757-1771) |
 빈 미술사 박물관 |
빈 | 6 | Infanta Maria Theresa of Naples (1772-1807), Peter the Apostle, Madonna with Child and Two Angels |
 Statens Museum For Kunst |
코펜하겐 | 5 | Clytia, Cupid, Portrait of King Charles III of Spain |
 에르미타주 박물관 |
상트페테르부르크 | 7 | Perseus and Andromeda, Parnassus (study), The Annunciation |
 Staatliche Kunsthalle Karlsruhe |
카를스루에 | 4 | Portrait of a Boy, Portrait of State Minister Baron Wilhelm von Edelsheim, Epictetus |
 메트로폴리탄 미술관 |
뉴욕 | 5 | 요한 요아킴 빈켈만 (1717–1768), Pleasure, Portrait of Johann Joachim Winckelman |
 드레스덴 주립 미술 컬렉션 |
드레스덴 | 3 | Ismael Mengs, the father of the artist, The Singer Caterina Regina Mingotti (1722-1807), Self-portrait in a blue mantle |
 부다페스트 미술관 |
부다페스트 | 2 | The Holy Family, The Holy Family |
The portrait presents Ismael Mengs in a close-up bust composition, positioned slightly off-center against an indistinct, dark background. Light enters from the upper left, carving the facial structure…
Anton Raphael Mengs’ “The Penitent Magdalene,” painted in 1752, is not merely a depiction of a biblical figure; it's an immersive experience of sorrow, introspection, and the enduring…
Anton Raphael Mengs' "Parnassus (Study)," painted in 1760, isn’t merely a depiction of a classical scene; it’s a carefully constructed meditation on knowledge, aspiration, and the burgeoning spirit…
안톤 라파엘 멩스가 1777년에 그린 요한 요아킴 빈켈만의 초상화는 단순한 외형의 재현 그 이상입니다. 이는 태동하던 신고전주의 운동을 시각적으로 구현한 결정체이자, 108세기 로마를 뒤흔들었던 지적 열망을 보여주는 가슴…
요한 요아킴 빈켈만 (1717–1768) (1777), 메트로폴리탄 미술관, 뉴욕. 다음은 Perseus and Andromeda (1774)와 Parnassus (study) (1760)입니다.
1728년에 태어난 안톤 라파엘 멩스은(는) 49세였으며, 요한 요아킴 빈켈만 (1717–1768)은(는) 1777년의 작품입니다.
요한 요아킴 빈켈만 (1717–1768), Perseus and Andromeda, Parnassus (study), Maria Luisa of Parma, Self Portrait, The Holy Family, The Penitent Magdalene, Archduke Ferdinand and Archduchess Maria Anna of Austria, Infante Francisco Javier of Spain (1757-1771) 및 Charles IV as Prince. 위 랭킹의 각 캔버스 작품에는 제작 연도와 소장 미술관 정보가 포함되어 있습니다.
1740부터 1779까지 제작된 안톤 라파엘 멩스의 작품 128점이 카탈로그에 등록되어 있습니다.
대부분 프라도 미술관 (마드리드), 빈 미술사 박물관 (빈) 및 Statens Museum For Kunst (코펜하겐)에 소장되어 있습니다. 위 목록은 각 미술관과 해당 미술관의 작품 목록을 나타냅니다.
이 페이지의 총 100점의 작품 중 36점이 1760s에 제작되었으며, 그중 Parnassus (study)입니다.
이 페이지에서 가장 오래된 캔버스는 Prince James Francis Edward Stuart (1740)이며, 가장 최근의 것은 Maria Antonia Walpurgis, Hereditary Electress of Saxony, 1724-1780 (1779)입니다.
이 페이지의 100점의 작품에 걸쳐 있는 Man (23), Woman (17) 및 Lace (16)
이 페이지의 총 100점의 작품 중 44점에 Oil On Canvas이(가) 사용되었습니다.
이 페이지의 캔버스들이 보여주듯, 신고전주의의 정수를 만나보세요.
프라도 미술관, 마드리드은 이 페이지에 있는 작품 중 22점을 소장하고 있으며, 그중에는 Maria Luisa of Parma, Archduke Ferdinand and Archduchess Maria Anna of Austria 및 Infante Francisco Javier of Spain (1757-1771)이(가) 포함되어 있습니다.
네, 이 페이지에 있는 모든 작품은 각 작품의 상세 페이지에서 원하시는 크기의 수작업 유화 복제화 또는 파인 아트 프린트로 주문하실 수 있습니다.
