아틀리에 — 전 세계 무료 배송 — 배송 기간 2~6주

      A catalogue of High Medieval masters

      Famous High Medieval 아티스트: A Catalogue of 96 Masters

      Among the High Medieval 아티스트, 조토 디 본도네 (1267–1337) holds the first place, celebrated for 마에스타의 마돈나 (오니산티 마돈나) 및 최후의 심판 (세부 3) (스쿠로베니 예배당 (아레나 예배당), 파두아). 두초, 치마부에, 조맹부 및 주희 follow. The catalogue spans 96 masters, from Xu Daoning (born 970) to Huang Gongwang (born 1269), across 25 countries.

      About this catalogue. This catalogue gathers the artists whose works our collection records as High Medieval, ordered by our fame ranking. Artists born after 1955 with no Wikidata record await verification. Beside each name, the number of our 32 languages in which Wikipedia devotes an article to the artist.

      1. 마에스타의 마돈나 (오니산티 마돈나), 조토 디 본도네 작1조토 디 본도네
      2. 루첼라이 마돈나, 두초 작2두초
      3. Madonna and Child Enthroned (Maesta), 치마부에 작3치마부에

      The collection in brief

      High Medieval: the collection in brief

      • 96아티스트
      • 970–1269출생 연도
      • 25출생 국가
      • 3여성
      • 3현역 작가
      • 1,429카탈로그 내 작품들
      출생 빈도가 가장 높은 도시
      Kyoto (12), Hangzhou (4), Siena (3), Florence (3)
      주요 작품을 가장 많이 보유한 미술관
      메트로폴리탄 미술관 (12), 클리블랜드 미술관 (9), The Palace Museum (9), 국립고궁박물원 (8)
      이 리스트의 여성 아티스트들
      Herrad of Landsberg, Guan Daosheng, Hildegard von Bingen

      Master by master

      The catalogue: 96 High Medieval 아티스트

      11of 96

      보나벤투라 베를링기에리

      이탈리아인 Born in 루카 비잔틴 양식 Wikipedia, 14 of 32 languages

      보나벤투라 베를링기에리

      AllPaintingsStore에서 보나벤투라 베를링기에리 의 더 많은 작품 보기: 보나벤투라 베링기에리 | 작품 2점. 우피치 미술관의 콘티니 보나코시 컬렉션 탐색하기: 이탈리아 루카, 팔라초 만시 국립 박물관. 유명한 명화들과 AllPaintingsStore가 어떻게 당신의 공간에 생명력을 불어넣을 수 있는지 알아보세요: 역사상 가장 유명한 회화들. 보나벤투라 베를링기에리 - 위키백과. '보나벤투라 베를링기에리'의 회화 | 보나벤투라 베를링기에리: 성 프란치스코.

      Principal works · The hundred celebrated works

      12of 96

      Master Mateo

      Spanish Romanesque Sculpture

      Master Mateo

      While his contemporaries often relied on stylized, flat figures, Mateo meticulously studied human anatomy and the complex behavior of drapery, achieving an astonishing accuracy in his depictions. His mastery of limestone carving was unparalleled, particularly through his use of a technique known as trabajo vivo.

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      미불

      중국 Born in 장쑤성 송나라 예술 Wikipedia, 17 of 32 languages

      미불

      AllPaintingsStore에서 미필의 더 많은 작품을 확인하세요: 미필 | AllPaintingsStore. 송나라의 예술적 유산을 탐험해 보세요: 송나라 - 위키백과. AllPaintingsStore에서 다른 저명한 예술가들을 만나보세요: 미술 사조 - AllPaintingsStore. 안개 자욱한 산수와 서예적 숙련미가 살아 숨 쉬는 미필의 신비로운 예술 세계를 경험해 보십시오.

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      16of 96

      Li Gonglin

      Born in Tongcheng Song Dynasty painting Wikipedia, 9 of 32 languages

      Li Gonglin

      Li Gonglin’s painting style is often described as a deliberate revival of earlier traditions, particularly those of the Five Dynasties period (907-960). He consciously rejected the prevailing trends of his time – the opulent and decorative styles favored by many court painters. Unlike many artists who enjoyed patronage from the imperial court or wealthy collectors, Li Gonglin’s path was one of scholarly independence and deliberate stylistic choices rooted in a deep reverence for earlier masters.

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      17of 96

      마린

      중국 Born in 바오딩 '몰골법' 회화 기법 Wikipedia, 7 of 32 languages

      마린

      마린의 예술 세계와 송대 중국 궁중 회화의 맥락을 더욱 깊이 있게 이해하고 싶다면 다음의 자료들을 살펴보시기 바랍니다: 일칸국 예술 운동 - 당대의 더 넓은 예술적 지형을 이해할 수 있습니다. 조맹부의 백마를 탄 기수 - 같은 시기의 또 다른 저명한 예술가를 만나보세요. 텐쇼 슈분의 산수화 - 중국 예술이 일본 화가들에게 미친 영향을 감상해 보세요.

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      18of 96

      Yi Kyu-Bo

      Korean Confucianism

      Yi Kyu-Bo

      Simultaneously, he championed stylistic innovation, rejecting the rigid conventions favored by some of his peers and advocating for expressive freedom within Hanmun forms. This dual commitment to tradition and creativity distinguishes Yi Kyu-Bo as a singular voice in Korean literary history—a figure who simultaneously honored the past while forging new paths toward artistic excellence. Rooted in Confucian ethics—emphasizing filial piety, righteousness, benevolence, and ritual propriety—his poetry reflects a deep engagement with moral dilemmas and explores the human condition through the lens of ethical contemplation.

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      19of 96

      Gislebertus

      French Romanesque Sculpture

      Gislebertus

      While biographical details remain scarce, scholars believe he was trained at Cluny Abbey, arguably the epicenter of European monastic art and intellectual life at the time. While his roots are firmly planted in the Romanesque tradition of Cluny, his expressive power and narrative complexity hint at the burgeoning naturalism that would later define Gothic art.

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      20of 96

      Badīʿ Az-Zaman Abu L-ʿIzz Ibn IsmāʿĪl Ibn Ar-Razāz Al-Jazarī

      Muslim Born in Jazirat Ibn Omar Islamic Golden Age Engineering

      Badīʿ Az-Zaman Abu L-ʿIzz Ibn IsmāʿĪl Ibn Ar-Razāz Al-Jazarī

      He represents a pivotal figure in the Golden Age of Islam, a period characterized by intellectual flourishing and groundbreaking innovation across diverse fields.

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      21of 96

      Giunta Pisano

      Italian Born in Pisa Renaissance style Wikipedia, 10 of 32 languages

      Giunta Pisano

      The Crucifix of San Raniero demonstrates this perfectly, showcasing the artist’s ability to convey both physical pain and spiritual anguish with astonishing realism. Tempera on Wood: Giunta primarily utilized tempera paint applied to wooden panels, a technique common in Italy at the time. Artists like the Master of the Blue Crucifixes, the Master of the Treasury, and Vicino da Pistoia are believed to have been influenced by his work.

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      22of 96

      Xia Gui

      Song dynasty Born in Hangzhou Wikipedia, 16 of 32 languages

      Xia Gui

      The surviving works of Xia Gui include various genres, such as small album leaves and hand scrolls. His technique often featured perfectly balanced diagonal compositions where void and solid mass played equally important roles. Xia Gui was a Chinese landscape painter of the Song dynasty, most likely born in Hangzhou, People's Republic of China.

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      24of 96

      Li Tang

      Song dynasty Born in Meng Prefecture Academy-style landscape Wikipedia, 15 of 32 languages

      Li Tang

      Li Tang perfected the "axe-cut" brushstroke, a technique that fundamentally altered the visual language of Chinese landscape painting. They strike the silk or paper like a chisel hitting wood, carving out the rugged textures of the natural world. Southern Song painters Xia Gui and Ma Yuan studied his compositions and techniques, absorbing his approach to space and form.

      On view at The physical remnants of Li Tang's brushwork reside primarily within major institutional collections.

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      25of 96

      Qian Xuan

      Chinese Born in Wuxing District Fur and feathers painting; Song realism blended with archaic Tang style Wikipedia, 12 of 32 languages

      Qian Xuan

      The historical significance of Qian Xuan lies in his ability to use art as a vessel for memory and identity.

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      28of 96

      Herrad of Landsberg

      Wikipedia, 16 of 32 languages

      Herrad of Landsberg

      As she rose through the ecclesiastical ranks to become the Abbess of Hohenburg, she navigated a world where female intellect was often confined to the shadows of the cloister, yet she used her position to illuminate the minds of her fellow nuns through a breathtaking synthesis of theology, science, and visual art. Though she passed away on July 25, 1195, after twenty-eight years of influential leadership, her voice remains audible through the surviving pages of her Garden.

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      30of 96

      Joannes Koulix

      Byzantine Born in standardized city name Manuscript illumination

      Joannes Koulix

      Creating such a masterpiece demanded immense patience and skill. Parchment, made from animal skin, was prepared meticulously before receiving the artist’s hand. Johannes Koulix’s ‘Epistle to the Hebrews’ leaf stands as a poignant reminder of the artistic achievements of the Byzantine era.

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      32of 96

      Villard De Honnecourt

      French Gothic architecture

      Villard De Honnecourt

      His designs demonstrate an understanding of geometry, proportion, and structural principles—elements inherited from ancient knowledge and refined through centuries of practice. However, he also incorporated elements from other sources: the writings of classical mathematicians like Euclid, the techniques employed by medieval workshops, and perhaps even contemporary innovations in engineering.

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      33of 96

      Fujiwara No Sadanaga

      Japanese Born in Kyoto Waka poetry

      Fujiwara No Sadanaga

      He wasn't simply describing landscapes; he was using them as vehicles for exploring inner states of being. His most famous poem, included in the renowned Hyakunin Isshu anthology, vividly depicts mist rising over dew-kissed pines on an autumn evening—a motif that resonated deeply with later artists and poets. He also adopted Fujiwara no Ietaka, a pupil of Shunzei, continuing the lineage of poetic excellence.

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      Zhang Zeduan

      Chinese Empire Born in Zhucheng shan shui Wikipedia, 15 of 32 languages

      Zhang Zeduan

      His approach moved beyond mere representation to establish a structural language for depicting the natural and built environments. He focused on the intersection of human industry and the landscape, using specific methods to ensure architectural accuracy. They show how subsequent generations of painters from the Ming and Qing dynasties interpreted his specific visual language.

      On view at Tracing the physical presence of Zhang Zeduan's output requires looking toward two major institutions in East Asia.

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      35of 96

      Sū Hànchén

      Chinese Born in Kaifeng Song Dynasty painting

      Sū Hànchén

      Su Hanchen’s reputation rests primarily upon his figure paintings. His subjects were often drawn from domestic life – children at play, women engaged in scholarly pursuits or gentle pastimes. Su Hanchen’s legacy lies in his ability to elevate the ordinary to the extraordinary, reminding us of the beauty and dignity inherent in the human experience.

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      37of 96

      Gaddo Gaddi

      Italian Born in Florence Gothic Art

      Gaddo Gaddi

      Notable achievements attributed to him include: The Completion of Mosaics: His skilled hand contributed to the magnificent mosaics adorning the facade of Santa Maria Maggiore in Rome, showcasing a command over light and permanence.

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      Huang Gongwang

      Yuan dynasty Born in Changzhou Literati painters (wenrenhua) Wikipedia, 12 of 32 languages

      Huang Gongwang

      Huang Gongwang’s approach to the landscape was a deliberate departure from the rigid conventions of the era's Academy. Rather than adhering to the formal structures of his contemporaries, he sought a more personal expression of the natural world. Huang Gongwang remains a central figure in the history of Chinese landscape painting, embodying the wenrenhua ideal of the literati painter.

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      40of 96

      Meliore Of Jacopo

      Italian Medieval Italian art

      Meliore Of Jacopo

      This work, depicting Christ alongside the Virgin, Saint Peter, Saint Paul, and Saint John the Evangelist, represents a significant departure from his earlier geometric roots, embracing a style that is reminiscent of the great Cimabue. Madonna and Child (Art Institute of Chicago): An early work that demonstrates his foundational skill in capturing the tender, human connection within divine subjects. The historical significance of Meliore di Jacopo lies in his role as a bridge between the stiff, symbolic traditions of the early Middle Ages and the burgeoning humanism of the Italian Renaissance.

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      43of 96

      Coppo di Marcovaldo

      Italian Born in Florence Italo-Byzantine Art Wikipedia, 12 of 32 languages

      Coppo di Marcovaldo

      Though his life ended in 1276, the echoes of Coppo di Marcovaldo’s innovation resonated through the centuries.

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      45of 96

      Kuo, River

      Chinese Born in Hangzhou Song Dynasty Science & Philosophy

      Kuo, River

      While history often remembers the name Shen Kuo as the towering intellectual giant of the Song Dynasty—a man whose mind spanned the celestial mechanics of the stars and the magnetic pull of the earth—the contemporary artistic identity of River Kuo breathes new life into this ancestral legacy.

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      47of 96

      무함마드 이븐 암마르

      영국 Born in 실베스 식물 세밀화

      무함마드 이븐 암마르

      (AllPaintingsStore에서 보기). 이븐 암마르의 삶과 작품에 대한 더 깊은 이해를 원하신다면, wikipedia.org의 전기 내용을 참고하시기 바랍니다. (더 읽어보기). 다양한 예술품과 유물을 전시하고 있는 무세오 호스피탈 데 라 카리다드 (스페인, 세비야) 를 탐방해 보세요.

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      53of 96

      Hemachandra

      Born in Dhandhuka Wikipedia, 10 of 32 languages

      Hemachandra

      Hemachandra was a prolific scholar and monk of the Śvetāmbara school of Jainism. Born in Dhandhuka, India, he was a man of immense intellect, earning the title kalikālasarvajña, meaning "the knower of all knowledge in his times." His vast contributions spanned numerous disciplines, including mathematics, history, philosophy, poetry, and grammar.

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      54of 96

      Bolesław Iv The Curly

      Polish Born in Krakow Medieval Art

      Bolesław Iv The Curly

      In the turbulent landscape of twelfth-century Poland, where the echoes of the Piast dynasty's greatness still resonated, Bolesław IV the Curly emerged not merely as a ruler, but as a transformative force. Following the untimely passing of his elder brothers, Leszek and Casimir, Bolesław ascended to the dukedom of Masovia, stepping into a political arena fraught with tension and the looming shadow of his half-brother, Władysław II the Exile.

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      55of 96

      Fujiwara No Koreyuki

      Japanese Born in Zama Heian calligraphy & poetry

      Fujiwara No Koreyuki

      He is best known for his exquisite calligraphy on scrolls featuring poems from the Wakan Roeishu, a renowned anthology of Japanese and Chinese verses compiled in the early eleventh century. These were not simply copies; Koreyuki imbued each character with a subtle energy, demonstrating mastery over brushstroke variation and spatial composition.

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      56of 96

      Adelhog

      German Born in Hildesheim Medieval Art

      Adelhog

      The legacy of Adelhog can be summarized through several key contributions to the medieval landscape: Integration of Iconography: He successfully merged religious symbolism, such as the lily and the cross, with functional objects like coinage. Cultural Connectivity: Through his education in Toulouse, he acted as a conduit for French artistic influences within the German ecclesiastical tradition. While much of his early education remains shrouded in the mists of time, historical records point toward his training at the Toulouse Cathedral in France.

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      57of 96

      Urtu Saqaltu

      Khitan Born in Beijing Literati painting, Confucian tradition

      Urtu Saqaltu

      Crucially, Chucai’s work was inseparable from his calligraphy. The use of gold leaf – particularly evident in works like “Landscape with Tower” – added an element of luxury and spiritual significance, elevating the paintings beyond mere representations of the world to symbolic expressions of higher ideals. Recognizing his intelligence, diplomatic skills, and understanding of both Chinese and Khitan cultures, the young Mongol leader brought him into his inner circle in 1218.

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      58of 96

      Fernando Martins De Bulhões

      Portuguese Born in Lisbon Religious Art

      Fernando Martins De Bulhões

      This image symbolizes his deep love for Christ and his role as a protector of children. Paintings often portray him as a humble Franciscan friar, radiating an aura of peace and devotion. He was canonized less than a year after his death in 1231 – an astonishingly swift recognition of his sanctity by the Catholic Church.

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      60of 96

      Master Of Bigallo

      Italian Proto-Renaissance

      Master Of Bigallo

      Pinpointing the exact dates of his career is challenging, though scholars generally place his activity between 1215/20 and 1265. Early evidence suggests he was already active by 1230, producing a “ Madonna and Child ” panel now housed in the Fiesole Cathedral. He represents a crucial link between the Gothic and Renaissance periods, embodying the transition from stylized representation to more naturalistic depiction.

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      61of 96

      Master Of Cabestany

      Italian Romanesque

      Master Of Cabestany

      What sets the Master of Cabestany apart is not merely the quality of his work—though that is undeniably exceptional—but also its surprisingly broad geographic distribution. This itinerant nature suggests a highly organized workshop capable of undertaking commissions across diverse regions. The Master of Cabestany did not emerge from a vacuum.

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      62of 96

      Hōgen En’I

      Japanese Born in Kyoto Yamato-e & Emakimono

      Hōgen En’I

      His era was one of profound transition, where the rugged energy of the Kamakura period met the refined aesthetic sensibilities of the Yamato-e tradition. Though centuries have passed since hōgen en’i laid down his brushes, his influence remains an indelible part of the Japanese artistic soul.

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      65of 96

      베네데토 안텔라미

      Born in 포흘람 Romanesque

      베네데토 안텔라미

      The technical prowess displayed by Antelami reflects a pivotal moment in medieval art history. The historical significance of Benedetto Antelami lies in his role as a foundational pillar of Italian sculpture. An Italian architect and sculptor of the Romanesque school, Antelami stands as a monumental figure whose creative spirit bridged the gap between the sturdy traditions of late antiquity and the emerging fluidity of the Gothic era.

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      67of 96

      Qingmao Gulin

      Chinese Born in Leying Zen Calligraphy, Wanshi-ha Poetry

      Qingmao Gulin

      Bold Brushstrokes: Qingmao Gulin’s signature style is characterized by its bold and expressive brushstrokes. Elegance and Beauty: Despite the boldness of his strokes, his calligraphy is also celebrated for its elegance and beauty, serving as an inspiration to subsequent generations of artists. He not only produced stunning works of art but also contributed significantly to the intellectual and artistic landscape of his time through his involvement in the Wanshi-ha poetry movement.

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      68of 96

      Hildegard von Bingen

      German

      Hildegard von Bingen

      Between 1158 and 1163, she composes Liber Vitae Meritorum. The themes of spiritual combat and the triumph of virtue are further explored in The Book of the Rewards of Life. A number of scholars consider her to be the founder of scientific natural history in Germany.

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      70of 96

      Filippo Rusuti

      Italian Roman School

      Filippo Rusuti

      While often overshadowed by luminaries like Giotto and Duccio, Rusuti's contribution to Byzantine -influenced fresco decoration offers invaluable insight into the intellectual and aesthetic currents shaping medieval Italy. The Basilica of St Mary Major mosaic project was Rusoti’s first major commission and it cemented him as a prominent artist of his time. The career of Filippo Rusuti spanned nearly four decades, a period that witnessed a dramatic shift in artistic styles and techniques within Italy.

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      74of 96

      Yi Yuanji

      Chinese Born in Changsha Northern Song Dynasty Wikipedia, 7 of 32 languages

      Yi Yuanji

      In the vibrant artistic landscape of the Northern Song Dynasty, few names resonate with as much specialized brilliance as Yi Yuanji. While many of his contemporaries sought beauty in idealized landscapes or poetic abstractions, Yi Yuan_yuanji embarked on a different, more visceral journey. The Emperor Yingzong himself was so moved by Yi's prowess that he commissioned a monumental work titled The Picture of a Hundred Gibbons.

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      75of 96

      Nicolas Of Verdun

      Flemish [Gothic art](https://www.britannica.com/art/Gothic-art)[Romanesque art](https://www.britannica.com/art/Romanesque-art)[Mosan school](https://www.britannica.com/topic/Mosan-school)

      Nicolas Of Verdun

      The shrine’s general design and the figures of the prophets are widely attributed to Nicolas, showcasing his mastery of metal sculpture and his growing interest in classical forms. The Shrine of the Three Kings is remarkable for its expressive power and dynamic composition. Nicolas of Verdun’s impact on medieval art extends far beyond his individual creations.

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      76of 96

      Wuxue Zuyuan

      Chinese Born in Hangzhou Zen Buddhist ink art and calligraphy

      Wuxue Zuyuan

      His posthumous title, Bukko Kokushi, or the "National Preceptor of the Buddha's Radiance," serves as a testament to the immense respect and spiritual authority he commanded.

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      79of 96

      Liu Songnian

      Chinese Born in Hangzhou Southern Song Dynasty Wikipedia, 7 of 32 languages

      Liu Songnian

      Furthermore, Liu was influenced by other artists like Gion Nankai, a prominent Nanga painter who brought a more expressive and emotionally charged approach to landscape painting.

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      80of 96

      Master of Taüll

      Born in Roda de Isábena Wikipedia, 7 of 32 languages

      Master of Taüll

      The name of the person who painted the walls of Sant Climent remains lost to time, leaving only the title of the Master of Taüll to mark their presence. The focus remained on the central figure, a Christ in Majesty, seated upon a throne and surrounded by the symbols of the four Evangelists.

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      83of 96

      Fujiwara Nobuzane

      Japanese Born in Kyoto Nise-e, Yamato-e, Kamakura period Wikipedia, 8 of 32 languages

      Fujiwara Nobuzane

      The nise-e style relied on thin, angular outlines to define form. To capture the soul of his subjects, he used a more economical method for the face, employing sketchy, sparse lines to evoke individual features and personality. Beyond the poetry sets, several other works are attributed to his hand or influenced by his direction: Portrait of Sugawara no Michizane in Formal Attire: A study in the dignity of courtly dress.

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      85of 96

      Naumburg Master

      French High Gothic Wikipedia, 10 of 32 languages

      Naumburg Master

      He was active in the towns of Noyon, Amiens, and Reims around 1225, absorbing the High Gothic style that defined the era. By around 1230, he was working at Mainz Cathedral. In these portraits, such as those of Margrave Eckard II of Meissen and his consort Uta von Ballenstedt, the stone takes on a human quality.

      On view at Tracing the physical remains of his hand requires traveling across several locations.

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      86of 96

      Li Jie

      Chinese Born in Xinzheng Tribal Art Wikipedia, 9 of 32 languages

      Li Jie

      Jie’s paintings are infused with Buddhist iconography—lotuses symbolizing purity and enlightenment, dragons representing imperial power and auspiciousness—reflecting the dominant religious beliefs of his era. Jie's meticulous technique—characterized by subtle gradations of color and masterful brushwork—elevates his landscapes to a realm of sublime beauty. Scholarly debate centers on Jie's artistic inspiration, with prominent linguists like Edwin G.

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      87of 96

      Dietisalvi di Speme

      Born in Siena Wikipedia, 8 of 32 languages

      Dietisalvi di Speme

      The evolution of Dietisalvi's style is visible through his surviving works, moving toward a greater similarity with the work of Giunta Pisano and Cimabue, as well as the freer strokes of Guido da Siena. His technique showed a movement toward a more substantial depiction of bodies and a greater attention to color.

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      88of 96

      Margaritone d'Arezzo

      Italian Born in Arezzo Byzantine influence Wikipedia, 8 of 32 languages

      Margaritone d'Arezzo

      Margarito d’Arezzo, a name whispered through the annals of 13th-century Italian painting, remains an elusive figure despite leaving behind a surprisingly substantial body of work. Unlike many artists of his era, Margarito consistently signed his creations, offering a rare personal connection across the centuries. His work was largely forgotten until its rediscovery by Giorgio Vasari in the 16th century.

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      91of 96

      Su Hanchen

      Song dynasty Born in Kaifeng Wikipedia, 7 of 32 languages

      Su Hanchen

      Su Hanchen lived during the Song dynasty, a period of significant change in China. Born in Kaifeng, he spent much of his life in Zhejiang. His talent was recognized early by the imperial court, where he served as a Painter-in-Attendance for Emperor Huizong.

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      92of 96

      Xu Daoning

      Chinese Born in Xi'an Northern Song Dynasty Wikipedia, 7 of 32 languages

      Xu Daoning

      Daoning’s artistic journey was profoundly shaped by Li Cheng (李成, 919–967), one of the most celebrated landscape painters of the Mid-Song period. This deliberate choice reflects a growing interest in capturing not just what was seen, but also what was felt – a core tenet of Song Dynasty aesthetics. Daoning deeply admired Li Cheng's masterful use of atmospheric perspective – the subtle gradations of color and tone that create a sense of depth and distance – and meticulously emulated his techniques.

      Principal works · The hundred celebrated works

      93of 96

      Zhao Boju

      Chinese Blue-and-green landscape painting Wikipedia, 6 of 32 languages

      Zhao Boju

      Zhao Boju’s brushwork was defined by a meticulous precision that bridged the gap between different eras of Chinese tradition. This fusion allowed him to balance the vividness of his palette with the subtle gradations of monochromatic ink, creating compositions that were both detailed and refined.

      Principal works · The hundred celebrated works

      95of 96

      Ren Renfa

      Born in China Tang dynasty style Wikipedia, 6 of 32 languages

      Ren Renfa

      Ren Renfa was an expert of irrigation works, artist, and a government official of the Yuan dynasty. Born in Qinglong Town, Songjiang, he also served as a hydrological engineer, where his work included dredging an area in what is now Beijing to improve the water supply and leading a team to build embankments after the Yellow River burst its banks.

      Principal works · The hundred celebrated works

      Plates

      Celebrated High Medieval paintings

      1. 마에스타의 마돈나 (오니산티 마돈나), 조토 디 본도네 작

        마에스타의 마돈나 (오니산티 마돈나)

        조토 디 본도네

        1310

      2. 루첼라이 마돈나, 두초 작

        루첼라이 마돈나

        두초

        1285 · 우피치 미술관, 피렌체

      3. Madonna and Child Enthroned (Maesta), 치마부에 작

        Madonna and Child Enthroned (Maesta)

        치마부에

        1285

      4. The Mind Landscape of Xie Youyu (Youyu qiu he 幼輿丘壑 ), 조맹부 작

        The Mind Landscape of Xie Youyu (Youyu qiu he 幼輿丘壑 )

        조맹부

        1287

      5. Thatched Hut Hand Scroll, 주희 작

        Thatched Hut Hand Scroll

        주희

      6. Watching the Deer by a Pine Shaded Stream, 마원 작

        Watching the Deer by a Pine Shaded Stream

        마원

        1203 · 클리블랜드 미술관

      7. Early Spring, 곽희 작

        Early Spring

        곽희

        1072 · 국립고궁박물원, 타이베이

      8. Summer Mountain, 휘종 작

        Summer Mountain

        휘종

        1250

      Chronology

      A High Medieval chronology in paintings

      1. 1055
      2. 1072
      3. 1085
      4. 1124
      5. 1180
      6. 1188
      7. 1203
      8. 1205
      9. 1230
      10. 1235
      11. 1235
      12. 1240
      13. 1250
      14. 1265

      Notes and figures

      The catalogue in figures

      Index of artists

      List of the 96 High Medieval 아티스트

      1. 1조토 디 본도네조토 디 본도네1267–1337
      2. 2두초두초이탈리아 · 1255–1319
      3. 3치마부에치마부에이탈리아 · 1240–1302
      4. 4조맹부조맹부중국 · 1254–1322
      5. 5주희주희중국 · 1130–1200
      6. 6마원마원중국 · 1160–1225
      7. 7곽희곽희Chinese · 1020–1090
      8. 8휘종휘종중국 · 1082–1135
      9. 9목계목계중국 · 1210–1269
      10. 10구이도 다 시에나구이도 다 시에나프랑스 · 1230–1290
      11. 11보나벤투라 베를링기에리보나벤투라 베를링기에리이탈리아인 · 1210–1287
      12. 12Master MateoMaster MateoSpanish · 1161–1217
      13. 13조반니 피사노조반니 피사노이탈리아 · 1248–1318
      14. 14미불미불중국 · 1051–1107
      15. 15Lorenzo MaitaniLorenzo MaitaniItalian · 1255–1330
      16. 16Li GonglinLi Gonglin1049–1106
      17. 17마린마린중국 · 1180–1256
      18. 18Yi Kyu-BoYi Kyu-BoKorean · 1168–1241
      19. 19GislebertusGislebertusFrench · 1120–1135
      20. 20Badīʿ Az-Zaman Abu L-ʿIzz Ibn IsmāʿĪl Ibn Ar-Razāz Al-JazarīBadīʿ Az-Zaman Abu L-ʿIzz Ibn IsmāʿĪl Ibn Ar-Razāz Al-JazarīMuslim · 1136–1206
      21. 21Giunta PisanoGiunta PisanoItalian · 1190–1260
      22. 22Xia GuiXia GuiSong dynasty · 1195–1224
      23. 23니콜로 피사노니콜로 피사노이탈리아 · 1230–1284
      24. 24Li TangLi TangSong dynasty · 1050–1130
      25. 25Qian XuanQian XuanChinese · 1235–1305
      26. 26Matthew ParisMatthew ParisEnglish · 1200–1259
      27. 27Jingdezhen Ceramic KilnJingdezhen Ceramic KilnChinese · 1004년생
      28. 28Herrad of LandsbergHerrad of Landsberg1130–1196
      29. 29Fujiwara No Teika, Fujiwara No SadaieFujiwara No Teika, Fujiwara No SadaieJapanese · 1162–1241
      30. 30Joannes KoulixJoannes KoulixByzantine · 1101년생
      31. 31Břetislav IBřetislav ICzech · 1002–1055
      32. 32Villard De HonnecourtVillard De HonnecourtFrench · 1200–1266
      33. 33Fujiwara No SadanagaFujiwara No SadanagaJapanese · 1139–1202
      34. 34Zhang ZeduanZhang ZeduanChinese Empire · 1085–1145
      35. 35Sū HànchénSū HànchénChinese · 1094–1172
      36. 36Saigyō HōshiSaigyō HōshiJapanese · 1118–1190
      37. 37Gaddo GaddiGaddo GaddiItalian · 1240–1312
      38. 38Huang GongwangHuang GongwangYuan dynasty · 1269–1354
      39. 39Rai KuniyukiRai KuniyukiJapanese · 1219–1298
      40. 40Meliore Of JacopoMeliore Of JacopoItalian · 1255–1285
      41. 41Guan DaoshengGuan DaoshengChinese · 1262–1319
      42. 42Philippe le BelPhilippe le BelFrench · 1268–1314
      43. 43Coppo di MarcovaldoCoppo di MarcovaldoItalian · 1225–1276
      44. 44Fujiwara No Tadaie(Teika)Fujiwara No Tadaie(Teika)Japanese · 1033–1091
      45. 45Kuo, RiverKuo, RiverChinese · 1031–1095
      46. 46아르놀포 디 감비오아르놀포 디 감비오중국 · 1245–1310
      47. 47무함마드 이븐 암마르무함마드 이븐 암마르영국 · 1031–1086
      48. 48Zheng YuanZheng Yuan1056–1093
      49. 49Sakyō No Daibu AkisukeSakyō No Daibu AkisukeAmerican · 1090–1155
      50. 50Magnus Sigurdsson Or Sigurd HaraldssonMagnus Sigurdsson Or Sigurd HaraldssonNorwegian · 1115–1155
      51. 51Kamo No ShigeyasuKamo No ShigeyasuJapanese · 1119–1191
      52. 52Fujiwara no TameyoriFujiwara no TameyoriJapanese · 1128–1201
      53. 53HemachandraHemachandra1088–1172
      54. 54Bolesław Iv The CurlyBolesław Iv The CurlyPolish · 1138–1173
      55. 55Fujiwara No KoreyukiFujiwara No KoreyukiJapanese · 1139–1175
      56. 56AdelhogAdelhogGerman · 1170–1190
      57. 57Urtu SaqaltuUrtu SaqaltuKhitan · 1190–1244
      58. 58Fernando Martins De BulhõesFernando Martins De BulhõesPortuguese · 1195–1231
      59. 59Lanxi DaolongLanxi DaolongChinese · 1213–1278
      60. 60Master Of BigalloMaster Of BigalloItalian · 1218년생
      61. 61Master Of CabestanyMaster Of CabestanyItalian · 1130–1180
      62. 62Hōgen En’IHōgen En’IJapanese · 1240–1300
      63. 63Issan IchineiIssan IchineiChinese · 1247–1317
      64. 64Xianyu ShuXianyu ShuChinese · 1256–1301
      65. 65베네데토 안텔라미베네데토 안텔라미1150–1230
      66. 66Saionji KinhiraSaionji KinhiraJapanese · 1264–1315
      67. 67Qingmao GulinQingmao GulinChinese · 1262–1329
      68. 68Hildegard von BingenHildegard von BingenGerman · 1098–1179
      69. 69FachangFachangChinese · 1210–1269
      70. 70Filippo RusutiFilippo RusutiItalian · 1255–1325
      71. 71토바 소조토바 소조프랑스 · 1053–1140
      72. 72Memmo di FilippuccioMemmo di FilippuccioItalian · 1263–1326
      73. 73Su DongpoSu DongpoChinese · 1037–1101
      74. 74Yi YuanjiYi YuanjiChinese · 1000–1064
      75. 75Nicolas Of VerdunNicolas Of VerdunFlemish · 1130–1205
      76. 76Wuxue ZuyuanWuxue ZuyuanChinese · 1226–1286
      77. 77Buonamico BuffalmaccoBuonamico Buffalmacco1262–1340
      78. 78Lombard MasterLombard MasterItalian · 1096–1160
      79. 79Liu SongnianLiu SongnianChinese · 1174–1224
      80. 80Master of TaüllMaster of Taüll1100–1199
      81. 81Wen TongWen TongSong dynasty · 1018–1079
      82. 82Wang XiWang XiChinese · 1096–1119
      83. 83Fujiwara NobuzaneFujiwara NobuzaneJapanese · 1176–1266
      84. 84피에트로 카발리니피에트로 카발리니이탈리아인 · 1240–1330
      85. 85Naumburg MasterNaumburg MasterFrench · 1200–1300
      86. 86Li JieLi JieChinese · 1035–1110
      87. 87Dietisalvi di SpemeDietisalvi di Speme1201–1291
      88. 88Margaritone d'ArezzoMargaritone d'ArezzoItalian · 1240–1290
      89. 89Gao KegongGao KegongChinese · 1248–1310
      90. 90Cui BaiCui BaiChinese · 1000–1074
      91. 91Su HanchenSu HanchenSong dynasty · 1101–1161
      92. 92Xu DaoningXu DaoningChinese · 970–1052
      93. 93Zhao BojuZhao BojuChinese · 1120–1182
      94. 94Fujiwara no TakanobuFujiwara no TakanobuJapanese · 1142–1205
      95. 95Ren RenfaRen Renfa1254–1327
      96. 96KōkeiKōkei

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